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This document provides information about Jane Austen's novel "Sense and Sensibility" including major characters, plot points, and Austen's attitude towards women and society. It introduces the main characters of the Dashwood family including Elinor, Marianne, and their mother Mrs. Dashwood. A love triangle is discussed between Marianne, Willoughby, and Colonel Brandon. The document also analyzes Austen's portrayal of women, arguing that she depicts their frustration within society and discrimination despite their desire for education and independence beyond marriage.
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Metaphysical poetry flea
This document provides a summary of metaphysical poetry. It identifies John Donne as the founder of metaphysical poetry and notes that the term was first coined by Samuel Johnson, though meant as a criticism. The major metaphysical poets are identified as John Donne, George Herbert, Andrew Marvell, Abraham Cowley, and Richard Crashaw. The document then analyzes Donne's poem "The Flea" in which he tries to convince his lover that engaging in intimacy would not be a sin or loss of virtue by using the biological image of a flea that has fed on both of their blood. It concludes with a quote from Samuel Johnson about relieving the pain of being human.
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John Donne was a 17th century English poet known for his metaphysical poetry. He wrote love poems that used unconventional images like compasses, parallel lines, and fleas to symbolize the power of love. One poem, "The Flea", argues that sharing blood in a flea that has bitten both lovers is a greater physical joining than marriage, and tries to convince his reluctant lover that their love is not a sin. The document discusses Donne's poetic style and provides an analysis of his poem "The Flea" as an example of his unconventional treatment of love.
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The document provides biographical information about John Donne and analyzes his poem "Sunrising". It notes that Donne was an English poet, satirist, lawyer and priest in the late 16th/early 17th century. The poem addresses the rising sun and portrays the lover's beloved as superior to the sun. It challenges the sun's power over time and seasons, saying the lover's love is not subjected to time. The lover claims his beloved encompasses all states and princes, and that nothing else matters besides her.
Dream flea metaphyshical poetry
This document provides an analysis of two metaphysical poems by John Donne: "The Flea" and "The Dream". It discusses Donne's use of biological imagery in "The Flea" to represent sexual desire. It also summarizes the three stanzas of "The Flea" and notes the rhyme scheme. For "The Dream", it explains that the poem is about a lover's confession of his love for his beloved and the difference between dreams and reality.
Donne: Collected Poems - Lessons and study guide
John Donne was a 17th century poet born in 1572 who came of age during a time of religious flux in England. He studied law but secretly married his employer's niece, for which he was briefly imprisoned. He later became an Anglican minister. Donne was one of the Metaphysical poets known for combining intellectual arguments with explorations of passion using conceits, puns, and paradoxes. His poems were addressed to private audiences and touched on topics like sex, morality, religion, and politics. The document provides context and analysis of several of Donne's poems to help with studying his works.
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The document is a paper about John Donne and metaphysical poetry. It provides biographical details about Donne, such as his birthplace of London, England, occupation as a poet and priest, and genres including satire, love poetry, and elegy. The paper also lists some of Donne's most famous poems and discusses metaphysical poetry and Donne's mastery of metaphysical conceits.
characteristics of metaphysical poetry.
This document discusses the characteristics of metaphysical poetry from the 17th century. It notes that metaphysical poetry was written by poets like John Donne, George Herbert, and Andrew Marvell. Key characteristics included the use of conceits, far-fetched metaphors and similes drawn from science, history and other fields of knowledge. The imagery in metaphysical poetry was often intellectual rather than emotional. The metaphysical school declined after the restoration of King Charles II in 1660.
Metaphysical poetry
Metaphysical poetry by John Donne
His two poems
Death be not proud and Sweetest love
There is original lines of poems and description also.
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Metaphysical poetry flea
This document provides a summary of metaphysical poetry. It identifies John Donne as the founder of metaphysical poetry and notes that the term was first coined by Samuel Johnson, though meant as a criticism. The major metaphysical poets are identified as John Donne, George Herbert, Andrew Marvell, Abraham Cowley, and Richard Crashaw. The document then analyzes Donne's poem "The Flea" in which he tries to convince his lover that engaging in intimacy would not be a sin or loss of virtue by using the biological image of a flea that has fed on both of their blood. It concludes with a quote from Samuel Johnson about relieving the pain of being human.
