Henri Matisse was a highly influential French artist known for his use of color and fluid style. Over his career he helped define revolutionary developments in painting and sculpture in the early 20th century. While initially labelled a Fauve for his expressive use of color, by the 1920s he was hailed as an upholder of classical French painting traditions. His mastery of color and drawing established him as a leading figure in modern art over his 50-year career.
Impressionism was an artistic movement that began in the late 1860s in France. Artists began experimenting with applying color and light in new ways that focused on capturing fleeting visual impressions rather than adhering to traditional techniques. Notable Impressionist artists included Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir. When their works were rejected from the official Salon exhibitions in Paris, the Impressionists began organizing independent exhibitions of their own to showcase their style, which faced criticism but also gained acceptance over time before concluding in the late 1880s as Neo-Impressionism emerged.
Henri Matisse was a famous French artist born in 1869 who worked in painting, drawing, sculpture, and book illustration. Some of his most notable periods included Fauvism in the early 1900s where he used bold colors and brushwork, and his time in Nice from 1917-1930 where he focused on the female figure. Later in life after an operation, Matisse created collages by cutting out shapes from painted paper which he moved around until satisfying compositions emerged. He is now recognized as one of the foremost modern artists alongside Picasso.
about history of modern art.
trying to define Fauvism in a little presentation .. the art of early 20th century, or a little art movement of history...
Fauvism was an early 20th century avant-garde art movement known for its use of vibrant, non-naturalistic colors and bold brushwork. Led by Henri Matisse, the Fauves sought to reject traditional perspective and depict their emotional response to nature through expressive color. Key Fauvist artists included Matisse, Andre Derain, Maurice de Vlaminck, and their works were characterized by simplified forms and strident hues directly applied from the paint tube. While the movement was brief, from 1904-1908, it had a significant influence on the development of modern art through its radical approach to color.
A presentation on Cubism with biographies of Pablo Picasso and Georges Brague. The presentation was created in Powerpoint 2010 and features transition effects.
Fauvism was a short-lived early 20th century art movement led by Henri Matisse that focused on using bright, pure, complementary colors to express emotion rather than realistic representation. Matisse's vividly colored paintings shocked the art world at the time. He was joined by Maurice de Vlaminck and Andre Derain, whose works were described as "wild beasts," giving the movement its name - "Fauvism." Through their radical use of color, the Fauvists paved the way for future art styles that embraced non-traditional color use.
- Salvador Dalí studied art in Madrid at the Academia de San Fernando and lived at the Residencia de Estudiantes from 1922-1925.
- At the Residencia, he met and befriended other young artists like Federico García Lorca and Luis Buñuel who greatly influenced his work and involvement in avant-garde styles.
- His relationship and artistic collaboration with Lorca evolved through three phases from 1922-1929 based on the different artistic movements and styles they explored together, such as Purism and Surrealism.
This document provides biographies of 6 Cypriot artists:
1. Stelios Votsis, a leading modern artist in Cyprus who helped establish the Cyprus Chamber of Fine Arts.
2. Adamantios Diamantis, a painter inspired by Cypriot nature who created a monumental 11-panel work on Cypriot life.
3. Michael Kashialos, a self-taught naive artist considered one of Europe's most important in the genre.
4. Chambis Tsangaris, a printmaker who focuses on expressing Cyprus's history, culture, and folklore through illustrations.
5. Costas Economou, a painter and teacher who experimented with water
Impressionism was an artistic movement that began in the late 1860s in France. Artists began experimenting with applying color and light in new ways that focused on capturing fleeting visual impressions rather than adhering to traditional techniques. Notable Impressionist artists included Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir. When their works were rejected from the official Salon exhibitions in Paris, the Impressionists began organizing independent exhibitions of their own to showcase their style, which faced criticism but also gained acceptance over time before concluding in the late 1880s as Neo-Impressionism emerged.
Henri Matisse was a famous French artist born in 1869 who worked in painting, drawing, sculpture, and book illustration. Some of his most notable periods included Fauvism in the early 1900s where he used bold colors and brushwork, and his time in Nice from 1917-1930 where he focused on the female figure. Later in life after an operation, Matisse created collages by cutting out shapes from painted paper which he moved around until satisfying compositions emerged. He is now recognized as one of the foremost modern artists alongside Picasso.
about history of modern art.
trying to define Fauvism in a little presentation .. the art of early 20th century, or a little art movement of history...
Fauvism was an early 20th century avant-garde art movement known for its use of vibrant, non-naturalistic colors and bold brushwork. Led by Henri Matisse, the Fauves sought to reject traditional perspective and depict their emotional response to nature through expressive color. Key Fauvist artists included Matisse, Andre Derain, Maurice de Vlaminck, and their works were characterized by simplified forms and strident hues directly applied from the paint tube. While the movement was brief, from 1904-1908, it had a significant influence on the development of modern art through its radical approach to color.
A presentation on Cubism with biographies of Pablo Picasso and Georges Brague. The presentation was created in Powerpoint 2010 and features transition effects.
Fauvism was a short-lived early 20th century art movement led by Henri Matisse that focused on using bright, pure, complementary colors to express emotion rather than realistic representation. Matisse's vividly colored paintings shocked the art world at the time. He was joined by Maurice de Vlaminck and Andre Derain, whose works were described as "wild beasts," giving the movement its name - "Fauvism." Through their radical use of color, the Fauvists paved the way for future art styles that embraced non-traditional color use.
- Salvador Dalí studied art in Madrid at the Academia de San Fernando and lived at the Residencia de Estudiantes from 1922-1925.
- At the Residencia, he met and befriended other young artists like Federico García Lorca and Luis Buñuel who greatly influenced his work and involvement in avant-garde styles.
- His relationship and artistic collaboration with Lorca evolved through three phases from 1922-1929 based on the different artistic movements and styles they explored together, such as Purism and Surrealism.
This document provides biographies of 6 Cypriot artists:
1. Stelios Votsis, a leading modern artist in Cyprus who helped establish the Cyprus Chamber of Fine Arts.
2. Adamantios Diamantis, a painter inspired by Cypriot nature who created a monumental 11-panel work on Cypriot life.
3. Michael Kashialos, a self-taught naive artist considered one of Europe's most important in the genre.
4. Chambis Tsangaris, a printmaker who focuses on expressing Cyprus's history, culture, and folklore through illustrations.
5. Costas Economou, a painter and teacher who experimented with water
Fauvism was an early 20th century art movement known for bold, vibrant colors and loose brushwork. Henri Matisse was a leading Fauvist painter who rejected realistic color usage in favor of expressing emotion through color. His works like Luxe, Calm and Volupté (1904) showed this new approach through simplified forms and bright hues. Later paintings like Dance (1910) further flattened forms and used intense colors to depict movement in a simplified, rhythmic style that was radical for the time. Matisse's experimentation with color played a key role in developing Fauvism's distinctive style.
- Oscar-Claude Monet was a French painter and founder of French Impressionist painting. He is known for his paintings of landscapes made by observing and painting the same scene under different lighting conditions. Some of his most famous works include Impression, Sunrise and The Water Lily Pond.
- Pablo Picasso was a highly influential Spanish painter, sculptor, printmaker, ceramicist, and stage designer who co-founded the Cubist movement. He produced a prolific and wide-ranging oeuvre, including pioneering works such as Les Demoiselles d'Avignon and Guernica, and is widely considered one of the greatest and most influential artists of the 20th century.
-
The document discusses several key figures and movements associated with Dada and Surrealism. It provides background on Duchamp's readymades and how they undermined assumptions about art. It describes Dada's emergence amid World War I and the nihilistic attitudes it expressed. Key ideas included incorporating chance, undermining artistic genius, and using materials like photographs for political commentary. Figures like Picabia, Schwitters, and Man Ray employed techniques like collage, assemblage, photomontage and more to challenge conventions. Dada in Berlin had left-wing political sympathies and used photomontage for social commentary, while Surrealism aimed to access the unconscious through automatism.
