Camera angles
•Download as PPTX, PDF•
1 like•362 views
This document defines various camera shots and angles used in filmmaking, including extreme long shots that show the whole body and background, medium shots that show a person from the waist up, close ups that show details from the shoulders up, low angles that make a person seem powerful by pointing up at them, and over the shoulder shots used to frame conversations.
Report
Share
Report
Share
Recommended
Camera shots
This document defines and describes different types of camera shots including: Extreme Long Shot (ELS) which shows the entire subject and surroundings but subjects appear small; Long Shot (LS) which shows the entire subject from head to feet; Medium Long Shot (MLS) which shows details of the subject filling most of the frame; Medium Shot (MS) which shows the subject from waist up; Medium Close-Up Shot (MCUS) which focuses on the subject from shoulders up; Close-Up Shot (CUS) which focuses on the mouth or eyes without background; and Extreme Close-Up Shot (ECUS) which provides a tighter focus than a close-up.
Shot List
The document contains a list of camera shots and transitions used in a film or video project. It includes various shot types like close-ups, mid shots, long shots, and over-the-shoulder shots, as well as transitions like straight cuts between shots. The camera movements listed include zooms, pans, character movement, and following a character.
Shot list
The document contains a list of camera shots and transitions used in a film or video project. It includes various shot types like close-ups, mid shots, long shots, and over-the-shoulder shots. The primary transition used between shots is a straight cut, though there are also fades and camera movements listed.
Blink 182 canteen scene
The document describes 12 camera shots from a film. Shot 1 is a medium close up of a band looking around a canteen for 2 seconds, with the purple-haired band member in the center. Shot 2 is a medium close up of a female waving at the band members. Shot 3 is a medium close up panning shot that keeps the girl in frame for 4 seconds as the camera work becomes shaky.
Shot list [timings needed]
The document lists 26 shots for a scene between a subject and a policeman at a table. The shots include various angles and close-ups of both the subject and policeman's faces, as well as mid shots of the table from different angles. It also includes shots such as the policeman walking to the door and sitting back down. The shots gradually zoom in closer throughout the scene, culminating in an extreme close-up of the subject's face before she pulls out a gun.
Hot fuzz clip
The document analyzes the editing techniques used in a scene from the movie Hot Fuzz. It breaks down the scene into multiple shots including long shots, medium shots, and close ups. The editing functions to introduce the main character, speed up the action by cutting shots fast without transitions, and use camera movements and zooming to introduce characters and show emotions. It lists the shot sequences and editing functions used to connect different shots and scenes with whip pans and add realism and drama through camera techniques.
1. camera shots framing
The document defines and describes various cinematography techniques for framing shots including close-ups, extreme close-ups, long shots, medium shots, extreme long shots, bust shots, knee shots, over-the-shoulder shots, and cross shots. These shots are distinguished based on how far away or tightly framed the object is within the shot. The document also provides a link to a YouTube video about additional filmmaking techniques.
Shooting schedule
The shooting schedule outlines 11 shots depicting a murder scene:
Shot 1 introduces the scene with a boy's bloodied face and bodies around a house, showing the killer smoking in a chair holding a knife.
Shot 2 reveals the killer's face for the first time as sinister and grim.
Shot 3 shows a close-up of the killer smoking and calling the police to discuss the murder before hanging up and walking forward.
The final shots depict victims' bodies and the killer putting out a cigarette in a corpse's mouth before exiting with a chuckle while putting his mask back on.
Recommended
Camera shots
This document defines and describes different types of camera shots including: Extreme Long Shot (ELS) which shows the entire subject and surroundings but subjects appear small; Long Shot (LS) which shows the entire subject from head to feet; Medium Long Shot (MLS) which shows details of the subject filling most of the frame; Medium Shot (MS) which shows the subject from waist up; Medium Close-Up Shot (MCUS) which focuses on the subject from shoulders up; Close-Up Shot (CUS) which focuses on the mouth or eyes without background; and Extreme Close-Up Shot (ECUS) which provides a tighter focus than a close-up.
