The Comedic Value Of The Play, Pseudolus

The Comedic Value of the Play, Pseudolus
Each of the characters of Pseudolus has comic potential. According to Bergson's theory of laughter, ' The ingredients of comic character are rigidity,
automatism, absentmindedness, and unsociability.' ( 1956:156) All of these are apparent early in the play with the entrance of each of the characters.
Pseudolus is the essence of the clownish buffoon, with his bulging stomach and overly large feet, yet he is also much wittier than Calidorus. The
comic influence is attributed to Pseudolus who can manipulate those around him, as a practiced trickster using his cleverness, nonchalantly
dominating the leaders. He does not use his intelligence and abilities to favor himself, all that he does, he does for the benefit of others, although often
the plans he introduces profit himself at the same time. Calidorus is the pretty rich boy that has no thought other than what he desires next. His only
concern is freeing his love. He is rich, but has no power. Calidorus is pleasant and his moaning adds a lot of comedy to the play, but he is not a
dominant character, never a driving force behind the action. His vanity is the essence of Bergson's mechanized comic character, who is usually comic
in proportion to his ignorance of his own faults. (Bergson 1956:171–173,71) Simo, Callipho, and Ballio each are extremely satirical and are seen as
caricatures of common stereotypes; the wealthy powerful misers, the powerful distasteful pimp. The powerful may be rich, but those that are rich are
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Antigone Creon Analysis
Antigone is a Greek tragedy written by the dramatist Sophocles in the early 400s BC, which takes place in the city of Thebes. The play follows the
story of a girl named Antigone and her disobedience to the laws of Thebes ruler, Creon. Several centuries following the work of Sophocles, Aristotle
published a product of dramatic theory, known as Poetics. In this work, Aristotle discusses the different aspects that make up a true tragedy. According
to Poetics, Creon is the character whose attributes fit him perfectly into the mold of a tragic figure. Creon believes he is doing good, but his fatal flaw
leads him to his demise. In addition, the character of Creon exhibits more pathos, or pity than the character of Antigone. Because Antigone doesn't
experience all of Aristotle's three vital pieces of tragedy, while Creon does, this just proves that she cannot be the tragic figure of this story.
To start off, Creon is attempting to do what is best for the people of Thebes, but he is clearly and fatally flawed in doing so. Throughout the
tragedy, Creon is pursuing an unshakable kingship and trying to prove his power by enforcing laws. Claiming that Polynices was a traitor, Creon
passes a decree that prohibits anyone to bury the body, or even mourn his death. Creon states that "a proclamation has forbidden the city to dignify
him with a burial, mourn him at all. No, he must be left unburied, his corpse carrion for the birds and dogs to tear, and obscenity for the citizens to
behold!" (Ant. 68). Although this seems like the correct way to help Thebes attain peace and stability, Creon is approaching the situation in the wrong
way. As for Antigone, she does not possess an obvious fatal flaw because she pursued her own demise. After all, Antigone wanted an acclaimed death
from the start. During the first scene, Antigone boldly proclaims to Ismene, "Dear God shout it from the rooftops I'll hate you all the more for
silence–tell the world!" (64). Antigone wanted to be celebrated for her bravery, and for acting out courageously against Creon. There is no specific
attribute that brings her to this fate, but just the fact that she wished it to be that way.
Besides having a tragic flaw, Creon's character evokes the most pathos

Drama Is Not Just Composed By The Actors Essay
Drama is not just consisting by the actors ' dialogue and movements; there is also a very special consist part is chorus. Chorus usually plays a pretty
important role in drama, and it also has different functions in different storyline, and promotes the process of the story. Its location is irreplaceable.
This paper will take the scripts, which are Lysistrata (Aritophanes) and Despatch (Angie Farrow, 2015) as the example, comparative analysis the role
of the chorus in this two scripts. It will discuss the narrative device of the 'chorus' functions. The way to help the story of the play telling by chorus
and allow the narrative to unfold will be discussed in this paper, too.
The role of the chorus in the drama is just like a novel or a story 's narrator. In the case of the chorus does not involve the using of lines of actors, it tells
a story to the audience and provide some information to them. For example, it tells the narrative structure of the drama, and succinct information or
comments. Chorus connects the relationship between the audience and the actors, and became an intermediary agent between drama and the audience.
The audience through the chorus to blend into the story, but the chorus is not let audience immersed in the story completely while they watching it, it
guaranteed to help viewers to watch the drama as an onlooker. It can help audience to follow the story framework and rhythm of the drama by what
they designed.
Firstly, when the chorus appears as a

Effects Of Korean Wave
Nowadays, Korean wave is so famous in global rapidly. Korean wave is not only expanding in Asia, but Korean wave is expanding including in the
Middle East, Oceania, Europe, and the United States. Korean wave was starting in 1990s. Korean drama and Korean music (K – Pop) were the first
wave that spread in Southeast Asia. Then Korean wave became a new trend of the world because it was used by social media and internet to expand in
global. In the 21st century, Korean wave is increasing growth, such as Korean drama, Korean music (K – pop), including tourism, food, culture and
Korean language. Korean wave makes people can listen Korean music (K – pop) widely, addict to Korean drama and then it is inspiration of some
people that they want to learn ... Show more content on Helpwriting.net ...
Many famous artists had sung the songs. Not only Korean drama is famous, but also Korean music is very famous too. It is called "K–pop". There are
K–pop idol groups for promoting in domestic and Asia such as H.O.T, Shinhwa, S.E.S, and Fly to The Sky. They are the first generation K
–pop idol
group. They make K–pop is famous in China and Japan. Then, in 2000–2010, many entertainment companies established such as JYP Entertainment
and YG Entertainment. SM, JYP, and YG Entertainment make a new phenomenon because they can be clever promoting their K
–pop idol groups in
domestic and global. They make new generation K–pop idol groups that they are famous in domestic and global such as TVXQ, Super Junior, Girls'
Generation, Wonder Girls, 2PM, Miss A, Big Bang and 2NE1. Then, in 2010–present, there are many K–pop idol groups for more competition. The
amount of fan club is increased that following the amount of K–pop idol groups. Some K–pop idol groups were successful, but some were not. K–pop
is expanding rapidly because the many global fan club addicts to K–pop and likes to sing and dance. K–pop is interesting because of choreography,
melody, and fashion. Some fan club like to translate the songs from Korean language in many languages because people will know what the song said

Dr Faustus as a Tragedy
Q.1. Discuss Dr Faustus as a tragedy.
Tragedy – Definition
Aristotle defines a tragedy as a 'representation of an action which is important, complete and limited in length. It is enacted not recited and by arousing
pity and fear, it gives an outlet to emotions of this type.'
However, for the Elizabethans, more specifically for Marlowe and Shakespeare, tragedy is not a restrictive view of human excellence or weakness as
the Greeks are often inclined to present but an affirmative view of human aspirations whose pursuit brings a glory to the definition of a man. Struggle,
conflict, suffering and failure may be the inescapable attendants but the human spirit is not stifled in its pursuits by what attends to them. The ability to
withstand ... Show more content on Helpwriting.net ...
Divinity adieu:
These metaphysics of magicians,
And necromantic books are heavenly:
The Strength of theTragedy
The play is a human tragedy for not only is Faustus tragically constituted in his boundless ambitions but, at the same time, the play questions the
effectiveness of the cultural aspirations that shape his ambitions. Consequently, the play provides a complex interaction between the human dimensions
of the dramatic character and the ambiguities and ambivalences of the cultural situation the character is placed in.
Yet while the play seems to offer a very basic Christian message–that one should avoid temptation and sin, and repent if one cannot avoid temptation
and sin–its conclusion can be interpreted as straying from orthodox Christianity in order to conform to the structure of tragedy.
In a traditional tragic play, as pioneered by the Greeks and imitated by William Shakespeare, a hero is brought low by an error or series of errors and
realizes his or her mistake only when it is too late. In Christianity, though, as long as a person is alive, there is always the possibility of repentance–so
if a tragic hero realizes his or her mistake, he or she may still be saved even at the last moment. But though Faustus, in the final, wrenching scene,
comes to his senses and begs for a chance to repent, it is too

