Chapter18
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This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the impact of the Protestant Reformation and Catholic Counter-Reformation on art. Key artists mentioned include Matthias Grünewald, Albrecht Dürer, Lucas Cranach the Elder, Hans Holbein the Younger, Hieronymus Bosch, and El Greco. The document also provides learning objectives and includes images and descriptions of works by these artists to illustrate 16th century artistic styles in different regions.
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Chapter 20 16th century art in italy
The document summarizes 16th century art in Italy, focusing on major artists and developments. It discusses the High Renaissance in Rome led by artists like Michelangelo, Raphael, and Bramante. It then examines key works by Leonardo da Vinci, Michelangelo, Raphael, and Bramante. Next it discusses developments in the early 16th century including Mannerism and the influential Venetian artist Titian. It concludes by noting the Catholic Counter-Reformation and Michelangelo's Last Judgment fresco in the Sistine Chapel.
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The document summarizes major developments in Renaissance art across three periods - Early Renaissance, Italian Renaissance, and Northern Renaissance. Key advances included the use of oil paint on canvas which allowed for richer colors and textures, the development of linear perspective to create an illusion of depth, and the use of chiaroscuro or light and shadow to model forms. Major Renaissance artists such as Da Vinci, Michelangelo, Raphael, and Titian mastered composition and ideal proportions. Northern Renaissance artists like Durer and Van Eyck painted with meticulous realism and elevated genre scenes to high art.
Northern Renaissance Art
The document provides an overview of Northern Renaissance art from 1500-1600 in Northern Europe and Spain. It discusses major artists and styles that emerged in this period in countries like Germany, France, the Netherlands, and Spain. Key figures mentioned include Matthias Grünewald, Albrecht Dürer, Hans Holbein, Hieronymus Bosch, and El Greco. The document also examines how the Protestant Reformation and Catholic Counter-Reformation impacted religious art in different regions.
Renaissance artists' work
1. During the Italian Renaissance, art was used to communicate social, political, and spiritual values. Wealthy Italian families and banking interests spent large sums patronizing artists.
2. Renaissance art was characterized by increased realism, use of linear perspective, classical influences like symmetry and balance, and emphasis on individualism and portraiture.
3. Famous Renaissance artists included Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Donatello. Their works reflected humanism, scientific observation, and mastery of techniques like chiaroscuro. Northern Renaissance art had more emphasis on realism, landscapes, and middle-class life.
Renaissance Art
This document provides an overview of art and patronage during the Italian Renaissance. Wealthy Italian families, such as the Medicis, and the Catholic Church were major patrons who sponsored works from many famous artists. Key developments included increased realism and use of perspective in works by Masaccio and Leonardo da Vinci. Michelangelo and Raphael also produced famous sculptures and frescoes during this period. Major artworks demonstrated the values of humanism and classicism that were prominent during the Renaissance.
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The document provides an overview of the Early Renaissance period in Italy from 1400-1490. It summarizes the rise of prominent city-states like Florence and key families that sponsored the arts, such as the Medicis. Major artists that emerged during this time are also profiled, including painters like Masaccio, Botticelli, and Ghirlandaio who pioneered techniques like linear perspective. Contemporary architects like Brunelleschi and Alberti are highlighted for their classical designs of buildings and structures. Leading sculptors of the era included Ghiberti, Donatello, and Verrocchio, who drew inspiration from Roman and Greek works.
Renaissance Art
This PowerPoint presentation was created to give European History/Western Civilization students an introduction to Renaissance art and its key characteristics - especially its projection of humanist and classical themes.
For more instructional materials, visit www.tomrichey.net!
Advances During the Renaissance
During the Renaissance in Italy, there were several advances in architecture, painting, and sculpture. In architecture, wealthy Italians built large palazzi and Filippo Brunelleschi invented hoists to lift heavy objects and designed the dome of the Santa Maria del Fiore cathedral in Florence without any internal supports. In painting, patrons like the Medicis funded artists, works had more realistic backgrounds, perspectives, colors, and oil paints became widely used. Leonardo da Vinci's Last Supper used geometry and perspective. Sculptures began to look more realistic and expressive, could stand on their own, and were larger thanks to patron support, with Donatello's David being an iconic early Renaissance work.
