17 DATA SOURCES AND BIBLIOGRAPHY

LINDA HORNZEE-JONES 2001 298
DATA SOURCES AND BIBLIOGRAPHY
PRIMARY SOURCES
DRAMA GROUPS & THEATRES ENCOUNTERED DURING FIELDWORK
Key (terms explained in ) : A - Amateur P- Professional R - Receiving house
(text and in Glossary ) O - Owner-occupiers I - Itinerant H - In-housers
* - Member theatre of the Little Theatre Guild of Great Britain
NOTE : MANY AMATEUR ORGANISATIONS HAVE NO FORMAL ADDRESS.
: CONTACT THROUGH WEBSITES RECOMMENDED
GROUP OR THEATRE NAME VENUE TYPE
Archway Theatre Co. Ltd. Archway Theatre, Horley, Surrey. AO*
Arden Theatre Group Arden Theatre, Faversham, Kent. AO*
Ashcroft Theatre Croydon, Surrey. R
Barn Theatre Oxted, Surrey. R
Braithwaite Hall, Clocktower Katherine Street, Croydon, Surrey R
Catalyst Theatre in Health Education Birmingham. PI
Charles Cryer Studio Theatre Carshalton, Surrey. R
Chipstead Players Courtyard Theatre, Chipstead, Surrey. AO*
CODA Croydon, Surrey. AI
CYTO (Croydon Youth Theatre
Organisation)
Shoestring Theatre, S. Norwood SE25. AH
Exit Stage Left Theatre Company Shoestring Theatre, S. Norwood SE25. AI
Fred‟s Follies Orpington, Kent. AH
Gatton Community Theatre Gatton Park, Surrey. PAH
The Globe Theatre Bankside, London. R
Geoffrey Whitworth Theatre Ltd. Geoffrey Whitworth Theatre,
Beech Walk, Crayford, Kent
AO*
GYPT (Greenwich & Lewisham‟s
Young Peoples Theatre)
London SE18 7JZ PI
Harlequin Theatre Redhill, Surrey. R

Helen O‟Grady Children‟s Drama
Academy
Croydon, Surrey. PI
Hirondelles Edgecoombe Community Centre,
Monks Hill, Selsdon, Surrey
AI
Harlequin Theatre Reigate, Surrey. R
Loft Theatre Leamington Spa, Warwickshire. AO*
Mill Stream Theatre Company Tunbridge Wells, Kent. PI
Millennium Show, Millennium Dome Greenwich, London SE10 PH
Miller Centre Players Miller Centre, Caterham, Surrey. AO*
Mitre Players Croydon, Surrey. AI
Nomads Ltd. Nomads Theatre, E. Horsley, Surrey AO*
Playback Reminiscence Group Questors Theatre, Ealing, London W5. AO*
RATS (Reigate Amateur Theatre
Society)
Reigate, Surrey. AI
Royal Shakespeare Company Stratford-upon-Avon & London. POI
Sanderstead Dramatic Club Sanderstead, Surrey. AI
St. John The Divine Dramatic
Society
Selsdon, South Croydon AI
Secombe Theatre Sutton, Surrey. R
Selsdon Players Selsdon, Surrey. AI
Shakespeare 4 Kidz Woldingham, Surrey PI
The Shoestring Theatre Oakley Road, S. Norwood, SE25 AO
South London Theatre Centre West Norwood, London. AO*
Tokyo International Players c/o Temple University, Tokyo, Japan. IA
WAC (Weekend Arts College)
Performing Arts and Media College
Hampstead, London NW3 AH
Warehouse Theatre Dingwall Road, Croydon, Surrey. RPH
Wickham Theatre Trust, Theatre 62 West Wickham, Kent. AO*
Woodlea Drama Workshop Woodlea Primary School, Surrey AIH
The Young Company Theatre Royal Plymouth, Devon. AI

