3rd quarter week 1

1. Online Netiquette
∙ Sit properly
∙ Find a quiet and comfortable place to
watch and listen.
∙ Prepare your pen, paper, and module.
∙ Be on-time.
∙ Make sure that your attention is
always on the lesson.

2. Most Essential Learning Competencies
• Analyze elements and principles of arts in the production
of one’s arts and crafts inspired by the arts of Mindanao
• Identify characteristics of arts and crafts in specific areas in
Mindanao
• Reflect on the and derive the mood, idea or message
emination from selected artifacts and art objects
• Appreciate the artifacts and art objects in terms of its
utilization and their distinct use of art elements and
principles
• Incorporate the design, form and spirit of artifacts of
objects from Mindanao to one’s creation.

3. • Arts and Craft of
Mindanao

5. Attire, Textile and
Tapestries
Traditional Clothing of the
Bilaan or B’laan

6. Bilaan or B’laan
• Ethnolinguistic group that inhabit
some parts of South Cotabato,
North Cotabato, and Davao del Sur.
• Combination of two words, “bila”
which means house and “an” which
means people.

7. Bilaan or B’laan
• Known for embroidery, brass
ornamentation and bead work that
are integrated in their traditional
clothing woven from abaca.

8. Bilaan or B’laan
• Women wear brass belts with numerous
tiny bells that hang around their waist
line which produces chiming sound as
they move.
• They also cut mother-of-pearl into small
shapes that looks like sequins called
takmun to form geometric pattern.

9. Bilaan or B’laan
• IKAT- weave highly polished abaca textile.
- process of dyeing fabrics before
weaving.
Colors of Textile- Shade of Black or Brown
-Red or Ochre (Darker Shade of Orange)
- Ecru (color of the undyed abaca)
• They put high value for their textile like
blankets which are considered as an
important part of the bride’s dowry.

10. Bagobo
• A group of people that live in
Davao.
• “bago” (new) “obo” (growth)
• They are believed to come form
the mixture of native and Hindu
migrants in Mindanao from Vijayan
and Majapahit empires.

11. Bagobo Attire
• Ceremonial attire are elaborated
• T’nalak is a special textile woven from
abaca fibers
• Woven from deep brown abaca treated
in the ikat process obtaining intricate
design.
• Only women are allowed to weave this
fabric.

12. Attire of Bagobo Men
• T’nalak Short an undershirt and
t’nalak coat
• Bagani (Hero/Warrior)- blood-
red clothes and a head kerchief.

13. Attire of Bagobo Women
• Wear t’nalak wrap-around skirts and
blouses.
• Blouses adorned with floral pattern,
checkers, or paisley prints..
• Has short bell sleeves .
• Waist fall right above the abdomen
• Rows of bells around the waist and ankles
producing tinkling sounds when they walk

14. T’boli
• Living around Lake Sebu, South
Cotabato
• Famous for their complicated
beadwork, wonderful woven fabric,
and beautiful brass ornaments.

15. T’boli T’nalak
• They regard T’nalak as sacred
• Wedding ritual involves
exchange of textiles
• During birth, it is used as a
cover

16. T’boli Weavers
• Believed that their ancestors visit them in
their dreams to teach them the designs
and patterns that they have to weave.
• Men are not allowed to touch the
materials
• They are forbidden to mate with their
husband when they are weaving the cloth,
because if they break the rules, the fiber
will snap and the design will be ruined.

18. T’nalak
• Colors- Red Brown, and Black
• Takes three (3) months of hard work
to produce a single length (approx 3
meters)
• After weaving, a male member of the
community is tasked to soften and
smoothen the textile by “ironing” it
with a smooth sea-shell.

20. LANG DULAY
• National Living Treasure -
Gawad Manlilikha ng Bayan
(GAMABA) awarded by the
National Commission for
Culture and the Arts (NCCA) in
1998
• Died April 30, 2015

21. Maranao
• The People of the Lake
• People who occupy the lands
surrounding the Lake Lanao.
• Famous for their artworks,
intricate weaving, wood carving,
metal craft, and their epics.