Concept of love in john donneโs poetry
John Donne was a 17th century English poet known for his metaphysical poetry. He wrote love poems that used unconventional images like compasses, parallel lines, and fleas to symbolize the power of love. One poem, "The Flea", argues that sharing blood in a flea that has bitten both lovers is a greater physical joining than marriage, and tries to convince his reluctant lover that their love is not a sin. The document discusses Donne's poetic style and provides an analysis of his poem "The Flea" as an example of his unconventional treatment of love.
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The document provides biographical information about John Donne and analyzes his poem "Sunrising". It notes that Donne was an English poet, satirist, lawyer and priest in the late 16th/early 17th century. The poem addresses the rising sun and portrays the lover's beloved as superior to the sun. It challenges the sun's power over time and seasons, saying the lover's love is not subjected to time. The lover claims his beloved encompasses all states and princes, and that nothing else matters besides her.
Dream flea metaphyshical poetry
This document provides an analysis of two metaphysical poems by John Donne: "The Flea" and "The Dream". It discusses Donne's use of biological imagery in "The Flea" to represent sexual desire. It also summarizes the three stanzas of "The Flea" and notes the rhyme scheme. For "The Dream", it explains that the poem is about a lover's confession of his love for his beloved and the difference between dreams and reality.
Donne: Collected Poems - Lessons and study guide
John Donne was a 17th century poet born in 1572 who came of age during a time of religious flux in England. He studied law but secretly married his employer's niece, for which he was briefly imprisoned. He later became an Anglican minister. Donne was one of the Metaphysical poets known for combining intellectual arguments with explorations of passion using conceits, puns, and paradoxes. His poems were addressed to private audiences and touched on topics like sex, morality, religion, and politics. The document provides context and analysis of several of Donne's poems to help with studying his works.
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The document is a paper about John Donne and metaphysical poetry. It provides biographical details about Donne, such as his birthplace of London, England, occupation as a poet and priest, and genres including satire, love poetry, and elegy. The paper also lists some of Donne's most famous poems and discusses metaphysical poetry and Donne's mastery of metaphysical conceits.
characteristics of metaphysical poetry.
This document discusses the characteristics of metaphysical poetry from the 17th century. It notes that metaphysical poetry was written by poets like John Donne, George Herbert, and Andrew Marvell. Key characteristics included the use of conceits, far-fetched metaphors and similes drawn from science, history and other fields of knowledge. The imagery in metaphysical poetry was often intellectual rather than emotional. The metaphysical school declined after the restoration of King Charles II in 1660.
Metaphysical poetry
Metaphysical poetry by John Donne
His two poems
Death be not proud and Sweetest love
There is original lines of poems and description also.
JOHN DONNE'S POETRY
John Donne was a metaphysical poet who pioneered metaphysical poetry. The poem "The Flea" uses a flea as a biographical image, with the flea sucking the blood of both lovers, representing how they have become one. The lover asks his beloved not to kill the flea, seeing it as a symbol of their union. "Death, Be not Proud" is one of Donne's holy sonnets addressing death, arguing it should not be proud as it is subject to fate, chance, and kings, and only lives forever in war, poison, and sickness.
Metaphysical Poetry
This document provides an introduction to metaphysical poetry and examines John Donne as a metaphysical poet. It defines metaphysical poetry as portraying ideas beyond physical existence. It notes that Samuel Johnson first used the term "metaphysical poets" to describe 17th century poets like Donne, Marvell, and Cowley. It explores Donne's life and works, noting he was intellectual and asked unusual questions in his poetry through wit and improbable comparisons. Key characteristics of Donne's metaphysical poetry are discussed, including his use of wit, conceits, and examination of themes like love, death, and religion.
charactristis in metaphysical poem by john donne.
