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- 3. PRE-HISTORIC
- 4. PRE-HISTORIC ERA -Includes all human existence before emergence of writing -Understanding of early human life and culture
- 5. PRE-HISTORIC ERA - Found inside caves - Way of communication - Artifactsas human’s first created art -Animals usually correct in proportion
- 6. PRE-HISTORIC ERA PAINTING Cave of Lascaux
- 7. PRE-HISTORIC ERA PAINTING Cave of Lascaux Great Hall of the Bulls
- 8. PRE-HISTORIC ERA PAINTING Cave of Lascaux The Lateral Passage
- 9. PRE-HISTORIC ERA PAINTING Cave of Lascaux The Shaft of a Dead Man
- 10. PRE-HISTORIC ERA PAINTING Cave of Lascaux The Chamber of Engravings
- 11. PRE-HISTORIC ERA PAINTING Cave of Lascaux The Painted Gallery
- 12. PRE-HISTORIC ERA PAINTING Cave of Lascaux Chamber of Felines
- 13. PRE-HISTORIC ERA SCULPTURES - Materials used vary according to region and locality - Frequently carving may have mythological or religious significance
- 14. PRE-HISTORIC ERA SCULPTURE Venus of Willendorf
- 15. PRE-HISTORIC ERA SCULPTURE Venus of Brassempouy
- 16. PRE-HISTORIC ARCHITECTURE - Megaliths (a big rock); Greek words lithos (stone) and megas (big) - Made of huge stone blocks intended for burial - Provided plenty of legends and superstitions - During this era, stones and rocks were associated with DIVINITY
- 17. PRE-HISTORIC ARCHITECTURE THREE MAIN TYPES of MEGALITH STONES 1. MENHIR –huge, vertically standing stone on the ground, usually in the middle of the field or arranged in rows 2. DOLMENS –stone table; form of table consisting of two huge standing stones supporting a horizontal giant stone; believed as grave or altar 3. CROMLECH –circle of standing stones
- 21. EGYPTIAN
- 22. EGYPTIAN -Make deceased afterlife place pleasant -Themes include journey to the underworld by their protective deities
- 23. EGYPTIAN - Emphasizes the importance of life after death and the preservation of the knowledge of the past
- 24. EGYPTIAN -Highly stylized, symbolic, and shows profile view of an animal or a person -Main colors: red, black, blue, gold, and green
- 25. EGYPTIAN PAINTING Paintings from Sarcophagus of Tutankhamen XVIII dynasty
- 26. EGYPTIAN PAINTING Paintings from Sarcophagus of Tutankhamen XVIII dynasty
- 27. EGYPTIAN ERA SCULPTURES - Symbolic elements such as forms, hieroglyphics, relative size, location, materials, color, actions, and gestures were widely used - Most common materials used: wood, ivory and stones
- 28. EGYPTIAN ERA SCULPTURES CHARACTERISTICS of the SCULPTURES 1. Symbolisms were heavily used to represent the gods. 2. Relief compositions were arranged in horizontal lines 3. Gods were shown larger than humans, kings larger than their followers, dead larger than the living 4. Empty spaces were filled with figures or hieroglyphics 5. All individual components were all brought to the plane of representation and laid out as writing
- 29. EGYPTIAN ERA SCULPTURE Queen Nefertiti painted limestone
- 30. EGYPTIAN ERA SCULPTURE The Pharoah Menkaure and his Queen, stone
- 31. EGYPTIAN ARCHITECTURE - Developed during the pre- dynastic period 4,000BC
- 32. EGYPTIAN ARCHITECTURE CHARACTERISTICS: 1. Has thick sloping walls with few openings for stability 2. All walls, columns and piers are covered with hieroglyphics 3. Ornamentations were symbolic 4. Temples were aligned with astronomically significant events like solstices and equinox with precise measurements
- 33. EGYPTIAN ERA ARCHITECTURE Pyramids of Giza
- 34. EGYPTIAN ARCHITECTURE PYRAMIDS of GIZA - Most substantial ancient structures of the world - Composed of 3 pyramids that are funerary structures for the 3 kings of the 4th dynasty: Khufu, Khafaand Menkaura - Made highly confusing and with many tunnels to create confusion for grave robbers
- 35. EGYPTIAN ARCHITECTURE EGYPTIAN TEMPLES - Built to serve as places for residence for the gods - Served as key center for economic activity - Made of wood, reed matting and mud brick - Walls were covered with scenes: Pharaoh fighting in battles and performing rituals with the gods
- 36. EGYPTIAN ARCHITECTURE MASTABA - Egyptian tomb in form of a flat-roofed, rectangular structure with outward sloping sides - Made of mud-bricks or stones
- 38. ACTIVITY ROCK MY WORLD Materials:Flat rock of any shape rocks with sharp edges MUSIC & ARTS 9 BOOK Pages 166 - 167 To be submitted on:
- 41. CLASSICAL GREEK
- 42. CLASSICAL GREEK ERA -Most commonly found in vases, panels and tomb - Depict natural figures - Subjects: battle scenes, mythological figures and everyday scenes
- 43. CLASSICAL GREEK ERA - Linear perspective and Naturalistic representation
- 44. CLASSICAL GREEK ERA MOST COMMON METHODS of PAINTING FRESCO –water-based pigments on a freshly applied plaster on walls. Ideals for murals, durable and matte style. ENCAUSTIC –developed by Greek ship builders, used hot wax to fill cracks of the ships. Pigments were added and used to paint a wax hull.
