The document discusses various sound devices used in poetry including alliteration, assonance, consonance, and onomatopoeia. It explains that these devices are used to emphasize meaning and create mood by repeating certain sounds. Authors intentionally use sound devices to produce specific sound qualities that reinforce the themes or feelings in their writing.
This document lists English verbs and their past tense, past participle, present participle/gerund, and Spanish translation. It includes over 75 common English verbs and provides the conjugations and translations to help learners of English and Spanish.
- The document compares differences between English and North American English grammar, spelling, vocabulary, and meanings of certain words. It lists differences in verb forms, nouns and verbs, grammatical constructions, spelling of words, and meanings of individual words between British/Commonwealth English and American English.
This document contains a table listing many common English verbs and their forms, including present tense, past tense, past participle, gerund, and phonetic pronunciation. The table includes over 50 verbs such as think, become, begin, bend, bet, bite, bleed, blow, break, bring, build, buy, catch, choose, come, cut, cost, deal, dig, accept, ask, agree, allow, answer, believe, call, change, clean, close, complain, cook, drink, drive, eat, fall, feed, feel, find, forget, forgive, get, give, go, grow, have, hear, copy, count, cry, dance, explain, enjoy,
The document lists the infinitive, past simple, and past participle forms of many common verbs in English and their Catalan equivalents. It includes both regular and irregular verbs. The list contains over 50 verbs and provides a helpful reference for learning verb conjugations in both languages.
This document provides a list of regular and irregular verbs in English and their Spanish translations. For regular verbs, it shows the present, past, and past participle forms. For irregular verbs, it only lists the present, past, and past participle forms. There are a total of 30 verbs included, with 20 regular verbs and 10 irregular verbs. The verbs are organized into a table with the English infinitive form, present, past, and past participle forms, as well as the Spanish translation.
This document provides spelling rules for the '-ing' form, past form, and present simple third person form of verbs in English.
[1] For '-ing' form, it discusses doubling consonants, dropping vowels, and changing 'ie' to 'y'. [2] For past form, it covers regular verbs with 'ed', dropping 'y' and adding 'i+ed', and doubling final consonants. [3] For third person present simple, it explains adding 'es' or 's' after the verb.
A list of common irregular and regular verbs with verbs in spanishdarkcrow08
This document lists and defines many common irregular and regular verbs in English. It provides the present, past, and past participle forms as well as the meaning of each verb. Some of the most common irregular verbs included are be, begin, break, bring, buy, and come. Regular verbs follow a predictable "ed" ending like admired, answered, and arrived.
This document lists English verbs and their past tense, past participle, present participle/gerund, and Spanish translation. It includes over 75 common English verbs and provides the conjugations and translations to help learners of English and Spanish.
- The document compares differences between English and North American English grammar, spelling, vocabulary, and meanings of certain words. It lists differences in verb forms, nouns and verbs, grammatical constructions, spelling of words, and meanings of individual words between British/Commonwealth English and American English.
This document contains a table listing many common English verbs and their forms, including present tense, past tense, past participle, gerund, and phonetic pronunciation. The table includes over 50 verbs such as think, become, begin, bend, bet, bite, bleed, blow, break, bring, build, buy, catch, choose, come, cut, cost, deal, dig, accept, ask, agree, allow, answer, believe, call, change, clean, close, complain, cook, drink, drive, eat, fall, feed, feel, find, forget, forgive, get, give, go, grow, have, hear, copy, count, cry, dance, explain, enjoy,
The document lists the infinitive, past simple, and past participle forms of many common verbs in English and their Catalan equivalents. It includes both regular and irregular verbs. The list contains over 50 verbs and provides a helpful reference for learning verb conjugations in both languages.
This document provides a list of regular and irregular verbs in English and their Spanish translations. For regular verbs, it shows the present, past, and past participle forms. For irregular verbs, it only lists the present, past, and past participle forms. There are a total of 30 verbs included, with 20 regular verbs and 10 irregular verbs. The verbs are organized into a table with the English infinitive form, present, past, and past participle forms, as well as the Spanish translation.
This document provides spelling rules for the '-ing' form, past form, and present simple third person form of verbs in English.
[1] For '-ing' form, it discusses doubling consonants, dropping vowels, and changing 'ie' to 'y'. [2] For past form, it covers regular verbs with 'ed', dropping 'y' and adding 'i+ed', and doubling final consonants. [3] For third person present simple, it explains adding 'es' or 's' after the verb.
