The Barnardo's advertising campaign uses increasingly shocking imagery of babies in dangerous situations to prompt donations and raise awareness of child mistreatment. The images begin with a happy baby with a silver spoon and escalate to show babies with cockroaches and syringes to emphasize the message that not all children live in safe environments.
The Tesco Cherokee campaign features models in hazardous situations but appearing relaxed, implying their clothes provide such comfort that dangers don't faze them. Images show models plunging from heights and in water, designed to highlight the clothing brand's quality.
The Tesco F&F campaign aims to show working women can have high fashion at affordable prices. Images present models on catwalks prominently
The Barnardo's advertising campaign uses increasingly shocking imagery of babies in dangerous situations to prompt donations and raise awareness of child mistreatment. The images begin with a happy baby with a silver spoon and escalate to show babies with cockroaches and syringes to emphasize the message that not all children are born into safe environments.
The Tesco Cherokee campaign portrays models in dangerous situations but appearing relaxed, implying their clothes provide such comfort that pain and danger don't affect them. The images use exaggerated scenarios and photoshopping to promote the brand's comfortable clothing.
The Tesco F&F campaign aims to show working class women can have high quality, fashionable clothing at affordable prices. Images on
This document contains advertisements from various campaigns by Barnardo's and Tesco.
The Barnardo's campaigns use shocking imagery of neglected babies to promote donations to prevent child abuse. The images escalate in shock value to increase awareness.
The Tesco Cherokee campaign features models in exaggerated dangerous situations who appear relaxed, implying the clothing's comfort. Tesco F&F features affordable yet high-quality clothing on models on "catwalks" to attract younger female audiences.
The document analyzes advertising campaigns for several brands, including Barnardo's, Tesco Cherokee, and Tesco F&F clothing. For Barnardo's, which helps prevent child mistreatment, shocking images are used to prompt donations. Tesco Cherokee uses images of models in dangerous situations to imply their clothes provide extreme comfort. Tesco F&F shows models in affordable yet high-quality clothing to demonstrate their clothes do not require high prices. Across the campaigns, techniques like photo manipulation, color schemes, layout, and facial expressions are used to convey messages and draw attention to the brands.
This document contains descriptions of advertisements for several brands. It analyzes the visual elements, color schemes, layouts and messages of the ads. For Barnardo's, shocking imagery of mistreated babies is used to promote donations. Tesco Cherokee ads show models in dangerous situations but appearing comfortable, suggesting their clothes provide relief. Tesco F&F aims to demonstrate high quality affordable fashion on "catwalk" models with visible prices.
The document analyzes advertising campaigns for several brands, including Barnardo's, Tesco Cherokee, and Tesco F&F clothing. For Barnardo's, shocking images of babies in unsafe situations are used to prompt donations to prevent child mistreatment. Tesco Cherokee uses models in dangerous situations to imply their clothes provide extreme comfort. Tesco F&F shows models on a "catwalk" wearing affordable yet high-quality clothing to demonstrate that looking good doesn't require high prices. Across campaigns, visual techniques like color schemes, photo editing, slogans, and model positioning are used to draw attention to the message.
The Barnardo's advertising campaign uses increasingly shocking imagery of babies in dangerous situations to prompt donations. The first image shows a baby with a silver spoon, representing wealth. Subsequent images show a baby with a chemical bottle and bruise, and finally a baby with a syringe, representing increasingly unhealthy environments.
The Tesco Cherokee campaign uses images of models in dangerous situations but appearing relaxed, implying their comfort in the clothing brand exceeds any pain.
The Tesco F&F campaign targets women aged 20-30 and shows models on "catwalks" with visible price tags, representing high quality affordable clothing. It aims to demonstrate that expensive looks are not required.
The document discusses advertising campaigns for Barnardo's and Tesco clothing brands.
The Barnardo's campaign targets young parents to raise awareness of child poverty and mistreatment. It uses shocking images of babies in various situations to depict the importance of preventing poverty and ensuring children's well-being.
The Tesco Cherokee campaign shows models in exaggerated dangerous situations but appearing relaxed, suggesting their clothing provides such comfort that dangers are ignored.
The Tesco F&F campaign portrays its clothing as offering "affordable elegance" through images of models on price tags in theatrical settings, emphasizing the high quality appearance at low cost.
This document analyzes advertising campaigns for several brands. It examines images from campaigns by Barnardo's, which uses shocking images to raise awareness of child abuse, and Tesco Cherokee and F&F clothing, which exaggerate models in dangerous situations to highlight how their comfortable clothes allow you to ignore dangers. Each image breakdown looks at elements like color schemes, poses, layouts, and how they convey the campaign's message through symbolic and exaggerated representations.
The Barnardo's advertising campaign uses increasingly shocking imagery of babies in dangerous situations to prompt donations and raise awareness of child mistreatment. The images begin with a happy baby with a silver spoon and escalate to show babies with cockroaches and syringes to emphasize the message that not all children are born into safe environments.
The Tesco Cherokee campaign portrays models in dangerous situations but appearing relaxed, implying their clothes provide such comfort that pain and danger don't affect them. The images use exaggerated scenarios and photoshopping to promote the brand's comfortable clothing.
The Tesco F&F campaign aims to show working class women can have high quality, fashionable clothing at affordable prices. Images on
This document contains advertisements from various campaigns by Barnardo's and Tesco.
The Barnardo's campaigns use shocking imagery of neglected babies to promote donations to prevent child abuse. The images escalate in shock value to increase awareness.
The Tesco Cherokee campaign features models in exaggerated dangerous situations who appear relaxed, implying the clothing's comfort. Tesco F&F features affordable yet high-quality clothing on models on "catwalks" to attract younger female audiences.
The document analyzes advertising campaigns for several brands, including Barnardo's, Tesco Cherokee, and Tesco F&F clothing. For Barnardo's, which helps prevent child mistreatment, shocking images are used to prompt donations. Tesco Cherokee uses images of models in dangerous situations to imply their clothes provide extreme comfort. Tesco F&F shows models in affordable yet high-quality clothing to demonstrate their clothes do not require high prices. Across the campaigns, techniques like photo manipulation, color schemes, layout, and facial expressions are used to convey messages and draw attention to the brands.
