Eminem is one of the best-selling rappers of all time with 6 number one albums and over 172 million albums sold worldwide. This document analyzes and summarizes the styles, conventions, and techniques used in three of Eminem's music videos: "Stan", "Love the Way You Lie", and "Not Afraid". It describes how each video uses narrative structures, lighting, camera work, special effects, and other elements to visually interpret and extend the meaning of the songs.
Goodwin's Theory outlines 6 steps for an effective music video: 1) Relationship between lyrics and visuals, 2) Relationship between music and visuals, 3) Genre icons and styles, 4) Close ups of artists, 5) Iconography, and 6) Voyeurism. The document analyzes Eminem's "Without Me" music video and finds it follows Goodwin's Theory well. It provides illustrative and amplifying examples of how the video synchronizes the lyrics and visuals and shows the artists reacting to the music. Close ups of Eminem as the main artist are used frequently. The video also carries iconography from comic books through its Batman and Robin theme.
The document outlines a shot list and storyboard for a music video featuring singer Katy Hearts. It includes various shots of Katy singing, walking through nature, dancing in a field with glitter, and pulling petals from a flower. Many of the shots are close-ups highlighting her emotions and relating her movements to the song's lyrics per Goodwin's analysis that lyrics and visuals should correspond. Jump cuts, fades, pans and match cuts transition between the shots to emphasize lyrics and keep the video upbeat yet reflective of the indie pop song's love theme.
This document contains a shot list for a music video. It includes 34 shots with descriptions of the camera movement, location, lyrics covered, and any actors or elements included in each shot. The shots progress through different locations like a bar, house, countryside, campfire, and conclude back at the bar. They alternate between close-ups of the main actor and wider shots showing other characters or the full scene. The shots are designed to visually depict the lyrics and story of the song being filmed.
The document outlines a storyboard for a music video. It describes a sequence of shots showing the artist rapping and changing clothing/locations throughout. Quick cuts and edits are planned to match the fast-paced song. Props like paper and a flashlight will be used. Different angles, camera movements, and animated text will add variety. Dancing scenes and a car will relate to the lyrics and hip-hop theme. The video aims to utilize different media while tying shots to the words of the song.
This document outlines a director's pitch for a music video featuring the song "Fluorescent Adolescent" by Arctic Monkeys. The narrative follows Simon as he encounters two scenes of violence while growing up. The pitch includes storyboards, a shooting schedule, details on locations, costumes, actors, props, and genre conventions. The video will feature both narrative scenes and performance elements from the band.
The video is for the song "Walk" by the Foo Fighters and depicts the band's frontman Dave Grohl stuck in traffic and becoming increasingly irritated by minor annoyances. As his anger builds, he abandons his car and destroys his phone, acting out in frustration. The video suggests these actions represent Grohl trying to escape his troubles. It eventually shows him relaxing at band practice, playing music as an outlet. The video concludes with Grohl being arrested, indicating he still struggles with his temper at times.
The document discusses three types of music videos: performance videos that feature the artist performing their song, often with dance elements; narrative videos that tell a story inspired by or suggested in the lyrics, like a mini-film with a beginning, middle, and end; and conceptual videos that use symbolism and imagery to represent themes in the song rather than directly illustrating the lyrics. Examples provided are Nirvana's "Smells Like Teen Spirit" for a performance video, Aerosmith's "Cryin'" for a narrative video telling the story of a breakup, and Adele's "Rolling in the Deep" for a conceptual video using symbolic scenes to represent the emotional impact of a past relationship without a clear
1. The opening scene establishes the deserted setting and introduces Columbus through a tense POV sequence as he is chased by zombies. Though meant to be scary, the chase takes on a comedic tone through slapstick elements like a zombie's toilet paper shoe.
2. Tallahassee and Columbus encounter an abandoned car, and tension builds through soundtrack and camerawork as they search for signs of danger. It turns out the "threat" is just a young girl who took Columbus hostage.
3. At a store, the film continues using comedic techniques like Columbus' narration and slapstick violence to subvert expectations of horror. A montage sequence then plays destruction of the store for laughs set to light music
Goodwin's Theory outlines 6 steps for an effective music video: 1) Relationship between lyrics and visuals, 2) Relationship between music and visuals, 3) Genre icons and styles, 4) Close ups of artists, 5) Iconography, and 6) Voyeurism. The document analyzes Eminem's "Without Me" music video and finds it follows Goodwin's Theory well. It provides illustrative and amplifying examples of how the video synchronizes the lyrics and visuals and shows the artists reacting to the music. Close ups of Eminem as the main artist are used frequently. The video also carries iconography from comic books through its Batman and Robin theme.
The document outlines a shot list and storyboard for a music video featuring singer Katy Hearts. It includes various shots of Katy singing, walking through nature, dancing in a field with glitter, and pulling petals from a flower. Many of the shots are close-ups highlighting her emotions and relating her movements to the song's lyrics per Goodwin's analysis that lyrics and visuals should correspond. Jump cuts, fades, pans and match cuts transition between the shots to emphasize lyrics and keep the video upbeat yet reflective of the indie pop song's love theme.
This document contains a shot list for a music video. It includes 34 shots with descriptions of the camera movement, location, lyrics covered, and any actors or elements included in each shot. The shots progress through different locations like a bar, house, countryside, campfire, and conclude back at the bar. They alternate between close-ups of the main actor and wider shots showing other characters or the full scene. The shots are designed to visually depict the lyrics and story of the song being filmed.
The document outlines a storyboard for a music video. It describes a sequence of shots showing the artist rapping and changing clothing/locations throughout. Quick cuts and edits are planned to match the fast-paced song. Props like paper and a flashlight will be used. Different angles, camera movements, and animated text will add variety. Dancing scenes and a car will relate to the lyrics and hip-hop theme. The video aims to utilize different media while tying shots to the words of the song.
This document outlines a director's pitch for a music video featuring the song "Fluorescent Adolescent" by Arctic Monkeys. The narrative follows Simon as he encounters two scenes of violence while growing up. The pitch includes storyboards, a shooting schedule, details on locations, costumes, actors, props, and genre conventions. The video will feature both narrative scenes and performance elements from the band.
The video is for the song "Walk" by the Foo Fighters and depicts the band's frontman Dave Grohl stuck in traffic and becoming increasingly irritated by minor annoyances. As his anger builds, he abandons his car and destroys his phone, acting out in frustration. The video suggests these actions represent Grohl trying to escape his troubles. It eventually shows him relaxing at band practice, playing music as an outlet. The video concludes with Grohl being arrested, indicating he still struggles with his temper at times.
