2. l i v e l y , o f t e n c r i t i c a l , b u t g e n e r a l l y a p t f o o t n o t e s ; and i n t h e
n a t u r e and s l a n t o f t h e " A c t i v i t i e s " and " E v a l u a t i o n s " , o s t e n s i -
b l y open-ended, o f f e r e d i n t h e t h i r d and f o u r t h s e c t i o n s of e a c h
"Episode". I t i s f o r t u n a t e t h a t Swales i s a f a i r - m i n d e d , a s w e l l
a s a w i d e l y - r e a d , w e l l - i n f o r m e d , r e f l e c t i v e and p r a g m a t i c g u i d e :
f o r h i s p r e s e n c e i s p e r v a s i v e , p e r s u a s i v e , p e r s i s t e n t , even where
t h e r e a d e r f i n d s h i m s e l f a l s o i n o t h e r d i s t i n g u i s h e d company of
"Episode" a u t h o r s s u c h a s t h e "Heavies" ( i n r e s p e c t of c l o u t , n o t
p o n d e r o u s n e s s ) Widdowson, B a r b e r , T r i m b l e , T a r o n e , o r of t h e
( o n c e ) Young T u r k s s u c h a s S e l i n k e r .
The a u t h o r s , a l t h o u g h a l l E n g l i s h n a t i v e - s p e a k e r s , a f a c t . S w a l e s
b e l a t e d l y d e p l o r e s , produced t h e i r c o n t r i b u t i o n s a g a i n s t a back-
ground of p r a c t i c a l work i n n i n e d i f f e r e n t c o u n t r i e s and r e p r e -
s e n t , i t is c l a i m e d , a wide c r o s s - s e c t i o n of p r o f e s s i o n a l a c t i v i -
t y : t h e s e l e c t i o n s u g g e s t s t h a t t h e s u c c e s s f u l ESP p r a c t i t i o n e r
i s n o t n e c e s s a r i l y t h e academic ; t h e b r e a d t h and e s s e n t i a l p r a c -
t i c a l n e s s o f t h i s a p p r o a c h i s v e r y much Swales' own.
" E p i s o d e s " a d d r e s s e s i t s e l f f i r s t and f o r e m o s t t o t e a c h e r t r a i -
n e r s and t r a i n e e s , t e a c h e r s s t u d y i n g f o r TEFL e x a m i n a t i o n s , and
s t u d e n t s of a p p l i e d l i n g u i s t i c s . I t aims t o p r o v i d e a n i n i t i a t i o n
i n t o t h e o c c a s i o n a l l y b a f f l i n g world of ESP, f o s t e r i n g t h e deve-
1-opment of t h e c r i t i c a l f a c u l t y , y e t r e t a i n i n g and f a n n i n g t h a t
s p a r k o f e n t h u s i a s t i c c u r i o s i t y ( o r c u r i o u s e n t h u s i a s m ? ) which
l e d t h e s t u d e n t t o e x p l o r e t h e m y s t e r i e s of ESP i n t h e f i r s t
p l a c e .
S w a l e s i s , o b v i o u s l y , p e r f e c t l y w e l l aware t h a t o t h e r c o l l e a g u e s
who h a v e , i n h i s somewhat f a n c i f u l p h r a s e , " s p e n t y e a r s c h a r t i n g
t h e c o a s t l i n e s of t h e m y s t e r i o u s and f a s c i n a t i n g world of ESP"
m i g h t h a v e , p r o b a b l y would h a v e , made a l t e r n a t i v e s e l e c t i o n s and
a s s e s s m e n t s , and r e a c h e d o t h e r c o n c l u s i o n s .
"Only time w i l l t e l l whether I have persuaded ( s i c ) t h e ESP p r o -
f e s s i o n t h a t t h e i r judgments m i g h t a c c o r d w i t h mine." ( p . x i i i ) .
Given t h e d e g r e e o f p e r s u a s i v e n e s s m a n i f e s t e d by e v e n , a s h e r e , a
d e t e r m i n e d l y and u n c h a r a c t e r i s t i c a l l y l o w - p r o f i l e S w a l e s , "Episo-
d e s " may be p r e d i c t e d t o r e v e a l i t s t r u e c o l o u r s a s a n i n f l u e n -
t i a l m i l e s t o n e i n t h e f u l l n e s s o f time, when t h e n e x t ESP h i s t o -
r i a n comes t o s i n g of t h e s e p a r t i c u l a r ARMS and t h i s p a r t i c u l a r
Man.
I found t h e book f a s c i n a t i n g . A s r e g a r d s m o t i v a t i o n and r e l e v a n c e
f o r ESP t r a i n e e t e a c h e r s , i t is hard t o e n v i s a g e ARMS o f g r e a t e r
immediate a p p e a l o r p o t e n t i a l impact.