This document contains descriptions of advertisements for several brands. It analyzes the visual elements, color schemes, layouts and messages of the ads. For Barnardo's, shocking imagery of mistreated babies is used to promote donations. Tesco Cherokee ads show models in dangerous situations but appearing comfortable, suggesting their clothes provide relief. Tesco F&F aims to demonstrate high quality affordable fashion on "catwalk" models with visible prices.
The document analyzes advertising campaigns for several brands, including Barnardo's, Tesco Cherokee, and Tesco F&F clothing. For Barnardo's, shocking images of babies in unsafe situations are used to prompt donations to prevent child mistreatment. Tesco Cherokee uses models in dangerous situations to imply their clothes provide extreme comfort. Tesco F&F shows models on a "catwalk" wearing affordable yet high-quality clothing to demonstrate that looking good doesn't require high prices. Across campaigns, visual techniques like color schemes, photo editing, slogans, and model positioning are used to draw attention to the message.
The Barnardo's advertising campaign uses increasingly shocking imagery of babies in dangerous situations to prompt donations. The first image shows a baby with a silver spoon, representing wealth. Subsequent images show a baby with a chemical bottle and bruise, and finally a baby with a syringe, representing increasingly unhealthy environments.
The Tesco Cherokee campaign uses images of models in dangerous situations but appearing relaxed, implying their comfort in the clothing brand exceeds any pain.
The Tesco F&F campaign targets women aged 20-30 and shows models on "catwalks" with visible price tags, representing high quality affordable clothing. It aims to demonstrate that expensive looks are not required.
The document discusses advertising campaigns for Barnardo's and Tesco clothing brands.
The Barnardo's campaign targets young parents to raise awareness of child poverty and mistreatment. It uses shocking images of babies in various situations to depict the importance of preventing poverty and ensuring children's well-being.
The Tesco Cherokee campaign shows models in exaggerated dangerous situations but appearing relaxed, suggesting their clothing provides such comfort that dangers are ignored.
The Tesco F&F campaign portrays its clothing as offering "affordable elegance" through images of models on price tags in theatrical settings, emphasizing the high quality appearance at low cost.
This document analyzes advertising campaigns for several brands. It examines images from campaigns by Barnardo's, which uses shocking images to raise awareness of child abuse, and Tesco Cherokee and F&F clothing, which exaggerate models in dangerous situations to highlight how their comfortable clothes allow you to ignore dangers. Each image breakdown looks at elements like color schemes, poses, layouts, and how they convey the campaign's message through symbolic and exaggerated representations.
The document summarizes advertising campaigns for Barnardo's and Cherokee and Tesco F&F brands.
For Barnardo's, the campaign uses increasingly shocking images of babies in distress to prompt donations, with the third image showing a baby with a cockroach in its mouth.
The Cherokee campaign shows models in dangerous situations like surrounded by sharks or falling from the sky, but appearing relaxed, suggesting their clothes provide comfort.
For Tesco F&F, the photos emphasize the model and use techniques like shallow focus to draw attention to them, positioning the logo unobtrusively, with the third image changing locations to engage viewers by making the ad more relatable.
The document discusses advertising campaigns by various charities and brands. It analyzes several advertisements in terms of their imagery, layout, color schemes, and how they are intended to convey their message. The Barnardo's campaign uses warm colors and imagery of a healthy baby to represent wealth and safety. Their later ads escalate shock value by showing an unhealthy baby in an unsafe environment. The Tesco Cherokee ads depict models in dangerous situations but with relaxed body language, implying comfort. Their color schemes and exaggerated situations are meant to draw attention while implying the clothes allow comfort. F&F uses shallow focus on models, price tags, and other techniques to portray their clothes as high quality yet affordable.
The Barnardo's advertising campaign features four images of babies with unsafe objects in their mouths to raise awareness about children living in poverty. Each image uses shock value and has a different color scheme and slogan to convey different atmospheres. The objects were digitally added using Photoshop for regulatory compliance.
The Tesco Cherokee campaign portrays models looking relaxed in dangerous situations, suggesting their clothes provide comfort. Each image uses a full-body shot and manipulated photography to show models in contexts like a bear trap or shark-infested waters. This emphasizes the clothes' relaxing nature.
The Tesco F&F campaign promotes its affordable fashion through images of models on catwalks alongside price tags. Photoshop places
This document contains descriptions of images from advertising campaigns run by Barnardo's and Tesco.
The Barnardo's campaign features images of babies in distressing situations meant to shock viewers and raise awareness of child poverty. Each image was edited to remove actual hazards and comply with advertising standards.
The Tesco Cherokee campaign places models in dangerous scenarios meant to imply their clothes provide comfort. Models appear calm to sell the clothes' relaxing quality. Images feature the models and clothes against natural backdrops.
The Tesco F&F campaign image uses photo editing to place a model on a price tag, drawing attention to the brand's affordable fashion. The color scheme highlights the model and price tag.
Task 1 analysing exiting products and advertsshannoncloee
This document summarizes and compares advertisements and marketing strategies for several energy drink brands, including Irn Bru, Relentless, Monster, and Rockstar.
The summaries discuss the use of color schemes, imagery, slogans, and celebrity endorsements in print and television ads. Both Monster and Rockstar websites maintain the same colors and logos as their cans to maintain brand consistency. Monster sponsors video games and extreme sports to target younger male audiences. Relentless uses a rapper in a music video to appeal to those seeking recognition.
The analyses suggest the brands primarily aim their marketing at males ages 16-30, as this demographic is most likely to engage with bright colors, competitions, and celebrity endorsements when
This document contains summaries of several advertisements for Irn-Bru and other energy drinks:
1) The first Irn-Bru advertisement uses a double entendre involving a newly hatched chick to humorously promote the drink.
2) A second Irn-Bru ad emphasizes that the sugar-free version has always been sugar-free, despite its name change from "Diet Irn-Bru".
3) An Irn-Bru 32 ad features a cuckoo bird mascot to suggest it provides morning energy, with a humorous tone targeting teens to 40-year-olds.