A list of common irregular and regular verbs with verbs in spanishdarkcrow08
This document lists and defines many common irregular and regular verbs in English. It provides the present, past, and past participle forms as well as the meaning of each verb. Some of the most common irregular verbs included are be, begin, break, bring, buy, and come. Regular verbs follow a predictable "ed" ending like admired, answered, and arrived.
The document outlines spelling rules for adding "-ing" to verbs in the present progressive tense. It explains that for one-syllable words ending in consonant-vowel-consonant, the final consonant is doubled before adding "-ing", unless the word ends in w, x, or y. For words of two or more syllables ending in consonant-vowel-consonant, the final consonant is only doubled if the last syllable is stressed. It also provides examples of applying these rules to form present progressive verb tenses.
The document provides information about using the simple past tense in English. It discusses the affirmative, negative, and interrogative forms of the simple past. For the affirmative, the document explains how regular verbs are formed by adding "-ed" and irregular verbs must be memorized. For the negative and interrogative, it states that the auxiliary "did" is used except for the verb "to be". Examples are provided to illustrate the different forms using regular and irregular verbs. Common regular and irregular verbs in the simple past are also listed.
This document contains a list of over 200 regular English verbs. It provides the infinitive form of each verb, its past tense form, and its past participle or "ed" form along with the Spanish translation. The verbs are listed alphabetically and cover a wide range of common verbs used in everyday speech and writing.
This document provides a rhyme to help remember the stem-changing verbs in Spanish, also known as "verbos de botas". The rhyme states that for verbs ending in "-ar", the stem changes the "o" to "ue" except in the first person singular "yo" form, and the "e" to "ie" except in the "yo" form, or changes the middle "e". It then gives examples of dormir, pensar, and entender. For verbs ending in "-ir" and "-er", the rhyme notes the stem changes the "e" to "i", except in the "yo" form, or changes the middle "e", providing examples of pedir
This document contains a list of common English verbs and their past and past participle forms translated to Portuguese. It includes over 100 verbs such as accept, accuse, add, admire, admit, advise, agree, allow, amuse, announce, annoy, answer, appear and apply for among many others.
This document provides information about prepositional phrases. It defines prepositional phrases as phrases that start with a preposition followed by a noun. It notes that prepositional phrases can function as adjectival phrases or adverbial phrases. Adjectival phrases modify nouns and pronouns, answering questions like "which one" or "what kind." Adverbial phrases modify verbs, adjectives, or other adverbs, answering questions about time, place, manner, etc. The document provides examples of different types of prepositional phrases and exercises for students to identify adjectival and adverbial phrases. It concludes by noting that noun phrases will be covered in the next class.
The document provides a list of regular and irregular verbs in English. For each verb, it provides the present tense, past tense, past participle, present continuous, and Spanish translation. There are over 150 regular verbs and 50 irregular verbs included in the list. The verbs are organized alphabetically and provide a comprehensive reference for conjugating English verbs.
An adverb is a word that describes a verb by indicating how, when, or where the action occurred. There are five types of adverbs: manner, time, place, frequency, and degree. Adverbs of manner answer how something is done, time answer when, place answer where, frequency answer how often, and degree answer how much or how something is done. Examples are provided for each type.
The document discusses the differences between active and passive voice. To form a passive phrase, the verb "to be" is used along with the past participle of the main verb. Negative and interrogative passive phrases are formed by adding "not" or starting with "to be", respectively. Various tenses in both active and passive voice are also shown, such as the past simple, present perfect, and modals. Finally, examples demonstrate how changing from active to passive voice involves making the subject the object and vice versa.
This document lists the past participle, past simple, and infinitive forms of many common irregular English verbs. It provides these verb conjugations in both English and Spanish translations. At the end, it includes a joke to lighten the mood: "How do you say 'I don't have a TV' in Japanese? Sing (sang sung) without Samsung."
The document lists irregular verbs in English with their base form, past simple form, and past participle. It includes over 100 irregular verbs such as "break" which has the forms broke, broken and "sing" which has the forms sang, sung. The list is intended as a resource for students to learn irregular verb forms.
This document provides information about various consonant sounds in English. It begins by explaining places and manners of articulation for consonants. It then discusses individual consonant sounds in detail, including placement in the mouth, examples of words that contain the sound, tongue twisters, and passages using minimal pairs to illustrate the sounds. Consonants covered include /t/, /d/, /v/, /w/, /θ/, /ð/, /p/, /k/, and /s/. Diagrams and tables are included to demonstrate the differences between similar sounds like /v/ and /w/ or the two English "th" sounds. The overall document is a reference for correctly producing English consonant sounds.
