AS Media - Camera Shots & Angles
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This document defines different types of camera shots used in media studies including extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, and extreme close ups which show varying levels of detail from the whole body to just the eyes. It also describes low angle, high angle, and Dutch angle shots which use camera positioning to convey meaning, with low angles suggesting status and high angles eliciting sympathy through perceived vulnerability.
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This document provides information on various camera shots, angles, movements, and compositions used in filmmaking. It defines wide shots, long shots, mid shots, close ups, and extreme close ups. It also explains point of view shots, two shots, high angles, low angles, tilt, track, zoom, reverse zoom, deep focus, shallow focus, symmetry, and asymmetry. The document is intended to teach the technical aspects of filming techniques.
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The document discusses different types of shots used in video production including their purpose and effect. It describes shots based on three factors: the framing or length of the shot, the angle of the shot, and whether there is any movement. It provides examples of different shot types ranging from extreme long shots showing very little detail to extreme close-ups showing no background, and camera angles from overhead bird's eye views to low angles, as well as camera movements like panning, tilting, dolly shots, and zooming. The document recommends including at least five different shot types in a video.
Cinematography shot list
This document defines various types of shots used in cinematography including establishing shots to set the scene, wide shots to show a person's location, medium shots to show a person from the middle up, close-ups to highlight emotions or important details, and point-of-view shots that see from a character's perspective. It also discusses shot sizes, angles, and techniques like over the shoulder shots, two shots, and shot reverse shot that switch between characters.
Glossary
This document defines and describes various camera shots and techniques used in filmmaking, including close-ups, high and low angles, establishing shots, panning, tilting, tracking, zooming, focus techniques, and shots showing different perspectives or numbers of subjects. Close-ups show emotion or significance, while high and low angles convey power dynamics. Establishing and aerial shots provide context of the setting. Panning, tilting, tracking and zooming involve camera movement. Focus techniques emphasize important subjects. Shots like point of view and over the shoulder involve perspective.
Camera shot types
This document defines and describes various common camera shot types used in cinematography including high angle shots, low angle shots, two shots, point of view shots, medium close ups, establishing shots, close ups, extreme close ups, long shots, and over the shoulder shots. Each shot type is defined by what perspective or part of the subject it focuses on.
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This document defines and describes various camera shots and techniques used in filmmaking, including close-ups, high and low angles, establishing shots, panning, tilting, tracking, zooming, focus techniques, and shots showing different perspectives or numbers of subjects. Close-ups show emotion or significance, while high and low angles convey power dynamics. Establishing and aerial shots provide context of the setting. Panning, tilting, tracking and zooming involve camera movement. Focus techniques emphasize important subjects. Shots like point of view and over the shoulder involve perspective.
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This document discusses various camera shots and angles used in filmmaking, including establishing shots to set the scene, wide shots to show space, and aerial shots from above. It also covers long shots, medium shots, and close-ups to focus on full figures, upper bodies, or faces. Point-of-view and over-the-shoulder shots put the viewer in the perspective of a character. Two shots and shot-reverse shots study relationships by alternating between characters. High and low shots manipulate viewer perspective and power dynamics. Pans, tilts, tracking, and dolly shots involve camera movement.
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Camera techniques and shots have different connotations and purposes. High angle shots convey vulnerability while low angles portray power. Bird's eye views make people seem insignificant and set the scene. Canted angles suggest tension and imbalance. Pans and tilts show movement and fully reveal the scene. Tracking and dolly shots portray journeys. Cranes and mechanical shots achieve various heights. Steadicams provide smooth recordings. Zooms emphasize or dramatize objects. Shallow focus draws attention while deep focus shows full context. Establishing shots set the scene and different shot sizes focus on different levels of detail.
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MEDIA AND INFORMATION LITERACY (MIL)
MEDIA AND INFORMATION LITERACY (MIL)
LESSON 7 : SHOTS & ANGLES
Learning Objective:
The objective for this lesson is for all students to see and understand basic camera shots and angles along with various common framing heights.
■synthesizes the overall implication of media and information to an individual (personal, professional, educational, and others) and the society as a whole (economic, social, political, educational, and others)
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Close up shots provide a close view of a character's face to show emotions or important objects. Establishing shots set the scene and setting for viewers. Different shot types like medium shots, extreme close ups, wide shots, and low angle shots show varying levels of detail, context, and perspectives to convey information about characters, locations, and the story.