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Chapter 20 16th century art in italy
The document summarizes 16th century art in Italy, focusing on major artists and developments. It discusses the High Renaissance in Rome led by artists like Michelangelo, Raphael, and Bramante. It then examines key works by Leonardo da Vinci, Michelangelo, Raphael, and Bramante. Next it discusses developments in the early 16th century including Mannerism and the influential Venetian artist Titian. It concludes by noting the Catholic Counter-Reformation and Michelangelo's Last Judgment fresco in the Sistine Chapel.
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The document summarizes major developments in Renaissance art across three periods - Early Renaissance, Italian Renaissance, and Northern Renaissance. Key advances included the use of oil paint on canvas which allowed for richer colors and textures, the development of linear perspective to create an illusion of depth, and the use of chiaroscuro or light and shadow to model forms. Major Renaissance artists such as Da Vinci, Michelangelo, Raphael, and Titian mastered composition and ideal proportions. Northern Renaissance artists like Durer and Van Eyck painted with meticulous realism and elevated genre scenes to high art.
Northern Renaissance Art
The document provides an overview of Northern Renaissance art from 1500-1600 in Northern Europe and Spain. It discusses major artists and styles that emerged in this period in countries like Germany, France, the Netherlands, and Spain. Key figures mentioned include Matthias Grünewald, Albrecht Dürer, Hans Holbein, Hieronymus Bosch, and El Greco. The document also examines how the Protestant Reformation and Catholic Counter-Reformation impacted religious art in different regions.
Renaissance artists' work
1. During the Italian Renaissance, art was used to communicate social, political, and spiritual values. Wealthy Italian families and banking interests spent large sums patronizing artists.
2. Renaissance art was characterized by increased realism, use of linear perspective, classical influences like symmetry and balance, and emphasis on individualism and portraiture.
3. Famous Renaissance artists included Leonardo da Vinci, Michelangelo, Raphael, Botticelli, and Donatello. Their works reflected humanism, scientific observation, and mastery of techniques like chiaroscuro. Northern Renaissance art had more emphasis on realism, landscapes, and middle-class life.
Renaissance Art
This document provides an overview of art and patronage during the Italian Renaissance. Wealthy Italian families, such as the Medicis, and the Catholic Church were major patrons who sponsored works from many famous artists. Key developments included increased realism and use of perspective in works by Masaccio and Leonardo da Vinci. Michelangelo and Raphael also produced famous sculptures and frescoes during this period. Major artworks demonstrated the values of humanism and classicism that were prominent during the Renaissance.
Early Renaissance in Italy
The document provides an overview of the Early Renaissance period in Italy from 1400-1490. It summarizes the rise of prominent city-states like Florence and key families that sponsored the arts, such as the Medicis. Major artists that emerged during this time are also profiled, including painters like Masaccio, Botticelli, and Ghirlandaio who pioneered techniques like linear perspective. Contemporary architects like Brunelleschi and Alberti are highlighted for their classical designs of buildings and structures. Leading sculptors of the era included Ghiberti, Donatello, and Verrocchio, who drew inspiration from Roman and Greek works.
Renaissance Art
This PowerPoint presentation was created to give European History/Western Civilization students an introduction to Renaissance art and its key characteristics - especially its projection of humanist and classical themes.
For more instructional materials, visit www.tomrichey.net!
Advances During the Renaissance
During the Renaissance in Italy, there were several advances in architecture, painting, and sculpture. In architecture, wealthy Italians built large palazzi and Filippo Brunelleschi invented hoists to lift heavy objects and designed the dome of the Santa Maria del Fiore cathedral in Florence without any internal supports. In painting, patrons like the Medicis funded artists, works had more realistic backgrounds, perspectives, colors, and oil paints became widely used. Leonardo da Vinci's Last Supper used geometry and perspective. Sculptures began to look more realistic and expressive, could stand on their own, and were larger thanks to patron support, with Donatello's David being an iconic early Renaissance work.