The Dramatic Significance of Sick Characters in Ola...
THE DRAMATIC SIGNIFICANCE OF SICK CHARACTERS IN OLA ROTIMI'S PLAYS Odia Clement Eloghosa ABSTRACT In this paper, the
sick characters are studied through the examination of their dramatic significance and contributions to the development of Ola Rotimi's drama. Three
aspects of dramatic significance are identified in this paper and we argue that the sick: (1) act as witness and help the healthy establish truth, (2) create
crisis situations that stir up diverse emotions in the audience, and finally, (3) heighten dramatic tension which boosts the degree of suspense in the
plays. IINTRODUCTION The paper examines the dramatic significance of sick characters in Ola Rotimi's plays. It covers four of Rotimi's... Show
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He identifies collectivist consciousness as the defining factor which crystallizes Rotimi's advancement of themes like solidarity, followership and
self–sufficiency. Femi Osofisan, Toyin Akinosho, Umukoro et al and Effiok Uwatt have made cursory remarks on Rotimi's use of sick characters
and these are worth reviewing here. Osofisan, examining the political imperative in African dramaturgy and theatre practice, makes some passing
comments on the sick in Hopes, a play he considers as belonging to "the tradition of socialist theatre" and posits that the aim of the sick in that play
is to teach "our masses the virtue of collective struggle, the irrelevance of tribal differences in face of common economic exploitation and the
possibility of heroism among the poor and down trodden" (5). On his part, Akinosho, reviewing the performance of Rasheed Gbadamosi's Behold
My Redeemer, a play directed by Ola Rotimi, and which has a psychiatric setting, makes brief comments on Rotimi's portrayal of sick characters. He
says, "As director and playwright, Ola Rotimi is known for using the sick to portray the Nigerian Society" (11). He adds that in Our Husband, the
playwright uses the sick to paint "the Nigerian politician as a mad power seeker". Umukoro et al, examining the major events in The Gods, briefly
interpret the use of sickness in the play thus, "The only real significance

The Legend Of Chun Hyang
Comics, since their conception, have been seen as an immature media that is strictly pop culture without the ability to pass substantive messages.
However, the quantities of people who read and share comic books provide open pathway to idea sharing. The Legend of Chun Hyang I is an example
of this cultural messaging through this medium. Written in 1992, as Asian cultures were joining the globalizing world, thismanga represented cultural
hybridity as a Korean folktale being represented by a Japanese company. The storyline is relatable for young girls who want to be independent no
matter which country they are from. Chun Hyang as a character in the work is not close to the actual Korean storyline. However, she is closer to the
ideal manga heroine who is pretty but brave, and independent but in love. Chun Hyang represents the move towards a more universal 'Asian ' feeling
and closeness between the Japanese and Korean pop cultures. Chun Hyang is the story of a young girl who grows up without a father, her mother is a
famous medicine woman. Chun Hyang, the main character, is a independent and strong willed young lady who fights back against the oppressive town
head or Yang Ban. Chung Hyang meets a young man named Mong Ryong who ends up falling in love with her. After the Yang Ban kidnapped her,
Chun Hyang 's mother killed herself to protect herself and her daughter. Chun Hyang avenges her mothers death with the help of Mong Ryong as the
Am–Hang–Osa, the highest ruler in the

How Did Elizabethan Theater Affect Popular Entertainment?
How did Elizabethan theater affect popular entertainment? It affected popular entertainment massively at the time because it was very different than
anything that had been popular entertainment before it and because even though it was popular it attracted a lot of criticism from the English Society.
It came about in a time when drama shifted from religious to a secular function in society. The Elizabethan Theater lasted from the end of the 16th
century and well into the 17th century. And it set out the stage for some actors very well–known even today.From the violence that was prevalent
because of the Black Death, people turned to the theater for many reasons. Elizabethan theatre was popular for its time because Queen Elizabeth
encouraged the arts, it was somewhere for every social class to go, and people could relate to the plays. One of the reasons that Elizabethan theatre
was so popular was that it was enjoyed by Queen Elizabeth herself. Elizabeth loved learning new things. She would read and study for hours at a
time. She also had a lot of knowledge when it came to history. She could read books in Latin and French. When she grew older, she could translate
classic works into English. She also enjoyed writing and reading poetry, and a few of her poems still exist today. Elizabeth was also into arts and
literature. She loved watching plays and dramatic performances. "She hired her own company of actors called "The Queen's Players." The art spread
because of the queen. Her

Analysis Of Neil Fraser 's ' The Golden Age '
Theatre History Explained Neil Fraser outlines the history of theatre from Greek and Roman times, all the way through the twentieth century. Fraser
makes a claim that theatre truly began in Greek culture with even the Roma's looking upon that time as "the golden age". "The Romans looked back on
Greek theatre of circa 600BC as a golden age, and we can still make a case for the great plays of that period as having never been bettered." (Fraser,
2004, pg.5). Some of the more important highlights of this book include the transformation of theatre as we view it today from what it originally
looked like. It's roots in Greek religious ceremonies progressing from a chorus of priests speaking all together in unison to a solo voice being used as an
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These "pageants" gave birth to a new type of play called "mystery" or "miracle" cycles (Fraser, 2004). From there Fraser concludes that the medieval
theatrical genres eventually became "outmoded – or rather, grew and developed into new ones." (Fraser, 2004, pg.45). From Medieval we turn to the
Elizabethan stage which is what most everyone thinks of in regards to theatre and performance art. In this stage we begin to see a form of censorship
and theatre becoming less and less involved with the church (Fraser,2004). We also begin to see a change from outdoor theaters to the indoor theaters
with audience seated in front of a large rectangular stage and balconies to hold more affluent patrons (Fraser, 2004).
The Shakespearean Stage 1574–1642 In the Elizabethan era, also known as the Shakespearean era, we see less and less of plays drawing from the
church and more of the strolling entertainers that roamed from place to place performing. From strolling minstrels we move to professional
entertainers in repertory companies with significant financial backing (Gurr, 1970). "The statute of 1572 required each company to be authorized by
one noble or two judicial dignitaries of the realm:" (Gurr, 1970, pg.19). These companies were employed by the royals and their their major aim was
to pease the

