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Art Appreciation Topic V: Baroque Art c.1600-c.1720
“Baroque” is the name given to the vigorous style that dominated art and architecture in the 17th century. It was a bold, theatrical style characterized by movement, intense emotion, and dramatic contrasts in lighting. This style originated in Rome and spread throughout Europe.	In some ways, the Baroque style looked back to the grandeur, dignity, and directness of the High Renaissance, but it also took elements from Mannerism, blending these influences into a fresh and dynamic style. 	Because it was linked to the Counter-Reformation in the Catholic Church, Baroque art in its purest form was produced only in Catholic countries. It generally seemed overemotional to Protestant eyes, although elements of the Baroque style often occur in art from Protestant countries and are used to treat secular subjects.	Aside from religion, other popular Baroque subjects included: portraits, landscapes, mythological and allegorical subjects, , and scenes of everyday life.
Sick Bacchus by Caravaggio
Sleeping Cupid by Caravaggio
Ceres and StelliobyAdam Elsheimer
Old Woman at the MirrorbyStrozzi
Diana and her Nymphs by Domenichino
Apollo and DaphnebyBernini
St. Matthew and the AngelbyReni
Romulus and Remus Given Shelter by FaustulusbyCortona
Beheading of St. PaulbyAlgardi
Rocky Landscape with a Huntsman and Warriors by Rosa
	During the 17th century France became the most powerful state in Europe and began to rival Italy for artistic leadership. While in Italy the most characteristic Baroque art was religious, in France it was frequently used in the service of the state—specifically to glorify King Louis XIV. His palace at Versailles is one of the two great monuments to the style. 	The most influential French Baroquepainters worked primarily in Rome, but they were highly influential in France, helping to create an ideal of classical dignity and restraint that had a profound and enduring impact on the country’s art.
The Fortune Teller by Vouet
Cheater with the Ace of Diamonds by La Tour
The Empire of FlorabyPoussin
Peasant Family by the Le Nain brothers
Smokers in an Interiorby theLe Nain brothers
Landscape with Dancing Figures by Lorraine
MolièrebyCharlesLe Brun
Vanitas (Still Life with Skull) by Champaigne
Apollo Tended by the Nymphs by Girardon
Milo of Crotona Attacked by a LionbyPuget
Louis XIVbyRigaud
Although it had declined greatly in political power, Spain had a glorious flowering of art in the 17th century and the Baroque style was well suited to the religious fervor of the country. Religion dominated its art, although the greatest Spanish artist of the time—Diego Velázquez—was primarily a portraitist. His work sometimes has a rhetorical quality characteristic of Baroque art, but it is always tempered by naturalism.	Madrid was the most important art center in the country, although other cities, notably Seville, were also of major importance at this time.
The Merciful ChristbyMontañés
Still Life with Quince, Cabbage, Melon, and Cucumber by SánchezCotán
Still Life with Pottery Jars by  Zurbarán
Still Life with Lemons by Zurbarán
Las MeninasbyVelázquez
Two Boys Eating Melons and GrapesbyMurillo
Young Boys Playing DicebyMurillo
In IctuOculibyValdés Leal
 	Art in Flanders (roughly equivalent to modern-day Belgium) and the Dutch Republic (Holland) shared a common heritage, as the two countries had been united in the 16th century. However, while the Dutch broke away from Spanish rule to create an independent, largely Protestant state, Flanders remained loyal to Spain and to the Catholic Church.	Consequently, although there are many similarities between the countries’ art, religious subjects remained of major importance in Flanders but were relatively uncommon in Holland. Rubens dominated Flemish art and ranks as one of the archetypical figures of the Baroque style, his work being full of warmth and energy. Rembrandt was a figure of comparable statue in Holland, and 17th century Dutch art was unprecedented for its volume and variety of painters.
Venus at the MirrorbyRubens
BacchusbyRubens
The Three GracesbyRubens
Self-Portrait with Sunflowers by van Dyck
Lord John and Lord Bernard StuartbyvanDyck
The Bitter TonicbyBrouwer
The Wild Boar Hunt by Snyders
Fire and ChildhoodbyLievens
The Laughing CavalierbyHals
The MulattobyHals
The Music PartybyRembrandt
Anatomy Lesson of Dr. NicolaesTulp by Rembrandt
The Night Watch by Rembrandt
A Table of Desserts by de Heem
The QuackbyDou
The MilkmaidbyVermeer
Girl with the Pearl EarringbyVermeer
The Art of PaintingbyVermeer
The Merry Family by Steen
The Windmill at WijkbyRuisdael
Art Appreciation Topic V: Baroque Art
Art Appreciation Topic V: Baroque Art

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Art Appreciation Topic V: Baroque Art

  • 1. Art Appreciation Topic V: Baroque Art c.1600-c.1720
  • 2. “Baroque” is the name given to the vigorous style that dominated art and architecture in the 17th century. It was a bold, theatrical style characterized by movement, intense emotion, and dramatic contrasts in lighting. This style originated in Rome and spread throughout Europe. In some ways, the Baroque style looked back to the grandeur, dignity, and directness of the High Renaissance, but it also took elements from Mannerism, blending these influences into a fresh and dynamic style. Because it was linked to the Counter-Reformation in the Catholic Church, Baroque art in its purest form was produced only in Catholic countries. It generally seemed overemotional to Protestant eyes, although elements of the Baroque style often occur in art from Protestant countries and are used to treat secular subjects. Aside from religion, other popular Baroque subjects included: portraits, landscapes, mythological and allegorical subjects, , and scenes of everyday life.
