As media, camera shots
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The document discusses different camera shots and angles used in filmmaking and their purposes. An extreme close up focuses on details like a tear to show emotion. A two shot is used for conversations between two characters. A high angle makes a character seem weaker by looking down on them, while a low angle gives authority by looking up. Mid shots show characters from the waist up and are often combined with other shots. Close ups focus on facial expressions or important objects.
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The document discusses different camera angles used in the TV show "Suits" and their meanings. It provides examples of medium close up shots that show a person's face clearly without being too close, mid shots that show enough of a person to feel like you see their whole body, two shots that establish the relationship between two people who are the focus, close up shots that emphasize emotions on a person's face, and over the shoulder shots that frame one person listening while another speaks and takes up about 1/3 of the frame. These shots are used to convey different levels of detail, focus, and relationships between subjects.
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This document analyzes several screenshots from a thriller film and discusses how lighting, camera angles, and shots are used to create suspense, tension, and convey meaning. In the first screenshot, low-key lighting is used at the beginning to cause suspense. A medium shot lets the audience see from a point of view, creating tension. In another screenshot, a medium-long shot and single light draw attention to a character's face and actions. A low angle shot suggests conflict and tension between two investigating characters, reinforced by the rainy weather. A close-up low angle shot of a body on the floor leads the audience to believe he is dead, with blood highlighted by daylight.
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Mise en scene reminder
This document provides an overview of the film technique known as "mise en scene". It defines mise en scene as the visual elements within a scene that communicate information to the audience. These elements include settings and props, costumes, lighting and color, facial expressions and body language, and character positioning. Each of these elements are explored in more detail, providing examples of how they can be used to convey meaning and influence the audience's understanding of characters, relationships, and the overall tone or mood of a scene. Key aspects of mise en scene like lighting styles, costume meanings, and how facial expressions and body positions impact perception are examined.
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Types of Shot
The document discusses different types of shots used in filmmaking including panoramas for landscapes, close-ups for intimacy, extreme close-ups to emphasize characteristics, two shots to include two characters, detail shots to call attention to specifics, and medium shots to frame characters from the waist up.
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The document analyzes and summarizes several shots from the film The Notebook. It describes the first shot as a wide shot of the sun rising, establishing the early morning setting and genre. Another wide shot shows a man rowing past the rising sun, using the sun's reflection to create a romantic scene. A medium long shot in the dark adds to the sad emotion and hints that the film will not show much visually. Two wide shots use similar color schemes and silhouettes to create a heartwarming emotion. An over-the-shoulder shot adds context by showing the same woman as the first scene, looking pensively at birds.
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The document discusses different camera angles used in the TV show "Suits" and their meanings. It provides examples of medium close up shots that show a person's face clearly without being too close, mid shots that show enough of a person to feel like you see their whole body, two shots that establish the relationship between two people who are the focus, close up shots that emphasize emotions on a person's face, and over the shoulder shots that frame one person listening while another speaks and takes up about 1/3 of the frame. These shots are used to convey different levels of detail, focus, and relationships between subjects.
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The document analyzes and summarizes several shots from the film The Notebook. It describes the first shot as a wide shot of the sun rising, establishing the early morning setting and genre. Another wide shot shows a man rowing past the rising sun, using the sun's reflection to create a romantic scene. A medium long shot in the dark adds to the sad emotion and hints that the film will not show much visually. Two wide shots use similar color schemes and silhouettes to create a heartwarming emotion. An over-the-shoulder shot adds context by showing the same woman as the first scene, looking pensively at birds.
Shots pp x
The document discusses different camera shots including extreme long shot, long shot, mid shot, close up, extreme close up, high angle, low angle, two person shot, and over the shoulder shot. Each shot type is defined and examples are provided to illustrate how each shot can be used to convey meaning, set the scene, draw focus, or influence audience perception of characters. Potential uses of each shot type are suggested for a film project about a character named Lucy.
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Possible Shots- Power Point x
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This document discusses different types of shots used in romantic comedies. Over the shoulder shots are used to show conversations between characters and their potential to establish a relationship. Close-ups show a character's emotions to help the audience understand what they may be feeling or thinking. Mid-shots determine a character's body language toward another to convey if they care for or are shy around each other, while also showing some of the setting. Long shots allow viewers to see how much space or closeness there is between characters to judge their level of liking or disliking each other.
