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EVIDENCE
TREATMENT 
The Affected 
Writer’s – Rakha, Hafsah and Ladan 
Contact Details – year12@lordswoodtrust.co.uk 
Key character: 
Rakha Tewany – this character will be the one who wants to commit suicide. 
Hafsah Zaman – this character has a eating disorder due to her past. 
Zeba Zaman – this character is getting bullied. 
 Ac t 1 - T h e p l o t f o r t h e f i lm i s 3 c h a r ac t er s a r e a l l g o i n g t h r oug h a s t r es s ful t ime i n t h e i r l i f e , a n d 
a r e f e e l i n g r e a l l y d own. T h e y a r e a l l g o i n g t h r ough h a r d t ime s wh i c h n o o n e k n ows a b o ut , t h e y a r e 
s c a r ed t o t e l l a n y o n e h ow t h e y a r e f e e l i n g . 
 Ac t 2 -On e c h a r ac t er i s g o i n g t h r ough a h a r d t ime a s t h e y a r e b e i ng b u l l i ed, t h e y a r e g e t t i ng b u l l i ed 
b e c aus e t h e y a r e d i f f e r ent f r om t h e o t h er , t h e c h a r ac t er i s d i f f er e nt f r om o t h e r s b e c aus e o f h e r 
c o l o ur , s h e i s As i a n wh e r e as e v e r y on e e l s e i s wh i t e o r b l a c k. T h e c h a r ac t er d o e s n o t k n ow wh a t t o d o 
b e c aus e h e r p a r ent s r e a l l y l i k e l i v i n g i n t h e a r e a h owe ver t h e y a r e n o t awa r e t h a t t h e i r d a u ght e r i s 
g e t t i ng b u l l i ed. S o t h e p a r ent s a r e l i v i n g a h a p py l i f e wh e r e as t h e d a ug ht er i s l i v i n g a n u n h a ppy l i f e . 
T h e o t h er c h a r ac t er i s g o i n g t h r o u gh a n e a t i ng d i s o r d er , t h i s i s b e c au s e o f b o d y c o n f i d e nc e , f ami l y 
p r obl ems , s u ch a s p a r e nt s s p l i t t in g u p . T h e c h a r a c te r wa s f a i r l y c l o s e wi t h b o t h p a r ent s t h a t ' s wh y i t 
i s s o h a r d f o r h e r t o g e t o v e r i t , wh i c h i s ma k i n g h e r d e pr es s ed b e c aus e s h e i s u n abl e t o s e e h e r 
f a t h er a s s h e l i v e s wi t h h e r mo t h er a n d h e r mo t h e r d o e s n o t wa n t h e r b y h im a t t h e mome n t d u e t o 
t h e b r e ak u p . T h e f i n a l c h a r a c t er i s g o i n g t h r oug h a h a r d t ime a s h e r g r a n dma h a s p a s s ed, a n d s h e 
wa s i n c a r e mo s t o f h e r u n t i l h e r g r a ndma s t e pped i n a n d a s s o o n a s t h e y g o t c l o s e t o o n e a n o t h er 
s h e p a s s ed awa y . T h e c h a r ac t er g o t t o o k i n t o c a r e b e c aus e o n e t h e p a r ent s p a s s ed awa y , t h e f a t h e r . 
T h e n a f t e r t h i s l o s s t h e mo t h e r wa s u n s tabl e s o i t l e d t o t h e d a u ght er b e i ng l o n e l y wh i c h wa s u n f a i r , 
s o t h e mo t h er t o o k h e r i n t o c a r e . Howeve r o n c e t h e mo t h er g o t o v e r t h e h u sba nds d e a th s h e mo v e d 
o n t o a n o t h er ma n , wh i c h l e d t o h e r h a v i n g a n o t he r c h i l d wh i c h wa s a b o y . T h e n t h e mo t h er r a n awa y 
a n d l e f t t h e b o y wi t h t h e g r a n dma wh i c h t h e n t h e g r a ndma d e c ided t o r e un i t e t h e s i b l i ng s . 