OTHER ORGANISATIONS ENCOUNTERED DURING FIELDWORK
NOTE : MANY AMATEUR ORGANISATIONS HAVE NO FORMAL ADDRESS.
Betchworth Drama Festival Committee
Borough of Reigate and Banstead Arts Council
English Drama Association
East Surrey (Gatton Point) Visual & Media Arts Centre Project Steering Committee
Little Theatre Guild of Great Britain
Norbury & Thornton Heath Drama Association
Performing Arts Library of Surrey supporters group
Society For Theatre Research

PLAYS ENGAGED WITH IN PRODUCTION DURING FIELDWORK
TITLE AUTHOR PUBLISHER & DATE
Aladdin Anon
Aladdin Peter Whittle (unpublished)
Breaking the Silence Stephen Poliakoff Samuel French 1984
Blue Remembered Hills Dennis Potter Samuel French 1979
Charlie & the Chocolate Factory Roald Dahl This ed.1980 Puffin 1976
Daisy Pulls It Off Denise Deegan Samuel French 1985
Dancing at Lughnasa Brian Friel Samuel French 1990
Death and the Maiden Ariel Dorfman Nick Hern Books 1991
The Golden Pathway Annual John Harding & John
Burrows
Samuel French 1975
The Hot Rock Nick Stimson 1997 (unpublished)
Hedda Gabler Henrik Ibsen Samuel French 1972 trans.
by Christopher Hampton
Mansfield Park adp.Willis Hall Samuel French
A Midsummer Night‟s Dream William Shakespeare Penguin 1967 reprint 1995
A Midsummer Night‟s Dream Julian Chenery,
Matt Gimblett, &
William Shakespeare
(unpublished)
Quartermain‟s Terms Simon Grey Samuel French 1984
The Royal Hunt of the Sun Peter Shaffer Samuel French 1964
Salad Days Dorothy Reynolds &
Julian Slade
Samuel French 1952
A Streetcar Named Desire Tenessee Williams Samuel French 1948
Thanks For the Memory Fred‟s Follies (compilation)
The Mill On The Floss (George Eliot 1860)
adp.Helen Edmonson
1996
What Did You Do In The War
Grandad?
Julian Chenery &
Matt Gimblett
(unpublished)
When We Are Married J.B.Priestley Samuel French 1938

OTHER WORKS OF FICTION DEPICTING DRAMA AND THEATRE
AUTHOR DATE TITLE TYPE PUBLISHER
Ayckbourn, Alan. 1985 A Chorus of
Disapproval
Play Samuel French
Austen, Jane. 1814 Mansfield Park Novel ed. Penguin 1994
Braine, John. 1957 Room At The Top Novel Eyre &
Spottiswoode
Core Design Ltd. 1997 Tomb Raider Video
Game
Eidos Interactive
Ltd.
Dane, Clemence 1931 Broome Stages Novel Heinemann
Frayne, Michael. 1982 Noises Off Play Samuel French
Mander, Charles. 1984 Cup Final Play Samuel French
Rodgers, Richard &
Hammerstein, Oscar.
1927 Showboat Musical Rodgers &
Hammerstein
Organisation
McGillivray, David,
Zerlin, Walter (Jnr.)
dates
from
1984
onward
The Farndale Avenue
Housing Estate
Townswomen‟s Guild
Dramatic Society ….
(whatever)
series
of Plays
Samuel French

UNPUBLISHED MANUSCRIPTS AND THESES, AND CONTEMPORANEOUS
NOTES OF PUBLIC LECTURES, SEMINARS, AND WORKSHOPS
Cox, Tim. (1970) The Development of Drama in Education 1902-1944. Thesis for M.Ed,
University of Durham, Durham.
Greenwood, Celia. (19:10:2000) Director of WAC Performing Arts and Media College,
Hampstead, London NW3, (formerly Weekend Arts College), “Keynote Speech”,
Artsvoice Conference 2000, London Borough of Croydon Arts Education Initiative, at
the Davidson Professional Centre, Davidson Road, Croydon, Surrey.
Grourk, Sally. & North, Vivian. House of Colour, Colour Analysts and Image
Consultants (10:9:1998) “Image As a Business Tool”, seminar presentation at The
Croydon Advertiser Job & Career Exhibition, Royal Russell School, Croydon, Surrey.
Hallisey, Helen. (1997) (with Carmel O‟Sullivan) “Knowing Us, Knowing You”, poster
presentation at the International Conference on Researching Drama and Theatre in
Education, School of Education, University of Exeter.
Hastrup, Kristen, (1997) (work-in-progress paper) “All the World‟s a Stage :
Anthropology and Theatres of Action”, presented to the University of Sussex Graduate
Centre in Culture and Communication under the theme Performing Space.
Hornzee-Jones, Linda. (1996) Text as Performance - Performance as Text : reading
amateur dramatic activity in its cultural context, Dissertation for MA in Literature, Art
and Culture, University of Greenwich, Woolwich, London, SE18.
Hornzee-Jones, Linda (1970) Dialogues Concerning Mr. Matcham (or – The Spirit of
the Age), Thesis for BA in Three Dimensional Design (Interior Design), Kingston
Polytechnic, Kingston upon Thames, Surrey.