The document discusses three types of music videos: performance videos that feature the artist performing their song, often with dance elements; narrative videos that tell a story inspired by or suggested in the lyrics, like a mini-film with a beginning, middle, and end; and conceptual videos that use symbolism and imagery to represent themes in the song rather than directly illustrating the lyrics. Examples provided are Nirvana's "Smells Like Teen Spirit" for a performance video, Aerosmith's "Cryin'" for a narrative video telling the story of a breakup, and Adele's "Rolling in the Deep" for a conceptual video using symbolic scenes to represent the emotional impact of a past relationship without a clear
1. The opening scene establishes the deserted setting and introduces Columbus through a tense POV sequence as he is chased by zombies. Though meant to be scary, the chase takes on a comedic tone through slapstick elements like a zombie's toilet paper shoe.
2. Tallahassee and Columbus encounter an abandoned car, and tension builds through soundtrack and camerawork as they search for signs of danger. It turns out the "threat" is just a young girl who took Columbus hostage.
3. At a store, the film continues using comedic techniques like Columbus' narration and slapstick violence to subvert expectations of horror. A montage sequence then plays destruction of the store for laughs set to light music
This document outlines a treatment for a music video for the song "Run for It" by artist Kaos. It will tell the story of two characters, both played by the same actress (Amber Salomone), who represent confidence and lack of confidence. The video will feature intercutting scenes between the characters, with one character portrayed as more put together and the other as more ordinary. It provides details on the characters, visual elements, research, locations, equipment, and proposed filming schedule.
The document analyzes several movie trailers and provides tips for creating effective trailers. It discusses elements like dialogue, sound, camera work, theme exploration, and leaving the audience wanting more. Specific trailers summarized include Kidualthood, Bullet Boy, Baby Boy, and Poetic Justice. The document also provides potential shots and story elements for a sample trailer about former lovers reconnecting after years apart, with one willing to go to extremes to rekindle their relationship.
This document provides a script for a music video with 8 scenes summarized as follows:
1) The intro shows each character getting ready with quick shots as the song introduces them.
2) Establishing landscape shots pan across different mornings as the song's pace is slow.
3) As the song picks up, the lighting and shots get quicker, including low angle shots of characters spinning.
4) A train window view leads to college shots and a sign saying "weekend."
5) Characters and extras are shown dancing at a house party with handheld camera shots.
6) The next morning shows people asleep around the messy house after the party.
7) Flash
The music video for Eminem's "Not Afraid" uses various camera and editing techniques. Shots pace faster when Eminem raps quickly to keep up with the song. The genre is hip-hop, as Eminem is a rapper. The song is about overcoming drug addiction after his best friend's death. Green screen is used to show Eminem dropping from a building, and CGI depicts demons in mirrors to represent his inner struggles. The target audience is 15-25 year olds who enjoy rap, and the socio-economic group is level E as students and young adults can relate to the themes.
The video relates to the lyrics of the song by showing Amy Lee giving up and moving on from a relationship through a series of close-ups and shots that move further away from her as she sings. Scenes of the person she is singing to across the table and shots of her passionate singing and dark clothing show her seriousness about ending things. Aggression at the end of the video through thrown objects relates to the lyrics about her needing aggression to get her point across about being tired of being messed around by the person. The dull light and miserable atmosphere depicted further represents the unhappy nature of her life in the relationship.
- The song "When I'm Gone" is about Eminem's career taking priority over his family, as seen in the music video where he ignores his daughter Hailie to work. Hailie confronts Eminem at one of his concerts in Sweden about abandoning her and her mother Kim.
- The video cuts between scenes of Eminem rapping and Hailie's disappointed reactions to show her perspective on feeling let down by her father. At the end, Eminem realizes his mistake and kills his "Slim Shady" alter ego, waking up reunited with his family in the yard.
The document discusses different genres of films including musicals, horrors, and gangster films. It provides details on conventions for each genre, such as the use of fonts and music. It then discusses plans to create an opening scene for a school musical, including shot lists, settings, and portraying different student groups through music and dance. Stylistic elements of other musicals like Hairspray, High School Musical, and Grease are also analyzed.
Music video Evaluation - The Lumineers 'Cleopatra' Molly Turner
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
The group will make a music video for the song "Fallin' Apart" by The All-American Rejects. The video will tell the narrative of a man gradually falling apart from his girlfriend through a series of locations like Tyne Bridge and Alnwick Gardens. It will include performance scenes of the band and cut between the man singing on the bridge and flashbacks showing his relationship falling apart. Motifs like a red photo will connect the locations and the video aims to leave the audience wondering if the girlfriend was real.
1) The DMX music video "Where The Hood At" uses conventions of gangster hip hop to portray African American gang life both in prison and the neighborhood.
2) The Eminem music video "Not Afraid" breaks conventions by focusing on close-ups of his emotions rather than wealth or jewelry. It follows his journey from being suicidal on a rooftop to transforming his life for the better.
3) Both videos use varied camera angles and editing techniques to tell narratives - DMX contrasts prison and neighborhood life while Eminem represents overcoming addiction through his transformation.
The video analyzes the music video for the song "The Polygraph Cheaters" by the band This Is Hell. The video cuts between shots of the band performing live, showing their passion and emotion, and scenes telling a storyline. In the storyline, a man in a suit is killing various victims in positions of power or stereotypes. The album cover for the song's album, "Sundowning", uses contrasting black, red, white and grey colors to represent both good and bad topics addressed on the album. Promotional materials for the album, including a poster and t-shirt, feature the same design as the album cover and use black and red colors to market the album as dealing with negative subjects.
The music video for Foo Fighters' "The Pretender" features an energetic live performance of the band. The video uses fast cuts, letterbox format, tracking shots, and zooms to create a dynamic, almost electric atmosphere. It depicts a rebellious, defiant performance by the band against a backdrop of protest and confrontation with police. As the song's chorus is performed, police first appear behind the band then grow increasingly annoyed by their defiance, culminating in riot police rushing to confront the band.
The storyboard document outlines shots for a horror film trailer involving a couple who get lost in the woods. It begins with the couple walking together and establishes them as the main characters. They realize they are lost and try to find their way back to their tent. Various shots show the couple growing more frightened and being chased through the woods at night by their friends who have become zombie-like. The countdown shots build suspense as the couple hides from and is chased by the zombies. The trailer ends with a zombie version of one of the main characters and the text "Coming soon".
This document provides a synopsis and plan for a music video adaptation of Eminem's song "Stan" told from the girlfriend's perspective. It describes the key characters, locations, props, costumes, and symbols. The storyline would show the girlfriend's declining mental state as Stan's obsession with Eminem grows and his abuse escalates. Scenes would flash between their happier past and increasing arguments, culminating in Stan finding and attacking the girlfriend in a room covered with Eminem posters. The video aims to convey themes of mental illness, abusive relationships, and the message that you shouldn't take your own life for someone else.