This advertisement analyzes several IRN BRU advertisements. It summarizes the key techniques and messages conveyed in each ad. The Snowman ad uses a modified Christmas song to tell a story about sharing IRN BRU. The diet IRN BRU ad shows identical giraffes to emphasize that the diet version tastes the same. The IRN BRU 32 ad portrays the drink as energizing through an excited cuckoo mascot. The wordplay in another ad adds humor while reinforcing the brand's colors and positioning the drink as innocent. Technical details like font sizes, colors and slogans are highlighted across multiple ads to emphasize readability and messaging.
The document analyzes an advertisement for the NSPCC (National Society for the Prevention of Cruelty to Children) using radial analysis. The advertisement features a damaged toy to represent abused children and uses dark colors and close camera angles. It has the bold green slogan "Cruelty to children must stop. FULL STOP." to emphasize ending child abuse. The target audience is adults who can help abused children and may empathize with wanting to protect their own. The advertisement aims to show that child abuse is damaging and unacceptable in society.
This document analyzes and summarizes 5 advertisements for IRN-BRU and 1 advertisement for Red Bull. The IRN-BRU ads use simple layouts with images and witty text in blue and orange to convey a lighthearted tone. They aim to be memorable through humor or controversy. The Red Bull ad features a colorful cartoon drawing taking up most of the page with comedic text relating to the image. It appeals to younger audiences through its cartoon style.
The document provides information on the marketing strategies used by Irn-Bru across various mediums including print ads, TV ads, websites, and packaging. The print and TV ads utilize crude humor and inappropriate language to appeal to their target male demographic. The website uses a simple design with bold colors and fonts for easy navigation. Packaging emphasizes the brand colors and highlights the product benefits. Irn-Bru aims to stand out through controversial advertising that generates buzz and discussion among consumers.
The document analyzes and compares various advertisements for the energy drink Irn Bru across different mediums, including posters, television commercials, product packaging, and websites. It discusses the design elements and strategies used in each ad to draw attention to the products and brands. Key techniques highlighted include consistent color palettes and layouts to create branding recognition, humor and visual metaphors to appeal to various age groups, and prominent display of the products themselves to focus viewer attention. Comparisons are made to advertisements by competing brands like Red Bull and Monster to analyze design choices that make some ads more visually striking and targeted to certain demographics than others.
Understanding of Beauty Category in India Bensen Rosy
Over the years global brands have been successful in insinuating that beauty = fair skin. And in a complex market like India, brands have cleverly taken advantage of this deep-rooted inferiority complex, especially among Indian women. The above presentation decodes the communication analysis of each beauty brand in India at a human level. #H2H
This document contains summaries of various advertisements for energy drinks such as Irn-Bru, Monster Energy, and Red Bull. The summaries describe the target audiences, color schemes, imagery, and fonts used in the ads. Most target teenage boys and use bold, masculine colors and designs. For example, a Monster Energy ad uses green and black colors stereotypically associated with males. The ads aim to portray a sense of power and energy through their visuals and messaging.
This advertisement promotes Ben & Jerry's new ice cream flavors with cookie cores. It uses bright colors and humor in its animation style to attract teenagers and university students. The ad works to generate interest in the unusual flavor combinations and novel core filling concept. By highlighting flavors like "Karma Sutra" and "Peanut Butter Me Up", the ad aims to create a desire in viewers to try the new products and tell their friends. It calls consumers to action at the end by saying "All you need is a spoon" to join in and purchase the ice creams.
This document analyzes and compares the target audiences and design elements of several energy drink advertisements. It discusses how fonts, images, colors and slogans are used in ads for brands like IRN-BRU, Red Bull, Monster, Mountain Dew, and Rockstar to appeal to different age groups. The analysis suggests IRN-BRU ads target teenagers and younger adults, while Red Bull and Rockstar ads have a more sophisticated design that may appeal more to older adults. Bright colors and informal designs in Monster and Mountain Dew ads aim for teenagers and young adults.
The document contains analyses of four different advertisements. The first uses scale to show the large size of an Altoids tin compared to a doll to convey it as a good Christmas gift. The second uses "plain folk" imagery of an ordinary family in L.L. Bean clothing enjoying the outdoors together to suggest their products bring families together. The third evokes "hidden fears" about work safety by showing a man whose spilled coffee leads to the message that driving is dangerous, implying Volkswagens are safer. The analyses note effective and misleading aspects of each ad's design, message, and techniques.
This document provides information about different types of broadcast advertising across TV, radio and cinema. It discusses conventions for each medium, including typical ad lengths. For TV, ads are usually 10-45 seconds. Radio ads often use jingles to stand out without visuals. Cinema trailers are typically 30-90 seconds to generate interest without spoiling the film. Examples of specific ads are then analyzed in more detail, including a Pukka Tea TV ad and L'Oreal print ad campaign. Conventions for different advertising types, like wellness and print ads, are also outlined.
Tv advert detailed analysis your choicehfhrehgkerg
The Harribo advert from 2014 depicts a formal business meeting where the adults have the voices of young children as they discuss their favorite Harribo candies in childlike voices. There is no text in the advert and it uses music typically featured in Harribo ads. The advert aims its message of variety in Harribo products at audiences with a young sense of humor by showing how the candies can turn serious business people into children again through silliness.
The document analyzes several magazine advertisements based on the human needs they appeal to, their marketing techniques, and how they catch the viewer's attention. It summarizes four ads, noting that they relate to needs for family, health, freedom, love and youth. The ads use imagery like families, illness and nature to appeal to emotions and values while promoting products as solutions. Techniques like humor, fear and intimacy are employed to draw viewers in and associate products with positive attributes.
Este documento analiza las necesidades específicas de apoyo educativo de los niños con discapacidades sensoriales (visuales y auditivas) y motrices. Explica que, tras una introducción conceptual, se examinan dichas necesidades y se sugieren elementos de respuesta educativa. Finalmente, propone llegar a una conclusión y reflexión para la intervención psicopedagógica que atienda a la diversidad del alumnado con necesidades de apoyo.