Kay, Susan Elizabeth. (1993) Just a Bunch of Well-Intentioned Amateurs : a study of the
motivation and rewards of volunteers in the arts, Thesis for MA in Arts Management,
City University, London.
Mackintosh, Iain. (chair Stephen Daldry) (12:11:1997) “„Fun Palace‟ or „Temple of
Culture‟? : British theatre architecture from 1958 to the Millennium”, lecture given at the
Art Workers Guild, 6 Queen Square, London, WC1, as part of the Golden Jubilee
Lecture Programme of the Society for Theatre Research.
Mienczakowski, Jim (1997a) “Consensual Theatre and Public Voice Research”,
a combined performed ethnodrama, paper and seminar presented at the International
Conference (11:04:97) on Researching Drama and Theatre in Education, School of
Education, University of Exeter, Exeter, Devon.
Phythian-Adams, C. (ed.) (1534-5) Coventry Weavers‟ Account, MS Weavers 11
(unfol.) in Coventry Record Office, Coventry, West Midlands..
San, Inci. (1997) “The Development of Drama in Education in Turkey”, presentation at
the International Conference on Researching Drama and Theatre in Education, School of
Education, University of Exeter, Devon, April 1997.
Stimpson, Nick. (chair David Clark) (11:04:1997) “How compatible are a high quality
theatre product and an open door casting policy in Youth Theatre?”, paper presented at
the International Conference on Researching Drama and Theatre in Education, School of
Education, University of Exeter, Devon, relating to the Young Company production of
„The Hot Rock‟, Theatre Royal, Plymouth. 9th-12th April 1997.
Szauder, Erik. (1997) “Drama as Pedagogy – A Possible Change of Paradigm”, informal
Roundtable discussion hosted at the International Conference (13:04:97) on Researching
Drama and Theatre in Education, School of Education, University of Exeter, Devon.