Camera techniques
The document defines and describes various camera shots and techniques used in filmmaking. It explains that close-ups are used to focus on important objects or a character's emotions. Medium shots convey body language and expressions, while long shots show relationships between characters. Other shots like bird's eye view, worm's eye view, low angles and high angles are used to establish dominance or perspective. Techniques like pans, tilts, tracking shots, and zooms help guide the viewer's eye during a scene. The purpose of these different shots and techniques is to effectively tell the story and engage the audience visually.
Glossary
This document defines various cinematography and camera techniques used in filmmaking, including different camera angles (high angle, low angle, bird's-eye view), camera movements (zoom, tilt, pan, track/dolly), camera rigs (crane/mechanical shot, steadi cam, handheld), focuses (deep focus, shallow focus), composition rules (rule of thirds), shot types (long shot, close up, medium shot, establishing shot, point of view, two shot, over the shoulder shot), and more.
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Camera overview
This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
3. Long shots, mid shots, and close ups that frame the subject from head to toe, waist up, and head and shoulders respectively.
4. Bird's eye view, establishing, high angle, and low angle shots taken from overhead, setting the scene, diagon
Cinematography
Extreme long shots and establishing shots provide context by showing the landscape and setting the scene. Wide shots zoom out to show more of the setting and landscape. Crane shots are from a high vantage point but remain on the ground, while aerial shots use helicopters or drones to show groups from very high up. Long shots capture a large area or view while showing a person from head to toe. Medium shots focus on a person from the waist up to show details of what they are doing. Close ups concentrate on a small area or person with little background. Extreme close ups are usually of eyes or mouths. Point of view shots show what a character sees, while over-the-shoulder shots film conversations to include the characters.
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This document defines and describes various camera shots and angles used in filmmaking. It outlines wide establishing shots like the extreme wide shot and wide shot, mid-level shots like the mid shot and medium close up, tight close-ups such as the close up and extreme close up, and specialized shots including cut-ins, over-the-shoulder shots, and point-of-view shots. It also discusses low and high angle shots, dutch tilts, weather shots, pans, and medium two shots. The different shot types are used to show varying levels of detail, perspective, scale, emotion, and relationships between subjects.
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The document describes different types of camera shots including extreme wide shots, wide shots, mid shots, medium close ups, close ups, extreme close ups, point of view shots, over the shoulder shots, and 2-shots. Each shot type provides a different level of detail and perspective, from establishing shots that show just the location to extreme close ups that focus on one small area of the subject. The various shots can be used to provide information about characters, focus attention, show emotions, build audience relationships, and frame conversations.
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This document describes different types of camera shots including close-up, long shot, extreme close-up, extreme long shot, medium shot, aerial shot, point of view, eye level shot, crane shot, track shot, pull focus, pan shot, over the shoulder shot, worm's eye view, rule of thirds, Dutch tilt/canted angle, and zoom. Each shot type is defined and its typical purpose or use in filming is explained in one to three sentences.
Cinematography
Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
Camera angle glossary
This document discusses different camera angles used in filmmaking and what each angle is used to convey. It describes birds eye view shots from above to establish a scene, high angle shots looking down to show a character is in trouble, and low angle shots looking up to depict power or authority. Additional angles covered include extreme close ups to show emotion, worm's eye views from the ground to show scale, Dutch angles used for disorder, and point of view shots for viewer empathy.
Camera angle glossary
This document discusses different camera angles used in filmmaking and what each angle is used to convey. It describes birds eye view shots from above to establish a scene, high angle shots looking down to show a character is in trouble, and low angle shots looking up to depict power or authority. Additional angles covered include extreme close ups to show emotion, worm's eye views from the ground to show scale, Dutch angles used for disorder, and point of view shots for viewer empathy.
Composition for Video
The document discusses different types of camera shots defined by how much of the subject or scene is included in the frame. Shots range from close-ups of just the face to long shots or extreme long shots that show the full body or more of the surrounding environment. It also covers different camera angles like eye-level, high-angle, and low-angle shots. Compositions can combine shots, like an establishing long shot followed by a close-up, or use techniques like over-the-shoulder shots or rule of thirds placement of the subject.
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This document discusses different types of shots and camera angles used in filmmaking. It defines shots like close up, medium shot, long shot, and establishing shot that frame characters at different distances. It also explains camera angles including eye level, high angle, low angle, and Dutch angle that position the camera above, below, or tilted relative to characters to convey meaning. The shots and angles allow filmmakers to isolate characters, set the scene, and manipulate audience perspective.