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This document provides an overview of important artworks from the Early Renaissance period in 15th century Florence and the High Renaissance period between 1495-1527. It lists influential artworks such as Filippo Brunelleschi's dome for the Florence Cathedral, Lorenzo Ghiberti's bronze baptistry doors in Florence, Donatello's bronze David statue, and Masaccio's fresco of The Tribute Money. It also highlights works by Botticelli, Leonardo da Vinci including the Mona Lisa and The Last Supper, Michelangelo's sculptures of David and frescoes in the Sistine Chapel, and Raphael's School of Athens fresco.
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Titian was a Renaissance painter from Venice known for his portraits of wealthy patrons using vibrant brushstrokes and color. Michelangelo was a sculptor and painter from Florence who created iconic works including the Pieta at age 24, the 17 foot tall marble David, and the ceiling of the Sistine Chapel over 4 years for the Medici family. Both artists were masters of their craft and made significant contributions during the Renaissance period in Italy.
Renaissance vs. medieval art lesson ppt
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2. Perspective techniques developed, allowing artists to create the illusion of 3D space on a 2D surface through techniques like linear perspective and proportion.
3. Individualism was expressed through techniques like portraiture that captured the subject's unique personality and likeness, rather than generic representations.
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High renaissance italy
The High Renaissance flourished in Italy in the late 15th and early 16th centuries under great patrons like the Pope and Medici family. Artists such as Michelangelo, Da Vinci, Raphael, and the Venetian School produced masterpieces using techniques like linear perspective, foreshortening, and oil painting. Their works emphasized balance, symmetry, and idealized forms. Women also contributed as artists and patrons during this period, though they faced restrictions. The High Renaissance marked a rebirth of classical ideals in the arts.
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Late Gothic to Early Renaissance Italy, 1200 to 1400 saw a rejection of medieval artistic elements and a growing interest in classical antiquity and the natural world. Artists developed techniques like spatial depth, solid human figures, and emotional expression. Major city-states like Siena, Florence, and Venice saw growth of patronage systems and civic architecture responding to rising power. The International Gothic style blended elements like linear perspective, realistic figures, and ornate decoration.
The Renaissance
The Renaissance was a period of rebirth and achievement in Europe between the 14th and 17th centuries. It began in Italy in the late Middle Ages, then spread to Europe, marking the transition from the medieval period to modernity. Important Renaissance figures included Leonardo da Vinci, Michelangelo, Raphael, and Donatello in Italy; Albrecht Dürer and the van Eyck brothers in Northern Europe; and William Shakespeare and Miguel de Cervantes in England and Spain. They made significant advances in painting, sculpture, architecture, literature, science, and technology that defined the Renaissance as a cultural movement.
Ahtr 1400 to 1600 italian renaissance final
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The High Renaissance in Italy occurred from 1480-1520, principally in Rome where Popes spent large amounts of money commissioning artworks. This era saw a focus on realistic human figures through the study of anatomy as well as the spread of classical ideas. The three masters of the High Renaissance were Leonardo da Vinci, Michelangelo, and Raphael, who created famous works like the Mona Lisa, David, and School of Athens through divine inspiration and classical ideals blended with observation.
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The Renaissance
The Renaissance was a period between the 14th and 16th centuries that saw a revival of art and intellectual thought rooted in classical antiquity. Notable early Renaissance artists included Giotto, Donatello and Brunelleschi in Florence. The High Renaissance of the 15th century was marked by artists like Leonardo da Vinci, Michelangelo, Raphael and Titian. Mannerism followed as a brief period characterized by elongated figures and flattened space. Key developments included increased naturalism, linear perspective techniques, and elevating the status of artists.
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This document provides an overview of important works of medieval and Renaissance art, including sculptures, portraits, and religious paintings. It mentions effigies of kings from the 13th century, busts of historical figures from the 5th century BC and 15th century, Gothic sculptures at Chartres Cathedral, Michelangelo's David statue, and famous paintings by artists such as Botticelli, da Vinci, Michelangelo, Raphael and others depicting biblical, mythical and historical subjects. The document also references the first known use of linear perspective in the Trinity fresco by Masaccio and da Vinci's innovations with perspective in works like the Last Supper and Adoration of the Magi.