This document lists the base form, past tense, and past participle forms of many common English verbs. It provides the verbs in a table with three columns for the base form, past tense, and past participle respectively. Some example verbs included are be, beat, become, begin, bend, bite, blow, break, bring, build and their various forms.
This document provides a list of English regular verbs organized by their present, past, and past participle forms, along with their Spanish translations. It includes over 150 common regular verbs. The verbs are presented in a table with columns for the present, past, and past participle forms in English and their meaning in Spanish. This comprehensive list serves as a reference for students to learn English regular verb conjugations and their Spanish equivalents.
These are the lyrics to the HeidiSongs album, Groovy Grammar! This PowerPoint presentation is formatted for use in the classroom. You may wish to display the lyrics and the teach the students the words to the songs to help them learn the concepts included in the album.
The document provides tables showing the present, past, and past participle forms of English verbs and their Spanish translations. It identifies verbs that have all the same forms, verbs that have different forms, and verbs whose second and third forms are the same. It lists over 60 verbs as examples.
This document contains a list of irregular English verbs along with their present, past, and past participle forms in both English and Spanish. It includes over 50 of the most common irregular verbs such as be, become, bite, break, buy, catch, choose, do, drink, eat, feel, forget, give, go, have, know, make, pay, put, read, say, see, sell, take, tell, think, understand, wear, and write.
The document provides instructions on the PEAL method for structuring persuasive writing about literature. It breaks down PEAL as:
P - point: The topic/theme sentence that answers the question.
E - example: Evidence from the text, either a direct quote or close paraphrase, to support each major point.
A - analysis: An explanation of how the evidence supports the topic. Definitions may be used to help.
L - link: The significance of the analysis in relation to the original question.
It then provides an example of how to use the PEAL structure to analyze a passage and question. The passage discusses nostalgia and how trends from the past are revived. The question asks
The document provides guidance on how to study and analyze literature. It recommends that readers (1) understand the overall meaning and subject matter of a text, (2) closely read the text to identify literary devices and techniques used, and (3) consider any philosophical insights or issues about human nature highlighted in the text. Readers are instructed to be inquisitive, show initiative, and work independently. The document also discusses understanding surface and implied meanings in texts.
The document discusses different levels of tension in plot structures, including climax, tension, suspense, resolution, and conflict. It also analyzes different types of resolutions for stories, such as complete resolution, ironic resolution, twist, revelation, and open resolution. Examples are provided for each type of resolution. The document suggests examining how stories end and resolving them in different ways than the traditional ending.
The document discusses narrative features and analyzing narration in texts. It covers point of view, types of narration including first person, third person, and omniscient narration. First person narration involves telling the story from the perspective of a character within the story. Third person narration involves an outside narrator telling the story. Omniscient narration means the narrator knows everything that is happening with all characters. The document also discusses how authors choose perspectives and the feelings different perspectives can evoke in readers.
The document outlines spelling rules for adding "-ing" to verbs in the present progressive tense. It explains that for one-syllable words ending in consonant-vowel-consonant, the final consonant is doubled before adding "-ing", unless the word ends in w, x, or y. For words of two or more syllables ending in consonant-vowel-consonant, the final consonant is only doubled if the last syllable is stressed. It also provides examples of applying these rules to form present progressive verb tenses.
The document provides information about using the simple past tense in English. It discusses the affirmative, negative, and interrogative forms of the simple past. For the affirmative, the document explains how regular verbs are formed by adding "-ed" and irregular verbs must be memorized. For the negative and interrogative, it states that the auxiliary "did" is used except for the verb "to be". Examples are provided to illustrate the different forms using regular and irregular verbs. Common regular and irregular verbs in the simple past are also listed.
This document contains a list of over 200 regular English verbs. It provides the infinitive form of each verb, its past tense form, and its past participle or "ed" form along with the Spanish translation. The verbs are listed alphabetically and cover a wide range of common verbs used in everyday speech and writing.