Fauvism was an early 20th century avant-garde art movement known for its use of vibrant, wild, and pure colors and a simplified use of forms. It originated around 1905 in reaction to the then-dominant Impressionism movement and was influenced by Post-Impressionism. Key Fauvist artists included Henri Matisse, André Derain, and Maurice de Vlaminck, who were connected by their expressive techniques and concepts though their individual styles differed. While short-lived, Fauvism had a significant influence on freeing color use and the boundaries of artistic representation.
The Fauvist movement lasted from 1903-1907 and was one of the first modernist art styles. Key characteristics included the use of intense, unnatural colors to convey emotion rather than realism and the rejection of traditional perspective. Major Fauvist artists like Henri Matisse, Andre Derain, and Maurice de Vlaminck were inspired by the bright sunlight of southern France and used vivid color palettes in their depictions of ordinary subjects to express their feelings. Their works shocked viewers at the 1905 Salon d'Automne exhibition in Paris, where the term "Fauvism" originated. The movement had a significant influence on later modernist and expressionist styles through its radical use of color.
This document provides biographical information on several artists:
- Sonia Delaunay was a Ukrainian-born French artist who co-founded the Orphism art movement with her husband Robert Delaunay. Her work spanned painting, textile design, and stage design.
- Mohammad Bozorgi is an Iranian calligraphic artist based in Tehran. He uses geometric abstraction and experimental formalism to advance the art of calligraphy.
- Abdulnasser Gharem is an Emirati artist whose work explores cultural identity and heritage through mixed media techniques like printmaking and sculpture.
Edward Hopper was an American realist painter known for his oil paintings and prints depicting urban and rural scenes. Some of his most famous works include Nighthawks and Chop Suey. He was born in 1882 in New York and studied art in New York City. While he struggled early in his career with illustration work, his paintings began receiving recognition in the 1920s. He married fellow artist Josephine Nivison in 1924. Hopper lived and worked in New York City and summered in Truro, Massachusetts, where he found inspiration for his spare and contemplative scenes of American life. He died in 1967, leaving behind a significant body of work that reflects his personal vision.
The document provides a biography and curriculum vitae for artist Henry Bismuth. It details his early interest and studies in art from a young age through medical school. It describes his focus shifting fully to painting in 1986 and periods of study and exhibitions in both Europe and the United States over subsequent decades. A list of over 50 individual and group exhibitions is also included showcasing Bismuth's work.
This document discusses various works of art and artists. It begins by asking whether certain pieces should be considered art or just awful. It then provides background on several famous artists like Vincent Van Gogh, Pablo Picasso, and Frida Kahlo. It also includes vocabulary related to types of art, tools used, and styles. In under 3 sentences, the document examines different pieces of art, asks if they are truly art, and provides background on 3 famous artists - Van Gogh, Picasso, and Kahlo - including their styles and important works.
Fauvism was an early 20th century art movement characterized by vibrant colors and bold brushwork. It began around 1904 in France and lasted until around 1908, influenced initially by Post-Impressionists like Van Gogh and Gauguin. French painter Henri Matisse is considered the founder of the movement. Critics derisively called the Fauves "wild beasts" due to their radical use of unnatural, emotionally expressive colors that broke from realistic representation. Key elements of Fauvism include a radical use of color and strong unified compositions created with bold brushstrokes.
Fauvism: The Artwork of Matisse and DerainFrank Curkovic
Fauvism was an early 20th century avant-garde art movement characterized by bold, bright, and pure colors and a simplified use of forms. Key Fauvist artists included Henri Matisse and Andre Derain, who believed color should be used expressively rather than descriptively to depict feelings evoked by subjects. Their paintings from 1905-1908 featured simplified drawings and exaggerated use of color that influenced later German Expressionism.
Fauvism was an early 20th century avant-garde art movement known for its use of bright, unblended colors and simplified shapes. It originated in France around 1905 and lasted for about three years. Fauvism was influenced by Impressionism and Post-Impressionism and emphasized intense color over realistic representations. The movement included artists Henri Matisse, Andre Derain, Maurice de Vlaminck, and Georges Rouault, who used expressive brushwork and distorted figures to convey emotion through color. Fauvism helped pave the way for later movements like Cubism and Abstract Expressionism by liberating color from realistic constraints.
Fauvism was an early 20th century art movement known for its intense use of vivid, non-naturalistic colors and distorted forms. Key Fauvist artists included Henri Matisse, Andre Derain, Raoul Dufy, and Georges Braque. They were influenced by nature but sought to mimic its light and colors rather than realistically recreate scenes. Fauvism had a significant impact on the evolution of 20th century art.
Some of the greatest painters in the worldAshik MHs
The document discusses four famous painters - Zainul Abedin, Vincent van Gogh, Johannes Vermeer, and Leonardo da Vinci. It provides biographical details and describes some of their most famous paintings. For Zainul Abedin, it highlights his famine sketches from 1943 depicting starving people. For van Gogh, it mentions The Starry Night and Sunflowers. Key paintings by Vermeer discussed are The Milkmaid, Girl with a Pearl Earring, and Lady at a Virginal. Da Vinci's works mentioned include the Mona Lisa and Salvator Mundi. The document aims to provide an overview of the lives and artistic accomplishments of these influential artists.
Pablo Picasso was a highly influential Spanish painter, sculptor, and draughtsman. He was born in Málaga, Spain and showed artistic talent from a young age. Picasso received formal training from his father in figure drawing and oil painting. Over his long career, Picasso helped pioneer Cubism and other modernist styles and had many lovers and children. Some of his most famous works include Les Demoiselles d'Avignon, Guernica, and The Old Guitarist.
Pablo Picasso was a prolific Spanish painter, sculptor, printmaker, ceramicist, and stage designer who is considered one of the greatest and most influential artists of the 20th century. He revolutionized European painting and sculpture with his artistic style known as Cubism. Picasso was born in Spain and later became a French citizen. He produced over 50,000 works in his lifetime spanning multiple styles and periods including his famous works Les Demoiselles d'Avignon and Guernica.
Louise Bourgeois was a French-American artist known for her large-scale sculptures and installation art that explored themes of domesticity, sexuality, and the subconscious. Her work was highly autobiographical, dealing with trauma from her childhood including witnessing her father's affair with her English governess. Throughout her long career, she transitioned between different mediums but is best known for sculptures that incorporated symbolic objects. Some of her most famous works include Femme Maison, Destruction of the Father, and the giant spider sculpture Maman. Bourgeois continued creating art into her late 90s, receiving her first retrospective at the Museum of Modern Art in 1982, and is now considered one of the most influential artists
After being diagnosed with cancer in 1941, Henri Matisse began creating cut-paper designs with the help of assistants. His assistants would paint sheets of paper which Matisse would then cut out colored shapes and pieces from and arrange on the papers. This new cut-paper technique allowed Matisse, who used a wheelchair at this point, to continue being artistically creative. He produced over 300 of these cut-paper designs in the final years of his life.
The document discusses the art movement of Fauvism, which emerged in the early 20th century. It covers the origins of the term "Fauvism", the artistic developments that preceded it including Impressionism and Pointillism, the science of color involving additive and subtractive mixing, color theory principles of hue, saturation and brightness, and how Fauve artists such as Matisse and Van Gogh used intense color in a non-naturalistic way to express themselves.
This document provides instructions for obtaining a student visa to study in the United States. It lists the required documents, which include a valid passport, DS-160 application form confirmation page, I-20 certificate of eligibility, SEVIS fee receipt, and recent photograph. It describes the steps to apply, which are selecting a visa type, completing the DS-160 form, paying fees, scheduling a biometrics appointment, attending the appointment, and interviewing at the U.S. Embassy to receive a decision on the visa application.
