SlideShare a Scribd company logo
1 of 31
Representation in Skyfall 
Women 
Masculinity 
Ethnicity 
‘The Monstrous other’/Disfigurement 
Places
Representation of women 
How are women represented in Skyfall?
Moneypenny 
Has her 
character 
evolved since 
the 1960’s?
Moneypenny in Dr No (1962)
Die Another 
Day 2002
History: 
• Doesn’t participate in missions 
• More sexually charged 
• No name (until now) 
• Small part – romantic tension 
• Understands Bond 
• Supporting role 
• Samantha Bond (3rd Moneypenny) in Die Another 
Day
Naomie Harris Skyfall (2012) 
MoneyPenny
Representations: 
Bond: “You know… we haven’t been formally introduced.” 
Moneypenny: “Oh. Well I’m Eve. Eve Moneypenny”
task 
In Skyfall, do you think Moneypenny empowers the 
representation of women in contemporary society? 
In pairs, discuss and write down your thoughts. Please 
explain your choice. 
Aim for a good paragraph.
Moneypenny 
At the beginning of the film, Moneypenny (Eve) is Bond’s partner on 
a mission to recover the stolen hard drive. 
M instructs Moneypenny to shoot at Patrice on the train, yet 
Moneypenny is hesitant and instead hits Bond with her bullet. It 
could be argued this suggests Moneypenny is an incompetent agent. 
Moneypenny only appears a few more times in the film; as a potential 
seductress for Bond, rather than assisting him with his mission. 
At the end of the film, Moneypenny decides to retire as a field agent 
and instead work for Mallory as his secretary.
Severine
Severine 
What are your thoughts on Severine and her representation? 
When Bond and Severine meet in the casino, her hands start 
shaking indicating her fear, suggesting she is vulnerable and in 
need of help. 
Severine was served as an object of sexual gratification for both 
men, Bond and Silva. 
Her character reinforces Laura Mulvey’s ‘male gaze’ concept 
(1975), arguing women are often presented as passive 
sexualised ‘objects’ for the pleasure of the male gaze.
Debate: Gender power 
Which character is represented as being more 
dominant; M or Bond? 
Discuss and write down your response. Please 
explain your choice.
M & Bond 
M may hold the highest position of power as the head of the Foreign 
Intelligence Wing, but she constantly makes poor decisions that cost 
numerous people their lives. 
For example, Silva holds her responsible for being tortured by the Chinese 
and plans a cyber attack against her and MI6. M is also forced to go on trial 
to defend the competency of her programme. 
M is asked to retire from her position, being informed she has become too 
old to handle matters properly. Her position is then filled by a presumably 
more capable man, Gareth Mallory. 
Silva: “You’re smaller than I remembered” 
Bond both kidnaps and recues M. This is surprising given M is Bond’s boss 
and in a superior position of power and authority.
Women 
Has the representation of women been 
empowered? 
All three women were shown to be inept at 
their jobs and ended up dead or in a 
subservient position. It seems the women are 
positioned merely to be decorative foils for 
Bond’s masculinity.
Representations: Masculinity
Representations: Masculinity
Homework question: 
How is masculinity represented in Skyfall? 
OR 
Has the representation of women been shown 
in a positive, empowered way? 
Mini essay – paragraphs and examples from 
the film in support. 
Due: Wednesday 8th Oct
Representations: The monstrous ‘other’
Ethnicity 
• Patrice 
• Silva 
• Severine 
• Moneypenny 
• Bond/M/Mallory/Q
Britishness 
“The connection between James Bond and British identity is visually achieved through the alignment 
of the title character with notable British popular cultural iconography, including images of Big Ben, the 
Thames, and Whitehall.” 
Funnell, Lisa (2011) ‘‘I Know Where You Keep Your Gun’’: Daniel Craig as the Bond–Bond Girl Hybrid 
in Casino Royale. The Journal of Popular Culture, Vol. 44, No. 3, p.458
Britishness 
• Nostalgia 
• Austerity Britain: ‘Keep calm and carry on’ mentality.
Britishness 
• Visit Britain advert
Representations of London 
http://www.youtube.com/watch?v=dl218z68iC4#t=82 
Skyfall London Videoblog
Representations of Shangai
• https://www.youtube.com/watch?v=lHhwNUGGlO4 
• Skyfall Shanghai Video Blog
Istanbul 
• https://www.youtube.com/watch?v=10SLdjx5gkw 
• Skyfall Istanbul Video Blog

