The document summarizes several sculptures from ancient Greece and Rome that depict gods and mythological figures. It discusses a bust of Ariadne, a head of an unknown veiled goddess, the Winged Victory of Samothrace statue, and a sculpture of the hero Hercules resting. The sculptures show the artistic devotion that Greeks and Romans had for their gods and legendary figures through detailed and masterful artistic works.
Es una hermosa casa ubicada dentro de un Conjunto integrada por residencias construidas en 10 lotes privativos de 500 m2 cada uno, en área de conservación Ecológica fuera del smog.
Precio Venta : $8’900,000 Renta : $ 28,000
Informes 55 1846-6542 www.inmobily.com.mx
Que podo facer eu para evitar o cambio climático?cienciasdjm
Que podo facer eu para evitar o cambio climático?
• Como se define a pegada ecolóxica?
• Boas prácticas na casa para reducir a pegada
• Boas prácticas no transporte para reducir a pegada
• Boas prácticas na compra
• Boas prácticas no turismo para diminuír a pegada
• A boa construción e o urbanismo sostible para diminuír a pegada
• Temos que cambiar as fontes de enerxía.
Es una hermosa casa ubicada dentro de un Conjunto integrada por residencias construidas en 10 lotes privativos de 500 m2 cada uno, en área de conservación Ecológica fuera del smog.
Precio Venta : $8’900,000 Renta : $ 28,000
Informes 55 1846-6542 www.inmobily.com.mx
Que podo facer eu para evitar o cambio climático?cienciasdjm
Que podo facer eu para evitar o cambio climático?
• Como se define a pegada ecolóxica?
• Boas prácticas na casa para reducir a pegada
• Boas prácticas no transporte para reducir a pegada
• Boas prácticas na compra
• Boas prácticas no turismo para diminuír a pegada
• A boa construción e o urbanismo sostible para diminuír a pegada
• Temos que cambiar as fontes de enerxía.
Serious Games + Learning Science = Win: How to Teach Product Knowledge, Polic...Bottom-Line Performance
Serious games have the potential to engage and motivate your learners. But what about driving long-term retention of business-critical knowledge? In this session, the speakers will share how four organizations have put theory into practice and implemented games as part of their training programs. Then, they will explore how serious games can be linked to learning science to increase learner retention of product knowledge, policies, procedures, and basic facts. This session includes seven practical tips for implementing serious games in an organization.
Application on the Job:
Discover how learning science and games can be linked to drive retention of topics such as product knowledge, policies, and procedures.
Access case studies and research you can use to make the case for serious games or gamification in your organization.
To understand deep hart of Swift Programming, try programming Shogi - Jpanaese Chess - to find out the pros and cons of Swift language. Still experimental implementation but there some interesting stories and can be shared with audience.
Global Consulting Executive Search recently completed a study about the motivations of consultants,
former consultants and prospective consultants. We were interested in what makes highly-educated
business people join the field, remain in it, leave it and sometimes, return to the profession.
Our findings confirmed a number of motivations considered common knowledge in the field, as well as
some trends that we did not expect. Expected results include:
1. Variety of work is the most significant attractor to consultants.
2. Travel is the most significant downside of the profession.
3. Pressure to sell stands alongside travel as the most significant negative among consultants and
former consultants.
I remember well of my visit to the National Archaeological Museum in Athens. I stood in front of one of the Kouros (Archaic Youth) statue, feeling a bit small when confronted with thousands of years of history before me. I was captivated by his mesmerising and charming smile. I could see that the statue can be quite easily mistaken as a real person. I never quite understand what really drove the Greek to create these wonderful sculptures. They were simply thousands of year ahead of other civilisations, in sculpture.
This Powerpoint slideshow presentation briefly sketches the development of sculpture in ancient Greece, from its humble beginning in the Greek islands to its zenith in the Hellenistic age. It maps out the milestones and advances made in stages, with the help of images of Greek masterpieces, like the Sulky Kore, the Kritios Boy, the Artemision Bronze, the Riace Bronzes etc. The Ancient Greece is unique amongst the ancient civilizations to develop such very level high of naturalism, with its expressive and life-like sculptures. According to some art historians they were driven largely by the spirit rooted in the belief that man is a free, indeed an exalted, being or simply their idea and love of beauty.
Venus de Milo
Written By: Jacob Bancroft
Measurements: Height: 5'4"
Head: 23"
Neck: 12.5"
Chest: 33"
Bust: 37"
Waist: 26"
Hips: 38"
Thigh: 22.5"
Calf: 13.2"
Ankle: 7.4"
Knee: 15"
(New York Times, "ENGLISH GIRL NEAREST VENUS...")
