Amy Wichellow's music video for Florence and the Machine's "Spectrum" is a well-made, professional-looking pop music video. It depicts just the female protagonist/singer miming to the song. Amy edited the video well, cutting her footage to the beat of the song using effective jump cuts. Her choices of location, props, and costumes were supported by her editing style. Peter Khoo's video uses intriguing shots like panning and close-ups to make what would be repetitive, interesting. It cuts between a stage performance and a story of a boy and girl. Professional elements like slow motion shots make it appear like a real-life video.

2. AMY WICHELOW
• AMY WICHELOW’S MUSIC VIDEO TO FLORENCE AND THE MACHINE – SPECTRUM IS A VERY WELL THOUGHT OUT AND
PROFESSIONAL LOOKING MUSICVIDEO INCLUDING THE CODES AND CONVENTIONS ONE WOULD EXPECT IN A TYPICAL POP
MUSIC VIDEO. THIS IS A PERFORMANCE VIDEO AS IT DEPICTS JUST ONEFEMALE PROTAGONIST SHOWN AS THE SINGER OF
THE SONG (TO WHICH SHE MIMES).AMY CLEARLY EDITED THE VIDEO WELL AS SHE MANAGED TO CUT HER FOOTAGE TO THE
BEAT OF THE SONG USING JUMP CUTS TO WHICH IN PERFORMANCE VIDEOS ARE VERY EFFECTIVE ENSURING THE AUDIENCE
IS KEPT ENTERTAINED. AMY’S CHOICE OF LOCATION/PROPS/COSTUMES WERE SUPPORTED MASSIVELY BY HER STYLE OF
EDITING AS OTHERWISE THE SIMPLISTIC CONCEPT MAY HAVE FALLEN FLATDUE TO THE LACK OF DIVERSITY IN THE
AFOREMENTIONED LOCATION ETC. FURTHERMORE THE USE OF FOCUSPULLS, CLOSE UPS AND HIGH ANGLE SHOTS, THE
PROPS AND COSTUMES REALLY STOOD OUT AS A FOCAL POINT WITHIN THEVIDEO AND KEPT IT LOOKING VIBRANT, AS WELL
AS REFLECTING THE SONGS UPBEAT FEEL.ALSO THE MODEL WAS A POISED PERFORMER AND WAS CONFIDENT IN FRONT OF
THE CAMERA. THIS CONFIDENCEHELPED TO MAKE THIS VIDEO LOOK PROFESSIONAL AND NOT DISTINGUISHABLE AS A
STUDENT VIDEO.

3. https://vimeo.com/88378793

4. PETER KHOO
• PETER CHOSE TO USE A MULTITUDE OF DIFFERENT YET INTRIGUING SHOTS WHICH HELPED WHAT WOULD BE A
PARTICULARLY REPETITIVE AND DULL VIDEO INTO AN INTERESTING AND ENTERTAINING VIDEO. EXAMPLES OF THESE SHOTS
ARE THE USE OF PANNING SHOTS AND CLOSE UPS. THESE HELP TO SHOW THE ETHOS OF THE SONG. THIS MADE HIS MUSIC
VIDEO LOOK VERY WELL PLANNED OUT. PETER ALSO USED FOCUSING THE CAMERA TO CREATE EFFECT. HE CHOSE TO BLUR
SOME SCENES AND THEN FOCUSON OTHER PARTS TO REALLY MAKE THE VIEWER FOCUS. PETER HAD TWO DIFFERENT PARTS
OF THE VIDEO. ONE WAS A PERFORMANCE OF A SINGER WHO WAS ON STAGE WITH A BAND AND THE OTHER WAS OF ALMOST
A STORY OF A BOY AND A GIRL. THIS WAS EDITED TO CUT BETWEEN THE TWO DIFFERENT SCENES. THIS CROSS CUTTING
MADE THE VIDEO MORE INTENSE AND INTERESTING TO WATCH AS VIEWERS HAD SOMETHING TO FOLLOW RATHER THAN
JUST A PERFORMANCE. HE ALSO DID A FEW SLOW MOTION PARTS OF THE VIDEO. THIS MAKES THE VIDEO APPEAR TO LOOK
MORE LIKE A REAL LIFE VIDEO AS IT HAS PROFESSIONAL FEATURES. THE OUTFITS OF ALL THE CHARACTERS WERE PLANNED
TO GO WITH THE SONG. THESE ARE ALL REPRESENTATIVE OF THE MUSIC STYLE AND THE FEEL OF THE VIDEO. THE
PERFORMANCE HAS A BAND PLAYING, ALL THE EQUIPMENT YOU WOULD EXPECT TO SEE ARE THERE FOR EXAMPLE THE
MICROPHONES AND THE DRUMS AND GUITARS. THE SETTING FOR THE OTHER FOOTAGE WAS SET IN LONDON AND IN
VARIOUS STREETS, THIS MAKES IT RELATABLE TO THE VIEWER AND DRAWS THEM IN MORE TO WATCH THE VIDEO.

5. https://www.youtube.com/watch?v=IMG6gaRqmFw#action=share