22. Malong
• Traditional Filipino tube skirt.
• Hand-woven or machine –
made
• Multi-colored cotton cloth
• Variety of geometric or floral
design.

23. Malong
• The usage of the malong for
women
– Skirt - Dress
– Blouse - Gown
• The usage also depends on the fold
– Hammock - Basket
– Sleeping bag - Bathrobe
– Baby carriage

24. Malong
• Similar to the Sarong worn by the
people in Malaysia, Brunei and
Indonesia.
• The difference is that the malong is
Longer and stitched together at
both ends to make a tube.

25. Important part of Malong
• A newborn is wrapped and becomes a
part of her daily life as clothing as
they grow-up and as material for daily
use.
• As they die, they will also be wrapped
with the malong.
• Malong are commonly used as a
sleepwear.

27. Malong
• Kapa Malong Malong or
Sambisa Malong is a traditional
dance showing various ways of
wearing and uses of the
Malong.

29. Yakan
• Basilan is their home
• Popular in the skills of weaving
• Intricate designs in textiles which
they use for clothing and
accessories.

30. Yakan
• Uses bold colors for their hand-
loomed fabrics
• Traditional Yakan art weaving
originated from their
hometown Lamitan in the
island of Basilan.

31. Traditional garments
• Seputangan- Square cloth used by
women as head cover or belt.
• Badjulapi- tight blouse with long sleeves.
– Ornamented with gold, silver or bronze buttons
• Sawal- tight-fitting trousers
characterized by its vertical stripes.
• Pinalantupan- type of skirt layered over
the trousers.

32. CRAFT ACCESSORIES
AND BODY
ORNAMENTS

33. Sarimanok
• Legendary bird of the Marano
• “Sari” cloth or garment
• “Manok” chicken

34. Sarimanok
• Significant symbol of the Maranao
• Depict a fowl with colorful wings
and feathered tail
• Holding a fish on its beak or talons.
• Head is profusely decorated with
scroll, leaf, and spiral motifs
• Symbol of good fortune

35. Okir
• Unique carving and prominent
design among the ethno-linguistic
communities
• Comes from the old Malayan word
which means carve or “ukit” in
Filipino.
• Okir in Maranao and Okkil in
Maguindanaon.

36. Okir Motif
Evoleved from the Indian stylized
bird-like and naga themes and
the Islamic tradition using
flowing flower, vines, and
geometric patterns as well as
local artisan styles.

37. Face Makeup and Body Ornaments
• Distinct visual arts is the applied
facemake-up on the bride and
grooms of the Yakan.
• Foundation of white powder, dots
and lines effect of formal and
elaborated mask matching the
ornate costumes of the couple.

38. Wedding Attire for Male
• Pis- hand-woven head cloth, symbol
for protection from spear and knives
• Kandit- 15m belt or sash made of
gilim (red Cloth)
• Shirts- made by imams and hadjis
believed to be bullet proof with
Arabic designs.

39. Wedding Attire for Female
• Short skirt over trousers

40. Wedding Attire for Both
• Saruk- hat worn to add
elegance

41. Ornaments
• Crocodile tooth necklace for
fortune
• Triangular amulet wrapped in
black cloth against bullets
• Snake bone belt to guard from
pain.

42. Ornaments
• Maniktegiyas- necklace or bracelet
of beads from dried seed as
protection from illness caused by
evil spirits.
• Maniksembulan- necklacce or
bracelets made from bamboo
stems cut into short pieces served
as added protection.

43. Functional Articles
• Pegupaan- bamboo container
for chewing bettle nut
• Lutuan- a small bronze box with
engravings carried at the waist

44. T’boli Accessories
• Hilot- heavy brass belt worn by
women during festivals.
– Nobles wear it with bracelets and
anklets with ball bearing that makes
sounds as the wearer walks.
• Suwatlmimitis- woden comb with
colored glass beads hanging and
worn toward the back of the head.

45. Written Task

46. Performance Task

47. Materials