Shot List
The document contains a list of camera shots and transitions used in a film or video project. It includes various shot types like close-ups, mid shots, long shots, and over-the-shoulder shots, as well as transitions like straight cuts between shots. The camera movements listed include zooms, pans, character movement, and following a character.
Shot list
The document contains a list of camera shots and transitions used in a film or video project. It includes various shot types like close-ups, mid shots, long shots, and over-the-shoulder shots. The primary transition used between shots is a straight cut, though there are also fades and camera movements listed.
Blink 182 canteen scene
The document describes 12 camera shots from a film. Shot 1 is a medium close up of a band looking around a canteen for 2 seconds, with the purple-haired band member in the center. Shot 2 is a medium close up of a female waving at the band members. Shot 3 is a medium close up panning shot that keeps the girl in frame for 4 seconds as the camera work becomes shaky.
Shot list [timings needed]
The document lists 26 shots for a scene between a subject and a policeman at a table. The shots include various angles and close-ups of both the subject and policeman's faces, as well as mid shots of the table from different angles. It also includes shots such as the policeman walking to the door and sitting back down. The shots gradually zoom in closer throughout the scene, culminating in an extreme close-up of the subject's face before she pulls out a gun.
Hot fuzz clip
The document analyzes the editing techniques used in a scene from the movie Hot Fuzz. It breaks down the scene into multiple shots including long shots, medium shots, and close ups. The editing functions to introduce the main character, speed up the action by cutting shots fast without transitions, and use camera movements and zooming to introduce characters and show emotions. It lists the shot sequences and editing functions used to connect different shots and scenes with whip pans and add realism and drama through camera techniques.
1. camera shots framing
The document defines and describes various cinematography techniques for framing shots including close-ups, extreme close-ups, long shots, medium shots, extreme long shots, bust shots, knee shots, over-the-shoulder shots, and cross shots. These shots are distinguished based on how far away or tightly framed the object is within the shot. The document also provides a link to a YouTube video about additional filmmaking techniques.
Shooting schedule
The shooting schedule outlines 11 shots depicting a murder scene:
Shot 1 introduces the scene with a boy's bloodied face and bodies around a house, showing the killer smoking in a chair holding a knife.
Shot 2 reveals the killer's face for the first time as sinister and grim.
Shot 3 shows a close-up of the killer smoking and calling the police to discuss the murder before hanging up and walking forward.
The final shots depict victims' bodies and the killer putting out a cigarette in a corpse's mouth before exiting with a chuckle while putting his mask back on.
AS cwk guide 10 steps
This document outlines the assessment objectives and grade boundaries for coursework in an AS level media course. It is divided into three sections - AO2, AO3, and AO4 - which are each worth a different percentage of the overall coursework mark. Each section considers research and planning, production, and evaluation. Level 5 is the highest grade, equivalent to an A, while Level 0/1 is the lowest. The document provides guidance on including research findings, draft work, and influences on choices in coursework to achieve higher marks. It stresses the importance of research and planning for a strong evaluation.
Shot types
This document defines common shot types used in film and video including extreme close up, close up, medium close up, medium shot, medium long shot, long shot, extreme long shot, high angle, low angle, Dutch angle, two-shot, and over the shoulder. It provides a reference for different camera distances and angles used to frame subjects.
Shot list of Candelabra
This shot listing provides technical details for camera shots, angles, movements, and transitions used in the opening of a past film. It includes over 50 individual shots ranging from extreme close-ups to long shots, with various camera angles (high and low angles), movements (pans, tilts, tracks, etc.), and subjects (individuals, groups, animation). The shots progress the opening scene over its first 2 minutes and 37 seconds, using techniques like jump cuts to speed up the depicted timeline.