- 45. CLASSICAL GREEK PAINTING Fresco Painting
- 46. CLASSICAL GREEK PAINTING Encaustic Painting
- 47. VASE PAINTING KERCH STYLE –also referred as KERCH VASES are red, figured pottery Shapes commonly found are: 1. Pelike (wine container) 2. Lekanis (a low bowl with two horizontal handles and a low broad foot) 3. Lebes Gamikos (with high handles and lid use to carry bridal bath) 4. Krater (bowl use for mixing wine and water
- 48. CLASSICAL GREEK PAINTING KERCH VASE PELIKE
- 49. KERCH VASE LEKANIS CLASSICAL GREEK PAINTING
- 50. KERCH VASE LEBES GAMIKOS CLASSICAL GREEK PAINTING
- 51. KERCH VASE KRATER CLASSICAL GREEK PAINTING
- 52. KERCH VASES - Common motifs: life of women, mythological beings popular among the people of the black sea, scene from a mythical story or event - Uses the technique POLYCROMY, a combination of different colors especially the brilliant ones in an artistic manner
- 53. PROJECT in ARTS KERCH VASE To be submitted on:
- 54. PANEL PAINTING - Paintings on flat panels of wood - It can be either small, single-pieced or several panels joined together -Most of it doesn’t exist anymore because of its organic composition
- 55. CLASSICAL GREEK PAINTING Panel Painting Pitsa Panel
- 56. TOMB / WALL PAINTING - Popular during the classical period - Uses the method frescos in either TEMPERA (water-based) or ENCAUSTIC (wax) - Sharp, flatly outlined style of painting - Only few samples survived - Painting using a true fresco technique with limestone mortar - Depicts symposium scene on the wall
- 57. CLASSICAL GREEK PAINTING Tomb / Wall Painting Tomb of the Diver
- 58. CLASSIC GREEK SCULPTURES - Tensed and stiff, body were hidden within enfolding robes - After 3 centuries, it evolved and showed all the points of human anatomy and proportion
- 59. CLASSIC GREEK SCULPTURES HELLENISTIC style –preference in sculpture for more elaborated patterns, mannered arrangement of figures and groups, and an emphasis on the representation of movement for dramatic effects.
- 60. CLASSICAL GREEK ERA SCULPTURE Myron; The Discobulus
- 61. CLASSICAL GREEK ARCHITECTURE - Temples consisted of a central shrine or room in an aisle surrounded by rows of columns - Buildings were designed in one of three architectural style or order: DORIC, IONIC and CORINTHIAN
- 62. CLASSICAL GREEK ARCHITECTURE THE PARTHENON - The Greatest Classical temple, ingeniously engineered to correct an optical illusion - Columns were slightly contorted, swollen at the center and leaning inwards; to correct the impression of deadness and top heaviness
- 63. CLASSICAL GREEK ERAARCHITECTURE The Parthenon
- 64. CLASSICAL ROMAN
- 65. CLASSIC ROMAN ERA - Most painting were copied from Hellenic Greek paintings - Fresco techniques was used in brightly colored backgrounds; division of the wall into a multiple rectangular areas (tic-tac-toe design); multi-point perspective; and tropme-l’-oeileffect.