Evaluation task 1
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This document provides a shot list for the opening scene of a film. It describes different camera shots - over-the-shoulder, 2 shot, close up from a low angle, long shot, medium shot, and Dutch angle - and explains how each shot will be used to establish characters, set the mood and setting, understand emotions, build tension, and manipulate the audience's identification and sense of unease.
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Moodboard beth
This document discusses different camera shots and lighting techniques for a movie scene. It suggests using medium shots to show actors, settings, and facial expressions; close-ups of eyes to imply being watched; and long shots of a character and surroundings with high-key lighting to focus on the setting. Establishing shots of a scary house and woods are also recommended along with medium shots of a woman's face to show fear.
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This document discusses three ways that films communicate with viewers: formality, point of view, and directness. It defines intimate, social, and impersonal shots to describe the level of formality. Point of view can be subjective, showing directly through a character's eyes, or selective, mainly following one character. Directness refers to whether characters directly address the viewer through voiceover or eye contact. Examples are provided to illustrate these concepts of how films establish relationships with their audience.
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This document analyzes different shots, camera movements, and elements of mise-en-scene from a music video. It describes shots featuring the lead singer that use close-ups, different angles, and focus to highlight his importance. It also analyzes shots of the guitarist that tend to be shorter and use lighting and framing to indicate he is less important than other band members. Colors, settings and other visual elements are described and possible symbolic meanings are suggested.
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This character arc chart outlines the key events and emotional states a character goes through over the course of a story. It begins with establishing the character's goals and emotional state at the introduction, then tracks how their goals and emotions change and develop after the inciting incident, first turning point, midpoint where the character shifts from reactive to proactive, dark moment where all seems lost, and ultimate resolution where the character has transformed and changed goals that make them a different person than at the start.
Presentation2
The document provides an analysis and suggested improvements for 8 shots in a storytelling sequence:
1) Shot 1 is a close up that could convey more emotion through facial expression.
2) Shot 2 establishes the setting but could be improved by adding mystery through black and white or more props.
3) Shot 3 shows a character walking toward a door but could be improved by showing the full door.
4) Shot 4 closes in on body language but could better show facial expression from the front.
5) Shot 5 is similar but could also benefit from a front angle for facial expression.
6) Shot 6 creates tension by showing a hand on the door but could use the other hand.
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The document discusses various camera shots used in filmmaking and what each shot achieves. An extreme close up focuses on very small details like a character's facial expression. A close up shows a character's head and shoulders to reveal details. A mid close up is slightly more pulled back than a close up. A mid shot shows a character from the waist up. A long shot captures the whole body from the ground up. A two shot includes two people to highlight their interaction, often cutting to an over the shoulder shot of the speaking character.
Camera shots
1. The document defines different types of camera shots, angles, and their purposes in filmmaking.
2. Shot types include establishing shots, extreme long shots, two shots, extreme close ups, medium close ups, mid shots, close ups, over the shoulder shots, high angle shots, and long shots.
3. Each shot type conveys different information about characters, settings, emotions, and story elements like relationships or power dynamics. Establishing shots set the scene while close ups emphasize facial expressions.
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The document discusses different camera shots including extreme long shot, long shot, mid shot, close up, extreme close up, high angle, low angle, two person shot, and over the shoulder shot. Each shot type is defined and examples are provided to illustrate how each shot can be used to convey meaning, set the scene, draw focus, or influence audience perception of characters. Potential uses of each shot type are suggested for a film project about a character named Lucy.
Psychological thriller conventions
Psychological thriller conventions often employ shadow lighting and quick cuts to build tension and suspense. Urban locations are commonly used as they can feel isolated. Main characters typically have some mental instability and difficulty distinguishing reality. Flashbacks are used to show how past events impact the present, while editing pace varies to reflect the ups and downs of the mentally ill character's state of mind. Tension and emotions are heightened through an ominous musical score and montage editing of key scenes. Endings may involve the mentally ill person being caught or killed, reaching their goals, or the victim escaping their tormentor.