The video for "Almost Lover" by A Fine Frenzy uses flashbacks and contrasting camerawork to tell the story of lost love. Scenes of the artist alone singing sadly are interrupted by crosscuts to handheld footage showing her happy with her "almost lover" in the past. Zooms and close-ups are used to highlight emotions. By the end, the final flashback is blurred, symbolizing the lost relationship is now just a dream.
Music videos simillar text anaylsis narrativeMazeyBoi R'tist
The music video for Eminem's "Love the Way You Lie" tells the narrative of a volatile relationship through the acts of a couple portrayed by actors. Throughout the video, the couple is shown passionately fighting and making up. At the end, the worlds of the actors and the performers merge as both are shown burning together. This links their fictional relationship with Eminem and Rihanna's real-life experiences with dysfunctional relationships. The video explores themes of love, hate, dominance, and passion through the storyline and lyrics.
The document is a first draft music video script for the song "Hold Back the River" by James Bay. Over the course of 5 minutes and 30 seconds, the script depicts a group of friends filming each other with a camera throughout their day as they get ready to go out, take a train ride, play cards, walk along docks, attend a concert, hang out at a cafe, and play in a parking lot. The video is meant to have a grainy, slightly old fashioned look and feel with some scenes in black and white. It utilizes the friends' camera footage and switching between who is holding and being filmed by the camera to tell a story that follows the lyrics of the song.
The music video for Kanye West's "Runaway" uses various shots to tell a story. It opens with an extreme long shot of Kanye running toward the camera with smoky lighting creating a sense of fear. The second shot shows the song's title in bright pink lipstick against a black background. Subsequent shots include comets falling to Earth while a female singer's voice is heard, Kanye rapping in a car, animals hiding in a field appearing scared after explosions, and an aerial view of a colorful dressed girl on the ground after a car crash, with Kanye saving her in a shadowed shot to look brave.
The music video for Taylor Swift's song "Fifteen" tells a narrative story through visuals that correspond to the lyrics. It shows Taylor reflecting back on her experiences at age 15 and wanting to warn a younger girl not to make the same mistakes. The video uses techniques like close-ups, changes in lighting and weather, and Taylor's performance shots to match the changing emotions between the happy first half and sadder second half of the song. It challenges pop video conventions by featuring Taylor playing guitar to emphasize her musical talents.
Amy Dover draws birds because some cultures believe the soul turns into a bird after death, especially Egyptians. She also draws bears since people like them as toys but they can be vicious. Her artwork explores how humans keep and humiliate animals, centered around how we view different creatures.
Media Assignment Task 2 - Artist presentation danielc1998
The document analyzes three Lady Gaga music videos - "Marry The Night", "Applause", and "You & I" - focusing on their styles, conventions, and techniques. It discusses the narrative and interpretative styles of "Marry The Night", and techniques like miming, camera work, and lighting. For "You & I", it examines the interpretive, narrative, and surrealist styles, as well as extending song meaning and a focus on the performer. Techniques like special effects and camera work are also analyzed. Finally, it describes the surrealist, interpretative, and homage styles of "Applause", along with conventions like extending song meaning and focusing on the performer, and techniques
Charlie Mead proposes a concept for a music video without a narrative. It will use visual elements like flashing lights and found footage to complement the dark, isolated sound and lyrics. Blue and red flashing lights will represent police sirens during drum-heavy parts of the song. Military footage will accompany lyrics about war, and images related to "Triple six" will flash on screen for that lyric. Ghosting effects will enhance strange lyrics, and an image of a takyon particle will appear for the word "Takyon". An animatic demonstrates the visual plan.
This document outlines a treatment for a music video for the song "Run for It" by artist Kaos. It will tell the story of two characters, both played by the same actress (Amber Salomone), who represent confidence and lack of confidence. The video will feature intercutting scenes between the characters, with one character portrayed as more put together and the other as more ordinary. It provides details on the characters, visual elements, research, locations, equipment, and proposed filming schedule.
The document analyzes several movie trailers and provides tips for creating effective trailers. It discusses elements like dialogue, sound, camera work, theme exploration, and leaving the audience wanting more. Specific trailers summarized include Kidualthood, Bullet Boy, Baby Boy, and Poetic Justice. The document also provides potential shots and story elements for a sample trailer about former lovers reconnecting after years apart, with one willing to go to extremes to rekindle their relationship.
This document provides a script for a music video with 8 scenes summarized as follows:
1) The intro shows each character getting ready with quick shots as the song introduces them.
2) Establishing landscape shots pan across different mornings as the song's pace is slow.
3) As the song picks up, the lighting and shots get quicker, including low angle shots of characters spinning.
4) A train window view leads to college shots and a sign saying "weekend."
5) Characters and extras are shown dancing at a house party with handheld camera shots.
6) The next morning shows people asleep around the messy house after the party.
7) Flash
The music video for Eminem's "Not Afraid" uses various camera and editing techniques. Shots pace faster when Eminem raps quickly to keep up with the song. The genre is hip-hop, as Eminem is a rapper. The song is about overcoming drug addiction after his best friend's death. Green screen is used to show Eminem dropping from a building, and CGI depicts demons in mirrors to represent his inner struggles. The target audience is 15-25 year olds who enjoy rap, and the socio-economic group is level E as students and young adults can relate to the themes.
The video relates to the lyrics of the song by showing Amy Lee giving up and moving on from a relationship through a series of close-ups and shots that move further away from her as she sings. Scenes of the person she is singing to across the table and shots of her passionate singing and dark clothing show her seriousness about ending things. Aggression at the end of the video through thrown objects relates to the lyrics about her needing aggression to get her point across about being tired of being messed around by the person. The dull light and miserable atmosphere depicted further represents the unhappy nature of her life in the relationship.
- The song "When I'm Gone" is about Eminem's career taking priority over his family, as seen in the music video where he ignores his daughter Hailie to work. Hailie confronts Eminem at one of his concerts in Sweden about abandoning her and her mother Kim.
- The video cuts between scenes of Eminem rapping and Hailie's disappointed reactions to show her perspective on feeling let down by her father. At the end, Eminem realizes his mistake and kills his "Slim Shady" alter ego, waking up reunited with his family in the yard.
The document discusses different genres of films including musicals, horrors, and gangster films. It provides details on conventions for each genre, such as the use of fonts and music. It then discusses plans to create an opening scene for a school musical, including shot lists, settings, and portraying different student groups through music and dance. Stylistic elements of other musicals like Hairspray, High School Musical, and Grease are also analyzed.
Music video Evaluation - The Lumineers 'Cleopatra' Molly Turner
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
The group will make a music video for the song "Fallin' Apart" by The All-American Rejects. The video will tell the narrative of a man gradually falling apart from his girlfriend through a series of locations like Tyne Bridge and Alnwick Gardens. It will include performance scenes of the band and cut between the man singing on the bridge and flashbacks showing his relationship falling apart. Motifs like a red photo will connect the locations and the video aims to leave the audience wondering if the girlfriend was real.