Real estate is "property exist of land and the buildings on it, along with its natural resources such as crops, minerals or water; immovable property of this nature; an interest vested in this an item of real property,buildings or housing in general.
The document summarizes advertising campaigns for Barnardo's and Cherokee and Tesco F&F brands.
For Barnardo's, the campaign uses increasingly shocking images of babies in distress to prompt donations, with the third image showing a baby with a cockroach in its mouth.
The Cherokee campaign shows models in dangerous situations like surrounded by sharks or falling from the sky, but appearing relaxed, suggesting their clothes provide comfort.
For Tesco F&F, the photos emphasize the model and use techniques like shallow focus to draw attention to them, positioning the logo unobtrusively, with the third image changing locations to engage viewers by making the ad more relatable.
The document discusses advertising campaigns by various charities and brands. It analyzes several advertisements in terms of their imagery, layout, color schemes, and how they are intended to convey their message. The Barnardo's campaign uses warm colors and imagery of a healthy baby to represent wealth and safety. Their later ads escalate shock value by showing an unhealthy baby in an unsafe environment. The Tesco Cherokee ads depict models in dangerous situations but with relaxed body language, implying comfort. Their color schemes and exaggerated situations are meant to draw attention while implying the clothes allow comfort. F&F uses shallow focus on models, price tags, and other techniques to portray their clothes as high quality yet affordable.
The Barnardo's advertising campaign features four images of babies with unsafe objects in their mouths to raise awareness about children living in poverty. Each image uses shock value and has a different color scheme and slogan to convey different atmospheres. The objects were digitally added using Photoshop for regulatory compliance.
The Tesco Cherokee campaign portrays models looking relaxed in dangerous situations, suggesting their clothes provide comfort. Each image uses a full-body shot and manipulated photography to show models in contexts like a bear trap or shark-infested waters. This emphasizes the clothes' relaxing nature.
The Tesco F&F campaign promotes its affordable fashion through images of models on catwalks alongside price tags. Photoshop places
This document contains descriptions of images from advertising campaigns run by Barnardo's and Tesco.
The Barnardo's campaign features images of babies in distressing situations meant to shock viewers and raise awareness of child poverty. Each image was edited to remove actual hazards and comply with advertising standards.
The Tesco Cherokee campaign places models in dangerous scenarios meant to imply their clothes provide comfort. Models appear calm to sell the clothes' relaxing quality. Images feature the models and clothes against natural backdrops.
The Tesco F&F campaign image uses photo editing to place a model on a price tag, drawing attention to the brand's affordable fashion. The color scheme highlights the model and price tag.
Task 1 analysing exiting products and advertsshannoncloee
This document summarizes and compares advertisements and marketing strategies for several energy drink brands, including Irn Bru, Relentless, Monster, and Rockstar.
The summaries discuss the use of color schemes, imagery, slogans, and celebrity endorsements in print and television ads. Both Monster and Rockstar websites maintain the same colors and logos as their cans to maintain brand consistency. Monster sponsors video games and extreme sports to target younger male audiences. Relentless uses a rapper in a music video to appeal to those seeking recognition.
The analyses suggest the brands primarily aim their marketing at males ages 16-30, as this demographic is most likely to engage with bright colors, competitions, and celebrity endorsements when
This document contains summaries of several advertisements for Irn-Bru and other energy drinks:
1) The first Irn-Bru advertisement uses a double entendre involving a newly hatched chick to humorously promote the drink.
2) A second Irn-Bru ad emphasizes that the sugar-free version has always been sugar-free, despite its name change from "Diet Irn-Bru".
3) An Irn-Bru 32 ad features a cuckoo bird mascot to suggest it provides morning energy, with a humorous tone targeting teens to 40-year-olds.
This advertisement analyzes several IRN BRU advertisements. It summarizes the key techniques and messages conveyed in each ad. The Snowman ad uses a modified Christmas song to tell a story about sharing IRN BRU. The diet IRN BRU ad shows identical giraffes to emphasize that the diet version tastes the same. The IRN BRU 32 ad portrays the drink as energizing through an excited cuckoo mascot. The wordplay in another ad adds humor while reinforcing the brand's colors and positioning the drink as innocent. Technical details like font sizes, colors and slogans are highlighted across multiple ads to emphasize readability and messaging.
The document analyzes an advertisement for the NSPCC (National Society for the Prevention of Cruelty to Children) using radial analysis. The advertisement features a damaged toy to represent abused children and uses dark colors and close camera angles. It has the bold green slogan "Cruelty to children must stop. FULL STOP." to emphasize ending child abuse. The target audience is adults who can help abused children and may empathize with wanting to protect their own. The advertisement aims to show that child abuse is damaging and unacceptable in society.
This document analyzes and summarizes 5 advertisements for IRN-BRU and 1 advertisement for Red Bull. The IRN-BRU ads use simple layouts with images and witty text in blue and orange to convey a lighthearted tone. They aim to be memorable through humor or controversy. The Red Bull ad features a colorful cartoon drawing taking up most of the page with comedic text relating to the image. It appeals to younger audiences through its cartoon style.
The document provides information on the marketing strategies used by Irn-Bru across various mediums including print ads, TV ads, websites, and packaging. The print and TV ads utilize crude humor and inappropriate language to appeal to their target male demographic. The website uses a simple design with bold colors and fonts for easy navigation. Packaging emphasizes the brand colors and highlights the product benefits. Irn-Bru aims to stand out through controversial advertising that generates buzz and discussion among consumers.
The document analyzes and compares various advertisements for the energy drink Irn Bru across different mediums, including posters, television commercials, product packaging, and websites. It discusses the design elements and strategies used in each ad to draw attention to the products and brands. Key techniques highlighted include consistent color palettes and layouts to create branding recognition, humor and visual metaphors to appeal to various age groups, and prominent display of the products themselves to focus viewer attention. Comparisons are made to advertisements by competing brands like Red Bull and Monster to analyze design choices that make some ads more visually striking and targeted to certain demographics than others.