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This document provides an overview of important artworks from the Early Renaissance period in 15th century Florence and the High Renaissance period between 1495-1527. It lists influential artworks such as Filippo Brunelleschi's dome for the Florence Cathedral, Lorenzo Ghiberti's bronze baptistry doors in Florence, Donatello's bronze David statue, and Masaccio's fresco of The Tribute Money. It also highlights works by Botticelli, Leonardo da Vinci including the Mona Lisa and The Last Supper, Michelangelo's sculptures of David and frescoes in the Sistine Chapel, and Raphael's School of Athens fresco.
Michelangelo and Titian
Titian was a Renaissance painter from Venice known for his portraits of wealthy patrons using vibrant brushstrokes and color. Michelangelo was a sculptor and painter from Florence who created iconic works including the Pieta at age 24, the 17 foot tall marble David, and the ceiling of the Sistine Chapel over 4 years for the Medici family. Both artists were masters of their craft and made significant contributions during the Renaissance period in Italy.
Renaissance vs. medieval art lesson ppt
Renaissance art and architecture differed from the medieval period in several key ways:
1. Renaissance art placed a stronger emphasis on realism, classical influence from Greco-Roman styles, and depicting human emotion and form over religious dogma.
2. Perspective techniques developed, allowing artists to create the illusion of 3D space on a 2D surface through techniques like linear perspective and proportion.
3. Individualism was expressed through techniques like portraiture that captured the subject's unique personality and likeness, rather than generic representations.
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The document compares works from the High Renaissance and Mannerist periods, noting differences in stylistic qualities like narrative, composition, light, space, and proportions. It identifies Raphael and Michelangelo as precursors to the Mannerist style which broke from Renaissance classicism through effects like artificiality, drama, and lack of underlying geometry. Raphael's Transfiguration blends High Renaissance and Mannerist qualities by depicting Christ's redemption above and man's flaws below through dichotomy. Differences between Raphael's classical Madonna and Child and Parmigianino's elongated Mannerist version are described across content, narrative, space, composition, proportions, figure, and color.
Renaissance Art
The document summarizes major developments in Renaissance art in Italy and Northern Europe. It discusses breakthroughs like the use of oil paint on canvas and techniques like perspective, chiaroscuro, and pyramid composition that emerged in Italy. Major Italian artists mentioned include Donatello, Botticelli, Da Vinci, Michelangelo, Raphael, and Titian. Northern European artists discussed include Holbein, Dürer, and Bruegal, who painted with great detail and realism. The Renaissance saw a shift from rigid medieval styles to naturalistic representations and a focus on humanism, anatomy, and ideal form.
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The document summarizes developments in Italian art from 1500-1600, focusing on Rome replacing Florence as the center of the Renaissance. It discusses major artists like Leonardo, Raphael, Michelangelo and their works. Architecture is explored through figures like Bramante and Palladio. The High Renaissance gives way to Mannerism, characterized by elongated figures and less symmetry. Venetian art is summarized, known for rich color and artists like Bellini, Titian and Veronese. Key figures and their major works are identified in each time period and location.
High Renaissance - Italy, 1500 - 1600
The document provides an overview of the High Renaissance period in Italy from 1500-1600. It focuses on the major artistic developments and achievements of masters such as Leonardo da Vinci, Raphael, Michelangelo, and Bramante. During this period, Florence was initially the epicenter of the Renaissance before being surpassed by Rome, where many large architectural projects were undertaken. The document examines key works and innovations of the major artists, including Leonardo's sfumato technique, Raphael's synthesis of styles, Michelangelo's masterful sculptures and Sistine Chapel frescoes, and Bramante's classical central-plan designs.
High renaissance italy
The High Renaissance flourished in Italy in the late 15th and early 16th centuries under great patrons like the Pope and Medici family. Artists such as Michelangelo, Da Vinci, Raphael, and the Venetian School produced masterpieces using techniques like linear perspective, foreshortening, and oil painting. Their works emphasized balance, symmetry, and idealized forms. Women also contributed as artists and patrons during this period, though they faced restrictions. The High Renaissance marked a rebirth of classical ideals in the arts.