Fauvism was an early 20th century art movement known for bold, vibrant colors and loose brushwork. Henri Matisse was a leading Fauvist painter who rejected realistic color usage in favor of expressing emotion through color. His works like Luxe, Calm and Volupté (1904) showed this new approach through simplified forms and bright hues. Later paintings like Dance (1910) further flattened forms and used intense colors to depict movement in a simplified, rhythmic style that was radical for the time. Matisse's experimentation with color played a key role in developing Fauvism's distinctive style.
- Oscar-Claude Monet was a French painter and founder of French Impressionist painting. He is known for his paintings of landscapes made by observing and painting the same scene under different lighting conditions. Some of his most famous works include Impression, Sunrise and The Water Lily Pond.
- Pablo Picasso was a highly influential Spanish painter, sculptor, printmaker, ceramicist, and stage designer who co-founded the Cubist movement. He produced a prolific and wide-ranging oeuvre, including pioneering works such as Les Demoiselles d'Avignon and Guernica, and is widely considered one of the greatest and most influential artists of the 20th century.
-
The document discusses several key figures and movements associated with Dada and Surrealism. It provides background on Duchamp's readymades and how they undermined assumptions about art. It describes Dada's emergence amid World War I and the nihilistic attitudes it expressed. Key ideas included incorporating chance, undermining artistic genius, and using materials like photographs for political commentary. Figures like Picabia, Schwitters, and Man Ray employed techniques like collage, assemblage, photomontage and more to challenge conventions. Dada in Berlin had left-wing political sympathies and used photomontage for social commentary, while Surrealism aimed to access the unconscious through automatism.
Fauvism was an early 20th century avant-garde art movement known for its use of vibrant, wild, and pure colors and a simplified use of forms. It originated around 1905 in reaction to the then-dominant Impressionism movement and was influenced by Post-Impressionism. Key Fauvist artists included Henri Matisse, André Derain, and Maurice de Vlaminck, who were connected by their expressive techniques and concepts though their individual styles differed. While short-lived, Fauvism had a significant influence on freeing color use and the boundaries of artistic representation.
The Fauvist movement lasted from 1903-1907 and was one of the first modernist art styles. Key characteristics included the use of intense, unnatural colors to convey emotion rather than realism and the rejection of traditional perspective. Major Fauvist artists like Henri Matisse, Andre Derain, and Maurice de Vlaminck were inspired by the bright sunlight of southern France and used vivid color palettes in their depictions of ordinary subjects to express their feelings. Their works shocked viewers at the 1905 Salon d'Automne exhibition in Paris, where the term "Fauvism" originated. The movement had a significant influence on later modernist and expressionist styles through its radical use of color.
This document provides biographical information on several artists:
- Sonia Delaunay was a Ukrainian-born French artist who co-founded the Orphism art movement with her husband Robert Delaunay. Her work spanned painting, textile design, and stage design.
- Mohammad Bozorgi is an Iranian calligraphic artist based in Tehran. He uses geometric abstraction and experimental formalism to advance the art of calligraphy.
- Abdulnasser Gharem is an Emirati artist whose work explores cultural identity and heritage through mixed media techniques like printmaking and sculpture.
Edward Hopper was an American realist painter known for his oil paintings and prints depicting urban and rural scenes. Some of his most famous works include Nighthawks and Chop Suey. He was born in 1882 in New York and studied art in New York City. While he struggled early in his career with illustration work, his paintings began receiving recognition in the 1920s. He married fellow artist Josephine Nivison in 1924. Hopper lived and worked in New York City and summered in Truro, Massachusetts, where he found inspiration for his spare and contemplative scenes of American life. He died in 1967, leaving behind a significant body of work that reflects his personal vision.
The document provides a biography and curriculum vitae for artist Henry Bismuth. It details his early interest and studies in art from a young age through medical school. It describes his focus shifting fully to painting in 1986 and periods of study and exhibitions in both Europe and the United States over subsequent decades. A list of over 50 individual and group exhibitions is also included showcasing Bismuth's work.
This document discusses various works of art and artists. It begins by asking whether certain pieces should be considered art or just awful. It then provides background on several famous artists like Vincent Van Gogh, Pablo Picasso, and Frida Kahlo. It also includes vocabulary related to types of art, tools used, and styles. In under 3 sentences, the document examines different pieces of art, asks if they are truly art, and provides background on 3 famous artists - Van Gogh, Picasso, and Kahlo - including their styles and important works.
Fauvism was an early 20th century art movement characterized by vibrant colors and bold brushwork. It began around 1904 in France and lasted until around 1908, influenced initially by Post-Impressionists like Van Gogh and Gauguin. French painter Henri Matisse is considered the founder of the movement. Critics derisively called the Fauves "wild beasts" due to their radical use of unnatural, emotionally expressive colors that broke from realistic representation. Key elements of Fauvism include a radical use of color and strong unified compositions created with bold brushstrokes.
Fauvism: The Artwork of Matisse and DerainFrank Curkovic
Fauvism was an early 20th century avant-garde art movement characterized by bold, bright, and pure colors and a simplified use of forms. Key Fauvist artists included Henri Matisse and Andre Derain, who believed color should be used expressively rather than descriptively to depict feelings evoked by subjects. Their paintings from 1905-1908 featured simplified drawings and exaggerated use of color that influenced later German Expressionism.
Fauvism was an early 20th century avant-garde art movement known for its use of bright, unblended colors and simplified shapes. It originated in France around 1905 and lasted for about three years. Fauvism was influenced by Impressionism and Post-Impressionism and emphasized intense color over realistic representations. The movement included artists Henri Matisse, Andre Derain, Maurice de Vlaminck, and Georges Rouault, who used expressive brushwork and distorted figures to convey emotion through color. Fauvism helped pave the way for later movements like Cubism and Abstract Expressionism by liberating color from realistic constraints.
Fauvism was an early 20th century art movement known for its intense use of vivid, non-naturalistic colors and distorted forms. Key Fauvist artists included Henri Matisse, Andre Derain, Raoul Dufy, and Georges Braque. They were influenced by nature but sought to mimic its light and colors rather than realistically recreate scenes. Fauvism had a significant impact on the evolution of 20th century art.
Some of the greatest painters in the worldAshik MHs
The document discusses four famous painters - Zainul Abedin, Vincent van Gogh, Johannes Vermeer, and Leonardo da Vinci. It provides biographical details and describes some of their most famous paintings. For Zainul Abedin, it highlights his famine sketches from 1943 depicting starving people. For van Gogh, it mentions The Starry Night and Sunflowers. Key paintings by Vermeer discussed are The Milkmaid, Girl with a Pearl Earring, and Lady at a Virginal. Da Vinci's works mentioned include the Mona Lisa and Salvator Mundi. The document aims to provide an overview of the lives and artistic accomplishments of these influential artists.
Pablo Picasso was a highly influential Spanish painter, sculptor, and draughtsman. He was born in Málaga, Spain and showed artistic talent from a young age. Picasso received formal training from his father in figure drawing and oil painting. Over his long career, Picasso helped pioneer Cubism and other modernist styles and had many lovers and children. Some of his most famous works include Les Demoiselles d'Avignon, Guernica, and The Old Guitarist.
Pablo Picasso was a prolific Spanish painter, sculptor, printmaker, ceramicist, and stage designer who is considered one of the greatest and most influential artists of the 20th century. He revolutionized European painting and sculpture with his artistic style known as Cubism. Picasso was born in Spain and later became a French citizen. He produced over 50,000 works in his lifetime spanning multiple styles and periods including his famous works Les Demoiselles d'Avignon and Guernica.
