This document is a student paper analyzing Shakespeare's The Tempest as a post-colonial play. It discusses how post-colonialism exposes the deeds of colonizers and rewrites texts from the perspective of the colonized. Specifically, it analyzes how The Tempest has been interpreted through a post-colonial lens, with Prospero seen as a European overlord and Caliban as a victim of colonial oppression. The paper argues that A Tempest, by centering Caliban and portraying him as powerful, seeking freedom, and able to use language, converts the original text into a post-colonial work.