Turner, Barbara. (1967) Drama for Young People : some opportunities in and near
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at the Researching Drama and Theatre in Education, University of Exeter, April 1997,
Holistic and Aesthetics Education, OISE/UT, Toronto, Ontario, Canada.
Willard, Sara, (ed.) (1992) A Programme of Memories, manuscript souvenir compilation
presented to Natalie & Chris Mathews on their return to USA after eight years
involvement with the Selsdon Players (loaned by Natalie Mathews, Plano, Texas, USA).
“Women in Theatre” - panel discussion (03:11:1996), at the Loft Theatre, Leamington
Spa, Warwickshire, at the Little Theatre Guild Autumn Conference, 1st-3rd November
1996, between Cicely Berry, Barbara Leigh Hunt, Debbie Isett, and Tara Wolf.
Woodruff, Saundra K. (1976) A Phenomenological Approach to the Analysis of Film
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PUBLISHED LECTURES, ARTICLES & ESSAYS
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Bishop, Jeff. & Hoggett, Paul. (1989) “Leisure and the Informal Economy”, from Rojek,
Chris. (ed.) (1989) Leisure for Leisure, Macmillan.
Booth, Michael R. (1973) “The Metropolis on Stage”, from Dyos, H. & Wolff. Michael.
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Chibnall, Jennifer. (1984) “„To that secure fix‟d state‟ : The function of the Caroline
masque form”, from Lindley, David. (ed.) (1984) The Court Masque, Manchester
University Press.
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Discontinuous Suburbs”, from Johnson, James H. (ed.) (1974) (reprint of 1978)
Suburban Growth, John Wiley & Sons, Chichester, Sussex.
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memories”, from Rubin, David C. (ed.) (1996) Remembering Our Own Past : Studies in
autobiographical memory, Cambridge University Press, Cambridge.
Cowler, Richard. (1996) “A Show About Bingo : The Cabaret Community Theatre of
Kirkby Response”, from Merkin, Ros. (ed.) (1996) Popular Theatres? : papers from the
Popular Theatre Conference 1994, Liverpool John Moores University, School of Media,
Critical and Creative Arts, Liverpool University Press, Liverpool.
Cummings, Derek. (1997) “„Enter a Throng of Citizens‟ - Extras at the Royal
Shakespeare Theatre”, from Theatre Notebook, Vol LI : Number 1. The Society for
Theatre Research.
Denzin, Norman K. (1992) “The Many Faces of Emotionality : Reading Persona”, from
Ellis, C. & Flaherty, Michael G. (1992) Investigating Subjectivity, Sage.
Friedlander, Peter. (1998) “Theory, method and oral history”, from Perks, Robert. &
Thomson, Alistair. (eds.) (1998) The Oral History Reader, Routledge.
Gledhill, Christine. (ed.) (1987) “The Melodramatic Field : An Investigation”, from
Home is Where the Heart Is : Studies in Melodrama and the Woman‟s Film, B.F.I.

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Mike. (eds.) (1995) Social change and the middle classes, University College London
Press.
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Warburg and Courtauld Institutes 27 pp293-306, from Landsberg, P. T. (1982) The
Enigma of Time, Adam Hilger Ltd. Bristol, Avon.
Goodall, Roy. (ed. and publisher) (1987-1996) series of articles on little theatres in
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Catherine. & Symon, Gillian. (eds.) (1984) (edition of 1995) Qualitative Methods in
Organizational Research, Sage.
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Thompson, F. M. L. (1982) The Rise of Suburbia, Leicester University Press, Leicester.
Jones, Carol. (1991) “Qualitative Interviewing”, from Allan, Graham. & Skinner, Chris.
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Falmer, Sussex.

Kosloff, Sarah Jane. (1987) “Narrative Theory and Television”, from Allen, Robert C.
(1987) Channels of Discourse –Television and Contemporary Criticism, Methuen.
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Resistance : The Self Becoming Method”, from Grodin, Debra. & Lindlof, Thomas R.
(eds.) (1996) Constructing the self in a mediated world, Sage.
Llewellyn, David. (1996) “Popular Theatre and Participation in the Work of John
Godber”, in Merkin, Ros. (ed.) (1996) Popular Theatres? : papers from the Popular
Theatre Conference 1994, Liverpool John Moores University, School of Media, Critical
and Creative Arts, Liverpool University Press, Liverpool..
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Class Musical Taste Between the Wars”, from Kidd, Alan. & Nicholls, David. (eds.)
(1999) Gender, Civic Culture and Consumerism – 1800-1940, Manchester University
Press, Manchester.
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Thomson, Alistair. (eds.) (1998) The Oral History Reader, Routledge.
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16 (Fall) pp75-89.
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Marshall, John. (1994) “Modern productions of medieval English plays”, from Beadle,
Richard. (ed.) (1994) The Cambridge Companion to Medieval English Theatre,

Martin, Jean. (1998) “Government to Use New Social Classifications”, (Press release
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McGaugh, James L. (1992) “Affect, Neuromodulatory Systems, and Memory Storage”,
from Christianson, Sven-Ake. (ed.) (1992) The Handbook of Emotion and Memory :
Research & Theory, Lawrence ER Baum Associates Inc. New Jersey, USA.
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(1990) Postmodernism - Philosophy & the Arts, Routledge.
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from Oliver, Davis, & Bentley (eds.) (1981) Dunroamin : The Suburban Semi and its
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drama and its research”, from Research in Drama Education - Vol 2, No. 2, 1997.