Louise Bourgeois was a French-American artist known for her large-scale sculptures and installation art that explored themes of domesticity, sexuality, and the subconscious. Her work was highly autobiographical, dealing with trauma from her childhood including witnessing her father's affair with her English governess. Throughout her long career, she transitioned between different mediums but is best known for sculptures that incorporated symbolic objects. Some of her most famous works include Femme Maison, Destruction of the Father, and the giant spider sculpture Maman. Bourgeois continued creating art into her late 90s, receiving her first retrospective at the Museum of Modern Art in 1982, and is now considered one of the most influential artists
After being diagnosed with cancer in 1941, Henri Matisse began creating cut-paper designs with the help of assistants. His assistants would paint sheets of paper which Matisse would then cut out colored shapes and pieces from and arrange on the papers. This new cut-paper technique allowed Matisse, who used a wheelchair at this point, to continue being artistically creative. He produced over 300 of these cut-paper designs in the final years of his life.
The document discusses the art movement of Fauvism, which emerged in the early 20th century. It covers the origins of the term "Fauvism", the artistic developments that preceded it including Impressionism and Pointillism, the science of color involving additive and subtractive mixing, color theory principles of hue, saturation and brightness, and how Fauve artists such as Matisse and Van Gogh used intense color in a non-naturalistic way to express themselves.
This document provides instructions for obtaining a student visa to study in the United States. It lists the required documents, which include a valid passport, DS-160 application form confirmation page, I-20 certificate of eligibility, SEVIS fee receipt, and recent photograph. It describes the steps to apply, which are selecting a visa type, completing the DS-160 form, paying fees, scheduling a biometrics appointment, attending the appointment, and interviewing at the U.S. Embassy to receive a decision on the visa application.
MI ESTUDIO DE CASO CIENCIA, TECNOLOGÍA Y SOCIEDAD.xiomynego
This short document promotes the creation of Haiku Deck presentations on SlideShare by stating "Inspired?" and providing a button to "GET STARTED" making your own Haiku Deck presentation. It encourages the reader to try making a presentation using Haiku Deck on the SlideShare platform in 3 words or less without any additional context or explanation.
La Universidad Técnica del Norte emitió un documento fechado el 16 de noviembre de 2015 dirigido a Nikool Monteros, estudiante del curso 5to A1 de la Facultad de Ciencias Administrativas y Económicas.
Las tarjetas de sonido permiten la salida de audio desde la computadora. La primera tarjeta fue la AdLib que ofrecía síntesis FM para reproducir música MIDI. Luego vino la Sound Blaster que añadió la capacidad de grabar y reproducir audio digital, lo que permitió usar sonidos reales en los juegos. Otras tarjetas como la Turtle Beach ofrecieron mejor calidad de sonido pero no compatibilidad con juegos. Las tarjetas conectan dispositivos de entrada y salida de audio análogo y digital y traducen entre señales aná
Akhil Kumar Mahendra is seeking a full-time position utilizing his skills in a fast-paced environment. He has a Master's degree in CAD/CAM from Osmania University and a Bachelor's degree in Mechanical Engineering from JNTU. His technical skills include CAD software, CNC machining, and programming languages like C and C++. He has internship experience at Bharat Heavy Electricals working on gas turbines and CNC machines. For his master's project, he designed an autonomous war robot that can detect and shoot targets, remove obstacles, and record video. He has participated in several extracurricular technical events and paper presentations.
Abdullah Abdulrahman Alghamdi is seeking a position in a stable company where he can utilize and develop his skills and knowledge. He has a Bachelor of Information Systems degree from King Abdul-Aziz University with a GPA of 3.60/5. His skills include proficiency in HTML, CSS, MS programs, and SQL, as well as basic knowledge of XML, PHP, Java, C++, MySQL, Rapid Miner Studio. He is able to work independently and in a team, and has communication, negotiation, leadership, and management abilities.
If you are looking to be healthy and safe from several diseases then start adding figs in your routine. So in this ppt we are sharing some of the important health benefits of figs with which one can prevent themselves by eating figs regularly.
Report of the LTE breakout session (NB-IoT) by Mediatek Inc. (Session Chair)Yi-Hsueh Tsai
This document summarizes discussions from the 3GPP TSG RAN WG2 meeting regarding narrowband internet of things (NB-IoT). Key topics discussed include:
- Reusing aspects of LTE such as the MAC, RLC, PDCP and RRC for NB-IoT while optimizing for its requirements.
- System information contents and principles to be built upon eMTC but further optimized for NB-IoT's low bandwidth.
- Paging principles including idle mode DRX, coverage level specific paging and further optimization.
- Random access procedure specification for NB-IoT.
- Applicability of RLC AM, PDCP, optimizations to HARQ, DR
The endoplasmic reticulum is an organelle that forms an interconnected network within eukaryotic cells. It has two main types - the rough endoplasmic reticulum, which is studded with ribosomes and involved in protein synthesis and transport, and the smooth endoplasmic reticulum, which functions in lipid and steroid synthesis as well as calcium regulation. The endoplasmic reticulum facilitates protein folding, transports synthesized proteins, and inserts proteins into its membrane through processes like glycosylation and disulfide bond formation.
Nowruz - Origins and Celebration in the Persian WorldAaronSey
Nowruz is the Persian New Year celebration that originated over 15,000 years ago as people transitioned from a nomadic to settled lifestyle. It marks the beginning of spring and the renewal of nature. Nowruz is celebrated on the vernal equinox, around March 21st, and involves spring cleaning, exchanging gifts with family, jumping over fires for purification, and placing seven symbolic items beginning with 'S' on haft-sin tables. Nowruz celebrations last for 13 days and are observed not just in Iran but in other countries once ruled by ancient Persia, reflecting its long cultural history.
The endoplasmic reticulum (ER) is an organelle found in eukaryotic cells that forms an interconnected network of tubules, vesicles, and cisternae. It has two main types - rough ER with ribosomes and smooth ER without. The rough ER is involved in protein synthesis and modification, while the smooth ER performs functions like lipid synthesis and calcium regulation. Newly synthesized proteins are transported from the ER to the Golgi apparatus in vesicles for further processing and modification before being packaged into secretory vesicles and transported throughout the cell. The ER also plays a key role in protein folding and quality control.
Chapter 5 experiments in color and formPetrutaLipan
This document summarizes key developments in early 20th century visual arts in Europe. It discusses how Post-Impressionist artists like Gauguin, Matisse and Cézanne inspired experimentation with color and form. Gauguin's travels to Tahiti influenced his simplified forms and bold color juxtapositions. Fauvism emerged in 1905, characterized by expressive, non-naturalistic use of color. Matisse was a leading Fauvist artist, along with Derain, Vlaminck, Braque and Dufy. Brancusi pioneered modern sculpture through his simplified, abstract forms that captured the essence of subjects like birds in flight.
Colonial Empires About 1900This map is really important .docxdrandy1
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Colonial Empires About 1900This map is really important .docxcargillfilberto
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Impressionism was an artistic movement that began in the late 1860s in France. Artists began experimenting with applying color and light in new ways that focused on capturing fleeting visual impressions rather than adhering to traditional techniques. Notable Impressionist artists included Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir. When their works were rejected from the official Salon exhibitions in Paris, the Impressionists began organizing independent exhibitions of their own to showcase their style, which faced criticism but also gained acceptance over time before concluding in the late 1880s as Neo-Impressionism emerged.
The document provides an overview of Fauvism, an early 20th century art movement known for its radical use of expressive color. It discusses key events and artists associated with Fauvism, including how the movement shocked viewers at the 1905 Salon d'Automne exhibition in Paris with their vibrant, non-naturalistic paintings. Henri Matisse emerged as a leader of the Fauvists, liberating color from descriptive functions and pursuing emotional expression through color for the rest of his career, including in his final works using cut paper shapes.