More Related Content

What's hot

Film Opening Sequence Codes & Conventions
Film Opening Sequence Codes & ConventionsFilm Opening Sequence Codes & Conventions
Film Opening Sequence Codes & Conventionsmimammedia
 
Kiss of the vampire analysis
Kiss of the vampire analysisKiss of the vampire analysis
Kiss of the vampire analysisbenjijohnoo10
 
Scream opening scene analysis
Scream opening scene analysisScream opening scene analysis
Scream opening scene analysisleila doyle
 
An Analysis Of The Opening Sequence Of Vertigo
An Analysis Of The Opening Sequence Of VertigoAn Analysis Of The Opening Sequence Of Vertigo
An Analysis Of The Opening Sequence Of VertigoMedia Studies
 
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guide
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guidePan's Labyrinth A-Level Film Studies student booklet e-book workbook study guide
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guideIan Moreno-Melgar
 
Codes and conventions in the horror genre
Codes and conventions in the horror genreCodes and conventions in the horror genre
Codes and conventions in the horror genreamberloo20
 
Vertigo - Film Opening Analysis
Vertigo - Film Opening AnalysisVertigo - Film Opening Analysis
Vertigo - Film Opening AnalysisSam Benzie
 
Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Emma Rose
 
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)SofiaRibWillDS75
 
Codes and conventions in the horror genre
Codes and conventions in the horror genreCodes and conventions in the horror genre
Codes and conventions in the horror genreamberloo20
 
Film narrative theory
Film narrative theoryFilm narrative theory
Film narrative theoryMrSouthworth
 
Film Language: Mise-En-Scene explanation and examples.
Film Language: Mise-En-Scene explanation and examples.Film Language: Mise-En-Scene explanation and examples.
Film Language: Mise-En-Scene explanation and examples.Ian Moreno-Melgar
 
Tessa perkins stereotype theory
Tessa perkins stereotype theoryTessa perkins stereotype theory
Tessa perkins stereotype theoryChloe Jayde
 
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...Under the Skin booklet - a guide, workbook and text book for A-Level film stu...
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...Ian Moreno-Melgar
 
MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...Ian Moreno-Melgar
 
what are some of the common codes and conventions of sci fi films-2
 what are some of the common codes and conventions of sci fi films-2 what are some of the common codes and conventions of sci fi films-2
what are some of the common codes and conventions of sci fi films-2Graveney School
 

What's hot (20)

Film Opening Sequence Codes & Conventions
Film Opening Sequence Codes & ConventionsFilm Opening Sequence Codes & Conventions
Film Opening Sequence Codes & Conventions
 
Kiss of the vampire analysis
Kiss of the vampire analysisKiss of the vampire analysis
Kiss of the vampire analysis
 
Scream opening scene analysis
Scream opening scene analysisScream opening scene analysis
Scream opening scene analysis
 
Christopher nolan study copy
Christopher nolan study copyChristopher nolan study copy
Christopher nolan study copy
 
Scream powerpoint
Scream powerpoint Scream powerpoint
Scream powerpoint
 
Scream
ScreamScream
Scream
 
An Analysis Of The Opening Sequence Of Vertigo
An Analysis Of The Opening Sequence Of VertigoAn Analysis Of The Opening Sequence Of Vertigo
An Analysis Of The Opening Sequence Of Vertigo
 
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guide
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guidePan's Labyrinth A-Level Film Studies student booklet e-book workbook study guide
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guide
 
Codes and conventions in the horror genre
Codes and conventions in the horror genreCodes and conventions in the horror genre
Codes and conventions in the horror genre
 
Vertigo - Film Opening Analysis
Vertigo - Film Opening AnalysisVertigo - Film Opening Analysis
Vertigo - Film Opening Analysis
 
Film Noir
Film NoirFilm Noir
Film Noir
 
Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Narrative theory in halloween (1978)
Narrative theory in halloween (1978)
 
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
Film Studies- Paper 1(Session C: Inception & Captain Fantastic)
 
Codes and conventions in the horror genre
Codes and conventions in the horror genreCodes and conventions in the horror genre
Codes and conventions in the horror genre
 
Film narrative theory
Film narrative theoryFilm narrative theory
Film narrative theory
 
Film Language: Mise-En-Scene explanation and examples.
Film Language: Mise-En-Scene explanation and examples.Film Language: Mise-En-Scene explanation and examples.
Film Language: Mise-En-Scene explanation and examples.
 