1) The DMX music video "Where The Hood At" uses conventions of gangster hip hop to portray African American gang life both in prison and the neighborhood.
2) The Eminem music video "Not Afraid" breaks conventions by focusing on close-ups of his emotions rather than wealth or jewelry. It follows his journey from being suicidal on a rooftop to transforming his life for the better.
3) Both videos use varied camera angles and editing techniques to tell narratives - DMX contrasts prison and neighborhood life while Eminem represents overcoming addiction through his transformation.
The video analyzes the music video for the song "The Polygraph Cheaters" by the band This Is Hell. The video cuts between shots of the band performing live, showing their passion and emotion, and scenes telling a storyline. In the storyline, a man in a suit is killing various victims in positions of power or stereotypes. The album cover for the song's album, "Sundowning", uses contrasting black, red, white and grey colors to represent both good and bad topics addressed on the album. Promotional materials for the album, including a poster and t-shirt, feature the same design as the album cover and use black and red colors to market the album as dealing with negative subjects.
The music video for Foo Fighters' "The Pretender" features an energetic live performance of the band. The video uses fast cuts, letterbox format, tracking shots, and zooms to create a dynamic, almost electric atmosphere. It depicts a rebellious, defiant performance by the band against a backdrop of protest and confrontation with police. As the song's chorus is performed, police first appear behind the band then grow increasingly annoyed by their defiance, culminating in riot police rushing to confront the band.
The storyboard document outlines shots for a horror film trailer involving a couple who get lost in the woods. It begins with the couple walking together and establishes them as the main characters. They realize they are lost and try to find their way back to their tent. Various shots show the couple growing more frightened and being chased through the woods at night by their friends who have become zombie-like. The countdown shots build suspense as the couple hides from and is chased by the zombies. The trailer ends with a zombie version of one of the main characters and the text "Coming soon".
This document provides a synopsis and plan for a music video adaptation of Eminem's song "Stan" told from the girlfriend's perspective. It describes the key characters, locations, props, costumes, and symbols. The storyline would show the girlfriend's declining mental state as Stan's obsession with Eminem grows and his abuse escalates. Scenes would flash between their happier past and increasing arguments, culminating in Stan finding and attacking the girlfriend in a room covered with Eminem posters. The video aims to convey themes of mental illness, abusive relationships, and the message that you shouldn't take your own life for someone else.
The video for "Almost Lover" by A Fine Frenzy uses flashbacks and contrasting camerawork to tell the story of lost love. Scenes of the artist alone singing sadly are interrupted by crosscuts to handheld footage showing her happy with her "almost lover" in the past. Zooms and close-ups are used to highlight emotions. By the end, the final flashback is blurred, symbolizing the lost relationship is now just a dream.
Music videos simillar text anaylsis narrativeMazeyBoi R'tist
The music video for Eminem's "Love the Way You Lie" tells the narrative of a volatile relationship through the acts of a couple portrayed by actors. Throughout the video, the couple is shown passionately fighting and making up. At the end, the worlds of the actors and the performers merge as both are shown burning together. This links their fictional relationship with Eminem and Rihanna's real-life experiences with dysfunctional relationships. The video explores themes of love, hate, dominance, and passion through the storyline and lyrics.
The document is a first draft music video script for the song "Hold Back the River" by James Bay. Over the course of 5 minutes and 30 seconds, the script depicts a group of friends filming each other with a camera throughout their day as they get ready to go out, take a train ride, play cards, walk along docks, attend a concert, hang out at a cafe, and play in a parking lot. The video is meant to have a grainy, slightly old fashioned look and feel with some scenes in black and white. It utilizes the friends' camera footage and switching between who is holding and being filmed by the camera to tell a story that follows the lyrics of the song.
The music video for Kanye West's "Runaway" uses various shots to tell a story. It opens with an extreme long shot of Kanye running toward the camera with smoky lighting creating a sense of fear. The second shot shows the song's title in bright pink lipstick against a black background. Subsequent shots include comets falling to Earth while a female singer's voice is heard, Kanye rapping in a car, animals hiding in a field appearing scared after explosions, and an aerial view of a colorful dressed girl on the ground after a car crash, with Kanye saving her in a shadowed shot to look brave.
The music video for Taylor Swift's song "Fifteen" tells a narrative story through visuals that correspond to the lyrics. It shows Taylor reflecting back on her experiences at age 15 and wanting to warn a younger girl not to make the same mistakes. The video uses techniques like close-ups, changes in lighting and weather, and Taylor's performance shots to match the changing emotions between the happy first half and sadder second half of the song. It challenges pop video conventions by featuring Taylor playing guitar to emphasize her musical talents.
Amy Dover draws birds because some cultures believe the soul turns into a bird after death, especially Egyptians. She also draws bears since people like them as toys but they can be vicious. Her artwork explores how humans keep and humiliate animals, centered around how we view different creatures.
Media Assignment Task 2 - Artist presentation danielc1998
The document analyzes three Lady Gaga music videos - "Marry The Night", "Applause", and "You & I" - focusing on their styles, conventions, and techniques. It discusses the narrative and interpretative styles of "Marry The Night", and techniques like miming, camera work, and lighting. For "You & I", it examines the interpretive, narrative, and surrealist styles, as well as extending song meaning and a focus on the performer. Techniques like special effects and camera work are also analyzed. Finally, it describes the surrealist, interpretative, and homage styles of "Applause", along with conventions like extending song meaning and focusing on the performer, and techniques
Charlie Mead proposes a concept for a music video without a narrative. It will use visual elements like flashing lights and found footage to complement the dark, isolated sound and lyrics. Blue and red flashing lights will represent police sirens during drum-heavy parts of the song. Military footage will accompany lyrics about war, and images related to "Triple six" will flash on screen for that lyric. Ghosting effects will enhance strange lyrics, and an image of a takyon particle will appear for the word "Takyon". An animatic demonstrates the visual plan.
This presentation discusses the abstract expressionist artist Jackson Pollock. It provides details about Pollock's action painting technique of dripping, splattering, and smearing paint onto large canvases laid out on the floor. It notes that Pollock's work was unique for its size and spontaneous painting style. The presentation also explains how Pollock's work was influenced by his emotions and life stresses, incorporating trash and reflecting his feelings as he painted. Examples of Pollock's iconic abstract works are included.
The Picasso Project teacher's notes outline a 10-session art program introducing students to Pablo Picasso's life and works. The first sessions focus on Picasso's early Blue and Rose periods, having students explore how color can influence perception of the same image. Later sessions cover Picasso's portraits, encouraging students to create their own cubist faces. They also learn about Picasso's anti-war painting Guernica. The final sessions are dedicated to collaboratively creating a large mural promoting peace.