Renaissance Art Movement
The Renaissance movement originated in Italy between the 14th and 17th centuries and emphasized rebirth of classical antiquity. Key artists included Giotto, Leonardo da Vinci, Botticelli, Raphael, and Michelangelo. The Italian Renaissance was notable for reviving classical Greek/Roman styles, embracing humanism, developing techniques like linear perspective, and making artwork more realistic.
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Late Gothic to Early Renaissance Italy, 1200 to 1400 saw a rejection of medieval artistic elements and a growing interest in classical antiquity and the natural world. Artists developed techniques like spatial depth, solid human figures, and emotional expression. Major city-states like Siena, Florence, and Venice saw growth of patronage systems and civic architecture responding to rising power. The International Gothic style blended elements like linear perspective, realistic figures, and ornate decoration.
The Renaissance
The Renaissance was a period of rebirth and achievement in Europe between the 14th and 17th centuries. It began in Italy in the late Middle Ages, then spread to Europe, marking the transition from the medieval period to modernity. Important Renaissance figures included Leonardo da Vinci, Michelangelo, Raphael, and Donatello in Italy; Albrecht Dürer and the van Eyck brothers in Northern Europe; and William Shakespeare and Miguel de Cervantes in England and Spain. They made significant advances in painting, sculpture, architecture, literature, science, and technology that defined the Renaissance as a cultural movement.
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The document provides an overview of Renaissance art in Italy between the 15th and 16th centuries. It highlights important works and artists that helped establish principles of linear perspective, foreshortening, and realism in painting. Key figures mentioned include Donatello, Brunelleschi, Masaccio, Leonardo da Vinci, Raphael, Michelangelo, and Titian. Their sculptures and paintings advanced techniques for depicting the human form and creating the illusion of depth and space on a two-dimensional surface.
Introduction to Western Humanities - 7a - Early Renaissance
Seventh lecture for GNED 1202 (Texts and Ideas). It is a required general education course for all first-year students at Mount Royal University in Calgary, Canada. My version of the course is structured as a kind of Intro to Western Civilization style course.
The Renaissance lecture has been divided into three parts. This is the first.
The Italian High Renaissance
The High Renaissance in Italy occurred from 1480-1520, principally in Rome where Popes spent large amounts of money commissioning artworks. This era saw a focus on realistic human figures through the study of anatomy as well as the spread of classical ideas. The three masters of the High Renaissance were Leonardo da Vinci, Michelangelo, and Raphael, who created famous works like the Mona Lisa, David, and School of Athens through divine inspiration and classical ideals blended with observation.
Renaissance Notes
The document summarizes how the Crusades helped spark the Italian Renaissance by stimulating trade between Europe and the Middle East. This increased contact and exchange of goods and ideas. Wealth accumulated from trade led to the rise of powerful city-states like Florence, Venice, and Genoa. The Renaissance saw revolutions in art and literature as artists like Michelangelo and writers like Shakespeare embraced humanism and drew inspiration from classical antiquity. The printing press helped spread new Renaissance ideas across Europe.
The Renaissance
The Renaissance was a period between the 14th and 16th centuries that saw a revival of art and intellectual thought rooted in classical antiquity. Notable early Renaissance artists included Giotto, Donatello and Brunelleschi in Florence. The High Renaissance of the 15th century was marked by artists like Leonardo da Vinci, Michelangelo, Raphael and Titian. Mannerism followed as a brief period characterized by elongated figures and flattened space. Key developments included increased naturalism, linear perspective techniques, and elevating the status of artists.
Chapter 22 high renaissance
The document provides an overview of Italian art from the High Renaissance to Mannerism periods. It examines key artists such as Leonardo da Vinci, Michelangelo, Raphael, and Titian and their major works. It also discusses the transition from the naturalism of the High Renaissance to the more expressive style of Mannerism, looking at artists like Pontormo, Bronzino, and Cellini. The document utilizes over 50 figures to illustrate important paintings, sculptures, buildings, and other works from this time in Italian art history.