Possible Shots- Power Point x
The document discusses different camera shots including extreme long shot, long shot, mid shot, close up, extreme close up, high angle, low angle, two person shot, and over the shoulder shot. Each shot type is defined and examples are provided to illustrate how each shot can be used to convey specific meanings or establish certain atmospheres, settings, or relationships between characters. Potential uses of each shot type are also suggested for a film project about a character named Lucy.
Inception
The document discusses several screenshots from the film Inception and analyzes the camera shots, angles, and compositions used in each scene. The screenshots show characters in various emotional states and situations that may foreshadow plot points. They use camera shots like close-ups, long shots, and over-the-shoulder shots to convey meaning, focus audience attention, and establish mood.
Final presentation
The document summarizes 7 scenes from a student film project about a romance/thriller genre film. It discusses how the film was influenced by two other films that featured a male stalker, but challenged that concept by making the female character the stalker. Each scene description explains the cinematography techniques used, such as color contrast, lighting, angles, and focus on the foreground vs. background to enhance the storytelling and depict the stalking actions of the female character towards the male character. The last scene shows the female character looking away from the camera to leave the ending open to interpretation.
Different types of shots
This document discusses different types of shots used in romantic comedies. Over the shoulder shots are used to show conversations between characters and their potential to establish a relationship. Close-ups show a character's emotions to help the audience understand what they may be feeling or thinking. Mid-shots determine a character's body language toward another to convey if they care for or are shy around each other, while also showing some of the setting. Long shots allow viewers to see how much space or closeness there is between characters to judge their level of liking or disliking each other.
Evaluation task 1
This document summarizes the opening sequence of a film trailer. It describes 10 shots that make up the opening sequence. Each shot is described in terms of how it advances the plot or builds suspense. Overall, the sequence introduces the main character and sets up a sense of mystery about where he is going and what he plans to do through the use of different camera angles, effects, and cuts between multiple locations and perspectives. The sequence leaves the audience with open-ended questions to engage them in wanting to watch the full film.
Pitch gs
The document outlines plans for a psychological thriller film involving a kidnapping. It will begin with fast-paced shots in a forest showing unknown characters running while title sequences play. The protagonist will encounter one of the runners and get photos on his phone. The plot will involve clues building up to the kidnapping's true reason. Characters will be similar in age to the target 12-16 audience. The opening sequence will start intense with questions about what's happening through editing and location/costume/lighting choices to set mood. Flashbacks, tone shifts, and relatable characters and themes will grasp the target audience's attention.
Shot list - Opening sequence
This document provides a shot list for the opening scene of a film. It describes different camera shots - over-the-shoulder, 2 shot, close up from a low angle, long shot, medium shot, and Dutch angle - and explains how each shot will be used to establish characters, set the mood and setting, understand emotions, build tension, and manipulate the audience's identification and sense of unease.
Kjoj
The document discusses horror/thriller posters and trailers. It notes that the posters use similar color schemes of blue, black, white and red. The first two posters feature close-ups or shadows of individuals while the third shows a mid-shot of a boy. The trailers also employ these colors and build tension through dark, gloomy imagery and music to create an eerie feel and entice viewers.
Hamish Fulton Analysis
Hamish Fulton is a walking artist who captures photographs from his journeys and adds text with unique font and spacing. This document analyzes 4 of Fulton's photographs, noting lighting, colors, terrain, dates, and inclusion or lack of contextual information. While most have moody lighting and dark settings, one image is brighter, showing more color. They vary in inclusion of details about location and experience, with one using a quote about an object not competing with experience.
Film Language - Mise en Scene
This document discusses the film technique of mise-en-scene, which refers to everything visible within the frame of a shot including props, costumes, lighting, and setting. It identifies the five key elements of mise-en-scene as costume, lighting and color, acting, makeup and hair, and setting. Each of these elements conveys meaning to viewers and influences their emotional response. Specific techniques like lighting, costumes, and setting choice are explored in detail and examples are provided to illustrate how mise-en-scene establishes time, place, and character for the audience.
Moodboard beth
This document discusses different camera shots and lighting techniques for a movie scene. It suggests using medium shots to show actors, settings, and facial expressions; close-ups of eyes to imply being watched; and long shots of a character and surroundings with high-key lighting to focus on the setting. Establishing shots of a scary house and woods are also recommended along with medium shots of a woman's face to show fear.
