An introduction to horror cinema
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This document discusses the horror genre in film. It explores fundamental approaches to studying genre, including identifying common codes and conventions across related texts. Examples are provided of early influential horror films from the late 1910s and 1920s in Germany. More recent trends in horror cinema from various countries are also examined, such as the increasing exploitation of sex and violence to attract audiences.
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The document outlines several key conventions of horror genre films. It discusses common character archetypes like the protagonist who survives and the antagonist villain. It also explores iconic visual elements such as masks and weapons worn by memorable villains. Additionally, it examines themes, narrative techniques, visual styles, and common settings that horror films employ to frighten audiences.
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The document discusses the thriller and suspense genre of films. It describes how the genre first emerged in the 1920s and was shaped by early films. Alfred Hitchcock helped establish conventions of the genre through films like Psycho. Today, thrillers often have mystery or surprise endings. Popular directors like M. Night Shyamalan and Brian De Palma continue to innovate within the genre through films like The Sixth Sense. Key elements of thrillers include suspense, character growth, and resolving endings. While not the most popular genre financially, it remains one of the most popular with audiences.
Erasmus horror lesson
David Cronenberg views horror films as an art form that can confront difficult aspects of life. He believes horror films do not need to sacrifice artistry to frighten audiences. By using horror, filmmakers can explore life's challenging themes and situations in an artistic way.
HOH
The history of horror films spans over a century, beginning in the late 1890s with early silent films depicting supernatural events. The genre evolved throughout the 1900s with themes often reflecting the social and political climate of the time. Key developments included the introduction of sound in the 1930s, rise of slasher films in the 1970s-80s, and remakes becoming popular in the 2000s. Famous films, actors, and directors have helped define eras and subgenres within the horror tradition.
Timeline of the horror genre
The document traces the timeline of horror films from their origins in the late 19th century to modern day. It discusses early horror films like Le Manoir du Diable (1896) and the development of sound and special effects. Major genres that emerged include Universal monster films of the 1930s, slasher films of the 1970s-80s like Friday the 13th, and modern remakes and franchises like Saw. While horror films have a relatively low budget, they have proven very profitable at the box office.
The History of Horror
The history of horror began with 18th century Gothic literature influencing early monster films of the late 19th century. German Expressionism of the 1920s popularized the use of distorted sets and shadows. Universal films of the 1930s, like Dracula, brought horror to sound cinema. Psychological horror films of the 1940s-1960s with low budgets became highly profitable. Subgenres that followed included occult, creature, slasher, and torture porn films of the 2000s that utilized graphic violence and found footage styles. Current zombie films reflect fears of pandemics but the subgenre may be declining with parodies like Shaun of the Dead.
The History of the Horror Genre
The document provides an overview of the history and evolution of the horror film genre. It discusses how early horror films in the late 19th/early 20th century were inspired by Gothic literature and focused on supernatural themes. In the 1930s-40s, Universal Studios popularized horror films featuring monsters like Dracula, Frankenstein, and The Wolf Man. The 1950s saw a shift toward science fiction horrors dealing with nuclear radiation and mutation. Psychological horrors involving demons and possessions became popular in the 1970s. The genre continued to evolve and incorporate new themes in subsequent decades.
Genre Theory
This document discusses genre theory and its application to defining the thriller genre. It explores different models of genre theory, from traditional views that see genres as having fixed conventions to more contemporary views that see genres as dynamic and blurring between other genres. The document uses examples like North by Northwest, The Shining, Alien, and Memento to examine how films may conform to or challenge genre conventions. It also notes some of the key texts and producers that are often associated with the thriller genre.
History of the genre: Horror
The history of the horror genre can be divided into several periods:
- In the 1930s-1940s, Universal Pictures launched a successful series of Gothic horror films like Dracula and Frankenstein that blended horror with science fiction.
- In the 1950s-1960s, the genre shifted towards concerns of the atomic age with films about threats like alien invasions and mutations from radiation. Hammer Films also produced popular color adaptations of classic horror characters.
- The 1970s-1980s saw an increase in occult and demonic themes after censorship eased as well as slashers influenced by contemporary anxieties about technology and society.