Medieval & Renaissance Art
This document provides an overview of important works of medieval and Renaissance art, including sculptures, portraits, and religious paintings. It mentions effigies of kings from the 13th century, busts of historical figures from the 5th century BC and 15th century, Gothic sculptures at Chartres Cathedral, Michelangelo's David statue, and famous paintings by artists such as Botticelli, da Vinci, Michelangelo, Raphael and others depicting biblical, mythical and historical subjects. The document also references the first known use of linear perspective in the Trinity fresco by Masaccio and da Vinci's innovations with perspective in works like the Last Supper and Adoration of the Magi.
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Counter-Reformation
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Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
https://www.youtube.com/watch?v=iSH2H0xZPOw
Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez.
17th Century Art in EuropeCounter-Reformation.docx
17th Century Art in Europe
Counter-Reformation
St. Ignatius of Loyola – Society of Jesus
Counter-Reformation
Art as propaganda
Art as reinvigorator of belief/practice
Spiritual ecstasy
Sculpture: Bernini
St. Teresa of Avila in Ecstasy, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, 11’ 6”.
What IS Baroque?
STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
Using gestures and expressions to tell a story
Dark and light contrasts (chiaroscuro)
Off-balance
Bringing the everyday into religious scenes
Baroque in Europe
France: resurgence of classicism
Monarchy
Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
https://www.youtube.com/watch?v=iSH2H0xZPOw
Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez ...
AF chapter16c
This document provides an overview of European art from the 15th through 17th centuries, covering major artistic periods and styles including the Renaissance, Baroque, and Rococo. It discusses influential Northern European artists like Jan van Eyck who pioneered oil painting techniques to achieve brilliant color. It also covers major works by artists such as Robert Campin, Jan van Eyck, Rogier van der Weyden, and others that advanced realism and secular subjects in painting during this period.
Chapter10 baroque 3 2019
The document provides an overview of the Baroque period from 1650-1750. It describes the Baroque style as extravagant, emotional, and theatrical. The Baroque period is divided into the Italian, Northern, and Aristocratic styles. Key artistic developments included the Counter-Reformation in the Catholic church, the development of opera and oratorio genres in music, and influential artists like Bernini, Caravaggio, Rembrandt, and Velázquez.
Rococo & Neoclassicism In Early 18th Century
The document provides an overview of Rococo and Neoclassicism in 18th century Europe. It discusses the political context and shifts in power from French royalty to aristocrats. Rococo began as an architectural style featuring undulating forms and spread to painting and sculpture. Neoclassicism emerged in response to Enlightenment ideals and was inspired by the ruins of Pompeii. It featured simpler, more structured compositions with references to Greek and Roman antiquity. The document summarizes key works of Rococo artists like Fragonard and Boucher and Neoclassical artists like David, West, and Ingres.
Rococo and Neoclassicism
The document summarizes artistic styles and developments in Europe and America between 1700-1800. It describes the Rococo style as delicate and focused on themes of love. The Enlightenment emphasized rational thought and scientific questioning of beliefs. Neoclassicism emerged in the late 18th century reflecting interest in antiquity and reinforcing Enlightenment ideals through themes of honor and civic duty in rational, balanced compositions.
Review baroque thru neoclassicism
This document provides an overview of European art from the 15th to 18th centuries, beginning with the Northern Renaissance. Key developments include the influence of Italian Renaissance ideas on Northern European artists like Durer, the rise of printmaking and realism, and the effects of the Reformation and capitalism on art. The document then covers Mannerism, the Baroque styles in Italy and Spain characterized by elaborate compositions and drama, and the Baroque in Northern Europe as seen in the works of Rubens, Rembrandt, and Vermeer. Rococo art is described as delicate and sensual. Finally, Neoclassicism is presented as a rejection of the aristocracy in favor of democratic ideals inspired by antiquity. Major artists represented
Chapter 23
1) The document discusses Northern European and Spanish art in the 15th century, focusing on works by Albrecht Dürer, Matthias Grünewald, and Lucas Cranach.