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This document discusses different types of shots and camera angles used in filmmaking. It defines close-up (CU), extreme close-up (ECU), medium shot (MS), long shot (LS), extreme long shot (ELS), two-shot, three-shot, over-the-shoulder (O.S.), and establishing shot. It also defines eye-level, point-of-view (POV), high angle, bird's-eye view, low angle, worm's-eye view, and Dutch/canted angle. The purpose of these shots and angles is to position elements in the frame and convey meaning through camera perspective.
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This document discusses various camera shots and angles used in filmmaking, including establishing shots to set the scene, wide shots to show space, and aerial shots from above. It also covers long shots, medium shots, and close-ups to focus on full figures, upper bodies, or faces. Point-of-view and over-the-shoulder shots put the viewer in the perspective of a character. Two shots and shot-reverse shots study relationships by alternating between characters. High and low shots manipulate viewer perspective and power dynamics. Pans, tilts, tracking, and dolly shots involve camera movement.
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Camera techniques and shots have different connotations and purposes. High angle shots convey vulnerability while low angles portray power. Bird's eye views make people seem insignificant and set the scene. Canted angles suggest tension and imbalance. Pans and tilts show movement and fully reveal the scene. Tracking and dolly shots portray journeys. Cranes and mechanical shots achieve various heights. Steadicams provide smooth recordings. Zooms emphasize or dramatize objects. Shallow focus draws attention while deep focus shows full context. Establishing shots set the scene and different shot sizes focus on different levels of detail.
Shot list Aint No Rest
This document lists 27 different shot types and provides a brief description of each shot. It includes common shots like close-ups, mid shots, and establishing shots. It also covers specialized shots like point-of-view shots, tracking shots, zoom shots, and different camera angles. The shot list was created for a film project starring Lewis Hodson and Jamie Kirman.
MEDIA AND INFORMATION LITERACY (MIL)
MEDIA AND INFORMATION LITERACY (MIL)
LESSON 7 : SHOTS & ANGLES
Learning Objective:
The objective for this lesson is for all students to see and understand basic camera shots and angles along with various common framing heights.
■synthesizes the overall implication of media and information to an individual (personal, professional, educational, and others) and the society as a whole (economic, social, political, educational, and others)
Shot types
Close up shots provide a close view of a character's face to show emotions or important objects. Establishing shots set the scene and setting for viewers. Different shot types like medium shots, extreme close ups, wide shots, and low angle shots show varying levels of detail, context, and perspectives to convey information about characters, locations, and the story.
Camera techniques
The document defines and describes various camera shots and techniques used in filmmaking. It explains that close-ups are used to focus on important objects or a character's emotions. Medium shots convey body language and expressions, while long shots show relationships between characters. Other shots like bird's eye view, worm's eye view, low angles and high angles are used to establish dominance or perspective. Techniques like pans, tilts, tracking shots, and zooms help guide the viewer's eye during a scene. The purpose of these different shots and techniques is to effectively tell the story and engage the audience visually.
Glossary
This document defines various cinematography and camera techniques used in filmmaking, including different camera angles (high angle, low angle, bird's-eye view), camera movements (zoom, tilt, pan, track/dolly), camera rigs (crane/mechanical shot, steadi cam, handheld), focuses (deep focus, shallow focus), composition rules (rule of thirds), shot types (long shot, close up, medium shot, establishing shot, point of view, two shot, over the shoulder shot), and more.
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This document provides definitions and examples of common camera techniques used in filmmaking. It describes different types of shots like high angle, low angle, bird's eye view, and canted shots and how they are used to convey meaning. It also defines different camera movements like pans, whips pans, tilts, dollies, cranes, and steadicams. Additionally, it covers techniques like zooming, depth of field, focus pulls, and establishing shots and how they are used to show importance or unease. The document serves as a useful reference for understanding different visual storytelling techniques in film.
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This document defines and describes various camera angles, shots, and camera movements including high angle, low angle, bird's eye view, worm's eye view, canted angle, pan, whip pan, tilt, track, crane, zoom, crash zoom, steady cam, hand held, deep focus, shallow focus, pull focus, eyeline match, long shot, close up, medium shot, medium closeup, medium longshot, extreme closeup, establishing shot, and point of view shots.
