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Medium Shot
A medium shot is when half of the person is in shot, from the waist upwards.
Long Shot
A long shot is when the whole person
is in the shot and you can see their
whole body clearly. You can also see
the surroundings clearly.
Extreme Long Shot/Establishing Shot
A shot that shows the whole of the
setting and possibly the characters,
helps set a scene and shows the
relationship between the important
characters and objects.
Medium Long Shot
A medium long shot frames the whole
object/person from the knees upwards
and is also known as a three quarters
shot.
Canted/Dutch Tilt
A shot in which the camera angle is
deliberately slanted to one side. This can
be used for dramatic effect and helps
portray unease, disorientation, frantic or
desperate action, intoxication, madness,
etc.
Tilt Up
Tilting up involves the camera being
on an angle facing upwards
(towards) an object or person. It is
used to make the person/object
appear dominant and bigger.
Tilt Down
Tilt down is when the camera is
slightly pointing down (towards) an
object or person. It is used to make
the object/person seem smaller and
that they do not have a lot of
power/dominance.
Tracking
A shot in which the camera is
mounted on a cart which travels along
tracks and moves parallel to the
action.
Dolly
A dolly is a cart on a track, the camera is
mounted on top of it and records the shot
as it moves. It involves getting closer or
further away from the object as opposed to
tracking.
Crane
A shot taken by a camera on a crane, the
most obvious uses are to view the actors
from above or to move up and away
from them, a common way of ending a
movie.
Handheld
When the camera is held in the
operators hand as opposed to being
on a tri-pod or other base. Often
creates a sense of a ‘home made’ film
and is shakey.
Ariel/Birdseye
When a shot is taken from above the set
and the actors so the audience can view
everything from above.
Zoom
Zoom is altering the focal length of the lens to give the illusion
of moving closer to or further away from the action.

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Film Studies - Shot Types - Homework

  • 1. Medium Shot A medium shot is when half of the person is in shot, from the waist upwards. Long Shot A long shot is when the whole person is in the shot and you can see their whole body clearly. You can also see the surroundings clearly.
  • 2. Extreme Long Shot/Establishing Shot A shot that shows the whole of the setting and possibly the characters, helps set a scene and shows the relationship between the important characters and objects. Medium Long Shot A medium long shot frames the whole object/person from the knees upwards and is also known as a three quarters shot.
  • 3. Canted/Dutch Tilt A shot in which the camera angle is deliberately slanted to one side. This can be used for dramatic effect and helps portray unease, disorientation, frantic or desperate action, intoxication, madness, etc. Tilt Up Tilting up involves the camera being on an angle facing upwards (towards) an object or person. It is used to make the person/object appear dominant and bigger.
  • 4. Tilt Down Tilt down is when the camera is slightly pointing down (towards) an object or person. It is used to make the object/person seem smaller and that they do not have a lot of power/dominance. Tracking A shot in which the camera is mounted on a cart which travels along tracks and moves parallel to the action.
  • 5. Dolly A dolly is a cart on a track, the camera is mounted on top of it and records the shot as it moves. It involves getting closer or further away from the object as opposed to tracking. Crane A shot taken by a camera on a crane, the most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie.
  • 6. Handheld When the camera is held in the operators hand as opposed to being on a tri-pod or other base. Often creates a sense of a ‘home made’ film and is shakey. Ariel/Birdseye When a shot is taken from above the set and the actors so the audience can view everything from above.
  • 7. Zoom Zoom is altering the focal length of the lens to give the illusion of moving closer to or further away from the action.