This document discusses John Donne and metaphysical poetry. It notes that Donne was a leading poet of the metaphysical poetry movement in the early 17th century. Metaphysical poetry used imaginative comparisons across different fields like science, agriculture, and geometry. The document provides examples of Donne's metaphysical poems like "The Dream", "The Sun Rising", and "A Valediction Forbidding Mourning". It describes some key characteristics of Donne's metaphysical poetry, including his use of metaphors like "Lightening", "Torch", and comparing his wife to a compass.
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Characteristics of Metaphysical Poetry
This document provides an overview of metaphysical poetry through 3 paragraphs. It defines metaphysical poetry as a style that emerged in the 17th century including poets like John Donne, George Herbert, and Andrew Marvell. It notes they made a conscious effort to differ from previous poetry in subject and style, displaying their learning through references from diverse fields. It gives an example of Donne's poem "The Flea" using a biological reference to metaphorically express love. It concludes with Dr. Johnson's criticism of their poetry appealing more to the mind than ear, and that the metaphysical style declined after the Restoration.
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This document is a paper analyzing John Donne's metaphysical poem "The Dream". It was written by Parmar Jinal B. for a Renaissance Literature class. The paper discusses Donne's use of metaphysical elements like far-fetched images and conceits in the poem. It analyzes specific lines where Donne uses conceits comparing the beloved to lightning and a torch, and comments on the metaphysical style of the poem.
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The document provides background information on metaphysical poetry. It notes that metaphysical poets like John Donne and Andrew Marvell were not originally called that, but were later labeled as such by Dryden and Samuel. Metaphysical poetry moved towards a more intellectual style compared to previous Elizabethan poetry. Key features included the use of unconventional conceits, wit, unusual images from different fields, and an argumentative style aimed at establishing the poet's perspectives. The document also provides brief biographies of John Donne and Andrew Marvell, two seminal metaphysical poets.
Metaphysical poetry
Metaphysical poetry emerged in England between the mid-16th and mid-17th centuries. It is characterized by the use of ingenious conceits and intellectual complexity. John Donne was a seminal metaphysical poet, known for vibrant language, striking imagery, and sophisticated conceits that compared vastly unlike ideas. His Holy Sonnets, including "Death, be not proud", dealt with religious and existential themes and reflected personal turmoil as Donne grappled with faith.
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The document is a graduation thesis from Hua Yin Institute of Technology. It discusses Emily Dickinson's love poems and analyzes the theme of love in three aspects: expecting the arrival of love and probable marriage, chance meetings and inevitable separation, and raising love to a higher level. The thesis will analyze Dickinson's love poems to help readers better understand the poet and her exploration of love in her works.
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This document provides an overview of metaphysical poetry, with a focus on John Donne as the foremost metaphysical poet in English. It defines metaphysical poetry as poetry from the 17th century that uses intellectual concepts and goes "beyond physical nature". John Donne wrote poetry on religion, sexuality, love and death that utilized far-fetched images, conceits, dramatic qualities, and paradoxes. Some of Donne's most famous metaphysical poems that demonstrate these characteristics are "The Flea", "The Ecstasy", and "A Valediction: Forbidding Mourning".
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This document summarizes the characterization of Lily Briscoe from Virginia Woolf's novel "To the Lighthouse" and Hester Prynne from Nathaniel Hawthorne's "The Scarlet Letter". It describes Lily as an unmarried, independent artist who expresses herself through painting. Hester is described as a woman punished for adultery who stands alone against Puritan society. The document then analyzes both characters as individuals who refused social norms and were decision makers, noting how aspects of their lives connect to the authors. It concludes that both novels can be considered feminist works.
Them of Love
This document provides a summary of three poems by John Donne that deal with the theme of love: "The Sun Raising", "Sweetest Love", and "The Flea". It discusses how each poem explores a lover's emotions and feelings for their beloved. "The Sun Raising" describes a lover addressing the rising sun to convey a message to their beloved. "Sweetest Love" portrays a lover insisting they are not tired of love and would not find a better person than their beloved, even in death. "The Flea" uses a flea as a symbol of marriage between the lover and their beloved who refuses their proposal. The document concludes that all three poems effectively explain a lover's emotions through Donne
The Sun Rising by Jhon Donne Critical Analysis
Jhon Donne's life greatly impacted his poetry. After marrying his beloved Anna More, the main subject of his poetry became love, exploring both the physical and spiritual aspects. Donne drew from his own experiences of love - at times writing about the company of his beloved, other times describing love as the most precious thing, and at other times discussing the unfaithful nature of women. His poetry reflected the experiences and events occurring in his own life.