Critical approaches - modes of address
This document discusses three ways that films communicate with viewers: formality, point of view, and directness. It defines intimate, social, and impersonal shots to describe the level of formality. Point of view can be subjective, showing directly through a character's eyes, or selective, mainly following one character. Directness refers to whether characters directly address the viewer through voiceover or eye contact. Examples are provided to illustrate these concepts of how films establish relationships with their audience.
Story board
This document analyzes different shots, camera movements, and elements of mise-en-scene from a music video. It describes shots featuring the lead singer that use close-ups, different angles, and focus to highlight his importance. It also analyzes shots of the guitarist that tend to be shorter and use lighting and framing to indicate he is less important than other band members. Colors, settings and other visual elements are described and possible symbolic meanings are suggested.
Micro elements
This document discusses various film techniques including extreme close-up, close-up, medium shot, pan, high angle shot, tilt, diegetic sound, and non-diegetic sound. An extreme close-up focuses intensely on a character's facial expressions to convey their emotions. A close-up also shows emotion through the face. A medium shot provides context of the character's surroundings while still showing facial expressions. A pan or tilt can set the scene and track character movement. Diegetic sound is audible to characters while non-diegetic sound, like music, creates suspense but is not heard by characters.
Character Arc Chart
This character arc chart outlines the key events and emotional states a character goes through over the course of a story. It begins with establishing the character's goals and emotional state at the introduction, then tracks how their goals and emotions change and develop after the inciting incident, first turning point, midpoint where the character shifts from reactive to proactive, dark moment where all seems lost, and ultimate resolution where the character has transformed and changed goals that make them a different person than at the start.
Presentation2
The document provides an analysis and suggested improvements for 8 shots in a storytelling sequence:
1) Shot 1 is a close up that could convey more emotion through facial expression.
2) Shot 2 establishes the setting but could be improved by adding mystery through black and white or more props.
3) Shot 3 shows a character walking toward a door but could be improved by showing the full door.
4) Shot 4 closes in on body language but could better show facial expression from the front.
5) Shot 5 is similar but could also benefit from a front angle for facial expression.
6) Shot 6 creates tension by showing a hand on the door but could use the other hand.
Memento project
The document discusses various film techniques used in the movie Memento. It analyzes the low-key lighting that conveys a dark and dirty atmosphere. It also notes ink on a character's hand that may provide clues, and a fade placed over a polaroid picture to show how images fade. Sound is discussed, including non-diegetic score that creates tension and a diegetic scream and gunshot. Camerawork is examined through a low angle shot showing a powerful protagonist and a point-of-view shot focusing on something important.
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Shot types
The document discusses various camera shots used in filmmaking and what each shot achieves. An extreme close up focuses on very small details like a character's facial expression. A close up shows a character's head and shoulders to reveal details. A mid close up is slightly more pulled back than a close up. A mid shot shows a character from the waist up. A long shot captures the whole body from the ground up. A two shot includes two people to highlight their interaction, often cutting to an over the shoulder shot of the speaking character.
Camera shots
1. The document defines different types of camera shots, angles, and their purposes in filmmaking.
2. Shot types include establishing shots, extreme long shots, two shots, extreme close ups, medium close ups, mid shots, close ups, over the shoulder shots, high angle shots, and long shots.
3. Each shot type conveys different information about characters, settings, emotions, and story elements like relationships or power dynamics. Establishing shots set the scene while close ups emphasize facial expressions.
Moving images add picture ppt
This document discusses different cinematography techniques used in television dramas and provides example images to illustrate each technique. It covers shot distance including long shots, medium shots, and close-ups. It also discusses techniques like extreme long shots, zoom shots, partial shading, proximity, soft focus with fuzzy frames, and deep versus shallow focus to direct the audience's attention and influence their understanding of characters, settings and mood. Each example image shows how a technique is used to achieve a certain effect in a drama scene.