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This document defines and describes various camera shots and techniques, including medium shot, long shot, extreme long shot/establishing shot, medium long shot, canted/Dutch tilt, tilt up, tilt down, tracking, dolly, crane, handheld, aerial/birdseye view, and zoom. Medium shots show half the body, long shots show the full body and surroundings, and extreme long shots establish the scene and relationships. Tilts, tracks, dollies and cranes involve camera movement, while zooms alter the focal length.
Camera overview
This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
3. Long shots, mid shots, and close ups that frame the subject from head to toe, waist up, and head and shoulders respectively.
4. Bird's eye view, establishing, high angle, and low angle shots taken from overhead, setting the scene, diagon
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Extreme long shots and establishing shots provide context by showing the landscape and setting the scene. Wide shots zoom out to show more of the setting and landscape. Crane shots are from a high vantage point but remain on the ground, while aerial shots use helicopters or drones to show groups from very high up. Long shots capture a large area or view while showing a person from head to toe. Medium shots focus on a person from the waist up to show details of what they are doing. Close ups concentrate on a small area or person with little background. Extreme close ups are usually of eyes or mouths. Point of view shots show what a character sees, while over-the-shoulder shots film conversations to include the characters.
Camera shots & angles
This document defines and describes various camera shots and angles used in filmmaking. It outlines wide establishing shots like the extreme wide shot and wide shot, mid-level shots like the mid shot and medium close up, tight close-ups such as the close up and extreme close up, and specialized shots including cut-ins, over-the-shoulder shots, and point-of-view shots. It also discusses low and high angle shots, dutch tilts, weather shots, pans, and medium two shots. The different shot types are used to show varying levels of detail, perspective, scale, emotion, and relationships between subjects.
Different types of camera shots
The document describes different types of camera shots including extreme wide shots, wide shots, mid shots, medium close ups, close ups, extreme close ups, point of view shots, over the shoulder shots, and 2-shots. Each shot type provides a different level of detail and perspective, from establishing shots that show just the location to extreme close ups that focus on one small area of the subject. The various shots can be used to provide information about characters, focus attention, show emotions, build audience relationships, and frame conversations.
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This document discusses different types of camera shots used in media studies including establishing shots, wide shots, close ups, extreme close ups, medium shots, point of view shots, over the shoulder shots, two shots, shot reverse shots, and high and low angle shots. Each shot type conveys different information such as the location, emotions, level of detail, involvement, and power dynamics between characters.
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This document describes different types of camera shots including close-up, long shot, extreme close-up, extreme long shot, medium shot, aerial shot, point of view, eye level shot, crane shot, track shot, pull focus, pan shot, over the shoulder shot, worm's eye view, rule of thirds, Dutch tilt/canted angle, and zoom. Each shot type is defined and its typical purpose or use in filming is explained in one to three sentences.
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Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
Camera angle glossary
This document discusses different camera angles used in filmmaking and what each angle is used to convey. It describes birds eye view shots from above to establish a scene, high angle shots looking down to show a character is in trouble, and low angle shots looking up to depict power or authority. Additional angles covered include extreme close ups to show emotion, worm's eye views from the ground to show scale, Dutch angles used for disorder, and point of view shots for viewer empathy.
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The document discusses different types of camera shots defined by how much of the subject or scene is included in the frame. Shots range from close-ups of just the face to long shots or extreme long shots that show the full body or more of the surrounding environment. It also covers different camera angles like eye-level, high-angle, and low-angle shots. Compositions can combine shots, like an establishing long shot followed by a close-up, or use techniques like over-the-shoulder shots or rule of thirds placement of the subject.
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This document defines and provides examples of different camera techniques used in filmmaking. It describes extreme close-ups that focus on a single facial feature, close-ups that show the head and shoulders of a character, and medium close-ups that include the torso and background. It also outlines full shots that show an entire body, establishing shots that set the location, point-of-view shots from a subject's perspective, and two shots that frame two characters. Additional techniques include over-the-shoulder shots, eye-level views, high and low camera angles, Dutch tilts, birds-eye views, and worm's-eye views.
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This document discusses various cinematography techniques including establishing shots, wide shots, medium shots, close ups, and point of view shots. These shots are used to provide context about the location, show characters and their emotions at different distances, and capture scenes from a character's perspective or over their shoulder. Shots are also discussed that position the camera at low or high angles to convey meaning through perspective.