- 66. CLASSIC ROMAN ERA - Roman paintings have a wide variety of subjects, animals, everyday life, still life, mythological subjects, portraits and landscapes - Development of LANDSCAPE painting is the main innovation of Roman painting from Greek painting
- 67. CLASSICAL ROMAN PAINTING Fresco Fresco from the Villa of Mysteries
- 68. CLASSICAL ROMAN PAINTING Fresco Boscotrecase, Pompeii
- 69. MOSAIC - An art process where image is created using an assemblage of small pieces of colored glass, stones, or other materials. - Used for decorative art or interior decorations
- 70. CLASSICAL ROMAN PAINTING MOSAIC Head of Alexander
- 71. CLASSIC ROMAN SCULPTURES - Made of monumental terra-cotta - Produced reliefs in the Great Roman triumphal columns with continuous narrative reliefs around
- 72. CLASSICAL ROMAN ERA SCULPTURE The Portonacio Sarcophagus
- 73. CLASSICAL ROMAN ERA SCULPTURE Sarcopagus, from cervetiri
- 74. CLASSICAL ROMAN ARCHITECTURE - Sturdy stone structures both for use and to perpetuate their glory - Emperors erected huge halls and arenas for public games, baths, and procession - Built with gigantic arches of stones, bricks and concrete or with barrel vaults
- 75. CLASSICAL ROMAN ERA ARCHITECTURE The Colosseum
- 76. ACTIVITY MOSAIC GREETING CARDS MUSIC & ARTS 9 BOOK Pages 172 - 173 To be submitted on:
- 79. BYZANTINE
- 80. BYZANTINE PAINTING -Lively styles of painting which has been invented in Greek and Rome lived on the Byzantium but this time for Christian subjects -Greek and Oriental styles blend together in magnificent, imposing images, which adorned the churches in large and small forms
- 81. BYZANTINE PAINTING MOSAIC The Court of Empress Theodora
- 82. BYZANTINE PAINTING MOSAIC Empress Theodora
- 83. BYZANTINE SCULPTURES - Dominant theme: religious, everyday life scenes and motifs from nature - Animals were used as symbols while some had acrostic signs that contained a great theological significance
- 84. BYZANTINE ERA SCULPTURE The Barberini Diptych
- 85. BYZANTINE ARCHITECTURE - Has a lot in common with early Christian architecture - Mosaic decoration was perfected as was the use of clerestory to bring light in from high windows
- 86. BYZANTINE ARCHITECTURE HAGIA SOPHIA - meaning Holy Wisdom - Narrates how a magnificent construction transformed from being a church into a mosque into a museum - One of the biggest domes ever created
- 87. BYZANTINE ERA ARCHITECTURE Hagia Sophia
- 88. ROMANESQUE
- 89. ROMANESQUE PAINTING - Largely placed mosaics on the walls of the churches that follow a strict frontal pose - Mozarabic influence –elongated oval faces, large staring eyes and long noses, figures against flat colored bands and heavy outlining
- 90. ROMANESQUE PAINTING MOSAIC Christ in Majesty
- 91. ROMANESQUE SCULPTURES - Famous pieces: reliquaries, altar frontals, crucifixes and devotional images - Small works made of costly materials for royal and aristocratic patrons
- 92. ROMANESQUE ERA SCULPTURE Last Judgement
- 93. ROMANESQUE ARCHITECTURE -Romanesque’s churches have grand sculpted doorways/ portals - Wood or metal doors are surrounded by elaborate stone sculptures arranged in zones to fit architectural elements.
- 94. ROMANESQUE ERA ARCHITECTURE The groin-vaulted crypt of Worcester Cathedral
- 95. GOTHIC
- 96. GOTHIC ERA PAINTING - Confined in the illumination of manuscript pages and the painting of frescoes on the walls of churches in cosmopolitan style, elegant mannered, and sophisticated
- 97. GOTHIC ERA PAINTING Lady and the Unicorn tapestry
- 98. GOTHIC ERA PAINTING The Shepherd David
- 99. STAINED GLASS WINDOWS - Were created to transform the vast stone interiors with warm and glowing color and at the same time to instruct Christians in their faith
- 100. GOTHIC ERA PAINTING Rose window from the North transcept STAINED GLASS
- 101. GOTHIC SCULPTURES - Have greater freedom of style - No longer lay against walls but begun to project outward - Figures were given their own particular attitude instead of being set into particular patterns - More lively and realistic
- 102. GOTHIC ERA SCULPTURE Resurrection of the Virgin
- 103. GOTHIC ARCHITECTURE - Design includes two new devices:: POINTED ARCH which enabled builders to construct much higher ceiling vaults and STONE VAULTING borne on a network of stone ribs supported by piers and clustered pillars
- 104. GOTHIC ERAARCHITECTURE Cathedral of Chartres
- 105. ACTIVITY LIGHT ME UP MUSIC & ARTS 9 BOOK Pages 168 - 170 To be submitted on:
- 107. THANK YOU!!! Prepare for your UNIT TEST on