This document provides a rhyme to help remember the stem-changing verbs in Spanish, also known as "verbos de botas". The rhyme states that for verbs ending in "-ar", the stem changes the "o" to "ue" except in the first person singular "yo" form, and the "e" to "ie" except in the "yo" form, or changes the middle "e". It then gives examples of dormir, pensar, and entender. For verbs ending in "-ir" and "-er", the rhyme notes the stem changes the "e" to "i", except in the "yo" form, or changes the middle "e", providing examples of pedir
This document contains a list of common English verbs and their past and past participle forms translated to Portuguese. It includes over 100 verbs such as accept, accuse, add, admire, admit, advise, agree, allow, amuse, announce, annoy, answer, appear and apply for among many others.
This document provides information about prepositional phrases. It defines prepositional phrases as phrases that start with a preposition followed by a noun. It notes that prepositional phrases can function as adjectival phrases or adverbial phrases. Adjectival phrases modify nouns and pronouns, answering questions like "which one" or "what kind." Adverbial phrases modify verbs, adjectives, or other adverbs, answering questions about time, place, manner, etc. The document provides examples of different types of prepositional phrases and exercises for students to identify adjectival and adverbial phrases. It concludes by noting that noun phrases will be covered in the next class.
The document provides a list of regular and irregular verbs in English. For each verb, it provides the present tense, past tense, past participle, present continuous, and Spanish translation. There are over 150 regular verbs and 50 irregular verbs included in the list. The verbs are organized alphabetically and provide a comprehensive reference for conjugating English verbs.
An adverb is a word that describes a verb by indicating how, when, or where the action occurred. There are five types of adverbs: manner, time, place, frequency, and degree. Adverbs of manner answer how something is done, time answer when, place answer where, frequency answer how often, and degree answer how much or how something is done. Examples are provided for each type.
The document discusses the differences between active and passive voice. To form a passive phrase, the verb "to be" is used along with the past participle of the main verb. Negative and interrogative passive phrases are formed by adding "not" or starting with "to be", respectively. Various tenses in both active and passive voice are also shown, such as the past simple, present perfect, and modals. Finally, examples demonstrate how changing from active to passive voice involves making the subject the object and vice versa.
This document lists the past participle, past simple, and infinitive forms of many common irregular English verbs. It provides these verb conjugations in both English and Spanish translations. At the end, it includes a joke to lighten the mood: "How do you say 'I don't have a TV' in Japanese? Sing (sang sung) without Samsung."
The document lists irregular verbs in English with their base form, past simple form, and past participle. It includes over 100 irregular verbs such as "break" which has the forms broke, broken and "sing" which has the forms sang, sung. The list is intended as a resource for students to learn irregular verb forms.
This document provides information about various consonant sounds in English. It begins by explaining places and manners of articulation for consonants. It then discusses individual consonant sounds in detail, including placement in the mouth, examples of words that contain the sound, tongue twisters, and passages using minimal pairs to illustrate the sounds. Consonants covered include /t/, /d/, /v/, /w/, /θ/, /ð/, /p/, /k/, and /s/. Diagrams and tables are included to demonstrate the differences between similar sounds like /v/ and /w/ or the two English "th" sounds. The overall document is a reference for correctly producing English consonant sounds.
This document lists the base form, past tense, and past participle forms of many common English verbs. It provides the verbs in a table with three columns for the base form, past tense, and past participle respectively. Some example verbs included are be, beat, become, begin, bend, bite, blow, break, bring, build and their various forms.
This document provides a list of English regular verbs organized by their present, past, and past participle forms, along with their Spanish translations. It includes over 150 common regular verbs. The verbs are presented in a table with columns for the present, past, and past participle forms in English and their meaning in Spanish. This comprehensive list serves as a reference for students to learn English regular verb conjugations and their Spanish equivalents.
These are the lyrics to the HeidiSongs album, Groovy Grammar! This PowerPoint presentation is formatted for use in the classroom. You may wish to display the lyrics and the teach the students the words to the songs to help them learn the concepts included in the album.
The document provides tables showing the present, past, and past participle forms of English verbs and their Spanish translations. It identifies verbs that have all the same forms, verbs that have different forms, and verbs whose second and third forms are the same. It lists over 60 verbs as examples.
This document contains a list of irregular English verbs along with their present, past, and past participle forms in both English and Spanish. It includes over 50 of the most common irregular verbs such as be, become, bite, break, buy, catch, choose, do, drink, eat, feel, forget, give, go, have, know, make, pay, put, read, say, see, sell, take, tell, think, understand, wear, and write.
The document provides instructions on the PEAL method for structuring persuasive writing about literature. It breaks down PEAL as:
P - point: The topic/theme sentence that answers the question.