EPISODES I N ESP i s b u i l t up a s f o l l o w s :
Con t e n t s :
I n t r o d u c t i o n (Swales )
Episode One 1962 C. L. B a r b e r , "Some Measurable Charac-
t e r i s t i c s of Modern S c i e n t i f i c P r o s e "
Episode Two 196 5 A . J . H e r b e r t , The S t r u c t u r e of Tech-
n i c a l E n g l i s h
3. E p i s o d e T h r e e 1967
E p i s o d e F o u r 1 9 7 1
E p i s o d e F i v e 1971-2
E p i s o d e S i x 1 9 7 2
E p i s o d e Seven 1974
E p i s o d e E i g h t 1976
E p i s o d e Nine 1 9 7 8
E p i s o d e Ten 1 9 7 8
E p i s o d e E l e v e n 197 9
E p i s o d e Twelve 1 9 8 0
E p i s o d e T h i r t e e n 1980
E p i s o d e F o u r t e e n 1980
E p i s o d e F i f t e e n 1981
R e t r o s p e c t S w a l e s
P r o s p e c t S w a l e s
I n d e x
J o h n J. H i g g i n s , "Hard F a c t s ( N o t e s o n
T e a c h i n g E n g l i s h t o S c i e n c e S t u d e n t s ) "
J o h n S w a l e s , W r i t i n g S c i e n t i f i c Enq--
l i s h
J. R. Ewer and E. Hughes-Davies, "Fur-
t h e r Notes on D e v e l o p i n g a n E n g l i s h
Programme f o r S t u d e n t s of S c i e n c e and
T e c h n o l o g y "
J o h n E. Lackstrom, L a r r y S e l i n k e r a n d
L o u i s P. T r i m b l e , "Grammar and T e c h n i -
c a l E n g l i s h "
J. P. B . A l l e n a n d H. G. Widdowson,
" T e a c h i n g t h e Communicative U s e of
E n g l i s h "
M a r t i n B a t e s and Tony Dudley-Evans,
N u c l e u s G e n e r a l S c i e n c e
M. K. P h i l l i p s and C. C. S h e t t l e s -
w o r t h , "How to Arm Your S t u d e n t s : A
C o n s i d e r a t i o n o f Two A p p r o a c h e s t o
P r o v i d i n g Materials f o r ESP"
Karl D r o b n i c , James H e r b o l i c h , P a u l
F a n n i n g and P h i 1 S k e l d o n , "Teaching
and L e a r n i n g Materials"
James B. H e r b o l i c h , "Box Kites"
T. F. J o h n s and A. Dudley-Evans, "An
E x p e r i m e n t i n Team-teaching o f Over-
s e a s P o s t g r a d u a t e S t u d e n t s of T r a n s -
p o r t a t i o n and P l a n t B i o l o g y "
J o h n Moore e t a l . Reading and T h i n k i n g
i n E n g l i s h - D i s c o u r s e i n A c t i o n
Tom H u t c h i n s o n and A l a n W a t e r s , "ESP
a t t h e C r o s s r o a d s "
E l a i n e T a r o n e , S h a r o n Dwyer, S u s a n
G i l l e t t e and V i n c e n t I c k e , "On t h e Use
o f t h e P a s s i v e i n Two A s t r o p h y s i c s
J o u r n a l P a p e r s "
JENNIFER DRASKAU
HERIBERT PICHT AND JENNIFER DRASKAU: TERMINOLOGY: AN INTRODUCTION
T h i s i n t r o d u c t o r y c o u r s e i n t e r m i n o l o g y h a s f i n a l l y come o u t .
T h e r e h a s b e e n a d e f i n i t e g a p i n t h e E n g l i s h t e r m i n o l o g y l i t e r a -
t u r e f o r a handbook/coursebook which t h e p r e s e n t work w i l l v e r y
a p t l y f i l l . I t owes i t s o r i g i n t o a number o f r e s i d e n t i a l c o u r s e s
h e l d o v e r t h e y e a r s i n Denmark, Venezuela and England f o r v a r i o u s
i n t e r n a t i o n a l t a r g e t g r o u p s . The c o u r s e h a s been p u b l i s h e d i n
r e v i s e d w r i t t e n form by The U n i v e r s i t y o f S u r r e y , where a s e m i n a r
w a s h e l d by t h e two a u t h o r s i n t h e s p r i n g o f 1985. The s u g g e s t e d
t a r g e t g r o u p s a r e s t u d e n t s a i m i n g a t a p p l i e d l a n g u a g e d e g r e e s and
d i p l o m a s i n t r a n s l a t i o n .
To g i v e you a n i d e a o f t h e s c o p e o f t h i s 265-page book i n A4-for-
mat I s h a l l d e s c r i b e and d i s c u s s t h e c o n t e n t s o f t h e main c h a p -
ters i n o r d e r o f a p p e a r a n c e .