The document introduces Hans-Peter Krohn, a Munich-based photographer. Krohn uses a technique called "lightpainting" to create abstract photographs. His work has been exhibited in German galleries and he is now looking to expand internationally. He provides samples of his lightpainting work and details his artistic process and body of work.
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Class notes and audio are available at http://dicknelsoncolor.com/2015/art-is-us-2015-week-4/
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Art is Us 4: Late Gothic, Early Renaissance, High Renaissance, MannerismRichard Nelson
This presentation gives an overview of European art and architecture from the Late Gothic through Early Renaissance, High Renaissance, and Mannerism periods. Works by Giotto, Raphael, Da Vinci, and Michelangelo are featured.
Class notes and audio are available at http://dicknelsoncolor.com/2015/art-is-us-2015-week-4/
Digital Brush: The Photographic Process of Fu WenjunFuWenjunStudio
The University Museum and Art Gallery of the University of Hong Kong will present solo exhibition "Digital Brush: The Photographic Process of Fu Wenjun" from January 8 to January 23, 2019.
40 painting techniques of fine art - ShowFlippershowflipperjerry
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Floral canvas painting understanding the basics of abstract artwholesalepapa
Abstract painting happens to be one of the purest forms of expressing feelings through art. It allows an artist to communicate freely through visuals without encountering constraints of forms that are abundant in objective reality. The approaches of abstract painting encompass innumerable movements, including Fauvism, German Expressionism, Abstract Expressionism, and Cubism.
62216 National Gallery of Art in Washington District of Colu.docxalinainglis
6/22/16
National Gallery of Art in Washington District of Columbia, contains a lot of exhibitions and the two art pieces that this paper will discuss comes from “The Woodner Collections: Master Drawings from 7 Centuries” exhibition. This exhibition contained a lot of art pieces which ranged from using art medias such as chalk, pastel, ink, ink brush, etc. My two favorite art pieces from the entire exhibition are entirely different subjects from each other. The first art piece that I admired and favored most was the “Left Wing of a Blue Roller” by Hans Hoffmann and the second art pieces that I also favored was the “Male Nude Kneeling and Bound to a Tree” which came from a French School.
In regards to the first art piece from what I previously stated in the introduction, “Left Wing of a Blue Roller” by Hans Hoffman comes from Germany and was created in the year 1580. This art piece was created from the use of watercolor and gouache on parchment. Hans Hoffmann, according to the National Gallery of Art, lived from the years of either 1545 until 1591 or from the year 1550 until 1592. The National Gallery of Art stated near the art piece that even though the piece contains the monogram of “AD” it can be perceived as one of Albert Durer’s art pieces and led to a misuse of authorship when it comes to identifying the artist for this art piece. Albert Durer is “an artist identified as Hans Hoffman” and is one of the most prominent and talented artists from the Durer Renaissance which took place in the second half of the sixteenth century. What attracted me towards this art piece was that the exhibition did not contain many art works which involve the use of color and this piece specifically contains many different hues and tones which makes the subject very captivating. The subject of this art piece is the form of a wing, and even though this wing contains dark hues, it is still very smooth and soft towards the eye. This art piece appears bright in value despite the dark hues that take over most of the art piece. Because of this bright value, the color blue in the wing looks somewhat royal. That one red feather brings mystery to the piece since it is only one feather while the other colors of the feathers on the wing are scattered throughout multiple feathers. There is wonderful smooth transitions in hues and tones change between the colors. Because of these smooth transitions, the subtle tone changes make the different hues fit with each other and all the different hues appear in harmony even though some of the hues are bright and some are dark. The red feather and the royal blue feathers are the hues that I look at first when viewing this art piece. Also another quality which i admired about this art piece is that the wings perspective appears as though it was in motion through the use of the solid and curvilinear lines which the artist used.
The second art piece what what I also previously mentioned in the introduction, “Male Nude Kneeling and B.
1. HANS -PETER KROHN
Dear Ladies and Gentlemen,
I am a munich based photographer and want
to introduce myself to the rest of the world.