E - example: Evidence from the text, either a direct quote or close paraphrase, to support each major point.
A - analysis: An explanation of how the evidence supports the topic. Definitions may be used to help.
L - link: The significance of the analysis in relation to the original question.
It then provides an example of how to use the PEAL structure to analyze a passage and question. The passage discusses nostalgia and how trends from the past are revived. The question asks
The document provides guidance on how to study and analyze literature. It recommends that readers (1) understand the overall meaning and subject matter of a text, (2) closely read the text to identify literary devices and techniques used, and (3) consider any philosophical insights or issues about human nature highlighted in the text. Readers are instructed to be inquisitive, show initiative, and work independently. The document also discusses understanding surface and implied meanings in texts.
The document discusses different levels of tension in plot structures, including climax, tension, suspense, resolution, and conflict. It also analyzes different types of resolutions for stories, such as complete resolution, ironic resolution, twist, revelation, and open resolution. Examples are provided for each type of resolution. The document suggests examining how stories end and resolving them in different ways than the traditional ending.
The document discusses narrative features and analyzing narration in texts. It covers point of view, types of narration including first person, third person, and omniscient narration. First person narration involves telling the story from the perspective of a character within the story. Third person narration involves an outside narrator telling the story. Omniscient narration means the narrator knows everything that is happening with all characters. The document also discusses how authors choose perspectives and the feelings different perspectives can evoke in readers.
Here are the internal and external conflicts Wing faces in the book so far along with the response and mood created:
Internal Conflicts:
- Wants to know Chloe better but is shy
External Conflicts:
- Doesn't have opportunity to meet Chloe directly
Response and mood of the text:
- Goes to Chloe's presentation on animal rights to find an opportunity to interact with her, showing a curious yet anxious mood.
The document discusses plot structure and how tension is built in stories. It explains that conflict is at the core of any story and creates tension. It also discusses the different types of conflict. The document then explains the typical levels of tension in a plot, with the climax being the peak of tension right before it is resolved. Finally, it discusses how to analyze tension and suspense in stories, including identifying the climax and examining how writers use elements like setting, lighting, sound effects, perspective, and foreshadowing to create a sense of excitement for the reader.
The document provides guidance on how to study and analyze literature. It recommends that readers (1) understand the overall meaning and subject matter of a text, (2) closely read the text to identify literary devices and techniques used, and (3) consider any philosophical insights or issues about human nature highlighted in the text. Readers are instructed to be inquisitive, show initiative, and work independently. The document also discusses understanding surface and implied meanings in texts.
The document provides guidance on analyzing diction and symbolism in literature. It explains that diction refers to word choice, and symbols represent larger ideas. Readers are instructed to identify emphasized words and ask why specific words were chosen, examine literal and implied meanings, and determine how word choices relate to themes.
The document discusses various aspects of accent neutralization in English, including the proper pronunciation of consonant and vowel sounds. It provides examples of words containing different sounds such as 'p', 'k', 'th', 'v', 'w', 'ch', 'zh', 's', and the basic vowel sounds of 'ah', 'aw', 'oh', 'oo', 'ay', 'ee', and 'i'. It also includes several exercises for practicing these sounds aimed at helping learners achieve a more neutral English accent.
The document provides an overview of pronunciation in English, including consonant and vowel sounds. It discusses the 26 letters in the English alphabet but 44 total sounds, made up of 24 consonant sounds and 20 vowel sounds. It explains factors like regional influence that affect pronunciation and intonation. It also defines intonation as the rise and fall in pitch of speech, and provides examples of how intonation conveys meaning depending on which words are stressed in a sentence.
The document discusses the fundamentals of music and the human ear. It explains that the human ear can perceive sound pitches as part of a linear frequency scale even though the relationships between pitches are nonlinear. Within an octave, there are twelve keys on a piano, with the 13th key starting the next octave. Musical instruments like guitars and flutes demonstrate this nonlinear relationship physically. The document also discusses concepts from Indian classical music like the seven swaras within an octave and the starting note called Shadja.
This document discusses English pronunciation and phonics. It begins by listing some key facts about English sounds, noting there are 26 letters but 44 sounds, including 24 consonant and 20 vowel sounds. It then examines factors that affect pronunciation, such as regional influences. The rest of the document provides detailed explanations and exercises for pronouncing various consonant and vowel sounds correctly, including sounds like 'th', 's', 'ch', 'sh', and clusters. It also addresses word stress and rules for stressing different types of words. The overall purpose is to teach readers to distinguish English sounds and stress patterns to improve pronunciation.