Essay on Luaghing Comedy-Oliver Goldsmith
The Theatre, like all other amusements, has its fashions and its prejudices, and when satiated with its excellence, mankind begin to mistake change
for improvement. For some years tragedy was the reigning entertainment, but of late it has entirely given way to comedy, and our best efforts are now
exerted in these lighter kinds of composition. The pompous train, the swelling phrase, and the unnatural rant, are displaced for that natural portrait of
human folly and frailty, of which all are judges, because all have sat for the picture. But as in describing nature it is presented with a double face,
either of mirth or sadness, our modern writers find themselves at a loss which chiefly to copy from, and it is now debated, whether the... Show more
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In these plays almost all the characters are good, and exceedingly generous; they are lavish enough of their tin money on the stage, and though they
want humor, have abundance of sentiment and feeling. If they happen to have faults or foibles, the spectator is taught not only to pardon, but to
applaud them, in consideration of the goodness of their hearts; so that folly, instead of being ridiculed, is commended, and the comedy aims at touching
our passions, without the power of being truly pathetic. In this manner we are likely to lose one great source of entertainment on the stage; for
while the comic poet is invading the province of the tragic muse, he leaves her lovely sister quite neglected. Of this, however, he is no way
solicitous, as he measures his fame by his profits. But it will be said, that the theatre is formed to amuse mankind, and that it matters little, if this
end be answered, by what means it is obtained. If mankind find delight in weeping at comedy, it would be cruel to abridge them in that or any other
innocent pleasure. If those pieces are denied the name of comedies, yet call them by any other name, and if they are delightful, they are good. Their
success, it will be said, is a mark of their merit, and it is only abridging our happiness to deny us an inlet to amusement. These objections, however, are
rather specious than solid. It is true, that amusement is a great object at a

Greek Theatre And Modern Theatre
Without a doubt, the Greek theatre remains one of the most recognized and distinctive works in the world. While we associate many features of
modern theatre with their Greek counterparts, ancient theatre was a very different animal. You will be surprised at how much Ancient Greece has
influenced us today. Without such topics such asdrama, democracy and the Olympics coming from Ancient Greece, sport would not be important.
Drama was a huge part of ancient Greece. Theatre then became extremely popular performed everywhere including festivals. Greek Tragedy and
Comedy was significantly important as not only did it provide entertainment for the ancient Greeks, but has continued to influence society today,
inspiring us to create similar styles of theatre into contemporary plays today. Within this essay I hope to show how these ancient plays have
transitioned into our modern theatre, and how directors today have morphed them into relevant and relatable productions. M Cartwright wrote sources
which provides us with information on both Greek Comedy and Tragedy. In the 6th century BCE, Greek tragedy played an important and influential
role in theatre. The popular form of drama was performed all over Greece. The most well–known playwrights have come from Greek tragedy such as
Sophocles, and Euripides whose plays remained recognised, and continued to be performed for years after their original premiere. Comedy was
also a popular type of theatre in the late 6th century. "The most famous playwrights of the genre were Aristophanes and Menander and their works,
and those of their contemporaries, poked fun at politicians, philosophers, and fellow artists." (Cartwright 2017). The source informed me the first
appearance of Comedy, pottery in the 6th century, used for decoration, often portrayed "actors dressed as horses, satyrs, and dancers in exaggerated
costumes." (Cartwright 2017). Poetry was also another early source of comedy. Archilochus and Hipponax were Greek poets whose satyr works used
crude and sexual humour. Cartwright explained in his source that these plays were performed at the City of Dionysia and the Lenaea which were
major religious festivals. Over the course of the festivals, comedies were

Human Nature In Shakespeare's Much Ado About Nothing
Human nature is often considered in isolation from the rest of the world as if it would be an exception or a special case. In Shakespeare's Much Ado
about Nothing, the complexities of human nature are explored in depth. This essay will explore in particular how Shakespeare dramatises the concepts
of human misunderstandings, deception and dichotomy through effective dramatic techniques.
Shakespeare has demonstrated the ramifications of human nature that have arisen through the misunderstandings of the characters. Shakespeare does
this by effectively conveying the dramatic technique reversal. The purpose of the technique is to show the reader the complexities of human nature
by demonstrating that even a common example of misunderstanding could change the direction of one's life, and the perception of an object. This is
evident through the quote "That I love her, I feel" in Act 1 scene 1, said by Claudio about Hero, which is later contradicted with the quote "There,
Leonato, take her back again. Give not this rotten orange to your friend", who is referencing Claudio's betrayal. Claudio believed that the person
Borachio was making love to was Hero instead of Margaret, due to the succession of Don John's master plan. During this scene, Claudio displays a
sense of misunderstanding by falsely concluding that his fiancГ©e had been 'unfaithful' to him. Reversal is shown when Claudio is enraged by the
fictitious actions of Hero when he abandons her at the day of their wedding. Shakespeare has demonstrated misunderstanding through the dramatic
technique, reversal to explore the complexities of human nature.
Shakespeare has further represented the concept of misunderstanding through the dramatic technique parody. The purpose of parody is to project the
complexities of human nature by forecasting the concept of misunderstanding and how the stupidity of one, could impact the conceptual thoughts of a
character or characters. This is evident through the quote: "the Prince discovered to Claudio that he loved my niece your daughter and meant to
acknowledge it this night in a dance, and if he found her accordant, he meant to take the present time by the top and instantly break with you of it" in
Act 1 scene 2 said by

The Rituals of an Actor: Biography of David Edwards
David Edwards is a stage and film acting veteran from Las Cruces, New Mexico. He has performed in countless stage performances and several
onscreen acting jobs during the last four decades. Mr. Edwards employs both practical and magic rituals to the preparations for his stage performances,
and he keeps a good luck charm on his person. His rituals are less extreme than many other stage performers who are extremely observant of
superstitions and adamant about preshow rituals. Anthropologists would take note of the greater ritual associated with stage acting than with film
acting, as performers feel a lesser need for luck in the mistakes– forgiving world of film. This parallels the dichotomy between hitters and fielders in
baseball.
David ... Show more content on Helpwriting.net ...
Edwards acknowledges that this taboo, along with several other behaviors such as whistling backstage and wishing fellow performers good luck, as
strictly off–limits for almost every stage actor he's met. These behaviors stem from the culture of theater more so than any actual patterns observed by
individual performers, but they still are taken very seriously to ward off bad luck or injuries during performances.
Edwards acknowledges that most stage actors have more rituals than he himself has, noting, "Actors in particular are pretty superstitious" but that
does not carry over as strongly into the behavior of film actors. He said that it isn't nearly as stressful to perform in front of a camera, because
"Onstage, there are no second takes." The fact that film acting is less risky– a blunder can be done over as many times as necessary– means many
performers feel less pressure to perfect a performance the first time around, therefore needing less luck and relying less on magic and ritual. As
noted in the 2011 edition of Appreciating Human Diversity, "Magic is used to establish control," (Conrad P Kottak p. 495). There is a wide
difference between the control a stage actor has when compared to a film actor. First of all, a stage actor is totally dependant upon other actors, while
also being depended upon, for things like correct lines and reaction to move the story along. If a

Phenomenon Of Korean Culture
Korean Drama is a television series, ranging from 16 to 30 episodes depending on its broadcasting network. Each episode usually lasts an hour and
is aired once or twice a week. One of the popular terms incorporated with the advent of Korean Dramas is the term "Hallyu wave". Hallyu wave refers
to "a surge in the international visibility of Korean culture" (Ravina, 2009, p.3). "Korean Wave refers to the cultural phenomenon in which people in the
world are willing to adopt and consume Korean popular culture" (Jung, 2006). The Korean wave usually encompasses Korean music, drama, trends, and
others. It is usually through the Korean wave that there has been a steady increase in the tourism in South Korea.
The influx of Korean Dramas in the Philippine market became a hit during the early 2000's and some of the game changers for the increase in the
popularity of Korean Dramas can be attributed to Lovers in Paris (2004) , Full House, Jewel in the Palace, the remake of the Taiwanese film ' Meteor
Garden' (2003) which is Boys over Flowers (2009), and more The Korean entertainment industry basically produces ... Show more content on
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Consequently, Korean Dramas nowadays have become a staple in Philippine entertainment industry. In order to penetrate the other audiences not
fond of watching on the internet, they dubbed the Korean Dramas shown. There have also been Philippine adaptations of Korean Dramas such as
My Girl starred by Kim Chiu, Pure Love starred by Alex Gonzaga, and more. Thanks to the different media, Korean Dramas are now more able to
infiltrate easily, making a faster avenue for serving its fans or audiences. However, due to the notion that Korean dramas are only aired once or twice
a week it is like a slight way of tormenting its viewers especially, when the story nears its