Media1
Camera shots can vary in how they frame the subject. Wide shots show more of the surrounding area while close-ups focus tightly on a small part of the scene or a person's face. The choice of shot impacts the perspective and amount of context the viewer receives.
AS exam paper
The document outlines the structure and requirements for an AS exam paper on cinema. It is 2 hours long and contains 2 questions. Students have 30 minutes to view and take notes on a US TV drama, then write an essay for 45 minutes on camera work, editing, sound and mise-en-scene. For the second 45 minutes, students choose between essays analyzing the interplay between film industry institutions and audiences or sample exam questions from June and November 2015.
AS CIE exam overview
The document provides an overview of the CIE AS Level exam for Media Studies. It consists of two sections - a 30 minute viewing and analysis of a TV drama clip, followed by a 45 minute essay on how meaning is created in the clip. The second section involves a 45 minute essay answering one of two questions on the Cinema Industry. The document outlines the marking scheme and criteria for both sections, including levels of achievement and grade boundaries.
CIE AS past exam Qs
This document provides information about the format and content of CIE/CAIE Past AS Exam Papers. It outlines the marking breakdown, exam structure, and sample exam questions. The exam consists of two essay questions worth 40% each and a textual analysis worth 20%. Sample question 1 involves analyzing short video clips, while question 2 examines relationships between audiences, institutions, and themes in the film industry through case studies. A variety of movies and TV shows from 2002-2014 are listed as potential textual analysis content.
Year 8 into 9 media v2 option course booklet
The Media Studies course in Year 9 develops students' creative thinking, communication, and evaluation skills through both research and practical production work. Students will choose an initial individual or group production involving launching a new product or magazine ad. Later, students will work in groups to create an extract from a new TV program and analyze all production pieces. Students will also learn video editing skills by creating a spoof TV ad. The course helps students develop transferable skills like teamwork, leadership, research abilities, and skills with software like Final Cut Pro X. Students can continue Media Studies to GCSE and A-Levels, but the Year 9 course is not required to take the GCSE. Past students have pursued various media-related careers in fields like
Terminology Log (Terms used so far)
This document provides definitions and examples of various filmmaking and media terminology related to camera shots, angles, editing, sound, and semiotics. It defines common shot types like close-up, medium shot, and long shot. It also defines camera angles, movements, and techniques like Dutch angle, tracking shot, and push/pull focus. Additionally, it covers terminology around editing, sound, narrative, and semiotics/audience analysis. Key terms defined include transition, diegetic/non-diegetic sound, exposition, and primary/secondary audiences.
Shot sizes(1)
The document defines and describes various camera shots used in film and television including establishing shots, wide shots, long shots, medium shots, close-ups, and overhead shots. It explains what each shot type shows in terms of how much of the subject and surroundings are included. These shots are the basic building blocks used to construct scenes and tell visual stories.
Classification of Shots
This document defines and compares different types of shots in filmmaking. It identifies 7 main shots: extreme close-up, close-up, medium close-up, medium shot, medium long shot, long shot, and extreme long shot. Each shot is defined by what part of the subject's body is included in the frame. The purpose of each shot type is also provided, such as using an extreme close-up to show facial details or a long shot to show full-body gestures and location. The document aims to help students identify the appropriate shot to use for different filmmaking situations.
Camera overview
This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
3. Long shots, mid shots, and close ups that frame the subject from head to toe, waist up, and head and shoulders respectively.
4. Bird's eye view, establishing, high angle, and low angle shots taken from overhead, setting the scene, diagon
Composition for Video
The document discusses different types of camera shots defined by how much of the subject or scene is included in the frame. Shots range from close-ups of just the face to long shots or extreme long shots that show the full body or more of the surrounding environment. It also covers different camera angles like eye-level, high-angle, and low-angle shots. Compositions can combine shots, like an establishing long shot followed by a close-up, or use techniques like over-the-shoulder shots or rule of thirds placement of the subject.