Camera work shot reference
An over-the-shoulder shot frames one character from behind another character's shoulder. This shot emphasizes conversations between two characters by allowing the audience to see one character's face while positioned as if looking over the other character's shoulder. It helps to establish each character's position and perspective during interactions like conversations by simulating viewing one speaker from the other's point of view. By cutting between over-the-shoulder shots of each conversant, audiences can follow exchanges between the two characters.
Camera work & shot types (Not finished)
This document discusses and provides examples of different types of camera shots including long shots, medium shots, over-the-shoulder shots, close ups, and establishing shots. Long shots show a character from head to toe and establish the scene while showing body language. Medium shots show subjects from the waist up with some background. Over-the-shoulder shots imply relationships between characters. Close ups are used to show facial expressions and emotions. Establishing shots establish the location and setting of a scene.
Moving images add picture ppt
This document discusses different cinematography techniques used to influence viewers and direct their attention. It explains how shot distance like close-ups and long shots can be used to make viewers feel comfortable or uncomfortable. Medium shots keep attention on the foreground subject while extreme long shots provide perspective on size and scale. Proximity places greater importance on subjects closer to the camera. Fuzzy frames create romantic moods while shallow focus draws attention to a specific area in the shot.
Camera Work Explained
An extreme close-up shot focuses on a specific object or body part, usually the face, to represent emotion or tell the story. A close-up shows facial expressions to convey emotions during dialogue or important lines. A mid shot captures emotion through gestures and costumes to further the narrative. It also shows character interactions and relationships.
Camera angle practice
High angle shots make subjects look small and vulnerable, while low angles present characters as powerful. Two-shot and over-the-shoulder shots show conversation and interaction between two characters. Establishing shots introduce settings, while wide shots capture a range of imagery with subjects in the center to emphasize isolation. Mid-shots capture figures and surroundings, and close-ups highlight significance with a focus on the face. Extra close-ups convey emotion through the eyes. Practicing these shots helps filmmakers present characters and events effectively.
Camera shots and movements
This document summarizes various camera shots and movements used in filmmaking:
- Two shot shows two people together from a sideways angle and may change to an over the shoulder shot. It establishes relationships.
- Over the shoulder shot shows a character or object over another character's shoulder to create suspense or show relationships.
- Point of view shot puts the audience in the character's perspective to become more involved in the story.
- Master shot establishes settings and characters with an extreme long shot for reference if other shots fail.
Camera shots and movements
This document summarizes various camera shots and movements used in filmmaking:
- Two shot shows two people together from a sideways angle and may change to an over the shoulder shot. It establishes relationships.
- Over the shoulder shot shows a character or object over another character's shoulder to create suspense or show relationships.
- Point of view shot puts the audience in the character's perspective to become more involved in the story.
- Master shot establishes settings and characters with an extreme long shot for reference if other shots fail.
Camera shots and movements
This document summarizes various camera shots and movements used in filmmaking:
- Two shot shows two people together from a sideways angle and may change to an over the shoulder shot. It establishes relationships.
- Over the shoulder shot shows a character or object over another character's shoulder to create suspense or show relationships.
- Point of view shot puts the audience in the character's perspective to become more involved in the story.
- Master shot establishes settings and characters with an extreme long shot for reference if other shots fail.
Types of shot
The document defines and describes various camera shots and angles used in filmmaking, including establishing shots, wide shots, medium shots, close-ups, point-of-view shots, over-the-shoulder shots, two shots, shot reverse shots, high angle shots, and low angle shots. Establishing shots establish the location and time, wide shots provide background details, medium shots show more character details, and close-ups focus on specific parts of a scene. Point-of-view and over-the-shoulder shots make the audience feel involved. Two shots and shot reverse shots are used for dialogue scenes. High angle shots make characters seem inferior while low angle shots make them seem powerful.
Aziz key concepts research
Stuart Hall developed reception theory in 1973 which proposes that media texts are encoded with certain messages by their producers but are then decoded by audiences in potentially different ways. Hall outlined three types of decoding: preferred readings that align with the producer's intent, negotiated readings that understand the preferred meaning with acknowledgement of other perspectives, and oppositional readings that oppose the original meaning. Color, lighting, mise-en-scene, framing, editing and other technical elements are used symbolically in film to convey additional meaning beyond the literal content.