Understanding of Beauty Category in India Bensen Rosy
Over the years global brands have been successful in insinuating that beauty = fair skin. And in a complex market like India, brands have cleverly taken advantage of this deep-rooted inferiority complex, especially among Indian women. The above presentation decodes the communication analysis of each beauty brand in India at a human level. #H2H
This document contains summaries of various advertisements for energy drinks such as Irn-Bru, Monster Energy, and Red Bull. The summaries describe the target audiences, color schemes, imagery, and fonts used in the ads. Most target teenage boys and use bold, masculine colors and designs. For example, a Monster Energy ad uses green and black colors stereotypically associated with males. The ads aim to portray a sense of power and energy through their visuals and messaging.
This advertisement promotes Ben & Jerry's new ice cream flavors with cookie cores. It uses bright colors and humor in its animation style to attract teenagers and university students. The ad works to generate interest in the unusual flavor combinations and novel core filling concept. By highlighting flavors like "Karma Sutra" and "Peanut Butter Me Up", the ad aims to create a desire in viewers to try the new products and tell their friends. It calls consumers to action at the end by saying "All you need is a spoon" to join in and purchase the ice creams.
This document analyzes and compares the target audiences and design elements of several energy drink advertisements. It discusses how fonts, images, colors and slogans are used in ads for brands like IRN-BRU, Red Bull, Monster, Mountain Dew, and Rockstar to appeal to different age groups. The analysis suggests IRN-BRU ads target teenagers and younger adults, while Red Bull and Rockstar ads have a more sophisticated design that may appeal more to older adults. Bright colors and informal designs in Monster and Mountain Dew ads aim for teenagers and young adults.
The document contains analyses of four different advertisements. The first uses scale to show the large size of an Altoids tin compared to a doll to convey it as a good Christmas gift. The second uses "plain folk" imagery of an ordinary family in L.L. Bean clothing enjoying the outdoors together to suggest their products bring families together. The third evokes "hidden fears" about work safety by showing a man whose spilled coffee leads to the message that driving is dangerous, implying Volkswagens are safer. The analyses note effective and misleading aspects of each ad's design, message, and techniques.
This document provides information about different types of broadcast advertising across TV, radio and cinema. It discusses conventions for each medium, including typical ad lengths. For TV, ads are usually 10-45 seconds. Radio ads often use jingles to stand out without visuals. Cinema trailers are typically 30-90 seconds to generate interest without spoiling the film. Examples of specific ads are then analyzed in more detail, including a Pukka Tea TV ad and L'Oreal print ad campaign. Conventions for different advertising types, like wellness and print ads, are also outlined.
Tv advert detailed analysis your choicehfhrehgkerg
The Harribo advert from 2014 depicts a formal business meeting where the adults have the voices of young children as they discuss their favorite Harribo candies in childlike voices. There is no text in the advert and it uses music typically featured in Harribo ads. The advert aims its message of variety in Harribo products at audiences with a young sense of humor by showing how the candies can turn serious business people into children again through silliness.
The document analyzes several magazine advertisements based on the human needs they appeal to, their marketing techniques, and how they catch the viewer's attention. It summarizes four ads, noting that they relate to needs for family, health, freedom, love and youth. The ads use imagery like families, illness and nature to appeal to emotions and values while promoting products as solutions. Techniques like humor, fear and intimacy are employed to draw viewers in and associate products with positive attributes.
Este documento analiza las necesidades específicas de apoyo educativo de los niños con discapacidades sensoriales (visuales y auditivas) y motrices. Explica que, tras una introducción conceptual, se examinan dichas necesidades y se sugieren elementos de respuesta educativa. Finalmente, propone llegar a una conclusión y reflexión para la intervención psicopedagógica que atienda a la diversidad del alumnado con necesidades de apoyo.
Real estate is "property exist of land and the buildings on it, along with its natural resources such as crops, minerals or water; immovable property of this nature; an interest vested in this an item of real property,buildings or housing in general.
El documento resume la evolución histórica de la pedagogía desde la antigua Grecia hasta la época del Iluminismo. Comienza con el surgimiento de la pedagogía en Grecia, influenciada por filósofos como Sócrates, Platón y Aristóteles. Luego se describe la influencia del Renacimiento, la Reforma, y pensadores como Rousseau. Finalmente, explica el desarrollo de la pedagogía durante la Edad Media y la época del Iluminismo en Europa.
FFIT is a project that aims to create an archive documenting trends in physical fitness in the United States throughout the 20th century. Led by Josh Behnken, Diane Hamptin, and Marc V. Chad, FFIT will compile media and articles about fitness fads and trends organized by decade. The purpose is to provide detailed knowledge about the history of fitness to scholars, writers and the general public.
This document provides a 6-step guide for breaking free from emotional eating. It discusses how emotions drive eating behaviors and food choices. Step 1 explains the connection between emotions and food, how foods high in carbs and fat can boost serotonin and temporarily relieve negative feelings. Step 2 involves assessing if one is an emotional eater by considering eating behaviors. Step 3 recommends understanding personal emotional patterns and triggers. Step 4 stresses the importance of allowing oneself to feel uncomfortable emotions instead of avoiding them through eating. The guide advocates developing emotional mastery by observing feelings without judgment.
Keith Walker has over 15 years of experience in hospitality roles including as a bellman, security officer, spa front desk agent, cook, and 92-G Food Service Specialist in the U.S. Army. He is authorized to work in the US for any employer and is currently a bellman at the Portland Hilton & Executive Tower where he assists guests with luggage and valet services. Walker has a track record of strong customer service and was nominated for several awards recognizing his work at prior hospitality positions. He has skills in areas such as lifting, communications, Microsoft Office, cash handling, and cooking.
This document lists 4 breathtaking vacation spots in Southeast Asia: Ko Phi Phi Don, Bali, Angkor, and Bagan. The document does not provide any additional details about each location beyond their names.
The document summarizes advertising campaigns for Barnardo's and Cherokee and Tesco F&F brands.
For Barnardo's, the campaign uses increasingly shocking images of babies in distress to prompt donations, with the third image showing a baby with a cockroach in its mouth.
The Cherokee campaign shows models in dangerous situations like surrounded by sharks or falling from the sky, but appearing relaxed, suggesting their clothes provide comfort.