This presentation talks about Fauvism, which is the style of les Fauves, a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism.
The presentation is intended for students of Art and Architecture.
The first of the major avant-garde movements in European 20th century art, Fauvism was characterised by paintings that used intensely vivid, non-naturalistic and exuberant colours.
The style was essentially expressionist, and generally featured landscapes in which forms were distorted
The document provides an overview of Impressionist art and some of the key Impressionist artists. It discusses how Impressionism opposed rigid academic traditions and emphasized capturing light and color outdoors. Artists like Monet, Renoir, Manet, Cassatt, and Degas are described as focusing on landscapes, scenes of daily life, and light effects over detailed compositions. Their works helped establish Impressionism as a new style that broke from conventions.
The document summarizes the Fauvism art movement. It began in the early 20th century in France and was characterized by bright, vivid colors and simplified forms that did not aim for realism. Major artists included Matisse, Derain, Vlaminck, Gauguin, and Marionot. They had their first exhibition in 1905 in Paris which brought recognition to the movement. Fauvism emphasized using color to convey emotion over realistic representation.
The document discusses the Dada art movement that emerged in Zurich, Switzerland in 1916 in response to World War I. It was founded by Tristan Tzara and characterized by nihilistic protest against conventions through provocative gestures and anti-art works. Key figures discussed include Tzara, Jean Arp, Francis Picabia, Man Ray, and Marcel Duchamp, who helped establish Dada in New York. Dada utilized techniques like collage, readymades, and photomontage to destroy artistic conventions through nonsensical and absurdist works that rejected logic and reason.
The 20th century saw immense changes in art and society. Key developments included the rise of modern art movements like Fauvism, Cubism, Futurism and German Expressionism that rejected realism and embraced abstraction. Artists like Matisse, Picasso, and Kandinsky were influenced by non-Western art and sought to express inner experiences through color, form, and symbolism. Concurrently, new technologies like photography impacted visions of modernity and the human form. These revolutionary artistic developments mirrored broader changes in Western society at the dawn of the modern era.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docxgalerussel59292
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ハEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
Henri Matisse was a highly influential French artist known for his use of bold color and fluid style of painting and sculpture. He helped define revolutionary developments in art in the early 20th century alongside Picasso and Duchamp. Matisse experimented with Divisionist techniques after reading Signac's essay and also worked extensively in sculpture, completing The Slave in 1903.
This document provides an overview of Fauvism and Expressionism. It discusses key Fauvist artists like Henri Matisse and their use of bright, unnatural colors. It then covers major Expressionist artists like Edvard Munch, Franz Marc, Marc Chagall, and their use of distortion, emotion, and non-realistic styles to express inner feelings and experiences impacted by events like World War I. Expressionist works explored themes like mental illness, anxiety, and the horrors of war through bold styles that broke from realism and natural color.
Henri Matisse was a famous French artist born in 1869 in France. As a child he was bedridden for two years and later studied law but found it tedious. He attended art school in the 1890s and his early work was influenced by post-Impressionism. In the early 1900s he began to earn recognition for his art and traveled widely. He befriended Pablo Picasso in 1906 and helped establish Fauvism as an art movement. Throughout his career he created many paintings and cutouts. Matisse died in 1954 at the age of 84 from a heart attack in France.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docxjack60216
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ハEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
Art Appreciation Topic IX: Early 20th Century ArtThomas C.
The document provides an overview of major art movements in the early 20th century. It discusses the rejection of naturalism and academic traditions with the birth of Modernism. Key movements discussed include Fauvism, Cubism, Futurism, Orphism, Rayonism, Constructivism, Dada, Bauhaus, Surrealism, and Neue Sachlichkeit. Specific artists and works are mentioned from Britain, the US, Vienna, Germany, and Paris. The text focuses on the experimentation with technique and questioning of the nature of art during this revolutionary period.
Henri Matisse was a famous French artist known mainly for his paintings. He was born in 1869 in France and initially studied law, but discovered his true passion for art after an illness. Though his father disapproved of his career change, Matisse devoted his life to painting and developed Fauvism, a style focused on using bright colors and feeling over perspective. He lived for many years in Nice, France, where the light and colors inspired much of his work. Matisse completed major artworks throughout his life and career until his death in 1954 at age 84.
Henri Matisse was one of the most influential artists of the 20th century who fundamentally altered modern art. He began as a lawyer but took up painting in his 20s, changing styles over time from pointillism to becoming a leader in the fauvism movement. Matisse was not only a highly skilled painter but also a sculptor, printmaker, and writer. He enjoyed success and fame during his lifetime, traveling widely for inspiration and having his works purchased by prominent collectors. Matisse had a devoted family but maintained a close friendship with writer André Rouveyre. He continued working as an artist until his death at age 84.
Pablo Picasso was a highly influential Spanish painter and sculptor who lived from 1881 to 1973. He helped found the Cubist movement and worked in many styles throughout his long career. Some of his most famous works include Les Demoiselles d'Avignon, Guernica, and numerous portraits of his lovers and friends. Picasso produced a massive body of work estimated at over 50,000 pieces across many mediums before his death in France at the age of 91.
The document provides an overview of early 20th century artistic movements including Fauvism, German Expressionism, Cubism, and Futurism. It discusses key artists such as Matisse, Kirchner, Kandinsky, Picasso, and Braque and their contributions to these movements. Major developments included Fauvism's emphasis on bright color, Expressionism's focus on emotion, and Cubism's fragmentation of form through multiple perspectives.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,Iranian art ,Iranian contemporary art ,famous Iranian artist ,Middle east art ,European art
This document provides a biography of the artist Andy Warhol. It discusses his background and upbringing in Pittsburgh, Pennsylvania. It describes his early career in commercial illustration and how he later became a prominent figure in the pop art movement of the 1960s. Some of his most famous works and artistic innovations are mentioned, such as his silkscreen paintings, studio known as The Factory, and founding of Interview Magazine. It also provides details about his death in 1987 and funeral in Pittsburgh. The document then provides short biographies of the artists Baqer Al-Shaikh and Michelangelo, discussing their backgrounds, styles of work, and important works.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art ,tony cragg ,massoud arabshahi
This document provides biographical information on four artists:
1) František Kupka, a Czech painter who was a pioneer of abstract art and co-founder of Orphism. He developed interest in color theory and abstraction around 1910.
2) Guy Laramée, a Canadian interdisciplinary artist known for theater, music, sculpture and more. His work often explores anthropological themes.
3) Felice Varini, a Swiss artist known for site-specific geometric paintings only visible from certain angles.
4) Dia Azzawi, an Iraqi-born painter who incorporates Arabic script into his work and helped establish modern Arab art in London.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
Giorgio de Chirico was an Italian artist who founded the Metaphysical Art movement before World War 1. He painted enigmatic scenes of empty city squares and arcades that profoundly influenced the Surrealists. In the 1920s he adopted a neoclassical style but continued revisiting metaphysical themes. The document provides details on de Chirico's life, training in Germany and Italy, exhibitions in Paris, involvement with the Surrealists, changing styles over his career, major works, and his significant influence on later artists.