The document lists Oliver Kornblum's paintings of sailing scenes and landscapes in oil on canvas of various sizes, as well as paintings of scenes in Barcelona. It provides biographical information, noting that Kornblum was born in 1968, received a diploma of fine art from Hamburg, has been a member of the Association of Fine Arts in Germany since 2003, and lives and works in Hamburg and Barcelona. It also lists some of Kornblum's exhibitions and projects, including at galleries in Hamburg and Barcelona and various public commissions.
BBVA's Participative Management Style Guide translated by me and disseminated internally within BBVA's management hierarchy. Features role plays and examples. Well worth a look!
A stuy on interpretation and analysis of ratio analysis and performance evalu...Projects Kart
The document discusses performance evaluation on financial statements. It begins with an introduction on the importance of financial management in businesses. It then discusses the meaning of key terms like financial management, financial statements, and financial analysis and interpretation. It outlines the objectives, scope, and importance of financial statement analysis. Finally, it discusses the methodology, sources of data, types of analysis and the objectives of the study. The key points are:
1. Financial management is important for efficient use of capital funds and raising funds at lower costs.
2. Financial statements include the balance sheet and profit/loss statement and provide information on financial position and performance.
3. Financial analysis and interpretation involves studying relationships in financial data to evaluate profit
Today news channels are not only providing information about the company but also avails different kind of knowledge. In such context, the present research report is being framed which is emphasizing on strategic analysis of MSNBC. It is the America’s largest broadcasting organization that facilitates different type of information to the customers about several aspects. The present research report is focusing on the strategic analysis of MSNBC in which the marketing strategies of its competitors are mentioned. The company is also provided with some recommendations for the purpose of building the brand image of the company in different markets. The company has been trying to expand the business in other countries in which they are framing different marketing strategies as that will also help in getting greater market share. Based on such analysis, the report is going to use strategic options for business development.
The music video for "Stan" by Eminem tells the story of an obsessive fan named Stan who idolizes Eminem. Stan writes letters to Eminem but never receives a response, which causes Stan to spiral out of control. The video shows Stan dying his hair blonde to look like Eminem and covering his basement in pictures of the rapper. Stan ends up crashing his car while arguing with his girlfriend, killing them both. The video concludes with Eminem realizing Stan has died and visiting his grave, where Stan's brother is also shown to be developing an obsession with Eminem.
I have created a powerpoint analyzing two music videos Eminem - Not Afraid and Rihanna - We found Love. Brief history, conventions, performance etc are all included in this powerpoint.
The document provides an analysis of the music video for Eminem's song "Stan" in three paragraphs. It summarizes that the video tells the story of an obsessive fan named Stan who idolizes Eminem and dies in a car crash while recording a message for his idol. The last part is from Eminem's perspective as he realizes Stan has died and feels responsible. Cinematography like lighting and camera shots are used to build tension and convey emotion. While a hip hop genre, the video takes place in darker settings rather than typical parties for the genre. It warns that Stan's little brother may also become obsessed with Eminem like his late brother.
This document discusses the music video for the song "Best Friend" by Yelawolf featuring Eminem. The music video takes a non-stereotypical approach for a hip-hop video, with settings like a field, cemetery, and church that fit the song's lyrics. It has a performance-based structure without dancing or narratives. The video represents Eminem and Yelawolf in a modern hip-hop style rather than stereotypical baggy clothing. There are close-ups of Yelawolf throughout, while Eminem has mid-shots, reflecting their roles in the video. The tone, lighting, and editing match the dark and sad mood of the music.
The music video for Eminem's song "Stan" tells the story of an obsessive fan named Stan through a dark and unconventional narrative style for a hip hop video. It follows Stan as he becomes increasingly disturbed and obsessed with Eminem, writing him letters that go unanswered, until he records a message driving his pregnant girlfriend off a bridge. The video uses lighting, camera work and symbolism to depict Stan's deteriorating mental state and the message that celebrity worship is unhealthy. It differs from typical hip hop videos by not glorifying wealth or using sex appeal, aiming instead to warn fans about the dangers of obsession.
This document analyzes Eminem's music video for "Lose Yourself" in several areas:
1) The setting depicts Eminem's nervousness in a bathroom and poverty-stricken areas of 8 Mile to represent his upbringing.
2) Eminem dresses in old, faded clothes to portray living in poverty before fame.
3) His body language and those of other rappers are portrayed as strong and masculine, though the video also shows Eminem's struggle to succeed.
4) The video uses minimal props like Eminem's microphone, representing his sole opportunity, and his headphones for writing lyrics.
Eminem is one of the best-selling artists of all time, having sold over 300 million records worldwide. He has won 15 Grammys and an Oscar. The music video for his song "Without Me" uses a disjunctive narrative structure where Eminem portrays Batman and Robin. It features fast editing and camera cuts to match the upbeat tempo of the song. Eminem is shown in baggy clothes of the early 2000s hip hop style. The visuals amplify and illustrate the lyrics, such as impersonating his mother and threatening another artist mentioned in the song.
Eminem - Not Afraid music video uses effective cinematography and mise-en-scene. Wide shots and zooms are used to portray Eminem as "Not Afraid" either facing his fears or standing confidently alone against others. The video contrasts Eminem's past struggles in a basement with his present success in the city. His dark clothing symbolizes depression and hardship while also making him stand out from others. The narrative shows Eminem finding himself again and not being afraid, linked to the song's lyrics, as he stands on tall buildings without fear.
Eminem is an American rapper born in 1972 who rose to fame in the late 1990s and early 2000s. His early albums like "Infinite" and "The Slim Shady LP" were controversial due to their violent and explicit lyrics. Eminem developed an alter ego named Slim Shady and used provocative styles and fonts consistently in his music, albums, and merchandise. His 2000 album "The Marshall Mathers LP" was hugely successful and cemented his status as one of the best-selling artists of all time. Throughout his career, Eminem has openly discussed his struggles with addiction and evolution as a person while maintaining a signature rebellious persona.
Eminem is an American rapper born in 1972 who rose to fame in the late 1990s and early 2000s. His early albums like "Infinite" and "The Slim Shady LP" were controversial due to their violent and dark lyrical content. Eminem developed an alter ego named Slim Shady and used provocative styles and fonts consistently in his music, videos, and merchandise. His 2000 album "The Marshall Mathers LP" was hugely successful and cemented his status as one of the best-selling artists of all time. Throughout his career, Eminem has openly discussed his struggles with addiction and mental health.
This music video for "Stan" by Eminem featuring Dido departs from conventional rap music video genres by focusing on a narrative story rather than clichéd elements like dancing or cars. The visuals closely correspond to the lyrics, showing events like Stan's pregnant girlfriend looking away or rain falling outside. They also match the music through elements like deep bass representing the weather. The video aims for realism by featuring Eminem and Dido as the characters near the end and having Stan lip sync the lyrics. It references obsession through a character constantly looking at Eminem posters and changing reflections in the mirror.