Material: Parian Marble
Time Period: Between 130 and 100 BC
Sculptor: Alexandros of Antioch
Discovery: April 8th, 1820
Price: 1000 francs
Location: Louvre
Venus de Milo is an ancient Greek sculpture believed to be sculpted by Alexandros of Antioch, as evidenced by the inscription on the base of the statue. The statue is thought to represent either Aphrodite, the goddess of love and beauty, or Amphitrite, the sea goddess. The most notable feature of the statue is the goddess's lack of arms. The arms were not found during the statue's discovery. The original base is currently also missing; however, it is thought that it was found with the statue originally, because the sculptor's inscription on the base was used to identify the artist. The statue was found by a peasant who sold the statue to the French navy. The ship did not have the required space for the statue and so a diplomat was promised to come back later to purchase the statue. When Marcellus, secretary to Marquis de Riviere, arrived at Milo, the impatient peasant was in the process of selling the statue to Constantinople. The French negotiated the statue to be sold to them. The statue was then gifted to King Louis XVIII, who donated to the Louvre. King Louis would not actually see the statue for another year due to his obesity (University of Chicago).
The statue is thought to have depicted the Judgement of Paris. The story of the Judgement of Paris is that Zeus held a party celebrating the marriage of Achilles's parents, but did not invite Erin. Erin brought a golden apple to Olympus to be the prize of the most beautiful goddess and Aphrodite, Athena, and Hera tried to win over the mortal judge, Paris. Paris chose Aphrodite from the lineup of naked goddesses because she offered him Helen of Sparta. The statue depicted Aphrodite holding the golden apple in victory of Paris's judgement.
Other scholars say that the statue depicts Amphitrite. This theory is based on the fact that the statue was discovered on Milos. Milos was an island that worshipped Amphitrite. There has been evidence unearthed that proves the existence of a Amphitrite cult on the island (Greek Boston). The statue was found with arms, but the Louvre thought the arms to be unoriginal (My Modern Met). The Judgement of Paris explanation is based on the finding of the apple in the statue's hand, and so it is debated whether the statue in fact depicts Aphrodite or Amphitrite. It is more popularly believed to be Aphrodite, and so the statue was named "Venus de Milo."
Venus de Milo is one of the most famous surviving examples of ancient Greek sculpture. Ever.
Figures of Absence in the History of ArtPino Blasone
Ariadne abandoned, the penitent Magdalene, the Virgin Advocate and Annunciate, John of Patmos, are all frequent themes in the history of art. In one sense, they are figures of absence at once. By relevant samples, here the aim is to make clear which kind of absence: abandonment, loss or expectation, but also – mainly in sacred art – the paradoxical effort to represent the presence of an absence. Something, what has to do not only with the past, but maybe with our future too.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
1. The Artistic Devotions to the Gods and God-
like Mortals in Ancient Greek and Roman
Sculpture
(A DIVINE DEVOTION)
A guided tour by Sarah Wade
ART1020-History of Art in Early Civilization
Clicktocontinue
2. Ariadne’s Thread
When we think of Ancient Greek and Roman Goddesses, the most common names that
come to mind are Hera, Athena, Aphrodite, etc. The most commonly recognized
goddesses of Greek and Roman mythology are but a few of the many Goddesses they
showed reverence and devotion to through their art, and some of them were mortal
women loved by gods and men alike.
Ariadne was a mortal woman, The daughter of the king of Crete, Minos. Her legend is
repeated in modern day books like the ‘Percy Jackson’ series in that her legendary golden
thread led the heroes through Daedalus' labyrinth. Her thread earned legend status
when Theseus slayed the minotaur and escaped by following her thread. They escaped
to the isle of Naxos, where Ariadne wandered off and charmed by Dionysus into
forgetting Theseus, running away with the god and becoming his mortal wife. (Ariadne)
Our first tour piece is the Female Bust: Ariadne, a clay and terracotta figure of the
legendary woman. It was an overlooked piece, laying dormant for many years in a
private collection until it was bought by the Louvre, and was deemed a masterpiece of
Etruscan Terra-cotta.(“Female Bust: Ariadne – Greek, Etruscan, and Roman Antiquities |
Louvre Museum.“)
The soft curves, and folds of the fabric, the lines and apparent movement of the hair and
the extreme attention to the detail of her facial features are no doubt only a few of the
deciding factors in naming this piece a true masterpiece.
Click to continue
4. FEMALE BUST:
ARIADNE
Circa 3rd century
Etruscan Style
Discovered in : Falerii Novi,
Italy
Material: Hand-modeled clay,
paint, terra-cotta
Size: H.61 cm
Location: Campana Collection,
purchased 1861
On Display: The Louver, Paris,
France.
Greek, Etruscan, and Roman
Antiquities
Click to continue
5. Mysterious Devotion
The next piece in our tour is the head of a mystery goddess. It
is assumed that this could be the head of Hera, or Demeter
because of the presence of the veiled hair. The curves and lines
of what remains of this piece indicate movement leaving open
a possibility that she was a dancing figure. (Head of a Veiled
Goddess)
This piece lacks the detail in the hair of the bust of Ariadne, but
there is no escaping the remarkable beauty of the facial detail.