This document provides biographies of 5 artists: Henri Laurens, Abbas Attar, Adi Nes, Shirazeh Houshiary, and Shakir Hassan Al Said. It includes information on each artist's life, education, career, works, exhibitions, and writings. Key details include: Henri Laurens was a French sculptor who worked in the Cubist style and created monumental sculptures. Abbas Attar was an Iranian photographer known for his photojournalism on wars/revolutions and books exploring religions. Adi Nes is an Israeli artist known for homoerotic depictions of Israeli soldiers.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
History of art(west and Iranian)-contemporary art-Reza Khodadadi-Alfred Basbous-Marcos Grigorian-Middle East art -surrealism painting -Iranian art auction -Famous Iranian art -middle east artist-Famous iranian artist-humanity-Iranian#Iranian contemporary art -middle east -surrealism painting -visual art -gallery-contemporary art -Qajar art - art auction -exhibition -modern art -London -USA - UK -Aziz Anzabi-Famous Persian artist-painting-art-life-man-woman
Sadegh Tabrizi was an Iranian artist born in 1939 who helped pioneer the 'Saqqakhaneh School' of art, which explored Persian heritage. He studied miniature painting and ceramics in Iran. Tabrizi held numerous solo and group exhibitions internationally from the 1960s onward and is known for his calligraphic compositions inspired by traditional Persian art.
Tony Cragg is a British sculptor born in 1950. He is known for assemblages made of found objects and his experimentation with a variety of materials. Cragg's early works included site-specific installations and representational wall reliefs made of fragments. Notable works include "Britain Seen from the North" (1981). C
Rembrandt was a highly influential Dutch artist born in 1606 who worked as a painter, printmaker, and draughtsman. He is considered one of the greatest artists in history and had a unique style that incorporated a wide range of subjects and techniques. Rembrandt experienced both critical and financial success early in his career in Amsterdam, though he later faced personal tragedies and financial difficulties. His portraits, self-portraits, and biblical scenes are among his most famous works, and he transformed the etching process into a true art form. Rembrandt died in 1669 in Amsterdam.
Leonardo da Vinci was an Italian polymath during the Renaissance period whose expertise spanned various areas including painting, sculpting, science, engineering and more. He apprenticed under the artist Verrocchio and worked for Ludovico Sforza in Milan. Some of his most famous works include the Mona Lisa and The Last Supper. He is renowned for his technological ideas and inventions ahead of his time, though many were not constructed during his lifetime.
This document provides biographical information about two artists - Hossein Zenderoudi and Frank Stella. It discusses Zenderoudi's background and influences, and highlights how he pioneered a new style of art in Iran that incorporated calligraphy. It also analyzes Zenderoudi's artistic evolution and focus on global communication. The document then briefly outlines Frank Stella's background, influences, and career progression from minimalist paintings in the 1960s to relief sculptures in later decades.
This document provides biographical information about several artists:
1) Alberto Giacometti (1901-1966) - A Swiss sculptor, painter and printmaker born in Switzerland who experimented with cubism and surrealism in Paris. His sculptures were known for their elongated, thin figures.
2) RIDIKKULUZ - A Jordanian-American artist based in New York who promotes Middle Eastern subcultures through surrealistic works infused with urban influences. He aims to bridge Arab and Western cultures through his art.
3) The document also briefly mentions several other artists - Kenneth Armitage, Reza Aramesh, Ahmed Morsi - and provides information about an
This document provides biographical information about two artists:
1) Sohrab Sepehri, an Iranian poet and painter considered one of the pioneers of modern Persian poetry. He was influenced by Buddhism and Western art and incorporated these styles into his poetry and paintings.
2) Joseph Mallord William Turner, an influential English landscape painter known for his use of light, color, and atmospheric effects. The document outlines his early life and training, rise to fame with paintings like "Fishermen at Sea", influential style of painting landscapes and seascapes, and eccentric personality in his later years.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
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Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
4. Henri-Émile-Benoît Matisse 31
December 1869 – 3 November
1954was a French artist, known
for both his use of colour and his
fluid and original draughtsmanship.
He was a draughtsman, printmaker,
and sculptor, but is
known primarily as a painter.
Matisse is commonly regarded,
along with Pablo Picasso and
Marcel Duchamp, as one of the
three artists who helped to define
the revolutionary developments in
the plastic arts throughout the
opening decades of the twentieth
century, responsible for significant
developments in painting and
sculpture.Although he was initially
labelled a Fauve (wild beast),
by the 1920s he was increasingly
hailed
as an upholder of the classical
tradition in French painting.His
mastery of the expressive language
of colour and drawing, displayed in
a body of work spanning over a
half-century, won him recognition
as a leading figure in modern art.
Early life and education
Matisse was born in Le Cateau-
Cambrésis, in the
Nord department in northern
France, the oldest son of a
prosperous grain merchant.
He grew up in Bohain-en-
Vermandois, Picardie, France. In
1887 he went to Paris to study law,
working as a court administrator in
Le Cateau-Cambrésis after gaining
his qualification. He first started to
paint in 1889, after his mother
brought him art supplies during a
period of convalescence following
an attack of appendicitis. He
discovered "a kind of paradise" as
he later described it,and decided to
become an artist, deeply
disappointing his father.
In 1891 he returned to Paris to
study art at the Académie Julian
and became a student of William-
Adolphe Bouguereau and Gustave
Moreau. Initially he painted still
lifes and landscapes in a traditional
style, at which he achieved
reasonable proficiency. Matisse was
influenced by the works of earlier
masters such as Jean-Baptiste-
Siméon Chardin, Nicolas Poussin,
and Antoine Watteau, as well as by
modern artists, such as Édouard
Manet, and by Japanese art.
Chardin was one of the painters
Matisse most admired; as an art
student he made copies of four of
Chardin's paintings in the Louvre.
5. In 1896 and 1897, Matisse visited
the Australian painter John Peter
Russell on the island Belle Île off
the coast of Brittany. Russell
introduced him to Impressionism
and to the work of van Gogh, who
had been a friend of Russell but
was completely unknown at the
time. Matisse's style changed
completely. He later said "Russell
was my teacher, and Russell
explained colour theory to me."In
1896 Matisse exhibited five
paintings in the salon of the
Société Nationale des Beaux-Arts,
two of which were purchased by
the state.
With the model Caroline Joblau,
he had a daughter, Marguerite,
born in 1894. In 1898 he married
Amélie Noellie Parayre; the two
raised Marguerite together and
had two sons, Jean (born 1899)
and Pierre (born 1900). Marguerite
and Amélie often served as models
for Matisse.
In 1898, on the advice of Camille
Pissarro, he went to London to
study the paintings of J. M. W.
Turner and then went on a trip to
Corsica.Upon his return to Paris in
February 1899, he worked beside
Albert Marquet and met André
Derain, Jean Puy,[16] and Jules
Flandrin.Matisse immersed himself
in the work of others and went into
debt from buying work from
painters he admired. The work he
hung and displayed in his home
included a plaster bust by Rodin, a
painting by Gauguin, a drawing by
van Gogh, and Cézanne's Three
Bathers. In Cézanne's sense of
pictorial structure and colour,
Matisse found his main inspiration.
Many of Matisse's paintings from
1898 to 1901 make use of a
Divisionist technique he adopted
after reading Paul Signac's essay,
"D'Eugène Delacroix au Néo-
impressionisme". His paintings of
1902–03, a period of material
hardship for the artist, are
comparatively somber and reveal a
preoccupation with form. Having
made his first attempt at sculpture,
a copy after Antoine-Louis Barye, in
1899, he devoted much of his
energy to working in clay,
completing The Slave in 1903.
6.
7. Around April 1906 he met Pablo
Picasso, who was 11 years younger
than Matisse.The two became
lifelong friends as well as rivals and
are often compared. One key
difference between them is that
Matisse drew and painted from
nature, while Picasso was much
more inclined to work from
imagination. The subjects painted
most frequently by both artists
were women and still life, with
Matisse more likely to place his
figures in fully realised interiors.
Matisse and Picasso were first
brought together at the Paris salon
of Gertrude Stein and her
companion Alice B. Toklas. During
the first decade of the twentieth
century, the Americans in Paris—
Gertrude Stein, her brothers Leo
Stein, Michael Stein and Michael's
wife Sarah—were important
collectors and supporters of
Matisse's paintings. In addition
Gertrude Stein's two American
friends from Baltimore, the Cone
sisters Claribel and Etta, became
major patrons of Matisse and
Picasso, collecting hundreds of
their paintings and drawings. The
Cone collection is now exhibited in
the Baltimore Museum of Art.