Top 10 Acting Schools of the World
Ina highly competitive profession like acting , one must never underestimate the importance of professional and formal training. Irrespective of
whether you excel or have a unique flair in this art , there are a variety of techniques , perspectives , methods etc that could help you when you embark
into theatre and films. While training to become an an actor doesn't necessarily require a degree from a college or professional learning, many of the
best actors in world cinema have grown to be well rounded and highly benefitted from their professional courses. The whole concept of acting will
usually comprise of 2/3rd natural talent and 1/3rd of training Also the physical location of the place is crucial because it determines the connections ...
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They have acting showcases held in places such as Glasgow and London and this provide you with an opportunity to showcase your talent to leading
casting directors and agents. They provide both bachelors and masters in this field to aspiring actors and actresses .They also have summer schools and
short courses in drama for children, young people, adults and arts professionals. It has an impressive alumni profile such as Alan Cumming, James
McAvoy, and David Tennant etc
The Centre
City Centre
Glasgow G2 3DB
Scotland, United Kingdom.
NYU Tisch School of arts
The Tisch School of Arts that come under New York University is the most esteemed centre for performing arts in the USA.Situated in the theatre
capital of America; it provides technical, professional and practical training to students in its discipline. The Department of Drama offers a four–year
undergraduate course and the graduate acting programme offers a Master in Fine Arts degree however it is extremely difficult to be inducted into the
latter programme ( as they take in only 18 students ) . Its famous alumni consists of Whoopi Goldberg, Angelina Jolie, Alec Baldwin, Anne Hathaway
and Adam Sandler
NYU Tisch School of the Arts
721 Broadway New York, NY 10003.
Guildhall school
Founded in 1800 in England, the Guildhall school of Music and Drama provides a BA and an MA in acting. Owned and funded by the Corporation of
London, the school is well known for its

I Believe My Art Is Better Than All Of Yours
One stormy night, in a modern day London, four artists were having dinner within an old English pub. The artists were sitting around a table close to
a window beaten with rain. Each of the artists are eating a large platter of fish and chips while drinking a few pints of English stout. The artist with his
back to the wall, Xia Gui, was a Chinese landscape artist. Most known for painting landscapes of mountains and streams. Sitting to his left, with her
back to the window, is Agnes Denes, an earth works artist. Most known for Wheatfield in Manhattan, New York. Sitting to Agnes' left is the Romantic
Artist J.M.W Turner. Most known for his painting Snowstorm. The artist to his left is the French Baroque Nicolas Poussin, he would use dark and
intense colors to support the drama of a specific situation. Most known for The Massacre of Innocents. Everything was calm at the table until Poussin
said in a drunken rage "I believe my art is better than all of yours' because I show the true drama between men." Turner replied "your art only shows
the pity drama between men, while I show the drama between nature to create a message to the viewer." Agnes butted in and said "even though I don't
convey drama, I use the earth to create my art." As Agnes finished her rebuttal to the blunt statements of the drama queens in the group Xia rebuttable
"You people don't know what it takes to make so elegant brush strokes and how to convey the simplicity in nature." As Xia finished his statement

The Importance Of Cultural Globalization
INTRODUCTION
The improvement of the technology has led to the rate at which the exchange of information take place in very high rate and with it comes a high rate
of cultural exchange. Moreover, this high–speed exchange of content, the market for media based content has also broadened (DeRosa, 2013). It has
now become far much easier for people in a particular region to be exposed to new cultural experiences particularly through the media of film. Besides,
the improvement of the technology in mass media, the consumers have also had an added advantage in the form of increased power of choice and are
no longer confined to local content. This is an eventuality that has seen people exposed to other cultures, and this has been the basis for the new norm
called cultural globalization (Yong Jin, 2012). However, with every positive gain, there are usually some element of drawbacks, and the situation with
the improvement of media coverage through the improvement of technology has not been in any way different. The pointing case has been in the form
of the element of domination of some industries by other better–performing media industries. This is particularly the case when foreign media can
deliver better content than the local media. If this is the case, an eventuality of dominance by the foreign content becomes the norm, and if the local
players do not realign accordingly, people continue to consume the better content regardless of its source. This has been the situation in the

Korean Wave And Its Effect On The Korean Culture
Introduction The Korean Wave also known as Hallyu first appeared during the mid 1990's.
Korean Wave simply means the rising of popularity of the Korean culture (Lee, 2011). This Korean Wave was an example of a ripple effect meaning it
is continuing to spread. K–Pop is an abbreviation of Korean pop, which has different music genres incorporated into one. K–pop includes hip–hop,
electronic, rock and R'n'B music that has originated from South Korea. Korean pop music began to gain its popularity among teenagers and young
adults throughout Asia. K– Pop and TV dramas have impacted the Korean Wave in different ways.
K–Pop
K–Pop first gained popularity in East Asia. Social media such as youtube and Facebook have made K–pop more accessible to us in the United Stated
and other countries. Music video are also in high quality production and sometimes include different versions such as dance, movie and sometimes also
come in different languages for their large audiences. K–pop quickly became popular as one of South Koreas largest industries and exports. K– pop is
also known for there in sync dance routines and their fashionable outfits. K–pop artist have become in fact role models and idols to teenagers. The
female celebrities is shown as a representation the ideal way a female should look physically. K–pop celebrities are very influential to the general
public. Female K–pop idols share common physical traits fair skin, large eyes, small face, slender nose and thin

Educational drama in education
Educational drama in education for sustainable development: ecopedagogy in action
he research on which this paper is based is a response to the UNESCO directive for the Decade of Education for Sustainable Development (ESD)
2005–2014. Educators are advised to prepare young people for sustainable development and global citizenship and the Arts should be included in
programmes in ESD. This paper presents an overview of a research project based on the hypothesis that educational drama might be a useful medium
for teaching and learning in environmental, sustainable development and global citizenship education. Central to the project, an ethnographic case study
employing a multiвЂђcase approach, based on three research questions, was a series ... Show more content on Helpwriting.net ...
Its goal is to 'encourage changes in behaviour that will create a more sustainable future in terms of environmental integrity, economic viability, and a
just society for present and future generations' (UNESCO 2005) and to help young people to become 'global citizens' (UNESCO 2006). In response,
the Scottish Government (SDELG 2006) recommends that education for sustainable development should offer young people opportunities to practise
and develop:
sensitivity to and appreciation of the social and natural environment;
some factual understanding of environmental and social problems and issues;
knowledge/understanding of the social environment;
skills to find out about and explore environmental issues;
civic skills to influence decisionвЂђmaking in society;
researching and communicating information about one 's own environment;
improving one 's own environment: acting responsibly; and
critical reflection on the quality of environmental developments.