03. Intro to Camera
This document discusses different types of camera shots including long shots, medium shots, close-ups, high angle shots, and low angle shots. It explains what each shot shows and the purpose and effect of each type of shot. The document encourages analyzing shots in videos to identify the shot type, what the camera is drawing attention to, how the shot type does this, and the intended effect on the audience. As an example, it suggests analyzing shots in the Godzilla trailer video.
camera terminology
The document defines various camera shots and techniques used in filmmaking, including extreme close-ups, close-ups, medium shots, long shots, aerial shots, panning, tilting, tracking shots, and zooming. Different shot types are used to convey different meanings or focus on specific parts of a scene. For example, extreme close-ups intensify emotions while establishing shots provide context of the environment. Proper use of shots and camera movements allows filmmakers to effectively direct the audience's focus and tell visual stories.
camera terminology
The document defines various camera shots and techniques used in filmmaking, including extreme close-ups, close-ups, medium shots, long shots, aerial shots, panning, tilting, tracking shots, and zooming. Camera shots can be used to focus attention, set the scene, establish relationships between characters, and convey emotions. Different angles like high angles and low angles influence how the subject is perceived. Proper use of camera techniques is important for storytelling and directing the audience's focus.
Camera shots, angels + movement handout
This document outlines various shot types, camera angles, and camera movements used in filmmaking. It describes extreme long shots and long shots used to establish settings and draw audiences in. Mid shots, two shots, and three shots are used to depict people from the waist up, especially for dialogue scenes. Close ups and extreme close ups focus on faces or objects to draw attention. Camera angles like high angles, low angles, and Dutch angles can diminish characters, make them seem threatening, or create an unsettling feel. Camera movements include pans, tilts, tracking shots, aerial shots, and zooms to focus on objects without cuts.
Types Of Camera Framing & Angles
This document defines different types of camera shots used in media studies including extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, and extreme close ups which show varying levels of detail from a whole body down to just eyes or fingers. It also discusses low angle, high angle, and Dutch angle shots and how they are used to convey meaning, status, and emotions through the camera positioning.
AS Media - Camera Shots & Angles
This document defines different types of camera shots used in media studies including extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, and extreme close ups which show varying levels of detail from the whole body to just the eyes. It also describes low angle, high angle, and Dutch angle shots which use camera positioning to convey meaning, with low angles suggesting status and high angles eliciting sympathy through perceived vulnerability.
Film Studies. - Lesson 1 intro and camera shots
The document provides an overview of the course objectives and assessments for an A Level Film Studies course. Students will study textual analysis, genre, narrative, and representation. They will be assessed through two 2-hour examinations on film history and critical perspectives, worth 35% each. Students will also complete a non-examined assessment involving producing a short film or screenplay and analyzing it in relation to professional examples. The document outlines micro and macro elements that students will analyze in films, including technical codes like shots, editing, and lighting, as well as narrative structure and themes. It provides definitions and examples of different shot types and camera angles and movements.
Camera Composition & Movement for Video
This document provides information on various camera shots, angles, compositions, and movements used in video production. It defines different shot types from close-ups to long shots. It also describes different camera angles like eye-level, high-angle, and low-angle shots. Principles of composition are outlined, including the rule of thirds and maintaining headroom and noseroom. Finally, it lists different types of camera movements like panning, tilting, zooming, and dollying.
GCSE Film - Basic camera shots
The document defines and provides examples of different types of camera shots, including establishing shots, extreme long shots, long shots, medium shots, close ups, extreme close ups, and aerial shots. It explains that establishing shots set the scene and are usually extreme long shots. Extreme long shots show a small subject within the overall image while long shots frame the entire subject. Medium shots show approximately half of a subject's body. Close ups focus on details while extreme close ups enlarge details more than life size. Aerial shots provide a bird's eye view from above.