Henri Matisse, The Moroccans,
1915-16, oil on canvas, 181.3 x
279.4 cm, Museum of Modern Art
While numerous artists visited the
Stein salon, many of these artists
were not represented among the
paintings on the walls at 27 rue de
Fleurus. Where the works of Renoir,
Cézanne, Matisse, and Picasso
dominated Leo and Gertrude
Stein's collection, Sarah Stein's
collection particularly emphasised
Matisse.
Contemporaries of Leo and
Gertrude Stein, Matisse and Picasso
became part of their social circle
and routinely joined the gatherings
that took place on Saturday
evenings at 27 rue de Fleurus.
Gertrude attributed the beginnings
of the Saturday evening salons to
Matisse, remarking:
"More and more frequently, people
began visiting to see the Matisse
paintings—and the Cézannes:
Matisse brought people, everybody
brought somebody, and they came
at any time and it began to be a
nuisance, and it was in this way
that Saturday evenings began."
8. Among Pablo Picasso's
acquaintances who also
frequented the Saturday evenings
were: Fernande Olivier (Picasso's
mistress), Georges Braque, André
Derain, the poets Max Jacob and
Guillaume Apollinaire, Marie
Laurencin (Apollinaire's mistress
and an artist in her own right),
and Henri Rousseau.
His friends organised and financed
the Académie Matisse in Paris, a
private and non-commercial
school in which Matisse instructed
young artists. It operated from
1907 until 1911. The initiative for
the academy came from the Steins
and the Dômiers, with the
involvement of Hans Purrmann,
Patrick Henry Bruce and Sarah
Stein.
Matisse spent seven months in
Morocco from 1912 to 1913,
producing about 24 paintings and
numerous drawings. His frequent
orientalist topics of later paintings,
such as odalisques, can be traced to
this period.
9. Fauvism as a style began around
1900 and continued beyond 1910.
The movement as such lasted only
a few years, 1904–1908, and had
three exhibitions.The leaders
of the movement were Matisse
and André Derain. Matisse's first
solo exhibition was at Ambroise
Vollard's gallery in 1904, without
much success. His fondness for
bright and expressive colour
became more pronounced
after he spent the summer
of 1904 painting in St. Tropez
with the neo-Impressionists
Signac and Henri-Edmond
Cross.In that year he painted the
most important of his works in the
neo-Impressionist style, Luxe,
Calme et Volupté.In 1905 he
travelled southwards again to
work with André Derain at
Collioure. His paintings of this
period are characterised by flat
shapes and controlled lines, using
pointillism in a less rigorous way
than before.
Matisse and a group of artists now
known as "Fauves" exhibited
together in a room at the Salon
d'Automne in 1905. The paintings
expressed emotion with
wild, often dissonant colours,
without regard for the subject's
natural colours. Matisse showed
Open Window and Woman with
the Hat at the Salon. Critic Louis
Vauxcelles described the work with
the phrase "Donatello parmi les
fauves!" (Donatello among the wild
beasts), referring to a Renaissance-
type sculpture that shared the
room with them. His comment was
printed on 17 October 1905 in Gil
Blas, a daily newspaper, and passed
into popular usage. The exhibition
garnered harsh criticism—"A pot of
paint has been flung in the face of
the public", said the critic Camille
Mauclair—but also some
favourable attention.When the
painting that was singled out for
special condemnation, Matisse's
Woman with a Hat, was bought by
Gertrude and Leo Stein, the
embattled artist's morale improved
considerably.
Les toits de Collioure, 1905, oil on
canvas, The Hermitage, St.
Petersburg, Russia
Matisse was recognised as a leader
of the Fauves, along with André
Derain; the two were friendly rivals,
each with his own followers.
10. Other members were Georges
Braque, Raoul Dufy, and Maurice
de Vlaminck. The Symbolist
painter Gustave Moreau (1826–
1898) was the movement's
inspirational teacher.
As a professor at the
École des Beaux-Arts in Paris,
he pushed his students to think
outside of the lines of formality
and to follow their visions.
In 1907 Guillaume Apollinaire,
commenting about Matisse in an
article published in La Falange,
wrote, "We are not here in the
presence of an extravagant or an
extremist undertaking: Matisse's
art is eminently reasonable."But
Matisse's work of the time also
encountered vehement criticism,
and it was difficult for him to
provide for his family.His painting
Nu bleu (1907) was
burned in effigy at the Armory
Show in Chicago in 1913.
The decline of the Fauvist
movement after 1906 did not
affect the career of Matisse;
many of his finest works were
created between 1906 and 1917,
when he was an active part of the
great gathering of artistic talent in
Montparnasse, even though he did
not quite fit in, with his
conservative appearance and strict
bourgeois work habits. He
continued to absorb new
influences. He travelled to Algeria
in 1906 studying African art and
Primitivism. After viewing a large
exhibition of Islamic art in Munich
in 1910, he spent two months in
Spain studying Moorish art. He
visited Morocco in 1912 and again
in 1913 and while painting in
Tangiers he made several changes
to his work, including his use of
black as a colour.The effect on
Matisse's art was a new boldness in
the use of intense, unmodulated
colour, as in L'Atelier Rouge (1911).
Matisse had a long association with
the Russian art collector Sergei
Shchukin. He created one of his
major works La Danse specially for
Shchukin as part of a two painting
commission, the other painting
being Music, 1910. An earlier
version of La Danse (1909) is in the
collection of The Museum of
Modern Art in New York City.
11.
12. Win a featured showcase as TheArtList.com's
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Sponsored by TheArtList.com and online art supply company Jerry's
Artarama.com. Each month we host a FREE contest. The Artist of The
Month Contest is open to *ALL* artists and photographers who have
not previously been winners in the Artist of the Month contest.
Grand Prize - Winner selected by TheArtList.com Editors
Featured Artist interview page on TheArtList.com website that
showcase several pieces of your work.
Featured on the homepage of TheArtList.com website for the month of
September 2016.
Artwork featured on TheArtList.com's Facebook page cover image
during the month of September 2016.
$75 Gift Certificate to JerrysArtarama.com
NOTE - Grand Prize winner is selected by TheArtList.com Editors, NOT
the highest number of votes.
2nd Place - Runner Up - Winner selected by TheArtList.com Editors
Promoted on TheArtList.com's Facebook page to thousands of artists
and art enthusiasts.
$50 Gift Certificate to JerrysArtarama.com
NOTE - winner is selected by TheArtList.com Editors, NOT the highest
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Viewers Choice - selected by Facebook users voting. Highest # of Votes
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Promoted on TheArtList.com's Facebook page to thousands of artists and art
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$25 Gift Certificate to JerrysArtarama.com
The Deadline to submit is August 28, 2016 and it is FREE to enter.
IMPORTANT: We will be selecting the winners on August 29th. If you are selected as the
Grand Prize winner, we will email you an interview survey to be filled out for your
September AOM page. This will need to be completed by August 30, 2016.
For an example of an Artist of the Month page go to:
http://www.theartlist.com/aom_08_16.html 10
14. Mohammad Ehsai was born in
1939, Ghazvin - Iran is a master
calligrapher turned artist who uses
dense, interlaced texts to provide a
contemplative space for language
that does not rely on direct
translation. He graduated from
Faculty of fine arts, Tehran
university. His works are inspired
by Western abstraction and
Chinese brush painting. Large in
scale and often brightly colored
upon black backgrounds, his
compositions require perceptive
silence rather than reading skills,
and seek to convey the heavenly
power that calligraphy has
traditionally possessed. By toying
with proportion, ratio, and scale,
these works visualize a distinct
mysticism in their interpretation
and take on the utopian ideals of
Modernism. The artist has created
illustrious murals and private
commissions, using his own unique
style to transform the ways in
which this seemingly rigid text
might be distilled.