For Tesco F&F, the photos emphasize the model and use techniques like shallow focus to draw attention to them, positioning the logo unobtrusively, with the third image changing locations to engage viewers by making the ad more relatable.
The document discusses advertising campaigns for several brands. For Barnardo's, the ads show babies in increasingly worse conditions to demonstrate the need for the charity's services. Tesco Cherokee and F&F ads exaggerate dangerous situations to emphasize their clothing's comfort. Models are depicted as relaxed even when their life appears threatened. The ads use lighting, props, and photo editing to convey messages about wealth, health, and affordable fashion.
This document analyzes and summarizes several advertising campaigns by Barnardo's and Tesco Cherokee. The Barnardo's campaigns feature shock images of babies in distressing conditions to raise awareness of poverty. Each image escalates the shock value. The Tesco Cherokee campaigns place models in exaggerated dangerous situations while appearing relaxed, suggesting their clothing provides stress relief. Both campaigns use photo manipulation to comply with advertising guidelines while increasing shock value.
The document contains information about advertising campaigns run by various organizations:
Barnardo's targets parents with shocking images to raise awareness of child abuse and generate donations to prevent it. Tesco Cherokee targets middle-aged adults with representations of models in dangerous situations to convey their clothes provide comfort. Tesco F&F targets middle-aged working class women by showing models on a catwalk with visible price tags to demonstrate high quality affordable fashion. The document also outlines general rules regarding misleading advertising and protecting privacy in marketing communications.
The document analyzes an advertisement for the NSPCC (National Society for the Prevention of Cruelty to Children). The ad uses dark colors and images of an abused toy to symbolize how abused children feel trapped. It features the slogans "cruelty to children must stop" and "real children should be fixed," emphasizing that abuse is a serious issue. The target audience is adults who will feel empathy for abused children and be able to help through donations or support. The goal is to raise awareness of child abuse and persuade people to help stop it.
- The audience skewed slightly male, indicating the magazine could appeal to both parents
- Most of the audience was young, between 16-20 years old, with no children currently
- Younger audiences are more engaged with social media than magazines
- Fashion was the most popular magazine genre, showing an interest in styles
- Many want children in the future but don't have them now
- Pregnancy was identified as a stressful time, showing a need for supportive content
The research showed the target audience could be expanded to include both parents, rather than just mothers. It also indicated a need to target those a bit
The document discusses design elements for children's photography products. It recommends using neutral colors like white, beige and ivory to not distract from the outfits and subjects. Pastel colors are also recommended as they portray a children's party or nursery. Floral prints and bunting with shapes are suggested to convey themes of children, drawing and celebration. Outdoor photography is recommended to show children happily playing in a natural setting. Fonts should be delicate and colors like pink used to symbolize love and new life. Photographs should look candid and not forced to portray children's innocence.
This document contains summaries of three images being considered for use in an advertising campaign for clothing targeted at 16-21 year olds. Each image summary outlines why the image is suitable, noting qualities like appropriate models aged 16-17, casual summer clothing and settings, affordable pricing, and natural lighting and backgrounds with plants. Minor edits made to the images are also described, such as changing to portrait orientation, removing logos, and adding the campaign logo and slogan.
The document contains examples of design portfolios from Tamara Mitchell. It provides analyses of different designs in terms of effort/reward, theme, use of picture verbs and concrete nouns, audience, and visual context. For each category, there are examples labeled as good and bad. The analyses focus on visual design principles and how well the designs communicate their intended messages.
The document analyzes several Irn Bru advertisements. It discusses the images, fonts, colors, layouts, and tones used in the ads. The images are meant to be humorous and appeal to teenagers. Black and white images portray an old-fashioned style while bright colors like orange and blue are used to attract a younger audience. Fonts are casual and easy to read. Layouts keep the messages concise using different shapes and positioning of text. The tones across all ads are meant to be positive, quirky and humorous in order to appeal to teenagers.
The document summarizes an advertisement for Starburst sweets. The ad targets children and teenagers and aims to make them feel like eating Starburst will transport them to a different, exciting world filled with bursts of flavor. The main image is a parrot in a rainforest setting, chosen to match the product's rainforest theme. The ad uses bright red and yellow colors, bubble font text, and the slogan "juicy everywhere" to suggest the extravagant tastes and feelings of being transported consumers will experience when eating Starburst.
The document compares and contrasts three promotional materials used by different homeless charities in the UK: Shelter campaign poster, Centrepoint campaign website, and SASH charity logo/sticker.
The Shelter and Centrepoint materials use similar color schemes of red and white, and images of homeless people to elicit sympathy. SASH uses a brighter green and white color scheme with no images, aiming for a more positive tone. Fonts and copywriting across the materials are designed to clearly convey their messages and calls to action to different target audiences. Overall the materials demonstrate different yet effective visual strategies to raise awareness and funds for addressing homelessness.
This document discusses and analyzes different logos and advertisements used by homeless charities.
It summarizes three advertisements - one using minimal text and imagery to convey a powerful message about homelessness, another using an image of a sad child to manipulate emotions, and a logo for a youth homelessness charity featuring a simple house illustration.
The key aspects evaluated are the use of imagery, fonts, colors and messaging to effectively engage audiences and represent the charities' goals of helping the homeless. Minimal designs that convey clear messages are deemed most effective at attracting attention and understanding.
The document summarizes an advertisement for Starburst sweets. It analyzes various elements of the ad, including the product name which suggests happiness and energy from eating the sweets. The target audience is described as children to young adults. Key visual elements discussed include the use of a parrot mascot, bright colors like red and yellow, and a bubbly font designed to make the sweets appealing.
The document analyzes various Irn-Bru advertisements and promotional materials. It discusses the consistent use of orange and blue in the brand's color scheme, which are eye-catching contrasting colors that complement the drink. Sans-serif fonts are used throughout that are clear, easy to read, and match the font on the drink cans. Humor and sarcasm are employed in the language to engage younger audiences. Layouts are cluttered or minimalistic depending on the specific promotion, but consistently draw attention to the product image through techniques like varied text angles and arrows. Photographs clearly picture the product against plain backgrounds, using lighting and effects to make it pop off the page.