Passerini, Luisa. (1979) “Work ideology and consensus under Italian fascism”, from
History Workshop Journal (1979) no.8.
Pickering, Michael. (1986) “White Skin, Black Masks : „Nigger‟ Minstrelsy in Victorian
England”, from Bratton, J. S. (ed.) (1986) Music Hall – Performance & Style, Open
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from Thompson, F. M. L. (ed.) (1982) The Rise of Suburbia, Leicester University Press,
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Redmond, James. (1989) “„If the salt have lost his savour‟ : some „useful‟ plays in and
out of context on the London stage”, from Scolnicov, Hanna., & Holland, Peter. (eds.)
(1989) The Play out of Context, Cambridge University Press, Cambridge.
Reynolds, Peter. (1992) “Community Theatre : Carnival or Camp?”, from Holderness,
Graham, (ed.) The Politics of Theatre and Drama, Macmillan.
Ronai, Carol Rambo. (1992) “The Reflexive Self Through Narrative – A Night in the
Life of an Erotic Dancer/Researcher”, from Ellis, C. & Flaherty, Michael G. (eds.)
(1992) Investigating Subjectivity – Research on Lived Experience, Sage.
Rosenfield, Sybil. (1994) “The Theatre at Grassington”, from Foulks, Richard. (1994)
Scenes from Provincial Stages – Essays in Honour of Kathleen Barker, Society for
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(1994) Reminiscence Reviewed, Open University Press, Milton Keynes, Bucks.
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(1997) The Clubcultures Reader : Readings in Popular Cultural Studies, Blackwell,
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Ewan. & Cosgrove, Stuart. (1985) Theatres of the Left 1880-1935 - Workers‟ Theatre
Movements in Britain and America, Routledge & Kegan Paul.
Tomlinson, Alan. (1983) “The Illusion of Community : Cultural Values and the meaning
of Leisure in a Gentrifying neighbourhood”, from Tomlinson, Alan. (ed.) (1983) Leisure
and Popular Cultural Forms, Chelsea School of Human Movement, Brighton
Polytechnic, Brighton, Sussex.
Tomlinson, Alan. (1992) “Shifting patterns of Working-Class Leisure : The Case of
Knur-and-Spell, from Sociology of Sport Journal, Vol 9, No.2.

Tomlinson, Alan. (1995) “Flattery and Betrayal : Observations on Qualitative and Oral
Sources”, in Tomlinson, Alan. & Fleming, Scott. (eds.) (1995) Ethics, Sport and Leisure
: Crises and Critiques, CSRC Topic Report 5, Chelsea School Research Centre,
University of Brighton, Sussex.
Turnbull, Colin. (1990) “Liminality : a synthesis of subjective and objective experience”,
from Schechner, Richard.& Appel, Willa. (eds.) (1990) By means of Performance:
Intercultural studies of theatre and ritual, Cambridge University Press, Cambridge.
Twycross, Meg. (1994) “The theatricality of medieval English plays”, from Beadle,
Richard. (ed.) (1994) The Cambridge Companion to Medieval English Theatre,
Waddington, David. (1994) “Participant Observation”, from Cassell, Catherine. &
Symon, Gillian. (eds.) (1994) (edition of 1995) Qualitative Methods in Organizational
Research, Sage.
Whitty, Geoff. (1981) “Ideology, politics and curriculum”, from The Politics of cultural
production, Open University Press, Milton Keynes, Buckinghamshire.
Whitworth, Geoffrey. (1934) “The Past and Future of the Amateur Movement”, from
Downs, Harold. (ed.) (1934) Theatre and Stage - A Modern Guide to the Performance of
All Classes of Amateur Drama, Operatic, and Theatrical Work, (Two Volumes) Sir Isaac
Pitman & Sons.
Williams, Raymond. (1981) “Forward”, from McGrath (1981) A Good Night Out,
Eyre/Methuen.
Williams, Raymond. (1989) “Drama in a Dramatised Society”, (Inaugural Lecture,
Cambridge University, 29th October 1974). Reprinted in O‟Connor, (ed.) (1989)
Raymond Williams on Television - Selected Writings, Routledge.