Tessa perkins stereotype theory
Tessa perkins stereotype theoryTessa perkins stereotype theory
Tessa perkins stereotype theory
 
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...Under the Skin booklet - a guide, workbook and text book for A-Level film stu...
Under the Skin booklet - a guide, workbook and text book for A-Level film stu...
 
MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...
 
what are some of the common codes and conventions of sci fi films-2
 what are some of the common codes and conventions of sci fi films-2 what are some of the common codes and conventions of sci fi films-2
what are some of the common codes and conventions of sci fi films-2
 

Viewers also liked

A2 Media Skyfall Lesson 1 Genre
A2 Media Skyfall Lesson 1 GenreA2 Media Skyfall Lesson 1 Genre
A2 Media Skyfall Lesson 1 GenreElle Sullivan
 
Film analysis of skyfall
Film analysis of skyfallFilm analysis of skyfall
Film analysis of skyfallhaverstockmedia
 
Lesson 2 - Skyfall narrative
Lesson 2 - Skyfall narrativeLesson 2 - Skyfall narrative
Lesson 2 - Skyfall narrativeElle Sullivan
 
Skyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & AudienceSkyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & AudienceElle Sullivan
 
Analysis of the opening sequence of skyfall
Analysis of the opening sequence of skyfallAnalysis of the opening sequence of skyfall
Analysis of the opening sequence of skyfallhaverstockmedia
 
The distribution of skyfall
The distribution of skyfallThe distribution of skyfall
The distribution of skyfallsandraoddy2
 
Media Representation Essay
Media Representation EssayMedia Representation Essay
Media Representation EssaySianLynes
 
Skyfall
SkyfallSkyfall
Skyfallvini95
 
Contemporary Media Representations of Young People
Contemporary Media Representations of Young PeopleContemporary Media Representations of Young People
Contemporary Media Representations of Young Peoplejphibbert
 
A2 Media Studies Revision Pack
A2 Media Studies Revision PackA2 Media Studies Revision Pack
A2 Media Studies Revision PackAndy Wallis
 
Laura mulvey, the male gaze
Laura mulvey, the male gazeLaura mulvey, the male gaze
Laura mulvey, the male gazechristimothy12
 
Uses and Gratifications Theory
Uses and Gratifications TheoryUses and Gratifications Theory
Uses and Gratifications TheoryZoe Lorenz
 
‘Gods of egypt’ ..
‘Gods of egypt’ ..‘Gods of egypt’ ..
‘Gods of egypt’ ..Deepak Sawant
 
Opening analysis of skyfall (media)
Opening analysis of skyfall (media)Opening analysis of skyfall (media)
Opening analysis of skyfall (media)haverstockmedia
 
Ideas of representation
Ideas of representationIdeas of representation
Ideas of representationMoven1
 
Representation of masculinity within media
Representation of masculinity within mediaRepresentation of masculinity within media
Representation of masculinity within mediajoy g
 

Viewers also liked (20)

A2 Media Skyfall Lesson 1 Genre
A2 Media Skyfall Lesson 1 GenreA2 Media Skyfall Lesson 1 Genre
A2 Media Skyfall Lesson 1 Genre
 
Film analysis of skyfall
Film analysis of skyfallFilm analysis of skyfall
Film analysis of skyfall
 
Lesson 2 - Skyfall narrative
Lesson 2 - Skyfall narrativeLesson 2 - Skyfall narrative
Lesson 2 - Skyfall narrative
 
Skyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & AudienceSkyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & Audience
 
G322casestudy skyfall
G322casestudy skyfallG322casestudy skyfall
G322casestudy skyfall
 