Educators are challenged to find interesting and meaningful ways of helping young people to develop the knowledge, skills and values they will
need to become actively involved in building a more sustainable future. UNESCO states that drama can be part of the teaching and learning process.
This paper sets out the results of a research project the aim of which was to discover if the

Gilead And Red Hot Patriot : The Kick Ass Wit Of Molly Ivins
The plays that I chose to see were Balm in Gilead and Red Hot Patriot: The Kick–Ass Wit of Molly Ivins. These two plays were very different, one
play had many different people talking at the same time and the other play was a one woman show. There are many elements that make up each play,
and there are also specific scenic elements that contribute to the tone. The first play I saw was Balm in Gilead. The set of this play had five different
levels; it had the ground level (outside), the diner level, the bedroom level, and two upper levels that looked like an alley way overlooking
everything. The main level that the action took place in was the diner. This level looked so real; if you were to walk into this area you would think
it was a authentic diner from the 60's. There were booths for people to set in, a counter area with bar stools, and there was a kitchen with a stove,
refrigerator, and even some food. There wasn 't much going on in the outside looking sets of level one, four, and five. But on level three, which was
the bedroom, there was a nice bed. The sets of this play reflected the theme quite well. The reason it reflects the theme was one, you could tell the play
was based in the 60's and two, it had sort of a dingy feel which goes along with the characters, because they are mostly prostitutes, drug dealers, or
homeless people. The lighting of the play was mostly white light with tents of amber. The diner area was brightly light, as you would expect in a diner;

The Play Proof By David Auburn And Directed By Peter Cocuzza
Destiny Cunningham
The play Proof by David Auburn and directed by Peter Cocuzza was presented by Southern Illinois Universities Theater and dance department. This
play is based on the life of a girl named Catherine whose father ends up dying due to an ongoing mental illness. The play included two phenomenal
actresses and two phenomenal actors. The two actresses were Catherine and Claire, and the two actors were Robert and Han.
In the beginning on the play Catherine and Robert, Who is Catherine's father, are sitting outside having a glass of champagne to celebrate Catherine's
Birthday. Catherine is talking to her father's Ghost about how she wish that she could do as much as he did with mat. She tells her father's ghost that
she feels as if ... Show more content on Helpwriting.net ...
Catherine ends up calling the police because she was upset that Hal tried to take one of her father's notebooks.
The next day, which is the day of her father's funeral, Catherine meets up with her sister whose name is Claire. Claire finds out that Catherine had had
champagne with her father's ghost and that she called the police on Hal the night before. Claire insists that Catherine should move to New York with
her and her fiancГ©, who would soon be getting married. The first part of the play ended with Hal coming in and telling Claire that Catherine had one
of Roberts's notebooks that could really be worth something, because sot has a proof that nobody has ever thought about. Catherine tells us that her
father didn't write that proof, she did.
The next part of the play starts with Catherine and her father sitting in the backyard talking before he had died. Catherine is telling her dad about
how she has decided that she will pursue higher education because her sister Claire is willing to pay for it. Her father s devastated that she hadn't
told him sooner. The actors then come back to real time and Hal discusses his disbelief that Claire wrote the proof. Hall tells Claire that he is going to
take the notebook to other math maticians to see if her proof was even accurate. Catherine then storms off and attempts to destroy the notebook, but her
sister doesn't allow her to do so.
Catherine goes back in her

Research Paper On Yeo Jin Goo
Yeo Jin goo
Yeo Jin–goo: A Young and Promising South Korean Actor
Introduction (more than 50 words)
Yeo Jin–goo is a young and very promising South Korean actor.
He is just 18 but he has already starred in 20 movies and dramas.
The number of movies and dramas is not more than one adult actor can boast of; however, one can confront difficulties trying to find a Korean actor
who had so many roles at such a young age. / 62 words
Born Place & Nationality & Born name & Stories as a child (more than 150 words)
Yeo Jin–goo's hometown is Seoul in South Korea.
He was born and raised in the capital of the country.
Yeo Jin–goo attended the school for boys and led an ordinary school life in spite of his popularity.
In addition, he was one of the most diligent and hard–working students at his school. ... Show more content on Helpwriting.net ...
It certainly affected Yeo Jin–goo's grades, as the child actor had to skip some classes due to shooting in the movies and dramas.
When he was not occupied in shooting, Yeo Jin–goo always went to school.
However, he feels nervous during those days, when he received his test results from the teachers.
His marks were affected by his acting career in a bad way, and that could not be changed no matter how hard Yeo Jin
–goo tried. / 151 words
Education
Yeo Jin–goo earned his popularity as a child actor and he did not take any acting classes previously.
His popularity is based on his talent and charisma.
Not so long ago, Yeo Jin–goo was accepted as a student to the Department of Theatre and film at Chung–Ang University. / 48 words
Family
Yeo Jin–goo has a mother and a younger brother.

His younger brother's name is Yeo Tae
–goo. / 16

The Holy Theatre By Peter Brook
The Holy Theatre
Here I will put forward ,with pond skater like depth ,my musings on the alchemist , anti guru, rebel, theatrical royalist and acknowledged genius of
modern theatre Peter Brook's fabled hand grenade of a 60's essay The Holy Theatre
The concept of the Holy Theatre comes from Peter Brook 's the Empty Space, in which he separates theatre into four testaments: Deadly, Holy, Rough,
and Immediate Though these lines between said factions blur, overlap and interplay at any given time.
Still held up by many to be The holy grail of theatre texts , sacred in many quarters. The Holy Theatre section attempts to rediscover ritual and the
spritual aspects of drama, a revaluation of a lost sense of euphoric communion. The notion of 'Holy' is allowed to mean an (artistic) attempt to reach
essences that are neither only physical nor even mental. Peter Brook defines it as "the Theatre of the Invisible – Made – Visible."
"holy" should be imagined as a way of seeing theatre: creating and attending theatre as if it were a holy rite, a communal passage into the mysteries of
life, rather than a vehicle for solely entertainment or intellectual debate
Though, Brook insists, reality itself must be the goal . The "invisible" is an act of communication between actor and audience produced out of the need
to impart some emotion. The audience may not consciously acknowledge the fact that they are being moved by the emotion, yet they are still moved:
the invisible. Brook says "it is like

My Abstinence Experience
For my abstinence experience, I decided to give up Korean media for nine weeks. This type of media included YouTube videos involving reality
shows of different popular Korean figures, Korean shows, and news involving Korean popular culture. I chose this habit because it has been a part
of my life for a few years now. Last year, I noticed that I was addicted to watching Korean shows and other Korean media on YouTube up to a point
where I would watch it almost every day and I was not able to get through the day without watching at least part of an episode. It came to a point
where I was watching these shows during school (high school) when we were given a work day. Instead of doing work, I would engage myself in
watching these shows. During my ... Show more content on Helpwriting.net ...
Almost every day, I would have thoughts about watching Korean media. When it came to the second week of abstaining, I had constant thoughts
certain scenes and certain episode of shows that I watched before. This proves that Korean media was a part of my life and I was essentially
taking it away. I had feelings of extreme boredom because I never really knew what to occupy myself with when I had spare time. I noticed that I
increased my behavior of listening to music, especially Korean pop. I also noticed that I started to be a little more social than I was before. During
the first 4 weeks, I was actually surprised at how I felt without Korean media and how it started to change my way of going about spending my
spare time. During the last 5 weeks, the thoughts of using started to decrease a little and I continued to behave in the way I did during the first 4
weeks. I was talking to people a lot more and I was soothing my stresses by not consuming my time with Korean media, but instead listening to
music. My extreme boredom turned into extreme productivity. I was getting a lot of my priorities done and I also started to enjoy getting high
marks in my classes, because I noticed that before, a lot of the reason for my low grades were because I was using up a lot of my time watching
Korean shows. Just like the first 4 weeks, I was surprised at how much time I was wasting just by

