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The document discusses the formal elements of art, particularly focusing on the use of lines in two artworks: Marius Bauer's 'Strasbourg Cathedral' and Claude Monet's 'The Bridge at Sainte-Adresse.' The vertical lines in Bauer's work evoke a sense of height and grandeur, while the horizontal lines in Monet's painting impart feelings of calm, tranquility, and space. Both analyses highlight how line orientation influences the perception and emotional response to each artwork.