2) It highlights Dürer's status as the first Northern European artist to become an international celebrity and his embrace of Protestant doctrine despite working for Catholic patrons.
3) The document also examines paintings by Bosch, Bruegel, El Greco and architectural works from France and Spain during this period.
Neoclassicism
Neo-Classicism was an artistic movement that began in the mid-18th century as a reaction against Baroque and Rococo styles. Inspired by newly discovered archaeological sites at Pompeii and Herculaneum and by the writings of Johann Winckelmann, Neo-Classicism emphasized simplicity, nobility, and idealized forms based on Greek and Roman antiquity. It became the dominant style in Europe during this time period due to its association with ideals of democracy, republicanism, and enlightenment.
Week8 - Renaissance Part 2
The document provides an overview of the Italian Renaissance artist Titian, known for his versatility in genres including portraits, landscapes, mythological and religious paintings. It discusses how his style changed throughout his long career but his consistent emphasis on color remained. Key works mentioned include Assumption of the Virgin and Venus of Urbino. Context is provided on stylistic developments like Mannerism and the Baroque period that followed the Renaissance.
Simiolus, volume 37-1,2013-2014, Dutch Migrant Artists in London, Sander Karst
This document discusses the migration of Dutch artists to London in the late 17th century due to economic hardship in the Netherlands. It provides context for the decline of the Dutch art market starting in 1660 as economic gravity shifted to Britain, whose art market flourished under King Charles II after the Restoration. Many Dutch artists emigrated to London in search of patrons and sales, introducing new genres of painting. Auction catalogs from the 1680s-90s reveal the activity of Dutch migrants in the English art market. The document aims to shed light on these lesser-known artists who contributed greatly to the development of painting in England.
Art Styles
Gothic art developed in France in the mid-12th century out of Romanesque art, led by the concurrent development of Gothic architecture. It spread across Western Europe and evolved over time, continuing into the 16th century in some areas before transitioning into Renaissance art. Gothic art included painting, frescoes, illuminated manuscripts, panel paintings and stained glass windows.
Late Gothic
Late Gothic art in Northern Europe from 1400-1500 was shaped by political and economic forces. Wealthy rulers like the Dukes of Burgundy funded lavish illuminated manuscripts and altarpieces featuring donors. Artists like the Van Eyck brothers developed new techniques like oil painting and linear perspective to depict sacred and secular subjects with illusionistic realism. Portraiture also grew more common as the wealthy merchant class commissioned works that integrated them. Meanwhile, printmaking advanced significantly in Germany through works like the Nuremberg Chronicle.
Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peni...
A introduction to key artists, regions, religions, and history of the northern Renaissance and Iberian peninsula. Based off of Stokstad's Art History textbook, Volume II, 3rd edition.
Art history ch._28
This document provides an overview of Chapter 28 from Gardner's Art Through the Ages, which discusses artistic styles from the late 18th to mid-19th century in Europe. It covers the Rococo style, the interest in science during the Enlightenment, the naturalistic taste, Neoclassicism, and their expressions in France, England, the US, Italy and architecture. Key points include the luxurious Rococo interiors and salon culture in France; scientific works like Wright of Derby's lecture at the orrery; Chardin and Vigée-Lebrun's natural subjects; Hogarth's moralizing works in England; and David's Neoclassical history paintings adapting classical themes for France.
Week9 17thand18th C
Martin Luther emphasized that the Bible, not the Pope, was the sole religious authority. He believed that faith alone, not good works, was necessary for salvation. Baroque art emerged during the Counter Reformation and was characterized by dramatic lighting, emotion, and theatricality. Neoclassical art drew from the balanced compositions and restraint of the Italian Renaissance.
Similar to Chapter18 (20)
17th Century Art in EuropeCounter-Reformation.docx
17th Century Art in EuropeCounter-Reformation.docx
17th Century Art in EuropeCounter-Reformation.docx
17th Century Art in EuropeCounter-Reformation.docx
Simiolus, volume 37-1,2013-2014, Dutch Migrant Artists in London, Sander Karst
Simiolus, volume 37-1,2013-2014, Dutch Migrant Artists in London, Sander Karst
Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peni...