  • 3. Sick Bacchus by Caravaggio
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  • 6.
  • 7. Sleeping Cupid by Caravaggio
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  • 12. Old Woman at the MirrorbyStrozzi
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  • 14. Diana and her Nymphs by Domenichino
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  • 24. St. Matthew and the AngelbyReni
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  • 27. Romulus and Remus Given Shelter by FaustulusbyCortona
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  • 29. Beheading of St. PaulbyAlgardi
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  • 32. Rocky Landscape with a Huntsman and Warriors by Rosa
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  • 35. During the 17th century France became the most powerful state in Europe and began to rival Italy for artistic leadership. While in Italy the most characteristic Baroque art was religious, in France it was frequently used in the service of the state—specifically to glorify King Louis XIV. His palace at Versailles is one of the two great monuments to the style. The most influential French Baroquepainters worked primarily in Rome, but they were highly influential in France, helping to create an ideal of classical dignity and restraint that had a profound and enduring impact on the country’s art.
  • 36. The Fortune Teller by Vouet
  • 37.
  • 38. Cheater with the Ace of Diamonds by La Tour
  • 39.
  • 40. The Empire of FlorabyPoussin
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  • 44. Peasant Family by the Le Nain brothers
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  • 46. Smokers in an Interiorby theLe Nain brothers
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  • 48. Landscape with Dancing Figures by Lorraine
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  • 54. Vanitas (Still Life with Skull) by Champaigne
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  • 56. Apollo Tended by the Nymphs by Girardon
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  • 61. Milo of Crotona Attacked by a LionbyPuget
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  • 67.
  • 68.
  • 69. Although it had declined greatly in political power, Spain had a glorious flowering of art in the 17th century and the Baroque style was well suited to the religious fervor of the country. Religion dominated its art, although the greatest Spanish artist of the time—Diego Velázquez—was primarily a portraitist. His work sometimes has a rhetorical quality characteristic of Baroque art, but it is always tempered by naturalism. Madrid was the most important art center in the country, although other cities, notably Seville, were also of major importance at this time.
  • 71.
  • 72. Still Life with Quince, Cabbage, Melon, and Cucumber by SánchezCotán
  • 73.
  • 74.
  • 75. Still Life with Pottery Jars by Zurbarán
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  • 77.
  • 78. Still Life with Lemons by Zurbarán
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  • 89. Two Boys Eating Melons and GrapesbyMurillo
  • 90.
  • 91.
  • 92. Young Boys Playing DicebyMurillo
  • 93.
  • 95.
  • 96.
  • 97.
  • 98. Art in Flanders (roughly equivalent to modern-day Belgium) and the Dutch Republic (Holland) shared a common heritage, as the two countries had been united in the 16th century. However, while the Dutch broke away from Spanish rule to create an independent, largely Protestant state, Flanders remained loyal to Spain and to the Catholic Church. Consequently, although there are many similarities between the countries’ art, religious subjects remained of major importance in Flanders but were relatively uncommon in Holland. Rubens dominated Flemish art and ranks as one of the archetypical figures of the Baroque style, his work being full of warmth and energy. Rembrandt was a figure of comparable statue in Holland, and 17th century Dutch art was unprecedented for its volume and variety of painters.
  • 99. Venus at the MirrorbyRubens
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  • 110. Lord John and Lord Bernard StuartbyvanDyck
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  • 115. The Wild Boar Hunt by Snyders
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  • 126. Anatomy Lesson of Dr. NicolaesTulp by Rembrandt
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  • 131. The Night Watch by Rembrandt
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  • 136.
  • 137. A Table of Desserts by de Heem
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  • 146.
  • 147. Girl with the Pearl EarringbyVermeer
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  • 150.
  • 151. The Art of PaintingbyVermeer
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  • 154.
  • 155. The Merry Family by Steen
  • 156.
  • 157. The Windmill at WijkbyRuisdael