He is Staring at Me
"Grant Morgan is staring at you." Della whispers to me as we sit in Economics class the next day. "Then you stop staring or else he's going to see you."
I whisper back. "Okay fine." She focuses back on her textbook. "Is he still staring?" I asked a minute later. "I thought you didn't want to know." She
teased me. "Just check!" I see her glance behind me once again. "Yup. He's still staring." The bell rings for class change and I gather my stuff and walk
out the door with Della still gushing about Grant staring at me when I hear someone call my name. Grant pushes his way out the classroom before
stopping in front of me. "Hey Skye." "Hey Grant." I smile. "How's your day going so far?" "Pretty good. Yours?" "Good," He answers. "Are you going
to Priscilla's party tonight?" He asks. "Um, I didn't really think about it much. Why?" "I was just wondering if you wanted to go. We could hang out if
you like." "Della and I kinda made a promise not to go to any parties alone." I told him. "Della?" Grant stared at my best friend expectantly. "You know
I never say no to a party." Della beams at him. "Great." Grant is smiling, showing off his Colgate smile. "So I'll see you then?" I nod my head. "Yeah."
Just then the warning bell rings. "I'll see you later." "Bye." I wave and watch him walk off. Della is gushing about of cute of a couple Jake and I would
be when we meet up with Travis and Jake in lunch. Della gives Travis a full on kiss which causes Jake and I to share a look. We didn't

A Comparison Of The Short Story 'The Monkey's Paw, By...
W. W. Jacobs wrote the short story "The Monkey's Paw" in 1902. A great number of adaptations of the story have since been created using different
forms of media. The two which are being compared here are the play adaptation The Monkey's Paw dramatized by Mara Rockliff and the 2011
film version The Monkey's Paw by Ricky Lewis Jr. Both the play and film feature the White family receiving a monkey's paw by which three
wishes may be granted. The paw had a spell put on it by a holy man who wanted to show that fate rules people's lives and that if people try to
interfere, they will be sorry. The main differences between the play and the film are that film gives more background information about how and why
the paw was obtained, uses more... Show more content on Helpwriting.net ...
This setting does not convey the same feeling danger or foreshadowing of trouble to come. The viewer may question in the play version why
Morris would proceed with making wishes upon the paw after stating that the first owner had wished for death. The information given through the
film of Morris seeking out the fakir in order to change his bad fortunes and being the person who requested a spell be placed to grant wishes plants
the seed for the viewer that Morris may have already been in a desperate situation and therefore the viewer can more easily accept that he would
wish upon it. As the plot in both adaptations develop, Morris' visit to the White's home is portrayed differently. The use of alcohol in the film prior
to Morris displaying the paw to the family could be interpreted as an action taken only after his wits have been inhibited. The film uses flash backs
to dramatize the power of the paw when it is mentioned during the conversation with the White family. The potential harm that can be caused by
the paw is better expressed in the Lewis film version by Morris when he is asked why he kept it he stated that, "he kept it to guard it". He never
allows any of the family to handle the paw and it is not until Mr. White takes it away from him as he is attempting to throw it in the fire. At the end of
the evening when Morris was leaving he tries to get Mr.

Distinctly Visual: Shoe Horn Sonata & Supplementary Text
The distinctly visual leads us to think about significant issues in our world. Do you agree? In your response make detailed reference to distinctly
visual qualities of The Shoe–Horn Sonata and ONE other text of your choosing. Many composers use various techniques in which they communicate
the distinctly visual. John Misto's 'The Shoe–Horn Sonata' and Alexander Kimel's 'The Action in the Ghetto of Rohatyn, March 1942' represent
significant issues in our world by using various literary and dramatic techniques. Through using these techniques it is evident that the composers of
these texts allow the audience to 'see' with our eyes as well as with our minds. The many literary and dramatic techniques have the ability to create a
visual that... Show more content on Helpwriting.net ...
In Act 1, Scene 1, Sheila and Bridie explain "Fifty voices set us free. Fifty voices and a shoe horn..." This orchestra created by Miss Dryburgh gave
the women hope and by working together as a group they were able to forget the oppression of the camp, even if it was temporarily. Misto also
uses symbolism to represent music. "But we sang our... so the camp would know that there was still music left." During the darkest time in the war,
the only thing they had left was music. This gave every prisoner a glimpse of hope; it was their way of expressing their escape from the war
although it was momentarily. Misto uses the technique of motifs and symbolism for music to give the audience a clear visual that there is still hope
when there is suffering in the world. 'The Action in the Ghetto' is a poem based on the perspective of a holocaust survivor. Kimel re–tells the horrors
that he had survived during the holocaust. Kimel uses various literary techniques to create a visual for the audience to 'see' his experience. Kimel
describes the visual of 'the hunt' as "the creation of hell." He uses this metaphor to describe the soldiers and their true nature. Kimel then goes on
describing the Nazi soldiers as "enjoying the hunt." Kimel's perception of the Nazi soldiers was that they found the hunt to be fun which provides
insight into the

The Summer Ma Program For Theatre Educators
Before I had applied for the Summer MA program for theatre educators, I knew my teaching of dramaturgy was lacking. I had no systematic way of
analyzing a script and being able to pull out the important aspects of the author's intentions. Many aspects of theatre history and dramatic interpretation
had been left out of my education. After classes my appetite had been wetted, I purchased a number of books to continue my education over the winter
break, one of the books was "History of the Theatre 10th Edition" by Oscar G. Brockett and Franklin J. Hildy. Even though an overview of some much
history it has lead me to want to teach so much deeper lessons to my students. After the eye–opening dramaturgy classes my mind has been washed
with ideas on how to proceed, so much information had been given to us, I find it hard to concentrate on a single area. I truly look forward to
teaching this year and these lessons. My first desire is to come at this with the outcome in mind, I had wanted to compete in the state UIL design
competition since becoming a theatre teacher but wasn't sure where to begin. I had previously decided to turn my second year classes into the more
theory related area of the field of study, but wasn't sure how to proceed. I knew I wanted to focus more on the higher of Bloom's domains of learning,
specifically creating. With the final goal in mind of competing in UIL design completion, I started devising a plan to educate my students in the skills
required

My Freshman Year Of High School, I Wanted To Be An...
My freshman year of high school, I wanted to be an occupational therapist like my mother. I enrolled in all of the classes I needed. But with the extra
class space, I decided to take some theater classes. I did not realize that this class would through my career plan out the door. I started out with acting
classes because I thought that they would help me with public speaking. I then started to take technical theater classes. These classes have helped my
creativity grow. Both the acting and technical theater classes have helped me obtain skills that will help me with my future career, whatever it may be.
I did not know that I had a problem with public speaking until the time came that I actually had to do it. I had to do a monologue in ... Show more
Sure, there would be actors, but they would just be sitting there naked in the dark reciting lines" (Moll). I took what he said to heart. It made me
realize how much of a difference one job can make. In a way, theatre is an art form, getting to create an amazing show in a short time period. Mr.
Moll was not an everyday teacher. Many would say that he teaching ways were unconventional, but I enjoyed it. "Dramatic arts shine with a
compassion that makes us see beyond the suffering" (New York Times). During the trimester he announced that he was putting on a show and he
needed technicians and actors. I tried out for both. The show was called I Hate Shakespeare; it was a mashup of multiple Shakespeare plays. I was
given a small acting part and a technical job. I had to learn various skills in order to assist with building the sets, costuming, painting, and makeup for
the actors. As a technician for a play, the cast of the show is counting on me to know what I am doing, and the director holds me to a high standard.
Especially because I am acting as well. This meant that I needed to learn time management skills and how to improvise when something goes wrong.
In addition, I learned how to work as a team with my classmates. When one person does not do their job, then the entire show falls apart. We have to
rely upon and help each other. A play is like a puzzle, if a piece