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This document contains a presentation by Asha Dodiya, a student in the MA program at Maharaja Krishnakumarsinhji Bhavnagar University. The presentation discusses William Wordsworth's views on poetry as expressed in the preface to Lyrical Ballads in 1802. It explains how Wordsworth was a poet of the common man because he used simple language and characters from common life in his poems. The presentation also provides details on some of Wordsworth's famous poems and analyzes his poem "The Solitary Reaper."
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This document provides a summary of Jane Austen's novel Sense and Sensibility. It includes biographical information about Austen, lists her major works, and analyzes several themes from Sense and Sensibility, including money and inheritance, gender roles and expectations of the time, discretion versus indiscretion, appearance versus reality, expectation and disappointment, jealousy, moderation, and other themes.
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John Donne was a metaphysical poet who pioneered metaphysical poetry. The poem "The Flea" uses a flea as a biographical image, with the flea sucking the blood of both lovers, representing how they have become one. The lover asks his beloved not to kill the flea, seeing it as a symbol of their union. "Death, Be not Proud" is one of Donne's holy sonnets addressing death, arguing it should not be proud as it is subject to fate, chance, and kings, and only lives forever in war, poison, and sickness.
Metaphysical Poetry
This document provides an introduction to metaphysical poetry and examines John Donne as a metaphysical poet. It defines metaphysical poetry as portraying ideas beyond physical existence. It notes that Samuel Johnson first used the term "metaphysical poets" to describe 17th century poets like Donne, Marvell, and Cowley. It explores Donne's life and works, noting he was intellectual and asked unusual questions in his poetry through wit and improbable comparisons. Key characteristics of Donne's metaphysical poetry are discussed, including his use of wit, conceits, and examination of themes like love, death, and religion.
charactristis in metaphysical poem by john donne.
This document discusses John Donne and metaphysical poetry. It notes that Donne was a leading poet of the metaphysical poetry movement in the early 17th century. Metaphysical poetry used imaginative comparisons across different fields like science, agriculture, and geometry. The document provides examples of Donne's metaphysical poems like "The Dream", "The Sun Rising", and "A Valediction Forbidding Mourning". It describes some key characteristics of Donne's metaphysical poetry, including his use of metaphors like "Lightening", "Torch", and comparing his wife to a compass.
METAPHYSICAL POETRY
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
Characteristics of Metaphysical Poetry
This document provides an overview of metaphysical poetry through 3 paragraphs. It defines metaphysical poetry as a style that emerged in the 17th century including poets like John Donne, George Herbert, and Andrew Marvell. It notes they made a conscious effort to differ from previous poetry in subject and style, displaying their learning through references from diverse fields. It gives an example of Donne's poem "The Flea" using a biological reference to metaphorically express love. It concludes with Dr. Johnson's criticism of their poetry appealing more to the mind than ear, and that the metaphysical style declined after the Restoration.
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This document is a paper analyzing John Donne's metaphysical poem "The Dream". It was written by Parmar Jinal B. for a Renaissance Literature class. The paper discusses Donne's use of metaphysical elements like far-fetched images and conceits in the poem. It analyzes specific lines where Donne uses conceits comparing the beloved to lightning and a torch, and comments on the metaphysical style of the poem.
Metaphysical
The document provides background information on metaphysical poetry. It notes that metaphysical poets like John Donne and Andrew Marvell were not originally called that, but were later labeled as such by Dryden and Samuel. Metaphysical poetry moved towards a more intellectual style compared to previous Elizabethan poetry. Key features included the use of unconventional conceits, wit, unusual images from different fields, and an argumentative style aimed at establishing the poet's perspectives. The document also provides brief biographies of John Donne and Andrew Marvell, two seminal metaphysical poets.