Analysis of the opening sequence of skyfall
Analysis of the opening sequence of skyfallAnalysis of the opening sequence of skyfall
Analysis of the opening sequence of skyfall
 
Representations of age
Representations of ageRepresentations of age
Representations of age
 
The distribution of skyfall
The distribution of skyfallThe distribution of skyfall
The distribution of skyfall
 
Media Representation Essay
Media Representation EssayMedia Representation Essay
Media Representation Essay
 
Skyfall
SkyfallSkyfall
Skyfall
 
Age presentation
Age presentationAge presentation
Age presentation
 
Contemporary Media Representations of Young People
Contemporary Media Representations of Young PeopleContemporary Media Representations of Young People
Contemporary Media Representations of Young People
 
A2 Media Studies Revision Pack
A2 Media Studies Revision PackA2 Media Studies Revision Pack
A2 Media Studies Revision Pack
 
Laura mulvey, the male gaze
Laura mulvey, the male gazeLaura mulvey, the male gaze
Laura mulvey, the male gaze
 
Uses and Gratifications Theory
Uses and Gratifications TheoryUses and Gratifications Theory
Uses and Gratifications Theory
 
‘Gods of egypt’ ..
‘Gods of egypt’ ..‘Gods of egypt’ ..
‘Gods of egypt’ ..
 
Opening analysis of skyfall (media)
Opening analysis of skyfall (media)Opening analysis of skyfall (media)
Opening analysis of skyfall (media)
 
Skyfall
SkyfallSkyfall
Skyfall
 
Ideas of representation
Ideas of representationIdeas of representation
Ideas of representation
 
Representation of masculinity within media
Representation of masculinity within mediaRepresentation of masculinity within media
Representation of masculinity within media
 

More from Elle Sullivan

MS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationMS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationElle Sullivan
 
Lesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bLesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bElle Sullivan
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeElle Sullivan
 
Lesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeLesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeElle Sullivan
 
Lesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyLesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyElle Sullivan
 
Lesson 6 - TV Comedy audience pleasures
Lesson 6 - TV Comedy  audience pleasuresLesson 6 - TV Comedy  audience pleasures
Lesson 6 - TV Comedy audience pleasuresElle Sullivan
 
Lesson 4 - TV Comedy audience
Lesson 4 - TV Comedy  audienceLesson 4 - TV Comedy  audience
Lesson 4 - TV Comedy audienceElle Sullivan
 
Lesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingLesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingElle Sullivan
 
Lesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsLesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsElle Sullivan
 
Lesson 2 - TV Comedy PSB
Lesson 2 - TV Comedy  PSBLesson 2 - TV Comedy  PSB
Lesson 2 - TV Comedy PSBElle Sullivan
 
Lesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceLesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceElle Sullivan
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy moviesElle Sullivan
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsElle Sullivan
 
Lesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationLesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationElle Sullivan
 
Lesson 8 - Action Adventure archetypes
Lesson 8 - Action Adventure  archetypesLesson 8 - Action Adventure  archetypes
Lesson 8 - Action Adventure archetypesElle Sullivan
 
Lesson 7 - Action Adventure jeopardy analysis
Lesson 7 - Action Adventure  jeopardy analysisLesson 7 - Action Adventure  jeopardy analysis
Lesson 7 - Action Adventure jeopardy analysisElle Sullivan
 
Lesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseLesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseElle Sullivan
 
Lesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresLesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresElle Sullivan
 
Lesson 2 - Action adventure films intro
Lesson 2 -  Action adventure films introLesson 2 -  Action adventure films intro
Lesson 2 - Action adventure films introElle Sullivan
 
Lesson 1 Action Adventure Films - Exam requirements
Lesson 1   Action Adventure Films - Exam requirementsLesson 1   Action Adventure Films - Exam requirements
Lesson 1 Action Adventure Films - Exam requirementsElle Sullivan
 

More from Elle Sullivan (20)

MS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and RepresentationMS4 - Paddington - Genre, Narrative and Representation
MS4 - Paddington - Genre, Narrative and Representation
 
Lesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4bLesson 10 - TV comedy mindmap Q4a & 4b
Lesson 10 - TV comedy mindmap Q4a & 4b
 
Lesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark schemeLesson 9 - TV Comedy Q4b mark scheme
Lesson 9 - TV Comedy Q4b mark scheme
 
Lesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark schemeLesson 8 - TV Comedy Q4a mark scheme
Lesson 8 - TV Comedy Q4a mark scheme
 
Lesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case studyLesson 7 - TV Comedy - Question 4b case study
Lesson 7 - TV Comedy - Question 4b case study
 
Lesson 6 - TV Comedy audience pleasures
Lesson 6 - TV Comedy  audience pleasuresLesson 6 - TV Comedy  audience pleasures
Lesson 6 - TV Comedy audience pleasures
 
Lesson 4 - TV Comedy audience
Lesson 4 - TV Comedy  audienceLesson 4 - TV Comedy  audience
Lesson 4 - TV Comedy audience
 
Lesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and schedulingLesson 3 - TV Comedy - Channels and scheduling
Lesson 3 - TV Comedy - Channels and scheduling
 
Lesson 1 - TV Comedy idents
Lesson 1 - TV Comedy identsLesson 1 - TV Comedy idents
Lesson 1 - TV Comedy idents
 
Lesson 2 - TV Comedy PSB
Lesson 2 - TV Comedy  PSBLesson 2 - TV Comedy  PSB
Lesson 2 - TV Comedy PSB
 
Lesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practiceLesson 12 - Question 3 exam practice
Lesson 12 - Question 3 exam practice
 
Lesson 11 - Action Adventure ethnicity and buddy movies
Lesson 11  - Action Adventure ethnicity and buddy moviesLesson 11  - Action Adventure ethnicity and buddy movies
Lesson 11 - Action Adventure ethnicity and buddy movies
 
Lesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure filmsLesson 10 - Female representation in Action Adventure films
Lesson 10 - Female representation in Action Adventure films
 
Lesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure RepresentationLesson 9 0 Action Adventure Representation
Lesson 9 0 Action Adventure Representation
 
Lesson 8 - Action Adventure archetypes
Lesson 8 - Action Adventure  archetypesLesson 8 - Action Adventure  archetypes
Lesson 8 - Action Adventure archetypes
 
Lesson 7 - Action Adventure jeopardy analysis
Lesson 7 - Action Adventure  jeopardy analysisLesson 7 - Action Adventure  jeopardy analysis
Lesson 7 - Action Adventure jeopardy analysis
 
Lesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspenseLesson 6 - Action Adventure jeopardy and suspense
Lesson 6 - Action Adventure jeopardy and suspense
 
Lesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genresLesson 3 - Action Adventure Sub genres
Lesson 3 - Action Adventure Sub genres
 
Lesson 2 - Action adventure films intro
Lesson 2 -  Action adventure films introLesson 2 -  Action adventure films intro
Lesson 2 - Action adventure films intro
 
Lesson 1 Action Adventure Films - Exam requirements
Lesson 1   Action Adventure Films - Exam requirementsLesson 1   Action Adventure Films - Exam requirements
Lesson 1 Action Adventure Films - Exam requirements
 

Recently uploaded

Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformChameera Dedduwage
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxNirmalaLoungPoorunde1
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...EduSkills OECD
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️9953056974 Low Rate Call Girls In Saket, Delhi NCR
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Celine George
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsKarinaGenton
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxOH TEIK BIN
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting DataJhengPantaleon
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTiammrhaywood
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfSumit Tiwari
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docxPoojaSen20
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...M56BOOKSTORE PRODUCT/SERVICE
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentInMediaRes1
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesFatimaKhan178732
 

Recently uploaded (20)

Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdfTataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptx
 
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
Presentation by Andreas Schleicher Tackling the School Absenteeism Crisis 30 ...
 