The grainy texture of the sculpture and mottled coloration give
it an aesthetically aged appeal. The raised eyelids and pursed
lips are typical of most of the Etruscan and Classical Greek
sculpture.
Click to continue
6. VEILED
GODDESS
Circa 425 B.C.E.
Greek, Attic, Classical
Material: Marble
Size: H. 6 7/8 in. (17.5 cm)
Discovered by George L. Hern
Jr.
Gift to the Met Museum by
Mr. and Mrs. William Henry
Told Jr. at the Met Museums
reinstallation of the Greek
and Roman galleries in 2007.
Click to continue
7. A Naval Victory
• The next piece in our tour is the Winged Victory of Samothrace.
Considered one of the masterpieces of Hellenistic Art, This
Sculpture stood guard over the temples on Samothrace. The
Goddess Nike was said to be a Goddess of Victory, fertility and
protection. This statue stood guard at one of the temples of fertility
on the island. It was also thought that this sculpture could have
been not only in devotion to the Gods, but also as a
commemoration of a victory at sea. (Winged Victory of
Samothrace).
• This piece is an incredibally powerful message, even with it’s
missing limbs. The stance at the prow of the ship, the folds of the
fabric, and the intense attention to detail in the wings of this piece
really bring a sense of victory and pride to the viewer.
Click to continue
8. Map of Ancient Greece
La Victoire de
Samothrace
Click to continue
9. LA VICTOIRE DE
SAMOTHRACE
(Winged Victory of Samothrace)
Circa 190 BC
Hellenistic style
Discovered: Samothrace,
Greece
Gray Lartos Marble Base and
Parian marble Statue.
Size: H. 3.28 m
Found by: Charles
Champoiseau campaigns,
1863 and 1879
On Display at: The Louvre,
Paris, France.
Greek, Etruscan, and Roman
Antiquities
Click to continue
10. A Legendary Demigod
• The most famous legend of any Greek or Roman mythology is
that of Hercules. He is represented in modern day movies and
comic books, his legends have even spawned their own
Television show; “Hercules: The Legendary Journeys”. The
ancient Greek and Roman people had a love for Hercules,
Heracles to the Roman. He was given 12 feats to prove himself
to the gods, as he was a demigod, son of Zeus and a mortal
woman Alcmene. (Theoi.com)
• This sculpture of Hercules shows him resting after a battle.
The tilted pelvis and emphasis of the weight on one leg are
indicative of the Greek departure from the symmetrical
Egyptian style of art. This piece is cast in bronze, which has
served to preserve many of the finer details.
Click to continue
11. HERACLES
RESTING
Circa 3rd century BCE
Also speculation that it could
be a Roman copy from 1st
century CE)
Material: Bronze
Size: H. 42.5 cm (35 cm
without the base)
Tyszkiewicz collection.
Purchased and given to the
Louvre, Paris, France 1870.
Greek, Etruscan, and Roman
Antiquities
Click to continue
12. WORKS CITED
• "Ariadne." Women in Greek Myths. Web. 01 Mar. 2011. <http://www.paleothea.com/Myths/Ariadne.html>.
• Female Bust: Ariadne – Greek, Etruscan, and Roman Antiquities | Louvre Museum." Site Officiel Du Musée
Du Louvre. Web. 02 Mar. 2011.
<http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673226439&CURRE
NT_LLV_NOTICE%3C%3Ecnt_id=10134198673226439&FOLDER%3C%3Efolder_id=9852723696500818&baseI
ndex=4&bmLocale=en>.
• http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673225416&CURREN
T_LLV_NOTICE%3C%3Ecnt_id=10134198673225416&FOLDER%3C%3Efolder_id=9852723696500817&baseInd
ex=10&bmLocale=en#
• "Head of a Veiled Goddess [Greek, Attic] (2007.328) | Heilbrunn Timeline of Art History | The
Metropolitan Museum of Art." The Metropolitan Museum of Art, New York: Metmuseum.org. Web. 01 Mar.
2011. <http://www.metmuseum.org/toah/works-of-art/2007.328>.
• "Map of Ancient Greece." Greek Islands, Greece Travel Guide, Greece Hotels by Greeka.com. Web. 01 Mar.
2011. <http://www.greeka.com/greece-maps/ancient-greece-map.htm>.
• "Winged Victory of Samothrace – Greek, Etruscan, and Roman Antiquities | Louvre Museum." Site Officiel
Du Musée Du Louvre. Web. 02 Mar. 2011.
<http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENTcnt_id=10134198673225805&CURRENT_LLV
_NOTICEcnt_id=10134198673225805&FOLDERfolder_id=9852723696500817&bmLocale=en>.
• "Theoi.com | Heracles the Great Hero of Greek Mythology." THEOI GREEK MYTHOLOGY, Exploring
Mythology & the Greek Gods in Classical Literature & Art. Web. 02 Mar. 2011.
<http://www.theoi.com/greek-mythology/heracles.html>.
Click to End Slideshow