Metaphysical poetry
Metaphysical poetry emerged in England between the mid-16th and mid-17th centuries. It is characterized by the use of ingenious conceits and intellectual complexity. John Donne was a seminal metaphysical poet, known for vibrant language, striking imagery, and sophisticated conceits that compared vastly unlike ideas. His Holy Sonnets, including "Death, be not proud", dealt with religious and existential themes and reflected personal turmoil as Donne grappled with faith.
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This presentation is a part of my academic presentation of The Renaissance Literature , Department of M A English M K Bhavnagar University and it is submitted to Prof. Dr Dilip Barad sir .
ๆฏไธ่ฎบๆ
The document is a graduation thesis from Hua Yin Institute of Technology. It discusses Emily Dickinson's love poems and analyzes the theme of love in three aspects: expecting the arrival of love and probable marriage, chance meetings and inevitable separation, and raising love to a higher level. The thesis will analyze Dickinson's love poems to help readers better understand the poet and her exploration of love in her works.
Doc 20191013-wa0033
This document provides an overview of metaphysical poetry, with a focus on John Donne as the foremost metaphysical poet in English. It defines metaphysical poetry as poetry from the 17th century that uses intellectual concepts and goes "beyond physical nature". John Donne wrote poetry on religion, sexuality, love and death that utilized far-fetched images, conceits, dramatic qualities, and paradoxes. Some of Donne's most famous metaphysical poems that demonstrate these characteristics are "The Flea", "The Ecstasy", and "A Valediction: Forbidding Mourning".
The modernist literature
This document summarizes the characterization of Lily Briscoe from Virginia Woolf's novel "To the Lighthouse" and Hester Prynne from Nathaniel Hawthorne's "The Scarlet Letter". It describes Lily as an unmarried, independent artist who expresses herself through painting. Hester is described as a woman punished for adultery who stands alone against Puritan society. The document then analyzes both characters as individuals who refused social norms and were decision makers, noting how aspects of their lives connect to the authors. It concludes that both novels can be considered feminist works.
Them of Love
This document provides a summary of three poems by John Donne that deal with the theme of love: "The Sun Raising", "Sweetest Love", and "The Flea". It discusses how each poem explores a lover's emotions and feelings for their beloved. "The Sun Raising" describes a lover addressing the rising sun to convey a message to their beloved. "Sweetest Love" portrays a lover insisting they are not tired of love and would not find a better person than their beloved, even in death. "The Flea" uses a flea as a symbol of marriage between the lover and their beloved who refuses their proposal. The document concludes that all three poems effectively explain a lover's emotions through Donne
The Sun Rising by Jhon Donne Critical Analysis
Jhon Donne's life greatly impacted his poetry. After marrying his beloved Anna More, the main subject of his poetry became love, exploring both the physical and spiritual aspects. Donne drew from his own experiences of love - at times writing about the company of his beloved, other times describing love as the most precious thing, and at other times discussing the unfaithful nature of women. His poetry reflected the experiences and events occurring in his own life.
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Wordsworth was an English Romantic poet born in 1770 who died in 1850. He is known for his poems focused on themes of nature, where he portrayed himself as a "priest of nature" who truly loved natural beauty. Some of his most notable works include Lyrical Ballads, Poems in Two Volumes, and The Prelude, which was an autobiographical poem about his interactions with nature that helped assure him of his poetic mission. In his "Preface to Lyrical Ballads", Wordsworth outlined his view of poetry as "experiments" using the everyday language of lower and middle class people.
Fakeer of jungheera as a love story
This document provides information about a presentation on Henry Louis Vivian Derozio's poem "The Fakeer of Jungheera" as a love story. It includes the name of the presenter, Asha Dodiya, and details about her semester, class, paper topic, and contact information. It then provides an introduction to Derozio as a poet and educator during the Bengal Renaissance and discusses themes in the poem such as the beauty of the character Nuleeni, the affection between characters, and sorrow and suffering.