The music video for "Lose Yourself" by Eminem intends to promote the movie 8 Mile by showing Eminem's journey and lifestyle. It represents Eminem as motivated and streetwise, wearing baggy clothes. The relationship between the music and visuals changes from calm to gritty scenes as the beat intensifies. The lyrics and visuals are closely related, showing scenes that represent the lyrics like vomiting when the lyrics mention it. As the song is from the 8 Mile soundtrack, the video uses clips from the movie to tell the narrative and promote both the film and song, appealing to Eminem's core audience of rap fans.
The document summarizes and compares two music videos: Eminem's "Stan" and Ed Sheeran's "Galway Girl". For "Stan", the narrative video directly matches the song's lyrics and tells the story of the character Stan to provide an outlet for Eminem's own struggles with drugs and alcohol. It includes three characters from the lyrics so the audience can see who and what Eminem is rapping about. For "Galway Girl", the video is shot from Ed Sheeran's point of view and tells the story of him meeting a girl on a night out through descriptive lyrics matched with corresponding actions on screen. It also includes other characters and shows Ed Sheeran's recognizable ginger hair
Notes on the technical aspects of a range of short film we compared, particularly those belonging to the comedy genre. We looked at mise en scene, camera work, sound, lighting and editing. These will be used to write a script w
The video tells the story of Stan, an obsessed fan of Eminem who takes his lyrics too literally. Stan becomes consumed by his obsession for Eminem and isolates himself in his dark basement covered in Eminem posters. When Eminem does not reply to Stan's letters, Stan's mental state deteriorates and he kills his pregnant wife and himself by driving off a bridge. The video uses dark colors, lighting, and camera techniques to create an unsettling tone that conveys the disturbing effects of extreme obsession. It aims to show fans that while idolizing celebrities is normal, an unhealthy obsession can have serious consequences.
This document summarizes and analyzes several music videos from different decades:
- Madonna's "Like a Virgin" from 1984 features provocative dancing and symbolic imagery on a boat in Venice.
- Eminem and Rihanna's "Love the Way You Lie" from 2010 depicts a volatile relationship through scenes acted by Megan Fox and Dominic Monaghan.
- Adele's "Chasing Pavement" from 2008 shows tension between her and her partner through expressions while singing in a car.
Eminem's music video for "Mockingbird" features old home video footage of him with his daughters and their mother. The video depicts Eminem alone, watching these old videos and lamenting not being able to be with his family as his career requires him to be away. Through personal lyrics directly addressing his daughters, the video shows Eminem's love for his family and desire to protect and support his daughters, despite being physically distant from them due to his work and their mother struggling with addiction issues. Intercutting old home videos with scenes of Eminem's success and coverage of his wife's legal troubles, the video uses nostalgia and sentimentality to provide context for the song's emotional lyrics and
The document provides details about the production of a music video for a rap song. It discusses the representation of the two artists in the video and how their body language and appearance were inspired by other rappers like Eminem and Kendrick Lamar. It describes the single location used for filming and how it relates to the narrative. Editing techniques, special effects, costumes, and props are explained in the context of conventions from other rap music videos. The narrative aims to capture a dark theme like Eminem's "Stan" video by portraying the artists as trapped.
This document provides analyses of music videos from different decades, including:
1) Madonna's "Like a Virgin" music video from 1984, which depicts her singing provocatively on a boat in a white dress.
2) Eminem and Rihanna's "Love the Way You Lie" from 2010, which shows the troubles in their relationship through scenes with actors and their own performances.
3) Adele's "Chasing Pavements" from 2008, which captures the tension between her and her partner through their expressions as they sing in a car.
The document discusses several conventions of music videos, including narrative/performance, sound, camera techniques, editing, lighting/colors, and performance shot types. It analyzes the music videos for "Airplanes" by B.O.B. featuring Hayley Williams and "Love the Way You Lie" by Rihanna featuring Eminem. Key elements like locations, props, costumes, and editing are described and related to conveying mood. Performance shots focus on emotion through close-ups while maintaining a balance between male and female artists.
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3. Eminem
■ Born on October 17th 1972
■ 6 Number One studio Albums
■ 31 Music Videos
■ 172.000.000 Alums sold Worldwide
■ MTV Europe Music Award for Best Hip-Hop
winner in
1999,2000.2001.2002.2003,2010,2011,2013
■ Grammy Award for Best Rap Album in
2000,2001,2003,2011,2015
8. Lyric interpretation-
“So this is the cassette I’m sending you, I hope you hear it. I’m in the car right
now doing 90 on the free-way… See Slim, (screaming) shut up bitch I’m trying
to talk! Hey Slim, that’s my girlfriend screaming in the trunk… Well gotta go, I’m
almost at the bridge now. Oh shit, I forgot, how am I supposed to send this shit
out?”
Extending song's meaning
There is a fictional character
The chorus sung by Dido doesn’t extend the songs meaning
There is four verses
In memory of Eminem uncle Ronnie
Focus on performer
Difficult to portray in the music video
Stan takes place of the artist and close-up are seen
Stan placed in centre frame when at his desk
Lighting for mood
Low Key lighting
Emphasized and created a certain mood
9. Illustrative
Based around a literal meaning to the song lyrics
The music video follows the lyrics to the song
'If you didn't wanna talk to me outside your concert you didn't have to, but you coulda
signed an autograph for Matthew. That's my little brother man, he's only six years old.
We waited in the blistering cold for you, four hours and you just said, "No."
Narrative
Traditional narrative structure
Based around an obsessed fan
Miming/lip sync
Eminem and Dido are both lip syncing throughout the music video
Eminem is lip syncing as Stan and Eminem
Special effects
Car crashes scene
Exaggeration
Camera techniques : Shots, angles & movement
Opening shots are zooming and close ups
Straight cut shots and different camera angles used in the bathroom
Shots of arguments
Dido
Dido is represents throughout by acting the place of Stan's pregnant girlfriend
11. Extending song's meaning
Male dominance
Video portrays idea of domestic violence
Female vulnerability
Women can be the ones doing the domestic actions
Interpretative
Aggressive nature in the background
“I love the way you lie”
Flames
Allusion
“I’m Superman with the wind at his back, she’s Louis Lane”
How bad their relationship ca be at other times
Lighting for mood
Little lighting
Dull and emotional feeling
Gives disheartened impressions
Miming/lip sync
Eminem and Rihanna are both lip syncing throughout the music video
12. Special effects
Create fire over the human body and in the actors hands
Green screen for fire in backgrounds and to show a large field
Burning building
Camera techniques : Shots, angles & movement
Picture of Rhianna focuses on her not the fire
Close ups are used throughout
Discontinuity editing / Jump shots
Long shot to show mise-en-scene
Medium shot
Establishing shot with tilt
Long stablishing shot
Narrative
Conventional of mainstream music videos in the modern day
Domestic violence
Man hitting a women, stealing from a shop and setting a house on fire.