Irn-Bru is known for producing controversial advertisements that appeal to younger audiences through humor. Their ads historically pushed boundaries and received complaints, though more recent campaigns take a lighter approach. Current ads promote a consistent brand image through shared elements like color schemes, repeated motifs like the mascot in the bird costume, and film techniques that highlight the product. While technology has changed, Irn-Bru's humorous style remains integral to grabbing audience attention.
The document provides details on the design of marketing posters for a charity called SASH that helps homeless youth. It discusses using images of homeless and housed youth smiling to portray a positive message. Fonts and color schemes are selected to appeal to both younger and older audiences. For younger viewers, brighter colors and bolder fonts are suggested to attract attention, while simpler fonts in SASH's green and white colors work better for older audiences seeking facts. The posters will tell stories of how SASH has helped youth overcome homelessness through the power of images and brief text. Contact details will be placed discreetly to not distract from the main message.
The document provides a summary and analysis of several charity advertisements and branding materials, including:
- A SASH website that features a smiling young person to challenge stereotypes of homelessness.
- A Shelter online ad showing a family living outside to raise awareness of how easily people can lose their homes.
- A Global Cause ad using a simple image of a red chair against a dark background to draw attention to poverty.
- A Simon on the Streets ad featuring an image of a homeless man to evoke an emotional response and highlight homelessness issues.
- A Spare Room ad using a childlike drawing of a house and bright colors to help young people facing housing instability.
This document analyzes and summarizes three billboard advertisements. For the first billboard, it notes that the main image is of a waffle sandwich and drink meant to entice drivers. The image is placed to one side with text standing out against an orange background matching the company's color scheme. The second billboard features an enlarged black logo against a white background representing a popular designer brand. A glamorous image allows the logo to stand out. The third billboard uses the largest image depicting a heart shape for a dating website. The sunset background and bold heart shape are meant to feel happy and relaxed, with minimal catchy text.
The final logo incorporated a heart with two arrows crossing through it. The logo symbolized strength, love, and the ability to defend oneself and move forward after experiencing pain or a broken heart.
Posters featured stripped back images of models to show vulnerability. Images were in black and white to keep them raw and eye-catching while conveying innocence, purity, evil, and sadness. Catchy text stood out against the images and quotes provided context.
Bus advertisements kept a lighthearted tone for varied audiences. They featured the logo, bold fonts, and catchy motto while maintaining a bus theme. Merchandise like keychains, badges, and stickers featured minimal designs with just the logo to promote recognition without
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
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Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
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Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
2. BARNARDO’S
Target audience: young parents, people with money (working class).
Representation: the shocking imagery is used to prompt donations and to prevent child
mistreatment.
Message: Not every child is born into a nice, caring family that can provide a happy and a
safe life for a baby.
3. The silver spoon in the image represents
wealth, the spoon has been photoshopped to
keep within the ASA guidelines.
The slogan “if only every child was born with a
silver spoon” anchors the image and links to
the perfect little baby with a silver spoon in it’s
mouth.
The colour scheme of the photo uses gold and
silver colours, this creates a happy and warm
emotion when looking at the baby. The baby is
lying on a furry blanket which is important
because it shows the baby is being looked after
and cared for, the baby is comfortable and safe
in a clean and welcoming environment.
The hospital tag on the babies wrist has
connotations that the baby has been born in a
safe, clean and professional environment and it
has been well looked after.
The baby is quite chubby which indicates that it
is well fed and isn’t being starved.
The slogan is out of the way in the corner. The
fact that the writing is bold, big and black
makes it much easier to read.
The baby looks happy and clean which
tells us that it is well looked after and
that it is content with its surroundings.
The silver spoon is a significant part of
the image, it stands out a lot compared
to all of the things to see in the image.
4. There is a drastic change of imagery compared to the previous image, it’s a increase in
shock value.
The layout of the add is still very similar to the previous image, the font it the same, the text
size and colour are the same and its out of the way and in the corner.
The colour scheme is mainly white and light blue tones, these colours are used to create a
cold, hard and unwelcoming look to the image.
The slogan has negatively changed to emphasise the change in imagery.
The bottle has been photoshopped into the
babies mouth, this is done deliberately so that
they keep within the ASA guidelines.
The bruise on the babies chest and the bottle of
chemicals in the babies mouth signifies that the
baby isn’t looked after nor is it cared for.
The baby crying indicates it’s unhappy and in
pain which then tells suggests that the
environment which it’s held in unsafe and
causing pain.
The baby has a hospital tag on it’s arm telling us
that is was born in a hospital, a safe
environment; however, just because the baby
was born in a safe environment doesn’t mean it
will stay safe, when the baby is born it has been
taken into an unsafe environment.
5. The larger the add campaign grows, the larger the shock value is. A silver spoon has been
replaced with a diseased cockroach a complete contrast in objects. The cockroach furthers
the impression as the insect itself is known as filthy and diseased. The cockroach in the
babies mouth can be seen as a personal invasion, the baby doesn’t have the ability to look
after it’s self. The cockroach has been photoshopped to keep within the ASA guild lines.
The layout is the same as the previous two ads, out of the way, noticeable but not too
noticeable, clear and the text is tidy.
The orange oily/ greasy glow further emphasises that the baby is in an unhealthy, unsafe
environment. The ad image makes it clear that the
baby needs help! The orange white colours are
similar to the colours used in the first ad, however,
they are used in a completely different context. In
the first ad, the colour white was used to
represent sterol and cleanliness and in this as the
colour white represents a cold and harsh
environment, an uncared and abandoned
environment. The orange was before used as a
warm safe colour and in this ad its used as a dirty,
unclean colour.
The baby itself is sweaty and unclean suggesting
that it hasn’t been bathed or cleaned in a long
time, the baby clearly needs help and Barnardo’s
used the shock value to make the target audience
to have empathy for the babies.
6. As the campaign has continued, the shock
value has escalated. The baby is now
appearing dirtier, thinner and in an even
more dangerous position.
The layout is the same as the previous two
ads, out of the way, noticeable but not too
noticeable, clear and the text is tidy.