William Shakespeare 's Romeo And Juliet
Go up to just about any literary scholar and ask them the simple question of, who is the greatest writer known to the planet. Many will respond with
a likely sarcastic response, but tell you of the man known as William Shakespeare. He's most popular for his drama play called Romeo and Juliet, but
holds credentials in the literary department for much more than that. He's written dozens of plays, many dramas such as MacBeth and Hamlet, with
some noteworthy comedies for the time period like Much Ado about Nothing and A Midsummer 's Night Dream. While some of his plays have
straightforward storylines and the title is extremely revealing about the characters and meaning of the play, other titles are more vague and hidden to
the unexamining eye. One title that is noticed for having this effect of being vague to its reader is the dark comedy called Measure by Measure. There
are many reasons and theories speculated upon the selection process for Shakespeare's theatrical titles, but there is no definitive method for each of
them. Shakespeare named his dark comedy play Measure for Measure for the small details in social, emotional, and ironic encounters that lead to the
play's ultimate climax. There are multiple social encounters throughout the play that entice and explain the shows title in character interactions. The
play surrounds the actions of four main characters being Isabella, Angelo, the Duke of Vienna, and Claudio. The social interactions of the story are
highly detailed in

The Power And Wealth Of The Chaebol
As I have stated earlier, the Chaebols have gained significant advantage to become the top class due to government control of the financial system in
the 1960s. The power and wealth of the chaebol could be best explained by the music video "Gangnam Style", produced by Park Jaesang, who is
known as Psy in the video. As of June 2014, on the CNN Entertainment website stated that "Gangnam Style" has "charted a new record: 2 billion
YouTube views" (Conlon, 2014) and has become the most watched video in YouTube history. The video is enjoyed enormously by the American
public, which is kind of puzzling, because many do not know the Korean language, therefore, are unable to understand what the video is really talking
about.
The video went viral and became a sensation because the main character Psy intentionally ridicules himself by performing exaggerated and bizarre
choreographies with beautiful women and expensive garments in the video. Psy wanted to especially focus on the change of modern Korean culture
toward a culture catered to the narcissist and pretentious people in Korea, even the singer expressed in a interview that "Human society is so hollow,
and even while filming I felt pathetic. Each frame by frame was hollow" (Fisher, 2012). The underline message of the video was about class and
wealth problem in present–day Korean society. Gangnam is a district in Korea that is known for its heavily concentrated wealth and high standard of
living. Offspring of the Chaebol

The Greek Of Greek Tragedy
Luke Allis, Greek Theatre
Ancient Greek tragedy is still relevant today because the themes and issues expressed within it are still present in the 21st century such as undeserved
suffering, death and relationships. The greeks produced many great works of art and theatre as well as revolutionising politics, ethics, aesthetics and
philosophy with philosophers such as Plato and Aristotle and their theories such as their theories on form and Catharsis.
Many people suggest that modern day theatre and performance is derived directly from Ancient Greek Theatre and Myths. Just life we do with
politics, ethics, aesthetics and philosophy look to the greeks as the founders and while it is possible that this is true this itself is also a myth. The
ancient greek empire ended almost 150 years BC, about 2066 years ago. In that time a lot of information regarding it and it's theatre has been lost or
distorted (such as the destruction of The Library Of Alexandria) and thus we can't be certain that the information is 100% correct which means that this
itself is a myth, we have evidence that points towards theatre originating from Ancient Greece but we can't be certain because there is also evidence
pointing toward it originating from various other cultures from around the world such as the Egyptian Coronation Festival Play 3100 BC (History of
theatre timeline, Glencoe.com) or primitive tribal dances and religious rituals dating even earlier than that.
As mentioned previously other

The Nontraditional Stereotypes Of Korea Boo
The Nontraditional Stereotype The term "Korea Boo" may look familiar or unfamiliar to some people, but the word itself is hurtful. So, to put it
simply, A Korea boo is a person who is not Korean, obsessed with Korean culture, pretend that they are Korean by using Korean words and acting as
if they are Korean when in reality, they are not. The shortest definition would be "Want to Be Korean". This might not sound like a huge deal to some
people, but these so called "Korea Boos" take their obsession too far.
To start off, people throw around this term way too often and it is used on the wrong people. When you call someone a Korea boo when they are not
is extremely hurtful and offensive, because these days, people think if you like Korean pop you are automatically a Korea Boo. Most Korea boos do
not appreciate or learn about the Korean culture, they also do not try to learn the language, which offends most Koreans. Korea Boos are delusional and
only look at the good parts about Korea, when there are just as many bad parts as there are good. Not every country in the world is perfect, South Korea
may seem perfect to some people, such as having the fastest internet in the world, there are many places to shop, and you are surrounded by K–pop.
There are other things that go on, like problems that involve drugs and abusing power by using money to get what they want, it is not all happy smiley
faces and rainbows. South Korea struggles just as much as any other country. Another

The Tragedy Of Socrates As A Tragic Hero
In the era of the Enlightenment, many philosophers were creating their own understanding of how the individuals of society function and the purpose
of existence; one of these philosophers was Socrates. Spending majority of his life in Athens, Socrates exercised his freedom of speech, for which, he
had vocalized his opinions to the people of Athens of the authority of the government and whether if the they are suitable to help society function in a
positive light (Brumbaugh 230). However, in the development of government, the conservative government of Athens chargedSocrates with religious
treason and the corruption of the youth of Athens (Brumbaugh 228). During the trial, Socrates personally defended himself in court with a jury of over
... Show more content on Helpwriting.net ...
In an example of his dramatic writing, Plato emphasizes on the portrayal of Socrates addressment to the jury before they conclude their verdict on the
case, in which, Socrates says:
From me you will hear the whole truth, though not, by Zeus, gentlemen, expressed in embroidered and stylized phrases like theirs, but things spoken
at random and expressed in the first words that come to mind, for I put my trust in the justice of wat I say, and let none of you expect anything else.
(Cooper 21)
Although this is a small portion of the speech, Socrates bases his speech on the truth, in which, he does not try to deceive the jury into believing that he
is an ignorant philosopher, but that his beliefs are indifferent than those of the society and that punishing him on those terms is an injustice. This
creates a sympathetic connection to the audience as Plato shows that Socrates was not malicious or in any form had dramatic reaction from the trial as
he was acceptance of his fate, in which, the jury would decide and only asked that they would take his truthful speech into consideration while voting
on the verdict. With the continuation of the aspect that Plato dramatized the trial of Socrates to form am emotional connection with the audience, giving
context of Socrates' life adds to