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This document contains a presentation by Asha Dodiya, a student in the MA program at Maharaja Krishnakumarsinhji Bhavnagar University. The presentation discusses William Wordsworth's views on poetry as expressed in the preface to Lyrical Ballads in 1802. It explains how Wordsworth was a poet of the common man because he used simple language and characters from common life in his poems. The presentation also provides details on some of Wordsworth's famous poems and analyzes his poem "The Solitary Reaper."
comparative study of Browning and Tennyson
This document provides a comparative study of the Victorian poets Robert Browning and Alfred Lord Tennyson. It outlines key biographical details of both poets, including their major works. The document analyzes differences in their writing styles, noting that Browning focuses on the psyche of characters while Tennyson draws from external realities and uses ornate language. Specific poems, Mariana and Childe Roland to the Dark Tower Came, are compared to illustrate differences in how they convey landscape and narrative. The conclusion reiterates that Browning and Tennyson took opposite approaches to exploring truth through their writing.
Analysis of "Out of the cradle endlessly rocking" by Walt Whitman
This document provides a biography and overview of the 19th century American poet Walt Whitman. It notes that he was a nurse during the Civil War and opposed the extension of slavery. One of his major works was Leaves of Grass, in which he pioneered the use of free verse. The document also analyzes his poem "Out of the Cradle Endlessly Rocking" about the loss of his mother, focusing on its themes of love, loss, and the poet's ability to translate personal experiences into song.
Descriptive criticism by John Dryden
John Dryden was considered the father of criticism and the first to attempt extended descriptive criticism in English. Descriptive criticism analyzes a work, traces its influences, and discusses it critically item by item. In his critical prefaces and works like An Essay of Dramatic Poesy, Dryden pioneered historical, comparative, and descriptive criticism in English through dialogues representing different literary ages. He respected ancient principles but gave independent views, defending his own works from attackers and achieving a balance where he excelled where poets failed.
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Marianne Moore's poem "Poetry" uses a pedagogical tone to convince readers that poetry can be interesting despite initial perceptions. Through periodic sentences, imagery, and an instructional voice, the speaker discusses how poetry seems difficult but is actually beneficial. While claiming to dislike poetry, the speaker ironically writes a poem about it. The speaker presents a new perspective by stating one can discover genuine aspects of poetry through reading it with contempt. Overall, the poem uses rhetorical techniques to teach readers to thoughtfully engage with difficult topics like poetry.
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Sense & sensibility ppt
here i am sharing my presentation of paper no 5 The Romantic Literature.Its a part of my academic activity.Its submitted to Dr. Dilip Barad. Department of English MKBU.
Feminist Approach in " To The Lighthouse" and " A Room Of one's own" by Virgi...
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International Journal of Humanities and Social Science Invention (IJHSSI)
International Journal of Humanities and Social Science Invention (IJHSSI) is an international journal intended for professionals and researchers in all fields of Humanities and Social Science. IJHSSI publishes research articles and reviews within the whole field Humanities and Social Science, new teaching methods, assessment, validation and the impact of new technologies and it will continue to provide information on the latest trends and developments in this ever-expanding subject. The publications of papers are selected through double peer reviewed to ensure originality, relevance, and readability. The articles published in our journal can be accessed online
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Mikulan krunoslav
This document summarizes and discusses differing perspectives on J.K. Rowling's Harry Potter series from a feminist literary theory viewpoint. It outlines four main theses that have been put forward in feminist criticism of the novels: that they are sexist, feminist, for boys, or have strong female role models. The document then examines some specific criticisms that claim the novels portray women in a negative or stereotypical way, but also presents counterarguments that suggest the female characters develop in empowering ways. It discusses how the novels can be interpreted through different feminist lenses and concludes that Rowling succeeds in raising issues around gender relations in a nuanced way open to multiple readings.
Feminism and Feminist Criticism
Presented By
Saliha Awan
Nabeeha
Malaika Fatima
Institute.
Lahore Garrison University LGU
Session 2017-21
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Deborah Parsons is a lecturer who wrote about author Djuna Barnes and her work as an example of "melancholic modernism". Barnes had a difficult childhood involving abuse and unconventional family dynamics. She struggled with alcoholism and relationships with both men and women. Her most famous work is the novel Nightwood, which deals with doomed homosexual and heterosexual relationships. Barnes lived a reclusive life and identified as a "melancholic", creating modern works that explored depression, artificiality, and dissatisfaction with society.
