is an inanimate object or
representational figure animated or
manipulated by a puppeteer. It is
usually (but by no means always) a
depiction of a human character, and
is used in puppetry, a play or a
presentation that is a very ancient
form of theatre. The puppet
undergoes       a     process     of
transformation     through    being
There are many different
varieties of puppets, and
they are made of a wide
range
 A small figure of materials,or
            of      a person
animal, having a cloth and
depending on their form body
intended use. They can be
and hollow head, designed to
extremely complex or very
be fitted over and manipulated
simple in their construction.
by           the          hand.

  A figure having jointed parts
animated from above by
strings        or        wires

 A toy representing a human
----- is a type of local opera
using cloth puppets that
originated during the 17th
century in Quanzhou or
Zhangzhou, in China's
Fujian province, and has
been historically practised in
Quanzhou, Zhongzhou, the
Guangdong region of
Chaoshan, Taiwan, and
other parts of southern
The GLOVE
PUPPET is perhaps one of
the most recognizable
types of puppetry, made
famous by that old
standard, Punch and Judy.
A glove puppet is, quite
simply, a specially made
glove which fits over one’s
hand. Glove puppets are
also best known as their
other name, ‘hand puppet.
1. Using some patterns included
here, or animal books , draw shapes
for eyes, ears, paws or feet, and nose
onto paper.

2. Cut out the paper shapes, and
use them as patterns; trace the
designs onto felt with tailor's chalk.

3. Cut out the felt shapes.
are sometimes distributed as
    children toys or party favors.
Children usually like to experiment
   in play with a puppet creating
voices and movements and in many
   cases staging a strictly private
            performance.

   ---- is a type of puppet that is
 controlled by the leg or face that
occupies the interior of the puppet.
 Glove puppets are a variation of
             hand puppets.
Most of them being about 14
inches tall. The mouths and
hands on almost all of them are
movable making them very
fun, entertaining, and most of all
lifelike.
     The user simply inserts their
hand up through the bottom life:
 To bring a hand puppet to of
the hand puppet. The arms and
hands on our hand puppets can
also be moved by inserting your
* Make the audience responsive, as they get emotionally
                 involved with them.

   * As an instructional device, the puppet show can
 involved the entire group of students – as speakers of
  parts, manipulators of the figures, and makers of the
                        puppets.

 * It provides them opportunity for verbal expression.

    * Puppets help to develop dramatic expression.

              * It gives them confidence.
* It provides opportunity for team work.

* It provides them emotional release.

* If children watch a puppet show it stimulates
their thinking process and makes learning more
interesting.

* It enhances their power of imagination.

* It provides opportunity for developing their
listening skills.
* Since they are small, puppets can
sometimes cause problems in usage.

    * Audience seating has to be
managed carefully so that everyone
 can have a clear view and sound
  carries to the last person in the
              audience.
The PUPPETS can help teachers
provide more opportunities for
productive talk in lessons, using
puppets as a stimulus.
     To help teachers enhance their
practice, by increasing the opportunities
for children’s talk that promotes thinking
and reasoning
Do not use puppets for plays that can be
done just as well or better by other dramatic
                   means.

    Puppets plays must be based on action
          rather than on words.
Do not omit the possibilities of music and dancing as
part of the puppet show.

  Keep the play short.

   Adapt the puppet show to the age, background, and
tastes of the students.
By:
Ruth Almada
Abigail “abby” Dela
Cruz

Almada delacruz

  • 2.
    is an inanimateobject or representational figure animated or manipulated by a puppeteer. It is usually (but by no means always) a depiction of a human character, and is used in puppetry, a play or a presentation that is a very ancient form of theatre. The puppet undergoes a process of transformation through being
  • 3.
    There are manydifferent varieties of puppets, and they are made of a wide range A small figure of materials,or of a person animal, having a cloth and depending on their form body intended use. They can be and hollow head, designed to extremely complex or very be fitted over and manipulated simple in their construction. by the hand. A figure having jointed parts animated from above by strings or wires A toy representing a human
  • 5.
    ----- is atype of local opera using cloth puppets that originated during the 17th century in Quanzhou or Zhangzhou, in China's Fujian province, and has been historically practised in Quanzhou, Zhongzhou, the Guangdong region of Chaoshan, Taiwan, and other parts of southern
  • 6.
    The GLOVE PUPPET isperhaps one of the most recognizable types of puppetry, made famous by that old standard, Punch and Judy. A glove puppet is, quite simply, a specially made glove which fits over one’s hand. Glove puppets are also best known as their other name, ‘hand puppet.
  • 7.
    1. Using somepatterns included here, or animal books , draw shapes for eyes, ears, paws or feet, and nose onto paper. 2. Cut out the paper shapes, and use them as patterns; trace the designs onto felt with tailor's chalk. 3. Cut out the felt shapes.
  • 8.
    are sometimes distributedas children toys or party favors. Children usually like to experiment in play with a puppet creating voices and movements and in many cases staging a strictly private performance. ---- is a type of puppet that is controlled by the leg or face that occupies the interior of the puppet. Glove puppets are a variation of hand puppets.
  • 9.
    Most of thembeing about 14 inches tall. The mouths and hands on almost all of them are movable making them very fun, entertaining, and most of all lifelike. The user simply inserts their hand up through the bottom life: To bring a hand puppet to of the hand puppet. The arms and hands on our hand puppets can also be moved by inserting your
  • 10.
    * Make theaudience responsive, as they get emotionally involved with them. * As an instructional device, the puppet show can involved the entire group of students – as speakers of parts, manipulators of the figures, and makers of the puppets. * It provides them opportunity for verbal expression. * Puppets help to develop dramatic expression. * It gives them confidence.
  • 11.
    * It providesopportunity for team work. * It provides them emotional release. * If children watch a puppet show it stimulates their thinking process and makes learning more interesting. * It enhances their power of imagination. * It provides opportunity for developing their listening skills.
  • 12.
    * Since theyare small, puppets can sometimes cause problems in usage. * Audience seating has to be managed carefully so that everyone can have a clear view and sound carries to the last person in the audience.
  • 13.
    The PUPPETS canhelp teachers provide more opportunities for productive talk in lessons, using puppets as a stimulus. To help teachers enhance their practice, by increasing the opportunities for children’s talk that promotes thinking and reasoning
  • 14.
    Do not usepuppets for plays that can be done just as well or better by other dramatic means. Puppets plays must be based on action rather than on words.
  • 15.
    Do not omitthe possibilities of music and dancing as part of the puppet show. Keep the play short. Adapt the puppet show to the age, background, and tastes of the students.
  • 16.