More Related Content
Viewers also liked
AS cwk guide 10 steps
This document outlines the assessment objectives and grade boundaries for coursework in an AS level media course. It is divided into three sections - AO2, AO3, and AO4 - which are each worth a different percentage of the overall coursework mark. Each section considers research and planning, production, and evaluation. Level 5 is the highest grade, equivalent to an A, while Level 0/1 is the lowest. The document provides guidance on including research findings, draft work, and influences on choices in coursework to achieve higher marks. It stresses the importance of research and planning for a strong evaluation.
Shot types
This document defines common shot types used in film and video including extreme close up, close up, medium close up, medium shot, medium long shot, long shot, extreme long shot, high angle, low angle, Dutch angle, two-shot, and over the shoulder. It provides a reference for different camera distances and angles used to frame subjects.
Shot list of Candelabra
This shot listing provides technical details for camera shots, angles, movements, and transitions used in the opening of a past film. It includes over 50 individual shots ranging from extreme close-ups to long shots, with various camera angles (high and low angles), movements (pans, tilts, tracks, etc.), and subjects (individuals, groups, animation). The shots progress the opening scene over its first 2 minutes and 37 seconds, using techniques like jump cuts to speed up the depicted timeline.
Media1
Camera shots can vary in how they frame the subject. Wide shots show more of the surrounding area while close-ups focus tightly on a small part of the scene or a person's face. The choice of shot impacts the perspective and amount of context the viewer receives.
AS exam paper
The document outlines the structure and requirements for an AS exam paper on cinema. It is 2 hours long and contains 2 questions. Students have 30 minutes to view and take notes on a US TV drama, then write an essay for 45 minutes on camera work, editing, sound and mise-en-scene. For the second 45 minutes, students choose between essays analyzing the interplay between film industry institutions and audiences or sample exam questions from June and November 2015.
AS CIE exam overview
The document provides an overview of the CIE AS Level exam for Media Studies. It consists of two sections - a 30 minute viewing and analysis of a TV drama clip, followed by a 45 minute essay on how meaning is created in the clip. The second section involves a 45 minute essay answering one of two questions on the Cinema Industry. The document outlines the marking scheme and criteria for both sections, including levels of achievement and grade boundaries.
CIE AS past exam Qs
This document provides information about the format and content of CIE/CAIE Past AS Exam Papers. It outlines the marking breakdown, exam structure, and sample exam questions. The exam consists of two essay questions worth 40% each and a textual analysis worth 20%. Sample question 1 involves analyzing short video clips, while question 2 examines relationships between audiences, institutions, and themes in the film industry through case studies. A variety of movies and TV shows from 2002-2014 are listed as potential textual analysis content.
Year 8 into 9 media v2 option course booklet
The Media Studies course in Year 9 develops students' creative thinking, communication, and evaluation skills through both research and practical production work. Students will choose an initial individual or group production involving launching a new product or magazine ad. Later, students will work in groups to create an extract from a new TV program and analyze all production pieces. Students will also learn video editing skills by creating a spoof TV ad. The course helps students develop transferable skills like teamwork, leadership, research abilities, and skills with software like Final Cut Pro X. Students can continue Media Studies to GCSE and A-Levels, but the Year 9 course is not required to take the GCSE. Past students have pursued various media-related careers in fields like
Terminology Log (Terms used so far)
This document provides definitions and examples of various filmmaking and media terminology related to camera shots, angles, editing, sound, and semiotics. It defines common shot types like close-up, medium shot, and long shot. It also defines camera angles, movements, and techniques like Dutch angle, tracking shot, and push/pull focus. Additionally, it covers terminology around editing, sound, narrative, and semiotics/audience analysis. Key terms defined include transition, diegetic/non-diegetic sound, exposition, and primary/secondary audiences.
Viewers also liked (9)
Similar to Camera angles
Shot sizes(1)
The document defines and describes various camera shots used in film and television including establishing shots, wide shots, long shots, medium shots, close-ups, and overhead shots. It explains what each shot type shows in terms of how much of the subject and surroundings are included. These shots are the basic building blocks used to construct scenes and tell visual stories.