The colour scheme is a harsh white and light
blue, this creates a cold, harsh vibe and
suggests that the baby is cold and
abandoned.
The facial features of the baby suggest that
it’s in pain. The use of a syringe has a
connotations of a dangerous environment, an
uncared for environment and a dangerous
poverty home. The substance in the syringe
heavily implies drugs and other illegal
substances unsuitable for anyone never mind
a baby.
Like the other ads the baby look s dirty and unwashed, the baby still has the hospital tag on
its wrist and by the looks of it hasn’t been bathed since being born. The baby looks thinner
than the babies in the other ads suggesting it hasn’t been fed and its belly looks like it is
starting to bloat. The baby crying shows that it is clearly uncomforted and needs help.
7. TESCO CHEROKEE
Target Audience: Middle aged adults, 30+.
Representation: using models in terrifying situations, but their brand is so
comfortable they don’t notice.
Campaign Message: clothes produced by Tesco Cherokee make you feel relaxed
and comfortable no matter what the situation.
8. The model is in a dangerous situation, yet their body language does not reflect this. Instead,
they are relaxed implying that their comfort levels exceed their pain level.
The simple layout with the brand name and slogan in a bright white colour placed in t he
bottom right corner doesn’t take away attention from the image itself.
The brown and green colour scheme is create to give the setting an earthly or nature look.
The photo has been photoshopped to keep within the ASA guidelines.
9. The model is in a dangerous situation,
yet their body language does not
reflect this, instead they are relaxed,
this implies that their comfort levels
exceed their pain level.
The colour of the slogan and the
company name has changed to grey
because its more convenient to the
background colour in this image.
The colour scheme is dark blues and
white; exaggerating danger as there is
no visible help or land in the
background.
The logo and the company name is in
the top right corner our of the way
but still noticeable, it is positioned
their so that the attention isn’t
brought away form the main image
and so that the shock value is
heightened.
The main subject is obviously photoshopped as it
would be a major safety hazard and so that the
company is staying within the ASA guidelines.
10. The full, long shot is used to highlight the danger and help
create the exaggerated, dangerous situation. We can
clearly see that the model is plummeting to the ground
from a great height.
The body language doesn’t reflect the situation the model
is in. They are very calm, checking their watch which
reflects how comfortable the model is in what he is
wearing.
The white is the dominant colour in the background and
it’s used as a blank canvas so that the colouring and
texture of the clothes stands out, drawing viewer’s
attention to them.
Simplistic layout is used
with the brand name and
slogan in the corner so as
not to detract from the
main image.
11. The use of a longshot is to
highlight the situation as well as to
show the model in the full outfit.
The exaggerated situation shows
the model in a dangerous situation
yet with a casual response, further
implying that their comfort level
exceeds their pain level.
The colour scheme used in this
image is very simple, The
background is predominantly
white with sections of green. The
white is used as a background
colour to represent a blank canvas,
the clothes stand and you are able
to see the quality of the clothes.
The green has connotations to
nature and like the first image, it
gives an earthly vibe to the
campaign.
The logo and the slogan are placed
in the top right corner, out of the
way but still noticeable.
The layout is simple and tidy so that no attention is
taken away from the main subject.
The photo is photoshopped so that the company
keeps within the ASA guidelines.
12. TESCO F&F
Target Audience: Females, 20-30 working class.
Representation: Model/ Price on the catwalk demonstrates high quality clothing at
affordable prices.
Campaign Message: Working class women can still have high quality, fashionable
clothes at affordable prices.
13. The shallow focus used is to give all of the attention
to the main subject (the dress). The contrast between
the dark subjects in the background and the main
subject dressed in white helps draw more attention
to the main subject.
The price on the tag is visible and clear to reinforce
the campaign message and to entice the target
audience. The price tag with the main subject on is
dangles in front of the camera lined up with the
catwalk this is done to further the idea of the clothing
range being good enough to be noticed.
The slogan attracts the audience by portraying the
clothing as high quality but affordable.
The colour scheme is black, white and silver, the
photographer uses the contrast of these colours to
focus attention on the dress.
The simple and tidy layout with the logo and slogan
in the bottom right corner of the image. Thus not
detracting away from the main image. The text is still
noticeable so that the target audience know the
brand name.
The model is looking straight at the
camera, this is used to create a direct
address to the audience.
The lighting of the photo is artificial lights,
the light is focusing on the main subject.
14. The shallow focus used is to give all of the
attention to the main subject (the dress). The
contrast between the dark subjects in the
background and the main subject dressed in
white helps draw more attention to the main
subject.
The price on the tag is visible and clear to
reinforce the campaign message and to entice
the target audience. The price tag with the
main subject on is dangles in front of the
camera lined up with the catwalk this is done
to further the idea of the clothing range being
good enough to be noticed.
The slogan attracts the audience by portraying
the clothing as high quality but affordable.
The colour scheme is black, white and silver,
the photographer uses the contrast of these
colours to focus attention on the dress.
The logo and slogan is purposely positioned in
the bottom right corner of the image. Thus not
detracting away from the main image. The text
is still noticeable so that the target audience
know the brand name.
The shot is angled slightly different to
the previous image, the further away
the shot is taken, the more of the
background we are able to see.
15. The shallow focus used is to give all of the
attention to the main subject (the dress). The
contrast between the dark subjects in the
background and the main subject dressed in
white helps draw more attention to the main
subject.
The price on the tag is visible and clear to
reinforce the campaign message and to entice
the target audience. The price tag with the main
subject on is dangles in front of the camera lined
up with the catwalk this is done to further the
idea of the clothing range being good enough to
be noticed.
The slogan attracts the audience by portraying
the clothing as high quality but affordable.
The colour scheme is black, white and silver, the
photographer uses the contrast of these colours
to focus attention on the dress.
The simple and tidy layout with the logo and
slogan in the bottom right corner of the image.
Thus not detracting away from the main image.
The text is still noticeable so that the target
audience know the brand name.
The change of location is to maintain
visual interest and the public setting is
more relatable to the target audience.
The size of the audience is doubled
compared to the previous images, this
furthers the fact that the dress is
noticeable and people want to look at it.