I have had several opportunities to expose my
work in german galleries and other locations,
and am looking forward now to explore new
field.
Should you appreciate the work partly shown
on the following pages, I would be delighted
if there was any interest of representing me
or helping me in any other way.
Yours sincerely
Hans-Peter Krohn
HAIMHAUSERSTR.12 80802 MUNICH
TELEPHONE: 0049 - 89 - 388 988 99
E MAIL ADRESS: hanspeterkrohn@yahoo.de
2. HANS-PETER KROHN
LIGHTPAINTING
PORTFOLIO
The Munich photographer H.P.K. likes to use the term lightpainting to make it easier to
get into what must be called abstract photographs.
In actual fact, his pictures approach more the artistic expression of the plain surface art
originating from painting or graphics, and yet they are nevertheless different. Should
the pictorial surface art require a base in order to apply the color pigments in
whatever kind of form language, Krohn’s color pictures are the framework in
themselves, and their pigmentary photographic layers are “exposed” totally freely, an
expressive expression of stringent formality.
H.P.K. obviously has a great command of the multifarious possibilities of photographic
materials. In producing his pictures, he uses tactile techniques, body moving sequences
with moving optic. Any comparisons drawn with Pollock’s painting can be made with
very good reason.
With H.P.K. as he likes to explain himself, it can well be that the artistic final product is
first created in his head. His special technique then, to a large extent, expresses this
image, thereby creating a non-repeatable and no longer to be manipulated unique
work of art.
Even those who are unfamiliar with such styles of working realize that there has been
absolutely no recourse to using any kind of ohotographic tricks such as double-
exposures or negative shifts.
The lightpainter’s convictions would not tolerate such optical superficial tricks. The final
product is therefore always the entire photo without any cuts or partial cuts.
Only when creating the final product does H.P.K. go a significant step further. This
Gemini spirit cuts his formats into double pictures or triptichons and thus creates
additional refractions of the motifs. An interesting moment of tension which the
observer can get into.
If we pursue the most recent work of the ligt painter we can see that his images point
the way to greater strictness in forms, a discipline which leads him to almost
monographic espression. The colors are more pastel, the shapes more extensive,
covering greater surfaces.
Without a doubt, the photographer and musician H.P.K., who works exclusively with
35mm camera, has touched on virgin territory with his art. We await his next steps
with excitement. It’s going to be exciting to follow.
3. HANS-PETER KROHN
LIONEL 100 x 100 cm BLUE SERIES #3 100 x 150cm
BLUE SERIES #2 80 x 110cm BLUE SERIES #1 80 x 80cm
SERIES “SPEED” #1 100 x 160cm SERIES WOOD’N’COLORS #1 65 x 90 cm
4. HANS-PETER KROHN
THE SANDPAPER SERIES
EDITION OF 10 IMAGES EACH SIGNED BY THE ARTIST
5. HANS-PETER KROHN
THE ORANGE BLUE SERIES
2 IMAGES EACH SIGNED BY THE ARTIST
ALL DOUBLE IMAGES WITH IRON FRAMES / SIZES BETWEEN 100x50 AND 140x 100 cm
6. HANS-PETER KROHN
THE USEDOM SERIES
2 IMAGES EACH SIGNED BY THE ARTIST
ALL IMAGES WITH IRON FRAMES / SIZES BETWEEN 100x50 AND 140x 100 cm
7. HANS-PETER KROHN
CV
BORN 06 07 1954 IN MUNICH/GERMANY
HIGHSCHOOL AND COLLEGE IN MUNICH
STUDIES OF ART AND HISTORY OF ART
PROFESSIONAL PHOTOGRAPHER SINCE 1980
ASSISTANT TO SEVERAL FASHION PHOTOGRAPHERS
IN PARIS, LONDON, NEW YORK
SEVERAL EXHIBITIONS IN MUNICH, HAMBURG, BERLIN
FROM 1995 ON.