Classification of Shots
This document defines and compares different types of shots in filmmaking. It identifies 7 main shots: extreme close-up, close-up, medium close-up, medium shot, medium long shot, long shot, and extreme long shot. Each shot is defined by what part of the subject's body is included in the frame. The purpose of each shot type is also provided, such as using an extreme close-up to show facial details or a long shot to show full-body gestures and location. The document aims to help students identify the appropriate shot to use for different filmmaking situations.
Camera overview
This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
3. Long shots, mid shots, and close ups that frame the subject from head to toe, waist up, and head and shoulders respectively.
4. Bird's eye view, establishing, high angle, and low angle shots taken from overhead, setting the scene, diagon
Composition for Video
The document discusses different types of camera shots defined by how much of the subject or scene is included in the frame. Shots range from close-ups of just the face to long shots or extreme long shots that show the full body or more of the surrounding environment. It also covers different camera angles like eye-level, high-angle, and low-angle shots. Compositions can combine shots, like an establishing long shot followed by a close-up, or use techniques like over-the-shoulder shots or rule of thirds placement of the subject.
03. Intro to Camera
This document discusses different types of camera shots including long shots, medium shots, close-ups, high angle shots, and low angle shots. It explains what each shot shows and the purpose and effect of each type of shot. The document encourages analyzing shots in videos to identify the shot type, what the camera is drawing attention to, how the shot type does this, and the intended effect on the audience. As an example, it suggests analyzing shots in the Godzilla trailer video.
camera terminology
The document defines various camera shots and techniques used in filmmaking, including extreme close-ups, close-ups, medium shots, long shots, aerial shots, panning, tilting, tracking shots, and zooming. Different shot types are used to convey different meanings or focus on specific parts of a scene. For example, extreme close-ups intensify emotions while establishing shots provide context of the environment. Proper use of shots and camera movements allows filmmakers to effectively direct the audience's focus and tell visual stories.
camera terminology
The document defines various camera shots and techniques used in filmmaking, including extreme close-ups, close-ups, medium shots, long shots, aerial shots, panning, tilting, tracking shots, and zooming. Camera shots can be used to focus attention, set the scene, establish relationships between characters, and convey emotions. Different angles like high angles and low angles influence how the subject is perceived. Proper use of camera techniques is important for storytelling and directing the audience's focus.
Camera shots, angels + movement handout
This document outlines various shot types, camera angles, and camera movements used in filmmaking. It describes extreme long shots and long shots used to establish settings and draw audiences in. Mid shots, two shots, and three shots are used to depict people from the waist up, especially for dialogue scenes. Close ups and extreme close ups focus on faces or objects to draw attention. Camera angles like high angles, low angles, and Dutch angles can diminish characters, make them seem threatening, or create an unsettling feel. Camera movements include pans, tilts, tracking shots, aerial shots, and zooms to focus on objects without cuts.
Types Of Camera Framing & Angles
This document defines different types of camera shots used in media studies including extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, and extreme close ups which show varying levels of detail from a whole body down to just eyes or fingers. It also discusses low angle, high angle, and Dutch angle shots and how they are used to convey meaning, status, and emotions through the camera positioning.
AS Media - Camera Shots & Angles
This document defines different types of camera shots used in media studies including extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, and extreme close ups which show varying levels of detail from the whole body to just the eyes. It also describes low angle, high angle, and Dutch angle shots which use camera positioning to convey meaning, with low angles suggesting status and high angles eliciting sympathy through perceived vulnerability.