This document discusses vocal control techniques for effective communication. It recommends varying volume, pitch, rate and using proper breathing, articulation, and pronunciation. Specific techniques include speaking at an optimal pitch and rate, using purposeful inflection, effective pauses and word emphasis. The document advises avoiding vocal qualities like stridency, breathiness and nasality. It stresses preparing vocals and being confident in one's presentation abilities.
This document provides an overview of phonetics transcription including vowels, diphthongs, and consonants. It examines various phonetic symbols and their pronunciation rules. Key sounds are defined such as plosives like p and b, fricatives like s and z, affricates like ch, and approximants like l and r. Various places and manners of articulation are also described for different consonant classes.
Sound Devices in Literature (Figures of Sounds)Edselsheen
The document discusses different sound devices used in poetry, including onomatopoeia, alliteration, assonance, and consonance. It provides examples of each device and discusses how multiple devices can be used within a single line of poetry. The document also includes activities for students to practice identifying these devices in poems and composing their own poetry using a given device.
The document summarizes learning about rounds in a music class. It introduces the concept of rounds, has students learn and perform the round "The Human Drum Kit", discusses entry points and different versions of the round "Autumn Leaves", and teaches a new round "Shalom" which students perform in multiple parts while accompanying it with a drone chord and ostinato patterns.
Basic Mandarin Chinese | Lesson 2 | Saying hello!CultureAlley
This document is a lesson on greetings in Mandarin Chinese. It introduces the greeting "Ni hao" which means "Hello" and is used for informal greetings. It also introduces "Nin hao" which is used for more formal or respectful greetings. The lesson explains that "Ni" has a falling-rising tone while "Nin" has a mid-rising tone. It provides examples of usage and practices distinguishing the tones through exercises. The document also includes a brief section on the Chinese concept of feng shui.
HSK 1 Beginner to Chinese by Confucius Institute in Guyana Andrea Mora Ocando
Here are 5 sentences with 是 (shì):
1. 这件衣服是红色的。Zhè jiàn yīfu shì hóngsè de. This piece of clothing is red.
2. 我的朋友是学生。Wǒ de péngyou shì xuéshēng. My friend is a student.
3. 今天是星期六。Jīntiān shì xīngqīliù. Today is Saturday.
4. 他是中国人。Tā shì Zhōngguórén. He is Chinese.
Basic Mandarin Chinese | Lesson 11 | Basic Numbers and Talking about your familyCultureAlley
This document provides a Mandarin language lesson on family terms and numbers. It includes:
- Vocabulary for family members and numbers 1-10 in Mandarin with pronunciations.
- Sample dialogues for having a conversation about family size in Mandarin, including translations.
- Breakdowns of the sample dialogues into individual Mandarin words and phrases.
- Grammar tips on measure words and tone differences in Mandarin.
The document aims to teach basics of having a conversation about family in Mandarin through vocabulary lists, sample dialogues, and translations.
The document presents word families with common prefixes or suffixes to help teach phonics. It lists words with common endings like "-at", "-and", "-ack", "-op", and "-ake" and has the reader sound out and read groups of words with the same endings, such as "cat", "bat", "mat", "rat"; "hand", "band", "land"; and "bake", "rake", "snake", "cake". The purpose is to help readers learn phonics patterns to decode and read new words.
This document provides an introduction to poetry, discussing various elements of poetry including the left and right brain, poet vs. speaker, traditional vs. organic forms, rhythm, sound devices, imagery, figurative language, and poetic forms. It explains concepts like iambic pentameter, defines common poetic devices like simile and metaphor, and provides examples of these devices in poems. The overall purpose is to introduce readers to the key components of poetry and how to analyze poems.
This document provides an introduction to poetry, discussing various elements of poetry including the left and right brain, poet vs. speaker, traditional vs. organic forms, rhythm, sound devices, imagery, figurative language, and poetic forms. It explains concepts like metaphor, simile, personification and provides examples of these from poems. It also discusses different types of poetic forms like couplets, tercets and cinquains. The overall document serves as a guide to understanding various components of poetry.
This document provides an overview of phonetics and phonology. It defines phonetics as the study of speech sounds and describes the speech production process. It outlines the speech organs and discusses consonants and vowels in terms of place and manner of articulation. It also introduces features of speech sounds like stress, pitch, and tone. Finally, it discusses some basic concepts in phonology like phones vs. phonemes and phonological processes.