Globalization of Korean Popular Culture in Asia
Globalization of Korean Popular Culture in Asia
1. Introduction
Since 1990s, Korean Popular Culture has had a strong influence in Asian countries, including China, Hong Kong, Taiwan, Japan and Singapore. This
new popular cultural phenomenon in Asia is called the "Korean Wave", also known as hallyu in Korean pronunciation, which refers to the surge of
popularity of Korean popular culture abroad, particularly in Asia(Kin 284). The "Korean Wave" is first coined in mid–1999 by journalists in Beijing
who are surprised by the fast growing popularity of Korean entertainment and popular Culture in China(Fiaola 1).
Korean Wave certainly brings a big hit to Asian countries, but at the same time, some anti–Korean feelings are aroused as they ... Show more content on
Helpwriting.net ...
This, originally, supposed to be the last work of Samsung Entertainment Group and the group will break up afterwards. Shiri, surprisingly, got a big hit
from Korea and other Asian countries. Although it costs only about 2% of average budget of Hollywood films, it was popular throughout the world. As
Diffrient mentioned, Shiri led to a "pan–Asian phenomenon" after its releases in Japan, Hong Kong and Taiwan(42). Later on, films such as Joint
Security Area and My Sassy Girl also gave a big hit to Asia, which further spread Korean popular culture to other Asian countries. As a Hollywood
reporter said, "Korea has transformed itself from an embattled cinematic backwater into the hottest film market in Asia"(Segers 14).
Korean TV dramas also floods the daily programming of free–to–air TV stations and even become part of the routine viewing habits of their respective
audiences(Beng 2). Starting with What Is Love All About and Stars in My Heart in the late 1990s, and Winter Sonata and Dae Jang Geum in recent
years, Korean television drama and its stars such as Bae Yong Jun and Lee Young Ae, have attracted Asian audiences. Korean TV dramas were
dubbed into Mandarin in Taiwan in 2004 and into Cantonese in Hong Kong in 2005. It was soon dubbed for broadcasting in China and Japan in
2006. According to the Television Broadcast Limited(TVB), Dae Jang Geum had broke the rating record of Hong Kong TV dramas since 1991, which
rated 50 points,

The Orgins of Greek Theatre
There is no denying the fact that theatre is truly a link between all civilizations it comes in many forms spiritual rituals, storytelling, hymns, odes, and
performances. It has been utilized during the many downfalls of civilizations as a means of communication and was truly shaped by the Greeks. The
origins of theatre can be traced back to the Greeks as a religious ritual to their gods, to their implementations of the technical aspects of theatre, through
their plays and also through the actual stages that they constructed. These aspects have proven to have a lasting effect even into todays society and
without the Greeks influence on theatre, theatre as we know it, would cease to exist (Schanker and Ommanney 298). The origins of Greek... Show more
Satyrs were intended to cheer up the audience through its crude and funny subject matter and by ridiculeing human lewdness, societal views and had
the goal of changing something through mockery. The term satyr actually derived from the mythical creatures Satyrs who were half beast half human
and were known for displaying vulgar characteristics driven by drinking, food, erotic tendencies and money (Crawford, Hurst and Lugering). Comedy
was not actually supported by the state until 486 B.C.E. and was most profoundly known by the playwright Aristophanes that produced the only
comedy play that has survived through this genre. Comedies typically involved singing and dancing, the same lewd subject matter displayed in satyres
and the characters within comedies were typically from a lower class than the characters within tragedies. Aristophanes was known for giving the
characters within his plays characteristics that focused on "a single obsessive dimension of human character and turned it into stereotype or caricature"
(Crawford, Hurst and Lugering 114). *two more sentences The Greeks also made monumental advancements in regards to the technical aspects of
theatre; they utilized costumes, masks, lighting, movements and voices of the actors to enhance their performances. . Although much of the
information on costumes worn in Greek tragedies has been lost or destroyed pottery from the Greeks has offered the

The Tragic Heroes Of Hamlet And Oedipus
The Tragic Heroes Hamlet and Oedipus
A hero in a drama is the focus point throughout the story, someone who technically saves life's and carries pride within them. In Hamlet by
Shakespeare and Oedipus Rex by Sophocles they simply create a tragic hero due to their stories having a twist in what a hero turns out to be at the
end of the dramatic stories. They have similar issues as well as they have their differences in their stories. Shakespeare and Sophocles create a similar
touch to their dramatic heroes, and not only do they write those type of stories but they also create different characteristics to them and defining them
in other ways that can be entertaining. Even though in both Hamlet, and Oedipus contain tragic endings, both main characters were viewed as heroes at
one point in the story, however the authors did not create a same character each main character has their own characteristics and each author had their
way of writing a drama. Shakespeare and Sophocles wrote different things and as well as Shakespeare is known for his poems, he is also known for
his dramatic stories with a tragic ending.
Hamlet, the son of a king, happens to lose his father while in a short amount of time his mother marries his uncle, the brother of the king of Denmark.
While Hamlet is trying to figure out everything, the ghost of his father happens to appear, and it tells him that his uncle the current king of Denmark is
the one that caused his death. As crazy as it sounds, it is true, his

Lady Wynmere's Fan by Oscar Wylde
Change. No one wants to accept it; no one wants to live with it. Why is it? Is it because we lack the willingness to change ourselves or is it because
we don't want it? None of it, it is mainly because we fear change. But the fact is we can't stop it from happening. We either adapt to change, or we get
left behind. But here's the fun fact: Sometimes, the more things change, the more they stay the same. And sometimes, change is excellent. Sometimes,
change is everything we want. Its funny how things appear the same every passing day but when we look back, many things have changed! To
perform a Greek drama we need three things; they are audience, performers and something to perform. I must exclaim that it is the same with modern
theatre. All the three elements are required today also. So does it means nothing has changed in past twenty five hundred years? I don't think so. From
presentation of a particular subject to the elitism in the drama, everything has changed over period of time.
I choose to write about the transformation in status of women from Greek drama to Victorian Era because it is a form of triumph. Along with progress in
field of science and technology, the inevitable revolution in the field of literature shouldn't be disregarded. In Prometheus Bound, the character of Io is
very destitute and desolated. Where as, Mrs. Erlynne is portrayed as an autonomous and liberated woman. It's not the drama that has strained the writers
to inscribe particular response for the

Death Of A Salesman By Arthur Miller
What is the correct definition of tragedy anyways? Many people would define tragedy as a disaster, but according to the book The Cambridge Guide
to World Theatre by Martin Banham, the word tragedy is "a word whose meaning changes with time and place" (1002). In Medieval times, "tragedy
came to mean the downfall of a person of high degree" (Banham 1002), but in recent times, the meaning of the word tragedy has many definitions.
According to Banham, "realists refused to limit tragedy to privileged protagonists" (1002). Two famous tragic plays that I found to have a genre of
tragedy are Death of a Salesman by Arthur Miller and Eurydice by Sarah Ruhl. In both of these plays, the downfall was not of a person of high degree
but there was a ... Show more content on Helpwriting.net ...
Willy probably might have felt guilty about borrowing money from Charley each week just to show his wife that he is making plenty of money. He
was unsatisfied with his earning and lied to his wife by bringing home extra cash from his neighbor. By borrowing money and not earning enough from
his job, certainly causes him to suffer.
Another example of Willy's sufferings was when he lost his job. For instance, Willy is dissatisfied with his career and decides to ask his boss Howard
to work in the town instead of traveling for work from New York to New England every two weeks. Howard ends up saying "there just is no spot
here for you" (Miller 56) and ends up firing him. Although Willy had a long career with the company and was very productive, Howard let him go.
Willy defends himself by saying "I put thirty–four years into this firm, Howard, and now I can't pay my insurance!" (Miller 57). Howard fires Willy at
a time when he was most desperate. This shows the "change in the hero's fortunes" (Nardo 73). Regardless being fired from his job, Willy still had
hopes for his sons Biff and Happy to start a new business. Things did not go according to the plan and the business ends up not happening which
causes Willy to suffer even more. Willy goes through financial troubles which prevent him to achieve the American Dream, keep his job, and provide
for his family. These are all signs of disappointment and

The Comedic Value Of The Play, Pseudolus

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