Every seems of fine at the start but then escalates rapidly
Stereotype
14. Narrative
Not afraid of anything or finding himself again
Standing on the edge of a skyscraper and falls off a cliff
Artist being apart of the narrative
Focus on performer
Focuses completely on Eminem
No distractions of other people
Miming/lip sync
Eminem is miming throughout the whole of the music video.
Special effects e.g. green screen
Green screen with a skyscraper, cliff and flying
Camera techniques : Shots, angles & movement
Establishing shot to show the location
Close up of Eminem
Fast Shot and cuts
Tracking Shots
High and low angle shots
Editor's Notes
Today I will be talking to you about artist techniques within music videos
I will be focusing on the different styles, conventions and techniques within Eminem music videos.
Eminem was born on the 17th October 1972 and he has some outstanding statistics. He has 6 number one studio albums along with 31 Music Videos. There are 172,000,000 albums sold worldwide and has won Best Hip-Hop winner for MTV Europe Music Award in 1999,2000,2001,2003,2011 and 2015
Styles are commonly used within music videos.
Interpretative is where the song is shown through visuals which refer to the lyrics and the representation of them throughout the video. It grabs the audiences attention and gets them to look at what's happening and interpret it themselves.
Narrative is the way a story is told, we are talking about how the music video communicated a story to an audience.
In-concert (as-live) is used in more videos for indie and rock bands. The real-life footage of the band or artist performing live in front of an audience.
Illustrative music videos are the simplest and easiest concept to base a music video around as it is just a literal meaning to the song;s lyrics in visual form.
Surrealist is a form of art movement which shows a creative side of juxtaposition of images.
Pastiche / Homage: Pastiche is where the music video is dependent on another media product, They create a parody of the media product and without the official media product then the music video would have nothing to compare to. Homage is where you acknowledge something from the past.
Parody music videos involve changing or copying existing musical ideas or lyrics. The intention of musical parody is humor.
Animation is a medium which has classically been used to experiment with a story telling techniques, music videos will often use animation. There are two types of animation one Stop Animation and two digital/cell animation. Stop animation is a technique that physically manipulates an object that appears to move on its own whilst digital/cell animation is the process used for generating animated imaged by using computer graphics.
Conventions are commonly used within music videos.
Lyric Interpretation is where the music video is exactly the same as goodwins theory of link to lyrics and visuals. When something is on screen in the video it is linked together with what the singer is actually singing about. It is overused in some music videos which reduces creativity and innovative as though the creators don’t think outside of the box. On the other hand lyric interpretation is effective and is perfect for people who want their video to represent and reflect on the song meaning.
Extending songs meaning is where a music video is used to symbolise and things in the mise-en-scene are further used to push the meaning of the song to also add more of a meaning to a song or bring the lyrics together in a visual explanation to show what the song actually means. You can change the way you make the target demographic feel by having a straight forward song with a consolidating music video.
Focus on performer means that the music video is based around the artist or band. This is done by using a verity of different shot sizes and camera angles which focus directly on the performer. This gives the target demographic and idea of their star image and the music video could reflect the artist and there personality.
Lighting for mood means that the music video will reflect the feelings and emotions of the music video and its follows to the concept of the music video. For example if light lighting is use it will create a dull and sad feeling in the video, which would highlight the song meaning. On the other hand if lots of lighting is used, it gives the impression that what we are watching is a happy and enjoyable moment. This is very common in music videos.
Allusion is very similar concept to intertextual but it less obvious and in your face. Alluding to something mean to reference it so you could blatantly reference another artist by wearing clothes for them or by word of mouth or having it in text on shot which would be intertextual reference.
Techniques are used constantly throughout music videos
Cutting to beat is a music video technique where editors change shots (cuts) on the beat of the song which helps create rhythm and pace in the song
Miming/lip sync is when in a music video the people in the video don't actually sing the song, they just move their lips to make it seem like they are singing the song.
Special effects e.g. green screen are used in music videos to add a narrative. Major record labels will use effects in these music videos. A green screen is something that you can place a background on, this is used in the background of something, in this case it will be a music video, usually you will see the band/artist performing and there will be a big green screen in the background, but in the video it will be something different. .For example they will make explosions or building clashing to the group.
Multi Image is when there is different types of shots that are focusing on one target.
Camera Techniques (camera shots, angles and movements) - A tracking shot is where the camera move along with the subject a panning shot is where the camera moves on the shot. These will be used to cover movement. Close ups will be to capture emotion, an establishing shot is used to set the scene, a high angle shot will be used to show somebody's innocence and low angle will show importance respect.
Eminem - Stan
The lyrics are interpretative throughout the video as the story and clips follow the words of the song. One particular example in when he does the voice recording of himself driving his care into a lake, with his pregnant girlfriend in the truck which is represented to us in the lyrics. The lyrics to the song tell a clear story, linking in with the video, of an obsessive fan writing to Eminem for the third time hoping for a response.
Extending the song meaning is done by telling the story of a fictional person named Stanley "Stan" who claims to be Eminem's biggest fan. Within the song , he writes letters to Eminem, with each verse he becomes gradually more obsessed with him, and where there is no reply he become progressively angrier. The chorus sung by Dido, doesn't extend or add to the songs meaning. Stan finally creates a voice recording of himself driving his car into a lake. The first three verses are delivered by Eminem as Stan while the fourth verse is Eminem attempting to write to Stan, only to come to the realization that he had heard about Stan's death on the news. Therefore this is all contributing to extending the meaning of the song as it follows the death of Eminem deceased Uncle Ronnie, who took his own life in 1991.
Focusing on the performer is difficult to portray in the music video as through most of it, Stan, not Eminem, is narrating the events however due to this, Stan takes place of the artist and close-ups are seen, a specific example being at the beginning of the music video where is looking in the mirror, he is clearly shown to the audience. Throughout the rest of the video, whenever Stan is at his desk, he is always placed in centre frame and if not, the shot is from behind or the side. The camera privileges Stan throughout the music video but still shows cuts of Eminem to re-assure the viewer that it is still his rap. The track is led to the term ‘Stan’ being used in the industry to describe an obsessive fan and had huge influence within the music industry.
The video starts from a black fade transition shot to a low light set. The low key lighting is continued whilst looking at the broken wall tiles. This emphasizes the social class and the lighting creates a dull and emotional feeling about the narrative and the song lyrics.