Film Studies. - Lesson 1 intro and camera shots
The document provides an overview of the course objectives and assessments for an A Level Film Studies course. Students will study textual analysis, genre, narrative, and representation. They will be assessed through two 2-hour examinations on film history and critical perspectives, worth 35% each. Students will also complete a non-examined assessment involving producing a short film or screenplay and analyzing it in relation to professional examples. The document outlines micro and macro elements that students will analyze in films, including technical codes like shots, editing, and lighting, as well as narrative structure and themes. It provides definitions and examples of different shot types and camera angles and movements.
Camera Composition & Movement for Video
This document provides information on various camera shots, angles, compositions, and movements used in video production. It defines different shot types from close-ups to long shots. It also describes different camera angles like eye-level, high-angle, and low-angle shots. Principles of composition are outlined, including the rule of thirds and maintaining headroom and noseroom. Finally, it lists different types of camera movements like panning, tilting, zooming, and dollying.
GCSE Film - Basic camera shots
The document defines and provides examples of different types of camera shots, including establishing shots, extreme long shots, long shots, medium shots, close ups, extreme close ups, and aerial shots. It explains that establishing shots set the scene and are usually extreme long shots. Extreme long shots show a small subject within the overall image while long shots frame the entire subject. Medium shots show approximately half of a subject's body. Close ups focus on details while extreme close ups enlarge details more than life size. Aerial shots provide a bird's eye view from above.
Types of shots(1)
This document outlines and defines 7 different types of shots used in filmmaking: aerial shot, very long shot, long shot, mid shot, medium close up, close up, and big close up. Each shot is defined by how much of the subject and background it includes. Aerial shots provide wide landscape views from above. Very long and long shots show the full body and location context. Mid shots cut at the waist. Medium close ups frame from breast to head. Close ups capture from head to shoulders. Big close ups provide an intimate view of just the face.
Similar to Camera angles (14)
Recently uploaded
A Brief Introduction About Jason Kozup
Jason Kozup is a versatile figure whose impact spans numerous sectors. From the realms of entertainment and security, he has thrived as a producer, actor, stuntman, model, and aerospace defense contractor, showcasing excellence across the board.
一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
原版一模一样【微信：741003700 】【(mcmaste毕业证书)加拿大麦克马斯特大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
The Midnight Sculptor.pdf writer by Ali alsiad
The city of Ravens burg was known for its gothic architecture, fog-covered streets, and an eerie silence that seemed to hang over the town like a shroud.
The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
Follow us on: Pinterest
Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
一比一原版办理（CITY毕业证)伦敦大学城市学院毕业证
一比一原版怎样办理【微信：176555708】【《伦敦大学城市学院毕业证》(CITY学位证成绩单)】【微信：176555708】(留信学历认证永久存档查询)采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：176555708】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理伦敦大学城市学院毕业证（CITY学位证）学位证【微信：176555708 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理伦敦大学城市学院毕业证（CITY学位证）学位证【微信：176555708 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理伦敦大学城市学院毕业证（CITY学位证）学位证【微信：176555708 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理伦敦大学城市学院毕业证（CITY学位证）学位证【微信：176555708 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
世预赛下注-世预赛下注竞猜网站-世预赛下注竞猜波胆|【网址🎉ac123.net🎉】
【网址🎉ac123.net🎉】世预赛下注是世界上历史最悠久的博彩公司之一。其历史可以追溯到十九世纪末，确切时间是1886年。这家英国公司拥有超过15000名员工，是博彩行业规模最大的公司。世预赛下注是英国最受欢迎的实体博彩公司之一，其排名仅次于世预赛下注，旗下2800家投注站遍布全英国。
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
SERV - Fun Things To Do In Overland Park
SERV is the ideal spot for savory food, refreshing beverages, and exciting entertainment. Each visit promises an unforgettable experience with daily promotions, live music, and engaging games such as pickleball. Offering five distinct food concepts inspired by popular street food, as well as coffee and dessert options, there's something to satisfy every taste. For more information visit our website: https://servfun.com/
欧洲杯赌球-欧洲杯赌球竞猜官网-欧洲杯赌球竞猜网站|【网址🎉ac10.net🎉】
【网址🎉ac10.net🎉】欧洲杯赌球是独立的博彩公司。该公司最初专门从事在线体育博彩，现在合并了在线娱乐场。该公司最初成立时以其前董事长Victor Chandler的名字命名，之后更名为欧洲杯赌球。欧洲杯赌球现由商人和赛马主，迈克尔·塔博尔拥有，运营总部设在直布罗陀。平台拥有体育博彩（沙巴）、真人娱乐场、电子游戏、金融投注等游戏项目，支持手机投注，优惠活动很丰富。
Sunny and Rishi 3 Written by Basak Serin
The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdf
With IPTV apps, you can access and stream live TV, on-demand movies, series, and other content you like online. Viewers have more flexibility and customization of content to watch. To develop the best IPTV app that functions, you must combine creative problem-solving skills and technical knowledge. This post will look into the details of IPTV app development, so keep reading to learn more.
