This document analyzes the British social realism film Billy Elliot. It discusses how the film addresses real social issues of its time period, such as the British miners' strike of 1984-1985. It also examines how the film uses various cinematic techniques common in the social realism genre, such as establishing shots that show the working class setting and locations. The narrative structure follows Todorov's theory of equilibrium being disrupted by a new development, then recognition of the disruption, followed by acceptance of a new equilibrium. Dialogue is also discussed as an important way the film portrays different social groups and stereotypes of the time period in a realistic manner.