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
call girls in Kamla Market (DELHI) 🔝 >༒9953330565🔝 genuine Escort Service 🔝✔️✔️
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its Characteristics
 
Staff of Color (SOC) Retention Efforts DDSD
Staff of Color (SOC) Retention Efforts DDSDStaff of Color (SOC) Retention Efforts DDSD
Staff of Color (SOC) Retention Efforts DDSD
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptx
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
 
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdfEnzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
 
mini mental status format.docx
mini    mental       status     format.docxmini    mental       status     format.docx
mini mental status format.docx
 
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
KSHARA STURA .pptx---KSHARA KARMA THERAPY (CAUSTIC THERAPY)————IMP.OF KSHARA ...
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media Component
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and Actinides
 

Lesson 3 - Skyfall representation

  • 1. Representation in Skyfall Women Masculinity Ethnicity ‘The Monstrous other’/Disfigurement Places
  • 2. Representation of women How are women represented in Skyfall?
  • 3. Moneypenny Has her character evolved since the 1960’s?
  • 4. Moneypenny in Dr No (1962)
  • 5.
  • 7. History: • Doesn’t participate in missions • More sexually charged • No name (until now) • Small part – romantic tension • Understands Bond • Supporting role • Samantha Bond (3rd Moneypenny) in Die Another Day
  • 8. Naomie Harris Skyfall (2012) MoneyPenny
  • 9. Representations: Bond: “You know… we haven’t been formally introduced.” Moneypenny: “Oh. Well I’m Eve. Eve Moneypenny”
  • 10. task In Skyfall, do you think Moneypenny empowers the representation of women in contemporary society? In pairs, discuss and write down your thoughts. Please explain your choice. Aim for a good paragraph.
  • 11. Moneypenny At the beginning of the film, Moneypenny (Eve) is Bond’s partner on a mission to recover the stolen hard drive. M instructs Moneypenny to shoot at Patrice on the train, yet Moneypenny is hesitant and instead hits Bond with her bullet. It could be argued this suggests Moneypenny is an incompetent agent. Moneypenny only appears a few more times in the film; as a potential seductress for Bond, rather than assisting him with his mission. At the end of the film, Moneypenny decides to retire as a field agent and instead work for Mallory as his secretary.
  • 13. Severine What are your thoughts on Severine and her representation? When Bond and Severine meet in the casino, her hands start shaking indicating her fear, suggesting she is vulnerable and in need of help. Severine was served as an object of sexual gratification for both men, Bond and Silva. Her character reinforces Laura Mulvey’s ‘male gaze’ concept (1975), arguing women are often presented as passive sexualised ‘objects’ for the pleasure of the male gaze.
  • 14. Debate: Gender power Which character is represented as being more dominant; M or Bond? Discuss and write down your response. Please explain your choice.
  • 15. M & Bond M may hold the highest position of power as the head of the Foreign Intelligence Wing, but she constantly makes poor decisions that cost numerous people their lives. For example, Silva holds her responsible for being tortured by the Chinese and plans a cyber attack against her and MI6. M is also forced to go on trial to defend the competency of her programme. M is asked to retire from her position, being informed she has become too old to handle matters properly. Her position is then filled by a presumably more capable man, Gareth Mallory. Silva: “You’re smaller than I remembered” Bond both kidnaps and recues M. This is surprising given M is Bond’s boss and in a superior position of power and authority.
  • 16. Women Has the representation of women been empowered? All three women were shown to be inept at their jobs and ended up dead or in a subservient position. It seems the women are positioned merely to be decorative foils for Bond’s masculinity.
  • 19.
  • 20.
  • 21. Homework question: How is masculinity represented in Skyfall? OR Has the representation of women been shown in a positive, empowered way? Mini essay – paragraphs and examples from the film in support. Due: Wednesday 8th Oct
  • 23. Ethnicity • Patrice • Silva • Severine • Moneypenny • Bond/M/Mallory/Q
  • 24. Britishness “The connection between James Bond and British identity is visually achieved through the alignment of the title character with notable British popular cultural iconography, including images of Big Ben, the Thames, and Whitehall.” Funnell, Lisa (2011) ‘‘I Know Where You Keep Your Gun’’: Daniel Craig as the Bond–Bond Girl Hybrid in Casino Royale. The Journal of Popular Culture, Vol. 44, No. 3, p.458
  • 25. Britishness • Nostalgia • Austerity Britain: ‘Keep calm and carry on’ mentality.
  • 26.
  • 27. Britishness • Visit Britain advert
  • 28. Representations of London http://www.youtube.com/watch?v=dl218z68iC4#t=82 Skyfall London Videoblog