What Going to the Doctor is Like as an Adult Comics
You know you're an adult when every check-up gets you down. View What Going to the Doctor is Like as an Adult and more funny posts on salty vixen stories & more-saltyvixenstories.com
欧洲杯买球-欧洲杯买球哪里可以投注-欧洲杯买球买球投注官网|【网址🎉ac123.net🎉】
【网址🎉ac123.net🎉】欧洲杯买球 Sports 与其他博彩公司相比，其独特之处在于欧洲杯买球 Sports 基于低利润和高营业额的独一无二的体育博彩模式，该模式可以为玩家开出最高的赔率。欧洲杯买球的优势在于中文界面友好，接受人民币投注。他们的开户奖金和实时体育投注界面是大陆玩家的首选。
Sara Saffari: Turning Underweight into Fitness Success at 23
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
Bangalore Call Girls 7339748667 No Advance Payment with Trusted Models
Bangalore Call Girls 7339748667 No Advance Payment with Trusted Models
HD Video Player All Format - 4k & live stream
Discover the best video playback experience with HD Video Player. Our powerful, user-friendly app supports all popular video formats and codecs, ensuring seamless playback of your favorite videos in stunning HD and 4K quality. Whether you're watching movies, TV shows, or personal videos, HD Video Player provides the ultimate viewing experience on your device. 🚀
定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
Recently uploaded (20)
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
ℂall Girls Goa (india) +91-7426014248 Goa ℂall Girls
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
ℂall Girls Lucknow (india) +91-7426014248 Lucknow ℂall Girls
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdf
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdf
What Going to the Doctor is Like as an Adult Comics
What Going to the Doctor is Like as an Adult Comics
Sara Saffari: Turning Underweight into Fitness Success at 23
Sara Saffari: Turning Underweight into Fitness Success at 23
Bangalore Call Girls 7339748667 No Advance Payment with Trusted Models
Bangalore Call Girls 7339748667 No Advance Payment with Trusted Models
Camera angles
- 2. Extreme Long Shot (ELS) ● Is the whole body + background
- 3. Long Shot (LS) ● Generally just shows the whole body
- 4. Medium Long Shot (MLS) ● Is from the knees up on a person ● In between Medium and Long shot
- 5. Medium Shot (MS) ● From waist up
- 6. Medium Close Up (MCU) ● From chest up ● In between Medium Shot and Close up
- 7. Close Up (CU) ● Generally from the shoulders and up
- 8. Extreme Close Up (ECU) ● Shows very specific details on the person or object
- 9. Low Angle ● Camera points up at the person ● Makes person seem powerful
- 10. High Angle ● Camera points down at person from above ● Makes the person seem vulnerable
- 11. Two-Shot ● A shot of two people or objects ● Can be any of the camera shots from ECU to ELS
- 12. Dutch Angle ● When the camera is tilted at an angle
- 13. Over The Shoulder (OTS) ● Shot from behind a person showing another person or object ● Generally used when there is a conversation going