Art History Survey II: 15th &16th Century Art in Northern Europe/Iberian Peni...
Chapter18
- 1. Chapter 18 Northern Europe and Spain, 1500 to 1600 Gardner’s Art Through the Ages, The Western Perspective 13e
- 2. Europe in the 16 th Century
- 5. Figure 18-2a MATTHIAS GRÜNEWALD, Isenheim Altarpiece (closed, top ; open, bottom ), from the chapel of the Hospital of Saint Anthony, Isenheim, Germany, ca.1510–1515. Oil on wood, 9' 9 1/2” x 10’ 9”, (center panel), 8’ 2 1/2” x 3’ 1/2” (each wing), 2’ 5 1/2” x 11’ 2” (predella). Shrine carved by Nikolaus Hagenauer in 1490. Painted and gilt limewood, 9’ 9 1/2” x 10’ 9”. Musée d’Unterlinden, Colmar.
- 6. Figure 18-2a MATTHIAS GRÜNEWALD, Isenheim Altarpiece (closed, top ; open, bottom ), from the chapel of the Hospital of Saint Anthony, Isenheim, Germany, ca.1510–1515. Oil on wood, 9' 9 1/2” x 10’ 9”, (center panel), 8’ 2 1/2” x 3’ 1/2” (each wing), 2’ 5 1/2” x 11’ 2” (predella). Shrine carved by Nikolaus Hagenauer in 1490. Painted and gilt limewood, 9’ 9 1/2” x 10’ 9”. Musée d’Unterlinden, Colmar.
- 8. Figure 18-4 ALBRECHT DÜRER, Great Piece of Turf , 1503. Watercolor, 1’ 3/4” x 1’ 3/8”. Albertina, Vienna.
- 9. Figure 18-1 ALBRECHT DÜRER, The Fall of Man (Adam and Eve), 1504. Engraving, 9 7/8” x 7 5/8”. Museum of Fine Arts, Boston (centennial gift of Landon T. Clay).
- 11. Figure 18-7 LUCAS CRANACH THE ELDER, Allegory of Law and Grace , ca. 1530. Woodcut, 10 5/8” x 1’ 3/4”. British Museum, London.
- 12. Figure 18-9 HANS HOLBEIN THE YOUNGER, The French Ambassadors , 1533. Oil and tempera on wood, approx. 6’ 8” x 6’ 9 1/2”. National Gallery, London.
- 14. Figure 18-10 JEAN CLOUET, Francis I , ca. 1525–1530. Tempera and oil on wood, approx. 3’ 2” x 2’ 5”. Louvre, Paris.
- 16. Figure 18-13 HIERONYMUS BOSCH, Garden of Earthly Delights , 1505-1510. Oil on wood, center panel 7’ 2 5/8” X 6’ 4 ¾”, each wing 7’ 2 5/8” X 3’ 2 ¼”. Museo del Prado, Madrid.
- 17. Figure 18-17 CATERINA VAN HEMESSEN, Self-Portrait , 1548. Oil on panel, 1’ 3/4” x 9 7/8”. Kunstmuseum, Öffentliche Kunstsammlung Basel.
- 18. Figure 18-18 Attibuted to LEVINA TEERLINC. Elizabeth I as a Princess , ca. 1559. Oil on wood, 3’ 6 3/4” x 2’ 8 1/4”. The Royal Collection, Windsor Castle, Windsor, England.
- 19. Figure 18-20 PIETER BRUEGEL THE ELDER, Netherlandish Proverbs , 1559. Oil on wood, 3’ 10” x 5’ 4 1/8”. Gemäldegalerie, Staatliche Museen, Berlin.
- 21. Figure 18-24 Juan de Herrera and Juan Bautista de Toledo, El Escorial, near Madrid, Spain, ca. 1563–1584 (detail of an anonymous 18th-century painting).
- 22. Figure 18-25 EL GRECO, The Burial of Count Orgaz , 1586. Oil on canvas, 16’ x 12’. Santo Tomé, Toledo.