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OCR G322: Introduction to TV Drama
                            Media Languages: Camerawork


In all visual media, the creator uses camera
                                 angles, shot types and movements to convey
emotion, meaning, narrative and context to the audience.

CAMERAWORK (or cinematography) combines with SOUND, EDITING and MISE EN
SCENE to create meanings and representations for the audience.

TASK:
In teams of no more than three, use a   digital camera to take examples of all these aspects of
camerawork. Each    of you must take photos and be photographed. Use
photography and video mode to show your understanding of camerawork.

You must capture ALL shot types using the college building and your team
members.

Once you have captured all your shots return to the classroom and upload your
photos/ videos to the desktop.


Link showing and explaining camerawork in more detail:

http://www.mediaknowall.com/camangles.html
STANDARD SHOT SIZES




      Abbreviation               Full Term                            Use

XLS                   Extreme Long Shot      To show that the subject is dominated by his
                                             surroundings

LS                    Long Shot              Shows the full figure, establishes character

MLS                   Mid- Long Shot         Not used very often: psychologically, audiences
                                             aren’t comfortable with shots ending at the knee,
                                             particularly in moving texts

MS                    Mid- Shot              Establishes character, costume, emotion and
                                             location in the mise en scene

MCU                   Mid- Close Up          The most common shot type on magazine front
                                             covers: Audience can see the star from far away on
                                             a crowded shelf. Shot is close enough to maintain
                                             eye contact with the star and see what they are
                                             wearing

CU                    Close Up               Very common in soap opera: audience can “feel”
                                             the emotion of the characters as they can see facial
                                             expressions and other non- verbal communication

BCU                   Big Close Up           Very common in soap opera in the last decade: by
                                             cutting off the hair and chin, the facial features
                                             dominate the frame, emphasising the emotional
                                             conflict

XCU                   Extreme Close Up       Used to convey significant details or disorient the
                                             audience
Angles: remember, you must keep moving around to find the best angle for
your image


Canted – a view in which the frame is not level, causing the objects in the scene to appear slanted out of
an upright position.




Low angle shot: used to make subject appear larger and more powerful.




High angle shot: used to make subject appear smaller and threatened
Eye level angle: the camera is positioned as if it is a human eye. It is as though the audience is actually observing the
scene




Symmetrical Composition: creates balance, can reflect a calm point in the narrative.




Asymmetrical Composition: creates a focal point for the viewer, emphasises the subject
Over the shoulder shot: makes audience feel like they are observing a private moment




Birds eye point of view: used in dream sequences, can simulate an out of body experience.




Graphic Composition: Mise en scene frames the subjects
From behind shot: makes audience feel like they are following the characters




Two shot: used to establish actor’s positions in a scene before cross- cutting with close-ups and reverse
angle shots




Deep focus (different distances all in focus)
Shot Reverse Shot: used during conversations or scenes with more than one focal point.




OTHERS TYPES OF CAMERA MOVEMENT:

                      TERM                                       DEFINITION/ EXAMPLE

ZOOM IN/OUT



DOLLY ZOOM



TRACK



PAN (LEFT, RIGHT, UP, DOWN)



360 DEGREE PAN



ESTABLISHING SHOT



CRANE

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AS Media Photography and Camerawork booklet

  • 1. OCR G322: Introduction to TV Drama Media Languages: Camerawork In all visual media, the creator uses camera angles, shot types and movements to convey emotion, meaning, narrative and context to the audience. CAMERAWORK (or cinematography) combines with SOUND, EDITING and MISE EN SCENE to create meanings and representations for the audience. TASK: In teams of no more than three, use a digital camera to take examples of all these aspects of camerawork. Each of you must take photos and be photographed. Use photography and video mode to show your understanding of camerawork. You must capture ALL shot types using the college building and your team members. Once you have captured all your shots return to the classroom and upload your photos/ videos to the desktop. Link showing and explaining camerawork in more detail: http://www.mediaknowall.com/camangles.html
  • 2. STANDARD SHOT SIZES Abbreviation Full Term Use XLS Extreme Long Shot To show that the subject is dominated by his surroundings LS Long Shot Shows the full figure, establishes character MLS Mid- Long Shot Not used very often: psychologically, audiences aren’t comfortable with shots ending at the knee, particularly in moving texts MS Mid- Shot Establishes character, costume, emotion and location in the mise en scene MCU Mid- Close Up The most common shot type on magazine front covers: Audience can see the star from far away on a crowded shelf. Shot is close enough to maintain eye contact with the star and see what they are wearing CU Close Up Very common in soap opera: audience can “feel” the emotion of the characters as they can see facial expressions and other non- verbal communication BCU Big Close Up Very common in soap opera in the last decade: by cutting off the hair and chin, the facial features dominate the frame, emphasising the emotional conflict XCU Extreme Close Up Used to convey significant details or disorient the audience
  • 3. Angles: remember, you must keep moving around to find the best angle for your image Canted – a view in which the frame is not level, causing the objects in the scene to appear slanted out of an upright position. Low angle shot: used to make subject appear larger and more powerful. High angle shot: used to make subject appear smaller and threatened
  • 4. Eye level angle: the camera is positioned as if it is a human eye. It is as though the audience is actually observing the scene Symmetrical Composition: creates balance, can reflect a calm point in the narrative. Asymmetrical Composition: creates a focal point for the viewer, emphasises the subject
  • 5. Over the shoulder shot: makes audience feel like they are observing a private moment Birds eye point of view: used in dream sequences, can simulate an out of body experience. Graphic Composition: Mise en scene frames the subjects
  • 6. From behind shot: makes audience feel like they are following the characters Two shot: used to establish actor’s positions in a scene before cross- cutting with close-ups and reverse angle shots Deep focus (different distances all in focus)
  • 7. Shot Reverse Shot: used during conversations or scenes with more than one focal point. OTHERS TYPES OF CAMERA MOVEMENT: TERM DEFINITION/ EXAMPLE ZOOM IN/OUT DOLLY ZOOM TRACK PAN (LEFT, RIGHT, UP, DOWN) 360 DEGREE PAN ESTABLISHING SHOT CRANE