The document analyzes the 1975's self-titled album deluxe digipak. It discusses the grayscale color scheme and simple design that establishes the band's indie image. Key aspects like the illuminated logo and typography create a recognizable brand identity across all promotional materials. The track listing highlights that it is a deluxe edition. Inner panels maintain the consistent style while photos portray a natural, everyday look to represent the indie genre in contrast to mainstream photoshoot styles.

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The1975 – The1975 Deluxe
Digipak Analysis
By Mustaf A

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I have specifically decided to analyze the 1975 Digipak as I am planning on creating indie singer songwriter hybrid
music video, digipak and ad and aim to get a clear understanding on the ways in which indie artist constructed there
star image and keep and maintain their consist image to their brand within there promotional products. In addition I
have also chosen to analyze this specific digipak as I aim to extract inspiration and idea for my own media product
such as how the 1975 have established brand identity and created synergy between all three promotional media
products i.e. Music video, Digipak and Magazine Ad
Relevance to my own work

3. + Cover Panel Analysis
The 1975 digipak cover carry's a basic design as the band is extremely consist with the image they portray and
create as a band when launching first studio album. The use of the simple black, white and gray grayscale colour
scheme on the cover and throughout the entire digipak conforms to the conventions of alternative/ indie rock music
genre and connoting a sense of individuality, being on the outer edge, being different to which represents to the true
nature of the genre to the audience. The contrast between the black and white somewhat creates an easier
observation therefore putting more emphasis on the text drawing the audiences attention to the key elements of the
digipak such being the bands logo. Furthermore the use of the simple grayscale colour scheme also connotes the
greater importance of the music over the visual aesthetics of the digipak which is typically associated with alternative
and indie genres. The grayscale theme also displays the album as dramatic and artistic, as it has more impact than
something more colorful. The design of the digipak is plain and simple, not only because of the basic colour scheme,
but also because of the lack of graphics, the only graphics being the logo, which is essential to establish the brand
identity. The digipak cover panel and inner panels successfully exploits the bands image/brand identity well as the
digipak cover convey an underground aspect to it, all the images look quite vintage and amateurish, in a natural
looking setting, as if it had been constructed by the band them selves which shows the independent rise of the band
and the large scale of fame that they have reached but still remaining to their roots which is key to all indie
artist/bands. Rather than an overly styles and airbrushed photoshoot which promote mainstream culture as a result
The 1975 conformed to conventions of the alternative indie genre by using non-artificial images for their digipak to
represent an indie image. The mes en scene of the cover panel has been internationally constructed to fit the codes
and conventions of the indie rock genre as this genre is often associated with urban settings and lower middle class
background. Furthermore another convention incorporated within the 1975 digipak cover is that the artist or band are
not usually featured on the cover, which connotes the greater importance of the music over the materialistic
aesthetics or persona of the artists rejecting the conventions of the pop genre emphasizing the bands ‘alternative’
and ‘indie’ image. This also anchors ideologies about those who create music Indie–Rock and how they want to
present themselves in a raw way and for their love for the music itself to overpower everything else about the band.
This appeals to alternative audiences and makes the band seem easier to relate to as it suggest the bands have not
Fallen subject to the celebrity subculture. The 1975 digipak artwork illustrated on the front panel relate to the tracks
of the album for e.g. ‘The City’ and ‘M.O.N.E.Y’ following the giving conventions of digipak aiming to elevate and
uphold brand identity. I believe both the digipak cover and track list represent the nature of the alternative indie rock
genre of music and the image the band portray.

