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Start with the unexpected
I
Start with a bang, not a whimper. Smokers like matches
that light with the first strike, and listeners like
presentations that ignite interest with the first sentence.
For instance:
"We stand today at a place of battle, one that 40 years
ago saw and felt the worst of war."--President Ronald
Reagan
"I wish you could have been there…"--Patricia Fripp, CSP,
Former President of the National Speakers Association.
Each of these opening lines makes us lean in,
lend an ear, and wonder where the speaker
will take us. They jump right into the subject
and create suspense, intrigue, curiosity. They
capture neck-down attention.
Make it about them
II
Now that you've gotten listeners' attention with
your magnetic opening, make the story about
them. Increase your You-to-Me-Ratio. Talk about
their goals, their aspirations, their anxieties.
Cicero, a Roman statesman and orator, and one of
the greatest speakers in the history of the world,
said, "Tickling and soothing anxieties is the test of
a speaker's impact and technique." He meant
that you can capture attention if you remind an
audience of a felt need, a pain point, or a threat
to their well-being.
Keep it concrete at the start
III
Show a prop. Use language that appeals to the
senses. Don't tax the audience right away with
abstract reasoning or academic concepts.
Better to hide your smarts than to wear them
on your sleeve. Storytelling is a powerful way
to get into a topic because we are hard-wired
to absorb information through storytelling. Tell
a good story and you'll get neck-down
attention.
Keep it moving
IV
Not just in terms of pace, but in terms of
development. Make sure that every new bit of
information you provide builds on what came
before. We lose interest in movies when nothing
is happening, or novels that stop while the author
describes a bucolic setting for two pages. Our
brains are saying, "I want action! Drama.
Suspense." The same holds true for your
listeners. They are time-pressed, content-driven,
and results oriented
Get to the point
V
One of the great pleasures the audience has is
quickly grasping what you're getting at. They
resent you when you rob them of this pleasure.

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9no

  • 1.
  • 2. Start with the unexpected I Start with a bang, not a whimper. Smokers like matches that light with the first strike, and listeners like presentations that ignite interest with the first sentence. For instance: "We stand today at a place of battle, one that 40 years ago saw and felt the worst of war."--President Ronald Reagan "I wish you could have been there…"--Patricia Fripp, CSP, Former President of the National Speakers Association.
  • 3. Each of these opening lines makes us lean in, lend an ear, and wonder where the speaker will take us. They jump right into the subject and create suspense, intrigue, curiosity. They capture neck-down attention.
  • 4. Make it about them II Now that you've gotten listeners' attention with your magnetic opening, make the story about them. Increase your You-to-Me-Ratio. Talk about their goals, their aspirations, their anxieties. Cicero, a Roman statesman and orator, and one of the greatest speakers in the history of the world, said, "Tickling and soothing anxieties is the test of a speaker's impact and technique." He meant that you can capture attention if you remind an audience of a felt need, a pain point, or a threat to their well-being.
  • 5. Keep it concrete at the start III Show a prop. Use language that appeals to the senses. Don't tax the audience right away with abstract reasoning or academic concepts. Better to hide your smarts than to wear them on your sleeve. Storytelling is a powerful way to get into a topic because we are hard-wired to absorb information through storytelling. Tell a good story and you'll get neck-down attention.
  • 6. Keep it moving IV Not just in terms of pace, but in terms of development. Make sure that every new bit of information you provide builds on what came before. We lose interest in movies when nothing is happening, or novels that stop while the author describes a bucolic setting for two pages. Our brains are saying, "I want action! Drama. Suspense." The same holds true for your listeners. They are time-pressed, content-driven, and results oriented
  • 7. Get to the point V One of the great pleasures the audience has is quickly grasping what you're getting at. They resent you when you rob them of this pleasure.