The music video has a traditional narrative structure, as the exhausted relationship of the protagonist and his girlfriend is presented early on. The root narrative of the video is based around an obsessed fan of Eminem, who neglects his pregnant girlfriend in favour of idolising his favourite artist with a collection of Eminem iconography put together in a shrine, showing intertextuality. We see a shrine with a well executed tilt that takes us through the floor boards
Eminem and Dido are both lip syncing throughout the music video. Eminem is lip syncing as Stan and Eminem.
The special effects used in Stan is when the car crashes into and off the bridge when Stan is angry and aggressive. The crash shows the anger and with the force of the car going off the bridge it shows how dangerous Stan can be so the special effects help exaggerate the anger and the crash.
There is a wide range of verity of camera techniques used within Eminem ‘Stan’. The opening shots, zooming towards a window using fade transitions, are of a heavily pregnant women, her stage of pregnancy exaggerated close-ups of her stomach. This then follows on to a straight cut in the bathroom of the man bleaching his hair which is shown in many different camera angles. This is followed by shots of an argument between a pregnant women and her boyfriend. The second verse begins with a low angle shot of Stan looking agitated. They have used a verity of different movements, including tracking, pans, tilt and crane shots. They used tracking shots when the car crashed off the bridge. Tilt shot to go through the floor boards down into the basement to see Stan writing letters to Eminem.
Dido is represents throughout by acting the place of Stan's pregnant girlfriend.
Eminem – Love the way you lived
Extending the songs meaning is done by having a male dominance throughout the video, and the power of Eminem's voice throughout over shadows Rihanna's soft tome to emphasise the view. Initially the video portrays the idea of domestic violence, implemented mainly by Eminem. The female vulnerability is also displayed through the way Rihanna sings in front of burning flames singing 'Stand there and watch me burn', however further on in the video Megan Fox throws the first punch, while Dominic is still asleep. And the second, and the majority of all the punches. This therefore goes against this whole idea of the male dominance. This shows the domestic violence isn't always men on women it can be the other way round which extends the meaning of the song.
Love the way you lie is an interpretative music video. Throughout, Eminem screams his lyrics aggressively in the background as if he himself were the male character of the video, the words connote how and why a over so provocatively fierce in one moment could have gone terribly wrong Rihanna sings the chorus as if she were the female character of the video. Her line, ad title of the song, 'I love the way you lie' suggests the female character finds some erotic pleasure in being repeatedly betrayed and abused. They both have scenes in the front of a house that's engulfed in flames. The flames, represent the heat of desire, of anger and, at some points regret.
Allusion is used through "I'm Superman with the wind at his back, she's Lois Lane" This impacts the listener because it gives us an idea of what their relationship us like when they are not getting along. But it also gives us an idea of how ad their relationship can be at other times.
Within the music video little lighting has been used so creates a dull and emotional feeling throughout the video. This help highlight the narrative and meaning of the song as it is an emotional subject that has affected lots of people in the world. From the start of the music video there is no lighting used which already indicated that music video is giving a disheartened impression.
Eminem and Rihanna are both lip syncing throughout the music video
Special Effects are used throughout the music video from fire to a green screen to a burning building. Special effect are used to created a fire over the human body and in the actors hands. This is done to follow the lyrics of the music video and it ties in with the narrative and the lyrics. They use a green screen to complete this and they also use a green screen to show the burning fire in the background when Rihanna is singing. When Eminem is in the field in the grass that is also a green screen which shows his full body and the movement and his actions which show frustration and aggression. They also used the green screen to show the burning building.
Camera Techniques are used in a verity of different ways. The picture of Rihanna is in focus while the fire is blurred in the background which directs the target demographics attention to the intensity in Rihanna's face. Close ups are used throughout the video since the emotion has to be solely portrayed through the actors'/singers' faces. They have used discontinuity editing so shot jumps are used between the narrative story and the singers performing. Camera shots jump from one intense scene to the next without necessarily showing the shots in a continuous manner. They have done this to emphasize emotions and to portray the intensity. The long shot of the actress sets the scene and the tone of the story, the long shot allows the target demographic to see the setting and the effect of the fire links the image with the artist's performance. The song quickens pace it cuts to a long shot of Eminem, the framing of the shot makes the audience feel as through we are in the grass, the grass goes out of focus as it cuts to a medium shot the setting looks brighter and more natural. Further along in the music video the story continues the shots of Eminem and interwoven with the establishing shot which is used a tilt, showing the landscape and the different shots this makes it more interesting and visually appealing. At the end of the music video it shows the couple kissing outside the burning house as Rihanna gets more emotional in her performance, both Eminem and Rihanna turn round to look at the burning house and this is done in an establishing long shot so the target demographic can see everything as through we are stood behind the.
The narrative style is very conventional of mainstream music videos in the modern day. It portrays a narrative about love and domestic violence which is unusual in some cases, it follows a very linear narrative so that the spectator can keep up with it and know what is happening throughout the narrative of the video. The theme of the narrative is violence in relationships as the man in the video is nearly hitting the woman throughout it and creating scenes of violence with other men, stealing from a shop and at the end set the house of fire. Firstly everything starts fine the relationship seems fairly happy, disruption is where he punches the wall and we start to see the man's anger, the recognition and attempt to resolve this are she tries to get away and meet someone else bu the finds her and beats the man up.Then finally he sets the house on fire and the two are shown setting on fire. It creates a binary opposites between women and men. I couldn't help but notice the house setting of the narrative portion of the video along with the couples' wardrobe and how it contributes to the stereotype that abuse only happens in lower-class settings.
The narrative in 'Not afraid' in this particular video is that he is not afraid of anything and is finding himself again. This is linked to the lyrics as the title is not afraid and he is standing on the edge of a skyscraper and also falls off a cliff representing that he is not feared of anything. The artist was also taking part in this narrative making it more personnel for him and what this adds to the video is making it a lot more interesting when watching it for the target demographic.
Not Afraid is purely focused on the performer Eminem throughout the whole music video. Through the narrative of the film it shows the he has no fears and as Eminem is doing all of the acting within the music video he shows that he is not afraid as an individual to do anything. The is no other individuals present in the music video so is sourly focused on the performer.
Eminem is miming throughout the whole of the music video.
The director of the music video has used special effects such as a green screen in the music video to produce a climax and imagery of Eminem standing facing a skyscraper which show bravery of heights and he has also used a green screen further on in the music video when he falls off the cliff and fly's back up onto solid ground.
The camera and editing techniques used at the star of the video is an establishing shot, to show the location in New York and to give the audience a quick and subtle him to where Eminem is and where the video is located. There is also a close-up of Eminem's shoes shown and he is standing tall on the building which adds tension. As the music video carry's on the faster the shots are cut and they start using tracking shots to focus on this movements and actions he taking alongside using panning shots which allow us to see the location of where Eminem is. There is a mixture of high and low angle shots throughout the music video which show the importance and there is no fear,