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RENAISSANCE 
The Renaissance was a cultural movement that profoundly affected European intellectual life in the early 
modern period. Beginning in Italy, and spreading to the rest of Europe by the 16th century, its influence was 
felt in literature, philosophy, art, music, politics, science, religion, and other aspects of intellectual inquiry. 
Renaissance scholars employed the humanist method in study, and searched for realism and human emotion in 
art. 
Renaissance humanists such as Poggio Bracciolini sought out in Europe's monastic libraries the Latin literary, 
historical, and oratorical texts of Antiquity, while the Fall of Constantinople (1453) generated a wave of émigré 
Greek scholars bringing precious manuscripts in ancient Greek, many of which had fallen into obscurity in the 
West. It is in their new focus on literary and historical texts that Renaissance scholars differed so markedly 
from the medieval scholars of the Renaissance of the 12th century, who had focused on studying Greek and 
Arabic works of natural sciences, philosophy and mathematics, rather than on such cultural texts. 
Florence, the center of Renaissance 
Giotto, Lamentation, Cappella degli Scrovegni. 
Sandro Botticelli, Magnificat, 1480–81, 
tempera on panel, Uffizi Gallery, Florence
BAROQUE AND ROCOCO 
The Baroque (US /bəˈroʊk/ or UK /bəˈrɒk/) is often thought of as a period of artistic style that used 
exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur 
in sculpture, painting, architecture, literature, dance, and music. The style began around 1600 
in Rome, Italy and spread to most of Europe. 
The popularity and success of the Baroque style was encouraged by the Catholic Church, which had decided at 
the time of the Council of Trent, in response to the Protestant Reformation, that the arts should communicate 
religious themes in direct and emotional involvement. The aristocracy also saw the dramatic style of Baroque 
architecture and art as a means of impressing visitors and expressing triumph, power and control. Baroque 
palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing 
opulence. 
Though Rococo (Late Baroque) originated in the purely decorative arts, the style showed clearly in painting. 
These painters used delicate colors and curving forms, decorating their canvases with cherubs and myths of 
love. Portraiture was also popular among Rococo painters. Some works show a sort of naughtiness or impurity 
in the behavior of their subjects, showing the historical trend of departing away from the Baroque's 
church/state orientation. Landscapes were pastoral and often depicted the leisurely outings of aristocratic 
couples. 
The Church ofSant'Andrea al Quirinale, 
designed by Gian Lorenzo Bernini 
Antoine Watteau, Pilgrimage on the Isle of 
Cythera (1717, Louvre) 
François Boucher, Le Déjeuner, 
(1739, Louvre)

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Pg9 10 renaissance

  • 1. RENAISSANCE The Renaissance was a cultural movement that profoundly affected European intellectual life in the early modern period. Beginning in Italy, and spreading to the rest of Europe by the 16th century, its influence was felt in literature, philosophy, art, music, politics, science, religion, and other aspects of intellectual inquiry. Renaissance scholars employed the humanist method in study, and searched for realism and human emotion in art. Renaissance humanists such as Poggio Bracciolini sought out in Europe's monastic libraries the Latin literary, historical, and oratorical texts of Antiquity, while the Fall of Constantinople (1453) generated a wave of émigré Greek scholars bringing precious manuscripts in ancient Greek, many of which had fallen into obscurity in the West. It is in their new focus on literary and historical texts that Renaissance scholars differed so markedly from the medieval scholars of the Renaissance of the 12th century, who had focused on studying Greek and Arabic works of natural sciences, philosophy and mathematics, rather than on such cultural texts. Florence, the center of Renaissance Giotto, Lamentation, Cappella degli Scrovegni. Sandro Botticelli, Magnificat, 1480–81, tempera on panel, Uffizi Gallery, Florence
  • 2. BAROQUE AND ROCOCO The Baroque (US /bəˈroʊk/ or UK /bəˈrɒk/) is often thought of as a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, and music. The style began around 1600 in Rome, Italy and spread to most of Europe. The popularity and success of the Baroque style was encouraged by the Catholic Church, which had decided at the time of the Council of Trent, in response to the Protestant Reformation, that the arts should communicate religious themes in direct and emotional involvement. The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumph, power and control. Baroque palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing opulence. Though Rococo (Late Baroque) originated in the purely decorative arts, the style showed clearly in painting. These painters used delicate colors and curving forms, decorating their canvases with cherubs and myths of love. Portraiture was also popular among Rococo painters. Some works show a sort of naughtiness or impurity in the behavior of their subjects, showing the historical trend of departing away from the Baroque's church/state orientation. Landscapes were pastoral and often depicted the leisurely outings of aristocratic couples. The Church ofSant'Andrea al Quirinale, designed by Gian Lorenzo Bernini Antoine Watteau, Pilgrimage on the Isle of Cythera (1717, Louvre) François Boucher, Le Déjeuner, (1739, Louvre)