A2 Media Studies (Evaluation) - The theory of trailers - Genre
The document discusses the theory of genres and how they apply to films. It explores different definitions of genre, problems with defining genres, and common ways films are categorized, such as by theme, format, or audience. The document suggests genres help frame audience interpretation and act as a contract between creators and viewers. Trailers and films can belong to multiple genres simultaneously and be classified based on content, form, cultural understanding, or intended target market.
01. horror intro
This document provides information about the horror genre for students taking a controlled assessment course. It discusses common conventions of horror films, including typical plots, events, characters, settings, and themes. It also lists several famous horror franchises and the number of sequels each has spawned. The document outlines the stages of an assessment involving researching, planning, producing, and evaluating an opening sequence for an original horror film, including treatment, character profiles, storyboards, and a written evaluation. Key conventions of horror films like mood, music, and settings are defined. The power and appeal of the genre for audiences is also examined.
History of horror
The document provides a history of the horror genre from 1890-2020 in three periods:
1890-1920 saw the emergence of early silent horror films from Georges Méliès and others exploring themes of ghosts, vampires, and monsters. Universal Studios popularized iconic monsters in films like Dracula and Frankenstein in the 1930s-1960s. Slasher films like Halloween and A Nightmare on Elm Street gained popularity in the 1970s-1980s alongside films with occult themes like The Exorcist and The Omen. Gore films and sequels continued in the 1990s while the 2000s saw a revival of teen horror and Asian influences, and a return to the zombie genre.
The history of horror
The document provides a history of the horror genre from the late 19th century to the 2000s. Some of the earliest horror films include Georges Méliès' 1896 short film "The House of the Devil" and American films like "Frankenstein" in the 1910s which helped establish the United States as a home for horror films. Iconic 1920s German expressionist films like "The Cabinet of Dr. Caligari" heavily influenced American cinema. Sound was introduced in the 1930s along with films like "Dracula" and "Frankenstein" which became cult classics. The genre continued to evolve with themes like demonic possession in the 1970s and slasher films in the 1980s. By the 1990s
FM2 Revision Help
The document provides guidance on summarizing and analyzing the narrative features, themes, and representations of gender in the horror films The Descent and Creep. It discusses common horror film conventions like isolation, entrapment, and monsters representing societal fears. For The Descent, it suggests the Crawlers represent a terrorist threat, reflecting anxieties about the Gulf War. Creep reflects harsh urban realities and the disconnectedness of its characters. Both films use lighting and settings effectively to unnerve audiences, while The Descent subverts expectations through its unconventional ending.
History of horror pp
Horror is a genre that aims to elicit negative and frightening reactions in viewers through scenes involving their fears. Supernatural and macabre themes are common, often involving evil forces like vampires or demons. The history of horror films began in the late 1890s with early silent films and continued to evolve through the decades. Key developments included Universal Studios' classic monster films of the 1930s-40s, the rise of psychological horror and slashers in the 1960s-80s, self-aware parodies in the 1990s, and renewed popularity of franchises, psychological horror and zombie films from the 2000s onward.
History of the genre: Horror
The document traces the history and evolution of the horror genre from the 1930s to the 2000s. It discusses the emergence of iconic films from Universal Studios in the 1930s-1940s featuring monsters like Dracula and Frankenstein. In the 1950s-1960s, the genre shifted tones and subgenres emerged dealing with armageddon and demonic themes. The 1970s saw a rise in occult and exorcism films following the success of The Exorcist. The 1980s featured more graphic violence and films exploring contemporary fears. The 1990s saw many slasher film sequels and the rise of self-reflexive horror. The 2000s was a quiet period until franchises were revived and psychological horror gained popularity
Lesson 1 a2 film coursework
The Small Scale Research Project involves researching a focused film-related topic using a primary focus film and two secondary films. Students must submit an area of investigation, their focus and related films. They must then compile a catalogue of 10-15 research sources on the topic with references and explanations. Finally, they write a 1000-1500 word script presenting their research findings, referencing sources from their catalogue. The script should communicate research effectively for an oral presentation, potentially using tools like PowerPoint.
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- 1. Preparing for MS4: Genre, Narrative and Representation in film Horror cinema
- 14. What is being exploited here?
- 15. What is being exploited here?
- 16. What is being exploited here?
- 18. Where next for the horror genre?