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Toni Morrison is an acclaimed American novelist who won the Nobel Prize in Literature in 1993. She was the first African American woman to win this honor. Some of her most famous works include The Bluest Eye, Sula, Song of Solomon, and Beloved. Paradise tells the story of an all-black town called Ruby and the group of troubled women who live in a nearby convent. The novel explores themes of community, religion, race, and the past. It has a nonlinear structure and is divided into nine chapters named after main characters.
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This document summarizes the Victorian novel Middle March by George Eliot. It provides background on the author, whose real name was Mary Anne Evans, and lists her major works. For Middle March, it outlines the vague English Midlands setting, and discusses several major plotlines involving characters like Dorothea Brooke, Rosamond Vincy, and Dr. Lydgate. The document notes themes in the novel like social position, love, self-discovery, money, and politics. It also describes the large crowd of characters and complex relationships between them.
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This document summarizes the characters of Elinor and Marianne from Jane Austen's novel Sense and Sensibility. Elinor represents "sense" as she is prudent, keeps her emotions private, and makes sensible decisions. Marianne represents "sensibility" as she is emotional, romantic, and expresses her feelings openly without restraint. Though different, both sisters experience love and heartbreak throughout the story before ultimately finding happiness.
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Austen feminine
- 1. Topic: Jane Austenโs attitude towards Society and Women. Unit: 3 (Sense and Sensibility). Subject: The Romantic Literature. Name: Gohil Khanjaniba M. Class: MA(Part-1). Semester: 2nd. Roll Number: 15. Guided By: Dr.Dilip Barad Heenaba Jhala. Submitted To: The Department of English, Maharaja Krishnakumarsinhji Bhavnagar University, Bhavnagar.
- 2. ๏ฑ Mrs.Dashwood (mother of three daughters). ๏ฑ Elinor Dashwood. ๏ฑ Marianne Dashwood. ๏ฑ Margret Dashwood. ๏ฑ Fanny Dashwood. ๏ฑ John Willoughby. ๏ฑ Colonel Brandon. ๏ฑ Lucy Steele. ๏ฑ Miss Sophia Grey. ๏ฑ Mrs. Jennings. ๏ฑ Lady Middleton. MAJOR CHARACTERS
- 3. ๏ถ โSense and Sensibility was published in 1811. ๏ถ Most satirical and Darkest novel. ๏ถ Written as a draft from 1790โs. ๏ถ Respectively the title of the novel was โElinor and Marianneโ. ๏ถ Sense is the literally part of the world. ๏ถ Sensibility through nature and beauty. ๏ถ Leads to the Romanticism. ๏ถ Reaction against rationality. INTRODUCTION OF THE NOVEL
- 4. ๏ฑ Love triangle takes place between Marianne Dashwood, Willoughby and Colonel Brandon as well. ๏ฑ Marianne thinks about social affairs, love and marriages.
- 5. ๏ฑโSenseโ reflects Realism and โSensibilityโ reflects Romanticism. ๏ฑWomenโs writings presented here as a violations of its codes of prosperity. ๏ฑโLaughing Feminismโ. ๏ฑBoth the women character represents the classicism through judgment and moderation. ๏ฑIn the 18th and the 19th century, it is recognized as reading of the gender stereotypes. ๏ฑAusten has written this novel according to her society.
- 6. ๏ฑWomen: not hopeless and helpless. ๏ฑโAll women are not living for marriageโ. ๏ฑThe novel reveals tensions rather than ideological serenity. ๏ฑHer most anti feministic book. ๏ฑDichotomy between fear of feminine authority and desire. ๏ฑThe feminist critic Patricia Meyer Spacks and Deborah Kaplan says that the novel criticizes patriarchal values and practices. FEMALE POWER
- 7. ๏ฑ Right to get education. ๏ฑ Marianne attitude shows mildness. ๏ฑ Elinor represents an image of broken hearted woman. ๏ฑ Frustration of woman. ๏ฑ Class distinction of society. ๏ฑ Gender discrimination. ๏ฑ Suppressed desires of woman through the character of Elinor.
- 8. THANK YOUโฆ