 Ac t 3 - Al l t h e c h a r ac t er s a r e g o i n g t h r oug h a r o ug h p a t ch i n t h e i r l i v e s , h owe v er i n t h e e n d t h e y 
b e c ome b e t t er i n t h ems el v es f r om g e t t in g h e l p f r om p r o f es s i o na l s . T h e y g o t t h r oug h t h e s e n a s t y 
p a t che s i n t h e i r l i f e b e c aus e t h e y we n t t o a t h e rapy g r o up wh i c h wa s c a l l ed ' Th e Af f e c t ed' wh i c h i s 
a l s o t h e t i t l e o f t h e f i lm. T h e y a l l s h a r ed t h e i r s t o r i es wi t h o n e a n o t her , a n d o v e r come t h e i r f e a r s 
a n d h u r t s .
CREDITS 
 Colours – White or Grey. 
 Style – Bold, large. 
 Font –Urban fonts 
 Personnel – Rakha, Hafsah, Harv, Zeba and Ladan. 
 Organisation – The main character wi l l get top bi l ling, and the 
rest wi l l fol low in order of impor tance in the movie.
SOUND 
 Music – sad background music, non-diegetic 
 Sound ef fects – Typing of the keyboard(volume going to be 
louder when editing), opening of the bin, food fal l ing in it, 
tapping on the shoulder, messages coming through on the 
laptop,
LOCATIONS 
 Scene 1 (bul lying) – in a house 
 Scene 2 (suicide) – l ibrary 
 Scene 3 (Eating disorder) – in a house
EQUIPMENT 
 Costumes – teenagers so general clothing 
 Logistics - 
 Props – 2 laptops, plate, bin, 
 Camera equipment – a video camera, 
 Lighting -
SHOOTING SCHEDULE 
 Fi lming – has to be done over 2 weeks. (17-28th Nov) 
 Editing – done over the next 2 weeks. (1-12th Dec)
SKILLS PRACTICE 
 We have had ski l l practice within fi lming, as we have 
completed the prel iminary task which we had to focus on 
dif ferent camera shots such as match on action, shot reverse 
shot and 180 degree rule. These shots helped us with practice 
on using a camera because the fi lming was based on cer tain 
shots. 
 We also had ski l l practice, as we had to take sti l l shots and 
turn al l the pictures into a shor t cl ip, known as animatic. This 
gave us ski l l practice as we had to edit it once it was an 
animatic. We were told what we had to take pictures of, so it 
was a set story.

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Evidence

  • 2. TREATMENT The Affected Writer’s – Rakha, Hafsah and Ladan Contact Details – year12@lordswoodtrust.co.uk Key character: Rakha Tewany – this character will be the one who wants to commit suicide. Hafsah Zaman – this character has a eating disorder due to her past. Zeba Zaman – this character is getting bullied.  Ac t 1 - T h e p l o t f o r t h e f i lm i s 3 c h a r ac t er s a r e a l l g o i n g t h r oug h a s t r es s ful t ime i n t h e i r l i f e , a n d a r e f e e l i n g r e a l l y d own. T h e y a r e a l l g o i n g t h r ough h a r d t ime s wh i c h n o o n e k n ows a b o ut , t h e y a r e s c a r ed t o t e l l a n y o n e h ow t h e y a r e f e e l i n g .  Ac t 2 -On e c h a r ac t er i s g o i n g t h r ough a h a r d t ime a s t h e y a r e b e i ng b u l l i ed, t h e y a r e g e t t i ng b u l l i ed b e c aus e t h e y a r e d i f f e r ent f r om t h e o t h er , t h e c h a r ac t er i s d i f f er e nt f r om o t h e r s b e c aus e o f h e r c o l o ur , s h e i s As i a n wh e r e as e v e r y on e e l s e i s wh i t e o r b l a c k. T h e c h a r ac t er d o e s n o t k n ow wh a t t o d o b e c aus e h e r p a r ent s r e a l l y l i k e l i v i n g i n t h e a r e a h owe ver t h e y a r e n o t awa r e t h a t t h e i r d a u ght e r i s g e t t i ng b u l l i ed. S o t h e p a r ent s a r e l i v i n g a h a p py l i f e wh e r e as t h e d a ug ht er i s l i v i n g a n u n h a ppy l i f e . T h e o t h er c h a r ac t er i s g o i n g t h r o u