Ehsai’s murals can be found on the
Iranian Embassy in Abu Dhabi and
the Natural Museum of Iran. He has
exhibited extensively in Tehran and
has had work in institutions such as
the British Museum, London, The
State Hermitage Museum, St.
Petersburg, Leighton House
Museum, London, and Beirut
Exhibition Center, among others.
He received the National Award or
Art and Culture in Iran in 2005.
15. Time line
1986 to 2001, Member of
Syndicate of Iranian Graphic
Designers
Art consultant of Contemporary
Art Museum
1997, Member of Foundation
Committee of Iranian Painters
1996 to 2001, Member
of Scientific Committee of Tehran
University
Member of Iranian Calligraphy
Board
1958 to 1963, Teaching in Tehran
Schools
1964 Experienced Persian Script
(Calligraphy) in Graphics and
Decorative Calligraphy (Paint-
Calligraphy)
1965 to 1974, Calligrapher, Editor,
Art Expert and Editor of Art Books
in Iran Education Books
Organization
1966 to 2001, Collaboration in Art
and Culture activities and also had
Individual and Group exhibitions
1970 to 1988, traveled to Asian,
American and European countries
to Study, Research and
Collaboration in Art Meetings and
also for his Individual and Group
exhibitions
1972 First Selected Painter in Iran
Selected Painter in Iran and France
1975 Commenced with Techni-
Process N.Y. (New York, USA)
1975 to 1978, Performance of 450
sq. m Paint-Calligraphy for Tehran
University
1980 to 1983, Performance of 5
Calligraphy inscriptions for a
Mosque in Tehran
1985 Calligraphy and Pottery of Iran
Bastan Museum's Entry Inscription
1988 to 1991, Performance of 230
sq. m Pottery inscriptions for Iran
Embassy in UAE
2000 Encouraged in 5th Iranian
Contemporary Painters by Judjment
Committee
2001 Jahannama Gallery - Niavaran
Palace, Tehran.
16. OPEN CALL FOR SOLO EXHIBITION IN NYC PLUS $1,000 CASH AWARD
Two-Week Solo Exhibition: Dacia Gallery invites emerging and
established artists to submit artwork for an opportunity to have a Two-
Week Solo Exhibition in October 2016, at Dacia Gallery.
One Thousand Dollars: The selected artist for the Solo Exhibition will
receive $1,000 CASH, from Dacia Gallery. Why are we giving away
$1,000? Dacia Gallery always supports artists and their artistic
endeavors, we want to encourage you to keep making art and
exhibiting your creations.
Who Can Participate: All visual artists, national and international artists
may apply. We are looking for new talented artists to exhibit and
represent. If you are looking for gallery representation and to have a
Solo Show in New York City, submit your art that we may discover your
compelling work and present it to the public, gallery directors, curators
and collectors.
Accepted Artwork: Painting, drawing, printmaking, sculpture,
photography, illustration, etc. In other words, all creative culminations
are welcome.
14
18. Sculpture Clay, part of a world of the angels collection:
This work is very delicate with a great amount on the dresses
of the angels.
The spiral shape causes it to have a beautiful .unique look to
it. Aziz has tried to use the lines of Persian miniatures and
shapes . The angels look very concentrated in what they are
doing and while some of them look happy some of the angels
don't. There is a force in this sculpture that places the viewer
in a middle eastern atmosphere. Even though there are no
colours on the sculpture when you look at the different
flowers placed on the angel's dresses the audience feels like
they are in a garden and this relates straight to the angels
which gives a metaphysic feeling. The lines are very intricate
and every where but the eyes can easily recognize the details
even though it's complicated and this is a plus for this
sculpture. The angels are all women suggesting that the
femininity of the angels can cause them to want to protect
the humans from a far. Because of all the violence and wars
that are going around the world the angels are grieving for
the innocent .The complicating shape of the angels can
suggest just how complicated life is. The fact that they don't
have any colour also makes the audience feel as if they are
not real because they seem more fictional and this could also
refer to people's beliefs on whether angels exist or not.
Clay
28cm x 23cm x 15cm
By:Asra
20. Gorgan About this sound
pronunciation is the capital of
Golestan Province, Iran. It lies
approximately 400 kilometres to
the north east of Tehran, some 30
km (19 mi) away from the Caspian
Sea. In the 2006 census, its
population was 269,226, in 73,702
families
History
There are several archaeological
sites near Gorgan, including
Tureng Tepe and Shah Tepe, in
which there are remains dating to
the Neolithic and Chalcolithic eras.
According to the Greek historian
Arrian, Zadracarta was the largest
city of Hyrcania and site of the
"royal palace". The term means
"the yellow city", and it was given
to it from the great number of
oranges, lemons, and other fruit
trees which grew in the outskirts
of that city.
Hyrcania became part of the
Achaemenid Empire during the
reign of Cyrus the Great (559-530
BC), its founder, or his successor
Cambyses (530-522 BC).
The Great Wall of Gorgan, the
second biggest defensive wall in
world, was built in the Parthian and
Sassanian periods.
At the time of the Sassanids,
"Gurgan" appeared as the name of
a city, province capital, and
province.
Gurgan maintained its
independence as a Zoroastrian
state even after Persia was
conquered by the invading Arab
Muslims in 8th century.
In 1210, the city was invaded and
sacked by the army of Kingdom of
Georgia under command of the
brothers Mkhargrdzeli.
The "Old Gorgan" was destroyed
during the Mongol invasion in the
13th century, and the center of the
region was moved to what was
called "Astarabad", which is
currently called "Gorgan".
Gurgan and its surrounding regions
was sometimes considered as part
of the Parthia (the Greater
Khorasan) or the Tabaristan
regions.
Astarabad was an important
political and religious city during
the Qajar dynasty.
21. Geography and climate
The wide Dasht-e Gorgan (Plains of Gorgan) are located north of the
city and geographically bounded by 37°00' - 37°30' north latitude and
54°00' - 54°30' east longitude, covering an area of about 1,700 square
kilometres (660 sq mi).
Some 150 km (93 mi) east of Gorgan is the Golestan National Park,
home to a big portion of the fauna of Iran.
In general, Golestan has a moderate and humid climate known as "the
moderate Caspian climate." The effective factors behind such a climate
are: Alborz mountain range, direction of the mountains, height of the
area, neighborhood to the sea, vegetation surface, local winds, altitude
and weather fronts. As a result of the above factors, three different
climates exist in the region: plain moderate, mountainous, and semi-
arid. Gorgan valley has a semi-arid climate. The average annual
temperature is 18.2 °C (64.8 °F) and the annual rainfall is 600
millimetres (24 in).
Ziarat Village
22. Demographics
The population of the city has been 329,536 as of 2011.
Majority of people of Gorgan speak Persian. A big portion of the city are
migrants from nearby regions, including Mazanderanis, Azeris, people
from Semnan and Khorasan provinces, as well as some Turkmens, and a
small population of Kazakhs.
Gorgani, a dialect of Mazanderani language, was formerly spoken in the
city, but it is extinct now, and only several of its words have remained in
the accent of the Persian-speakers of the city.
23. London Art Meetup
Comparative Persian/Iranian and European Art
Each session lasts 90 minutes, once a week on Tuesday starting from
5:30 pm. Fee is £10 per session to be paid in batches of 4 sessions in
advance (£40).
Term 1 - will focus on the traditional Persian art of making and painting
Pen Boxes.
Tue Sep 6 - 5:30 PM
Price:
GBP40.00 per person
Meritage Centre
Church End, Hendon, NW4 4JT, London 21