JOURNALS AND NEWSLETTERS, PAMPHLETS AND LEAFLETS
NOTE : MANY AMATEUR ASSOCIATIONS HAVE NO FORMAL ADDRESS.
PLACES OF PUBLICATION OMMITTED FOR NEWSLETTERS AND OTHER
LITERATURE ORIGINATING FROM THE PRIVATE ADDRESSES OF INDIVIDUALS
WHO MAY NO LONGER BE ASSOCIATED WITH THAT ORGANISATION.
All-England Theatre Festival - Newsletters
Amateur Stage (1980 - 2001) - Independent magazine for the amateur stage
Platform Publications.
Around and About Horsley - Journal of the Horsley Countryside, Horsley
(1983 – 1997) Preservation Society, East Horsley, Surrey.
Barn Theatre 2000 Appeal - fund-raising leaflet, Barn Theatre, Oxted, Surrey.
- A Vision for the Millennium
BRBAC News - Newsletters of The Arts Council of the
Borough of Reigate and Banstead, Redhill, Surrey.
Chipstead Village Preservation - Commemorative booklet, Chipstead Village
Society 1977-1997 Preservation Society, Chipstead, Surrey.
Exit Stage Left Theatre Company - Programme for “An Evening of Passion & Pain”,
October 1998.
Guild of Drama Adjudicators - Conference reports.
(GODA)

Hall Green Little Theatre - undated Newsletter (probably 1976)
History Workshop Journal - published papers from the History Workshop
Little Theatre Guild of Great Britain - Newsletters
Little Theatre Guild of Great Britain - Yearbooks
NODA News - Newsletters of the National Operatic and
Dramatic Association
Norbury and Thornton Heath - NATHDA Newsletters
Drama Association (NATHDA)
Noises Off - Newsletters of the Chipstead Players,
The Courtyard Theatre, Chipstead, Surrey.
On Stage - Newsletters of the Miller Centre Players,
the Miller Centre, Caterham, Surrey.
Questopics (and TOAD) - Newsletters of Questors Theatre, Ealing.
Research in Drama Education - Carfax International Periodical publishers,
Abingdon, Oxfordshire.
St. John the Divine Dramatic - handout (anonymous and undated - dateable
Society, Selsdon, Surrey from evidence in text to October 1986).
Sociology of Sport Journal - Volume 9, Number 2. June 1992.

South East Drama Venues - Autumn 1994 South East Arts,
Tunbridge Wells, Kent.
Theatre Notebook - Journal of the Society for Theatre Research
The Shakespeare Institute, Church Street,
Stratford-upon-Avon, Warwickshire, CV37 6HP.
Words & Music (1986 -1998) - Magazine for Performing Arts in Surrey,
Kent and Sussex., Telscombe Cliffs, E. Sussex.

WEBSITES
www.aitaiata.org - Association Internationale de Theatre Amateur /
International Amateur Theatre Association
www.amdram.co.uk - Amdram, the amateur theatre network
www.amhire.com - hires out props/furniture/etc.
www.britishtheatre.miningco.com - general resource site > Arts/Humanities >
British Theatre > Amateur Theatre
www.coda-shows.freeserve.co.uk - Croydon Operatic and Dramatic Association
www.compusats.dk/neata/ - North European Amateur Theatre Alliance
www.ourworld.compuserve.com/homepages/dunsfold_ads/History.htm
- Dunsfold Amateur Dramatic Society
www.entsweb.co.uk - EntsWeb Entertainment and Leisure Guide
> Theatre > Amdram
www.noda.org.uk - National Operatic and Dramatic Association
www.ticketlinks.com - useful contact and linking site > Amateur Clubs
www.uktw.co.uk - U.K. Theatre website – includes links to websites of
many amateur drama groups and theatres
www.uktw.co.uk/clubs/ltg.htm - The Little Theatre Guild of Great Britain
Sources/Bibliography ends.

17 DATA SOURCES AND BIBLIOGRAPHY

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