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The typography used on the 1975 logo on the digipak cover is of a retro style yet mixed in with a solid white neon
effect, connoting that their image is a re-invented style, the font style is simple, yet more modern to reflect their
music which has a modern influence. The font also represents their music genre as it is edgy and distinctive, yet
quite simple and vintage. The illuminated rectangle is the most eye catching elements of the cover, along with the
illuminated logo of the band name which is successfully brought to the forefront due to the contrast of the
illuminated lights and dark and bleak background, creating emphasis and a immediate focus on the most important
part of the digipak the band name(Logo). The logo establishes an identity to the band, which is edgy, cool and
quirky. The text on the digipak is bold, putting more focus on the lyrics and music rather than the artist, conveying
that the music is of the up most important and not their look/appearance. The logo of the 1975 band is partly written
backwards and distorted. However, this has been constructed as a mean to create a unique and distinctive brand
that the audience can clearly identify who the artist is, and associate the font with the band 1975.The typography,
grayscale colour scheme and luminous design of the logo is simplistic and distinctive, which enables the audience to
recognizable and familiar with band promotional media text’s and other media platforms as the bands logo has been
featured throughout all of the 1975 promotional platforms such as poster ads, website and music videos. This has
been done as a means to create a trademark image for the band and between the album(Digipak), music video and
other promotional platforms so that the audience recognize they are related to establish brands identity. This has
deliberately been done so that the consumer will immediately recognize the distinctive logo as well as drawing the
attention of those who may not be familiar with the band helping the sales.
Cover Panel Analysis

5. + Cover Panel

6. + Outer Panel And Spine Analysis
The outer panels of the 1975 digipak keeps to the existing simple design demonstrated throughout the
digipak and the rest of the digipak following the consistent style and grayscale colour scheme. Again like
the cover, the font style is simple, yet more modern to reflect their music which has a modern influence.
The 1975 digipak abides by the existing digipak codes and conventions by listing the album track list on
back panel. The track list is successfully brought to the forefront due to the illuminated typography and
black background, putting immediate focus on the track list and emphasizing its importance .Most of the
text is written in capitals and is bold .This again puts more focus on what is important which is the fact that
the album is the 'deluxe edition’ including all the songs on the album and songs from the band previous
three EP’s. This shows the audience what is so special about this album and why the price is probably
relatively higher than a jewel case album. It shows all the songs and displays that the album is deluxe,
giving it a high quality image which allows the artist to add more value to the album. From the track list, we
can identify that the titles show disc one, disc two etc. There is a use of the hash key before these titles '//’
creating synergy with the 1975 social media communications such as twitter, as they tend to use //
before they communicate information to their fans. This appeals to a media conscious audience, which is
typically young people, this shows that they are targeting their audience effectively. As young people would
likely recognize and understand the digital synergy with the use of the // as they are more likely to spend
more time on social networks and digital media platforms.
As with most other digipaks, the 1975 self titled album keep and incorporate mandatory digipak features on
the back panel and spine of the album such as UPC Barcode (Universal Product Code), A barcode is the
standard method for distribution company's of tracking digital and physical music sales. In addition the spin
and back cover of the digipak feature the record label which distributed the album ‘Polydor’. The record
company tag is often featured and found on the back of the digipak as a indication of production rights.
Additional features on the back panel of the 1975 digipak consist of copy right notice and publishing
information.

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8. + Inner Panels and CD Analysis
The inner panels of the 1975 digipak maintains the same design displayed on the cover and the rest of the
digipak following the consistent style and grayscale colour scheme upholding the consist alternative image
the band portrays. The digipak opens up like a book, with two CDs either side. This is great for the fans, as it
feels as though they are being allowed to find out more, bonus information about the band. The image used
in the Digipak inner panels, which folds out displays the band in the black and white filter maintaining the
consistency to the theme of the digipak but also includes some codes and conventions of the indie rock
genre through the bands attire for e.g. the sartorial codes in the indie rock genre often promote the bohemian
values, through clothing such as hoodies, and scruffy jeans suggesting a rejection of conventions and culture
as ‘hoodies’ is typically associated with youthful deviance. The layout of the images are quite unique as it
shows a three different shots put together to look like one. Which allows the artist to be perceived as different
and edgy. Furthermore the image of the four piece band has been styled to look like a snapshot of everyday
life rather than an overly styles and airbrushed photo-shoot which promote mainstream culture. Moreover the
grayscale theme, composition and mes en scene displayed within in the photograph of the band within the
digipak suggest it is a complete pastiche of Joy Division’s Hulme photography from the 1970’s. Joy Division’s
are a renowned indie rock band suggesting that the band 1975 may have extracted inspiration from the band
but also mold their artistry and brand after suggesting the 1975 are aiming to portray a alternative image.
Direct address is not used in the photograph of the alternative indie rock band which gives a naturalistic
mood plus the fact that the band members are dispersed through the composition suggest a contrast against
typical boy band imagery which is typically associated with the pop genre.

9. + Inner Panels and CD’S