gh a n e a t i ng d i s o r d er , t h i s i s b e c au s e o f b o d y c o n f i d e nc e , f ami l y p r obl ems , s u ch a s p a r e nt s s p l i t t in g u p . T h e c h a r a c te r wa s f a i r l y c l o s e wi t h b o t h p a r ent s t h a t ' s wh y i t i s s o h a r d f o r h e r t o g e t o v e r i t , wh i c h i s ma k i n g h e r d e pr es s ed b e c aus e s h e i s u n abl e t o s e e h e r f a t h er a s s h e l i v e s wi t h h e r mo t h er a n d h e r mo t h e r d o e s n o t wa n t h e r b y h im a t t h e mome n t d u e t o t h e b r e ak u p . T h e f i n a l c h a r a c t er i s g o i n g t h r oug h a h a r d t ime a s h e r g r a n dma h a s p a s s ed, a n d s h e wa s i n c a r e mo s t o f h e r u n t i l h e r g r a ndma s t e pped i n a n d a s s o o n a s t h e y g o t c l o s e t o o n e a n o t h er s h e p a s s ed awa y . T h e c h a r ac t er g o t t o o k i n t o c a r e b e c aus e o n e t h e p a r ent s p a s s ed awa y , t h e f a t h e r . T h e n a f t e r t h i s l o s s t h e mo t h e r wa s u n s tabl e s o i t l e d t o t h e d a u ght er b e i ng l o n e l y wh i c h wa s u n f a i r , s o t h e mo t h er t o o k h e r i n t o c a r e . Howeve r o n c e t h e mo t h er g o t o v e r t h e h u sba nds d e a th s h e mo v e d o n t o a n o t h er ma n , wh i c h l e d t o h e r h a v i n g a n o t he r c h i l d wh i c h wa s a b o y . T h e n t h e mo t h er r a n awa y a n d l e f t t h e b o y wi t h t h e g r a n dma wh i c h t h e n t h e g r a ndma d e c ided t o r e un i t e t h e s i b l i ng s .  Ac t 3 - Al l t h e c h a r ac t er s a r e g o i n g t h r oug h a r o ug h p a t ch i n t h e i r l i v e s , h owe v er i n t h e e n d t h e y b e c ome b e t t er i n t h ems el v es f r om g e t t in g h e l p f r om p r o f es s i o na l s . T h e y g o t t h r oug h t h e s e n a s t y p a t che s i n t h e i r l i f e b e c aus e t h e y we n t t o a t h e rapy g r o up wh i c h wa s c a l l ed ' Th e Af f e c t ed' wh i c h i s a l s o t h e t i t l e o f t h e f i lm. T h e y a l l s h a r ed t h e i r s t o r i es wi t h o n e a n o t her , a n d o v e r come t h e i r f e a r s a n d h u r t s .
  • 3. CREDITS  Colours – White or Grey.  Style – Bold, large.  Font –Urban fonts  Personnel – Rakha, Hafsah, Harv, Zeba and Ladan.  Organisation – The main character wi l l get top bi l ling, and the rest wi l l fol low in order of impor tance in the movie.
  • 4. SOUND  Music – sad background music, non-diegetic  Sound ef fects – Typing of the keyboard(volume going to be louder when editing), opening of the bin, food fal l ing in it, tapping on the shoulder, messages coming through on the laptop,
  • 5. LOCATIONS  Scene 1 (bul lying) – in a house  Scene 2 (suicide) – l ibrary  Scene 3 (Eating disorder) – in a house
  • 6. EQUIPMENT  Costumes – teenagers so general clothing  Logistics -  Props – 2 laptops, plate, bin,  Camera equipment – a video camera,  Lighting -
  • 7. SHOOTING SCHEDULE  Fi lming – has to be done over 2 weeks. (17-28th Nov)  Editing – done over the next 2 weeks. (1-12th Dec)
  • 8. SKILLS PRACTICE  We have had ski l l practice within fi lming, as we have completed the prel iminary task which we had to focus on dif ferent camera shots such as match on action, shot reverse shot and 180 degree rule. These shots helped us with practice on using a camera because the fi lming was based on cer tain shots.  We also had ski l l practice, as we had to take sti l l shots and turn al l the pictures into a shor t cl ip, known as animatic. This gave us ski l l practice as we had to edit it once it was an animatic. We were told what we had to take pictures of, so it was a set story.