Shot types
This document defines and describes various shot types used in filmmaking including close ups, medium shots, long shots, two shots, point of view shots, extreme close ups, over the shoulder shots, high angle shots, bird's eye view shots, eye level shots, and low angle shots. Each shot type is used to convey different information, emotions, or perspectives and to frame subjects and scenes in distinct visual ways.
Camera Angles
This document discusses different camera angles used in filmmaking and provides examples of each. It covers high angle shots, low angle shots, over the shoulder shots, tilt shots, long shots, medium close-ups, close-ups, extreme close-ups, bird's eye view shots, and worm's eye view shots. For each angle, it explains how it is used and what emotional or psychological effect it aims to achieve. Examples are given from films like Kill Bill, Jackie Brown, The Dark Knight, The Third Man, Pulp Fiction, and Psycho to illustrate different camera angles.
Camera Angles
This document discusses different camera angles used in filmmaking and provides examples of each. It covers high angle shots, low angle shots, over the shoulder shots, tilt shots, long shots, medium close-ups, close-ups, extreme close-ups, bird's eye view shots, and worm's eye view shots. Each camera angle is described in terms of how it influences the audience's perception of characters and creates different emotional impacts.
Videography
1. Shot sizes range from wide establishing shots that show the setting, to close-ups that focus on details like a character's eyes. Medium shots strike a neutral balance by showing a character's head and torso.
2. Shot composition involves factors like the number of subjects in frame, their positioning, and camera angles. A single shot isolates a character while two shots show the relationship between two subjects. Low angles make a subject seem powerful while high angles have the opposite effect.
3. Camera focus can be deep to show both foreground and background clearly, or shallow to draw attention to a single subject and blur their surroundings. Focus can also transition between subjects or focal points within a scene.
Camera Shots for Drama genre film
The document discusses different types of camera shots including close-ups, long shots, birds eye/high angle shots, over the shoulder shots, medium shots, and extreme close ups. It provides examples of when each shot would be used and how it directs the audience's attention. Close-ups emphasize facial expressions or important objects. Long shots show the subject and surroundings. Birds eye shots are from above to provide perspective. Over the shoulder shots show conversations. Medium shots focus on the character from waist up. Extreme close ups add tension by focusing entirely on a small detail like eyes or an object.
Different camera angles
The document discusses different camera angles used in filmmaking and their purposes. An extreme close up focuses on a significant object to impact the story or character. A close up shows a character's emotions through their head or an object's importance. A medium shot gives an understanding of a character's feelings and setting from the torso up. A long shot shows the character(s) and setting to give context. An establishing shot illustrates the setting. An over the shoulder shot is used in conversations to see reactions. A high angle shot makes characters seem powerless while a low angle shot makes them appear in charge.
Camera shots and angles
Camera angles in media are used for different reasons. Varied camera angles keep visuals interesting rather than using the same shot throughout. Different angles can create impact, enhance actions, inform the audience, and change perceptions. Camera shots like close-ups are used to show emotion while shots from a distance provide more context of the environment. The document discusses various camera shots including their purposes and examples from movies to illustrate their uses.
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As media, camera shots
- 1. N A D I N E A L - B D O U R AS MEDIA
- 2. EXTREME CLOSE UP & TWO SHOT Extreme close up is normally used to show emotion on a characters face but it's also used to show the audience some certain details that are important for example a tear drop represents that the character is upset A two shot is used when two characters are in a conversation. A two shot is usually combined with another shot to create more of an effect, an effect that makes you feel as if your actually there with the characters.
- 3. A high angle is used to represent the character as weaker, more vulnerable than the other characters, this effect is created because the high angle is looking down on the character, which gives us the idea that the authority belongs to the other character This is could be considered as a extreme long shot and as an extreme wide shot, this is because we get to see everything in the background.
- 4. MID SHOT AND CLOSE UP Close up is used to really just show the different emotions on the characters face, or if it's a close up of an object it's to represent the importance of the object A mid shot is usually used with another shot for example it could be a mid shot with a two angle shot. A mid shot is a shot from the waist up.
- 5. LOW ANGLE A low angle represents the power and authority of the characters. It's as if your looking up at the character. The authority of the character can also be shown by the way the character is standing.