This document defines and provides examples of various literary devices that involve repetition and arrangement of sounds in language, including onomatopoeia, alliteration, assonance, consonance, rhyme, rhythm, meter, and free verse. It also discusses caesura as a way to vary line rhythm through pause.
The document provides information about phonics and pronunciation. It includes a story with words demonstrating different sounds, exercises identifying words and phrases with the same sounds, sentences practicing various consonant blends and clusters, riddles, and a poem about using time wisely. It emphasizes learning the sounds of letters and letter combinations using examples, activities, and the dictionary's key to pronunciation.
This document provides a series of word families for sounding out and reading. It contains 3 main sections - words ending in consonant blends like "st" and "bl", words ending in vowel digraphs like "ack" and "ake", and words ending in consonant digraphs like "op". The learner is prompted to sound out each set of words and then read a list combining words from the set to check their understanding.
The document discusses similes and metaphors. It provides examples of each and a 4-step process for analyzing them. Similes use "like" or "as" to compare two dissimilar objects or ideas, while metaphors make a direct comparison using "is" or "was" without those connectives. The examples analyze poems comparing trees and the process of road construction.
The document discusses the figurative language of personification. It defines personification as giving an inanimate object or concept a human attribute. It provides examples of personification and explains why authors use personification is to exaggerate and emphasize a point. It discusses how to analyze personification by highlighting the comparisons, identifying the abstract quality and human attribute, and phrasing the comparison. The document encourages practicing analyzing examples of personification and applying a four-step analysis to unpack uses of personification in poems.
The document provides guidance on analyzing diction and symbolism in literature. It explains that diction refers to word choice, and symbols represent larger ideas. Readers are instructed to identify emphasized words and ask why specific words were chosen, examine literal and implied meanings, and determine how word choices elaborate on themes.
The document discusses atmosphere and mood in literature. It provides definitions of mood and atmosphere, and how to analyze them. Some key points include: Mood refers to the emotions a text evokes, while atmosphere relates to the feelings the author aims to convey. When analyzing atmosphere, readers should look for descriptive details about settings and environments, as well as repeated ideas and patterns that form impressions. Examples from Wuthering Heights are given to demonstrate how its rural setting, gloomy weather, and isolated house contribute to a mysterious and depressing mood. The landlord is characterized as introverted, troubled, and preferring solitude, with the stormy weather reflecting his mindset. Feelings of narrators can also provide insight into a text's mood
The document discusses characteristics of narrators in stories. It addresses questions about who the narrator is, how they are involved, impressions of them, whether they are objective or emotional, if they can be trusted to tell the truth, and their reasons for telling the story. It also discusses the reliability of narrators and whether they may be unreliable due to lying, limited perspective, being misled, or mental unsoundness. This could cause the reader to doubt the story being told.
The document provides guidance on how to answer an opinion essay question that asks "Do you agree?". It explains that such a question demands taking a "yes" or "no" position and weighing different sides of an argument. It recommends acknowledging differing views and substantiating your own stand. It also outlines the PEAL structure for paragraphs and a six-paragraph essay format involving stating your position, providing reasons, addressing objections, and summarizing your view. The document gives advice on analyzing the opinion in the question and planning an outline to structure the response.
Based on the passage and events before:
- Wing and Audrey have a close relationship where they can tease each other lightheartedly. The phrase suggests familiarity and comfort between them.
- Wing keeps to himself at school and avoids those who tease him. He doesn't shine but works hard and is polite. This implies he is introverted and doesn't socialize much with his schoolmates. Their relationship seems casual as he doesn't interact with them beyond what is necessary.
9. Sound
✦ The sound of what is said should reinforce the
meaning of what is said.
10. Sound
✦ The sound of what is said should reinforce the
meaning of what is said.
✦ How are sounds made in speech?
11. Sound
✦ The sound of what is said should reinforce the
meaning of what is said.
✦ How are sounds made in speech?
✦ Alliteration
12. Sound
✦ The sound of what is said should reinforce the
meaning of what is said.
✦ How are sounds made in speech?
✦ Alliteration
✦ Assonance
13. Sound
✦ The sound of what is said should reinforce the
meaning of what is said.
✦ How are sounds made in speech?