Camera shots
This document defines and describes different types of camera shots including: Extreme Long Shot (ELS) which shows the entire subject and surroundings but subjects appear small; Long Shot (LS) which shows the entire subject from head to feet; Medium Long Shot (MLS) which shows details of the subject filling most of the frame; Medium Shot (MS) which shows the subject from waist up; Medium Close-Up Shot (MCUS) which focuses on the subject from shoulders up; Close-Up Shot (CUS) which focuses on the mouth or eyes without background; and Extreme Close-Up Shot (ECUS) which provides a tighter focus than a close-up.
Camera shot types
High and low angle shots are used to make subjects seem vulnerable or powerful respectively. A two shot features two subjects to suggest their relationship. A point of view shot follows the perspective of a person to show what they see. Different shot types like medium close up, establishing shot, close up, and extreme close up are used to show varying levels of detail of a subject's body, location, or emotions. Long shots show full bodies while over the shoulder shots make the audience feel like they're eavesdropping on a conversation between subjects in the foreground and background.
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This document defines various camera shots and techniques used in filmmaking including establishing shots, long shots, medium shots, close-ups, point-of-view shots, tracking, panning, tilting, and zooming. Different shots like extreme long shots and extreme close-ups can be used to create feelings of helplessness, tension, or emphasize emotion. Shot selection and camera movement affect how viewers perceive and relate to the characters and story.
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Camera angles
This document defines various camera shots and angles used in filmmaking, including extreme long shots that show the whole body and background, medium shots that show a person from the waist up, close ups that show details from the shoulders up, low angles that make a person seem powerful by pointing up at them, and over the shoulder shots used to frame conversations.
Camera shots, angels + movement handout
This document outlines various shot types, camera angles, and camera movements used in filmmaking. It describes extreme long shots and long shots used to establish settings and draw audiences in. Mid shots, two shots, and three shots are used to depict people from the waist up, especially for dialogue scenes. Close ups and extreme close ups focus on faces or objects to draw attention. Camera angles like high angles, low angles, and Dutch angles can diminish characters, make them seem threatening, or create an unsettling feel. Camera movements include pans, tilts, tracking shots, aerial shots, and zooms to focus on objects without cuts.
6-mediaandinfolanguages-170730072358.pdf
The document discusses media languages and information codes. It explains that media languages use codes, conventions, formats and narrative structures to convey meaning to audiences. There are three main types of codes: symbolic codes which use symbols, written codes which employ language and text layout, and technical codes involving production elements like camera shots, angles, and movements. The document provides examples and definitions of various symbolic, written, and technical codes used in media to effectively communicate messages and stories.
Media and Information Languages - Media and Information Literacy (MIL)
The document discusses media languages and information codes. It explains that media languages use codes, conventions, formats and narrative structures to convey meaning to audiences. There are three main types of codes: symbolic codes which use symbols, written codes which employ language and text layout, and technical codes involving production elements like camera shots, angles, and movements. The document provides examples and definitions of various symbolic, written, and technical codes used in media to effectively communicate messages and stories.
Camera angles, shots, movement and positions
This document defines and describes various camera angles, shots, movements, and positions used in filmmaking. It provides definitions for establishing shots, low-angled shots, high-angled shots, close-ups, medium close-ups, extreme close-ups, long shots, medium long shots, two/three shots, aerial shots, point of view shots, panning, tilting, tracking, dollying, zooming in and out, handheld shots, focus pulling, canted angles, and the rule of thirds. The document establishes the context and purpose for each technique.
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AS Media - Camera Shots & Angles
- 1. Types Of Shots Media Studies
- 2. Extreme Long Shot (V.L.S) Whole body, as well as background above and down
- 3. Long Shot (L.S.) Whole body
- 4. Medium Long Shot (M.L.S) From the knees upwards
- 5. Medium Shot (M.S.) From the waist upwards
- 6. Medium Close Up (M.C.U.) From the chest upwards
- 7. Close-Up (C.U.) Just the head and some of the shoulders
- 8. Extreme Close-Up To show extreme detail of elements such as eyes, noses, fingers
- 9. Low Angle The camera is filming from a low position, signifying status and meant to connote a threatening posture
- 10. High Angle Filming from a high position, signifying a vulnerable and can make the audience sympathise with the character
- 11. Dutch/Canted Angle The frame is not straight, the mise-en-scène thereby is turned Is used to signify that there is something bizarre or not right going on, makes the audience feel uncomfortable Tilted towards the left Tilted towards the right