✦ Alliteration
✦ Assonance
✦ Consonance
14. Sound
✦ The sound of what is said should reinforce the
meaning of what is said.
✦ How are sounds made in speech?
✦ Alliteration
✦ Assonance
✦ Consonance
✦ Onomatopoeia
22. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
23. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
24. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
25. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
26. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
27. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
28. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
29. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
30. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
31. Consonance
✦ Repetition of consonant sounds at the
beginning, middle or at the end of words in a
line.
Pike, three inches long, perfect
Pike in all parts, green tigering the gold
39. Why use sound devices?
✦ What a dull, dreary day!
✦ The ‘D’ sound emphasizes the dreariness of
the moment
40. Why use sound devices?
✦ What a dull, dreary day!
✦ The ‘D’ sound emphasizes the dreariness of
the moment
✦ She sells seashells on the seashore!
41. Why use sound devices?
✦ What a dull, dreary day!
✦ The ‘D’ sound emphasizes the dreariness of
the moment
✦ She sells seashells on the seashore!
✦ The S sounds creates a soft sound of the
sea - like waves producing a mood.
42. Why use sound devices?
✦ What a dull, dreary day!
✦ The ‘D’ sound emphasizes the dreariness of
the moment
✦ She sells seashells on the seashore!
✦ The S sounds creates a soft sound of the
sea - like waves producing a mood.
43. Why use sound devices?
✦ What a dull, dreary day!
✦ The ‘D’ sound emphasizes the dreariness of
the moment
✦ She sells seashells on the seashore!
✦ The S sounds creates a soft sound of the
sea - like waves producing a mood.
46. Analyzing sound
1. What device is being used? Alliteration?
assonance? Consonance?
2. Which consonant/vowel is being repeated?
What sound quality is produced? Hard? Soft?
47. Analyzing sound
1. What device is being used? Alliteration?
assonance? Consonance?
2. Which consonant/vowel is being repeated?
What sound quality is produced? Hard? Soft?
3. Refer to the context of the poem. State the
poet’s intention and what point is he making or
what mood is he producing with that sound?
51. Practice
How much wood would a woodchuck chuck
If a woodchuck could chuck wood?
A woodchuck would chuck so much wood
52. Practice
How much wood would a woodchuck chuck
If a woodchuck could chuck wood?
A woodchuck would chuck so much wood
If a woodchuck could chuck wood.
56. Application
✦ Listen to the poem Merry Wanderer of the Night
✦ Read the excerpt and answer the questions
that follow in your journal.
57. Application
✦ Listen to the poem Merry Wanderer of the Night
✦ Read the excerpt and answer the questions
that follow in your journal.
Editor's Notes
What moods would you associate with these tunes?\n
What moods would you associate with these tunes?\n
What moods would you associate with these tunes?\n
What moods would you associate with these tunes?\n
What moods would you associate with these tunes?\n
What moods would you associate with these tunes?\n
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O sound is repeated.\n
O sound is repeated.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
Identify the consonance\n- P is alliteration because it all starts at the beginning\n- G is consonance because the g sounds are repeated at the beginning and in the middle of the words.\n
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1. To emphasize a point\n2. To produce/complement a mood\n
1. To emphasize a point\n2. To produce/complement a mood\n
1. To emphasize a point\n2. To produce/complement a mood\n
1. To emphasize a point\n2. To produce/complement a mood\n
1. To emphasize a point\n2. To produce/complement a mood\n
1. To emphasize a point\n2. To produce/complement a mood\n
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What device is being used? Alliteration?assonance? Consonance?\n Which consonant/vowel is being repeated? What sound quality is produced? Hard? Soft?\n Refer to the context of the poem. State the poet’s intention and what point is he making or what mood is he producing with that sound?\n
What device is being used? Alliteration?assonance? Consonance?\n Which consonant/vowel is being repeated? What sound quality is produced? Hard? Soft?\n Refer to the context of the poem. State the poet’s intention and what point is he making or what mood is he producing with that sound?\n
What device is being used? Alliteration?assonance? Consonance?\n Which consonant/vowel is being repeated? What sound quality is produced? Hard? Soft?\n Refer to the context of the poem. State the poet’s intention and what point is he making or what mood is he producing with that sound?\n
What device is being used? Alliteration?assonance? Consonance?\n Which consonant/vowel is being repeated? What sound quality is produced? Hard? Soft?\n Refer to the context of the poem. State the poet’s intention and what point is he making or what mood is he producing with that sound?\n