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Paul CÉZANNE
Man with a Pipe
c. 1892-96
Pablo PICASSO
Man with a Pip
1911
Jasper JOHNS, Painted Bronze. 1960. Oil on bronze.5 1/2 x 8 x 4 3/4"
Andy Warhol, Campbell's Soup Cans,1962.
Synthetic polymer paint on thirty-two canvases, Each canvas 20 x 16"
Haim Steinbach
supremely black,
1985
wood, formica,
ceramic pitchers,
cardboard detergent
boxes
29 x 66 x 13 inches
Christo
Wrapped Cans
1958
D: 4 1/8”
H: 4 3/4 to 5 1/2”
Fabric, rope, lacquer,
paint, sand and five cans
Photo: Wolfgang Volz
© 1958 Christo
Christo
Shelves
1958
35 1/2 x 11 7/8
x 7"
Jeff Koons
New Shelton Wet/Dry
Doubledecker
1981
fluorescent lights
8' 5/8" x 28" x 28"
Christo and Jeanne-Claude
Wrapped Museum of
Contemporary Art, Chicago
1968-69
Photo: Harry Shunk
© 1969 Christo
Christo and Jeanne-Claude, Wrapped Islands, 1980-3, Biscayne Bay, Miami
Christo and Jeanne-Claude
Running Fence, Sonoma and Marin Counties, California, 1972-76
Photo: Jeanne-Claude
© 1976 Christo
Tom SACHS
Hermés Value
Meal
1997
cardboard, thermal
adhesive
15.35" x 7.87" x 7.87"
Sylvie FLEURY
(Gold) Cage LKW
2003
Brass
230 x 230 x 230 cm
Edition unique
Horse Panel, Chauvet Cave, c. 30,000 years ago
"To some people breaking into property and painting it might
seem a little inconsiderate, but in reality the 30 square
centimeters of your brain are trespassed upon every day by
teams of marketing experts. Graffiti is a perfectly
proportionate response to being sold unattainable goals by a
society obsessed with status and infamy. Graffiti is the sight
of an unregulated free market getting the kind of art it
deserves. And although some people might say it’s all a big
waste of time, no one cares about their opinion of their name
isn’t written in huge letters on the bridge into town.”
—Banksy, 2010 in Trespass: A History of Uncommissioned Urban Art, ed. Ethel
Seno, by Carlo McCormick in collaboration with Wooster Collective’s Marc & Sara
Schiller, additional texts by Banksy, Anne Pasternak, and J. Tony Serra (Taschen
2011), p. 6
Banksy, Fall 2009
IKEA, campaign for Milan Design Fair, 2012
Artworks spanning prehistory to modern day
Artworks spanning prehistory to modern day
Artworks spanning prehistory to modern day
Artworks spanning prehistory to modern day
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Artworks spanning prehistory to modern day

  • 1.
  • 2.
  • 3.
  • 4. Paul CÉZANNE Man with a Pipe c. 1892-96 Pablo PICASSO Man with a Pip 1911
  • 5. Jasper JOHNS, Painted Bronze. 1960. Oil on bronze.5 1/2 x 8 x 4 3/4"
  • 6. Andy Warhol, Campbell's Soup Cans,1962. Synthetic polymer paint on thirty-two canvases, Each canvas 20 x 16"
  • 7. Haim Steinbach supremely black, 1985 wood, formica, ceramic pitchers, cardboard detergent boxes 29 x 66 x 13 inches
  • 8. Christo Wrapped Cans 1958 D: 4 1/8” H: 4 3/4 to 5 1/2” Fabric, rope, lacquer, paint, sand and five cans Photo: Wolfgang Volz © 1958 Christo
  • 9. Christo Shelves 1958 35 1/2 x 11 7/8 x 7" Jeff Koons New Shelton Wet/Dry Doubledecker 1981 fluorescent lights 8' 5/8" x 28" x 28"
  • 10. Christo and Jeanne-Claude Wrapped Museum of Contemporary Art, Chicago 1968-69 Photo: Harry Shunk © 1969 Christo
  • 11. Christo and Jeanne-Claude, Wrapped Islands, 1980-3, Biscayne Bay, Miami
  • 12. Christo and Jeanne-Claude Running Fence, Sonoma and Marin Counties, California, 1972-76 Photo: Jeanne-Claude © 1976 Christo
  • 13. Tom SACHS Hermés Value Meal 1997 cardboard, thermal adhesive 15.35" x 7.87" x 7.87"
  • 14. Sylvie FLEURY (Gold) Cage LKW 2003 Brass 230 x 230 x 230 cm Edition unique
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  • 18. Horse Panel, Chauvet Cave, c. 30,000 years ago
  • 19. "To some people breaking into property and painting it might seem a little inconsiderate, but in reality the 30 square centimeters of your brain are trespassed upon every day by teams of marketing experts. Graffiti is a perfectly proportionate response to being sold unattainable goals by a society obsessed with status and infamy. Graffiti is the sight of an unregulated free market getting the kind of art it deserves. And although some people might say it’s all a big waste of time, no one cares about their opinion of their name isn’t written in huge letters on the bridge into town.” —Banksy, 2010 in Trespass: A History of Uncommissioned Urban Art, ed. Ethel Seno, by Carlo McCormick in collaboration with Wooster Collective’s Marc & Sara Schiller, additional texts by Banksy, Anne Pasternak, and J. Tony Serra (Taschen 2011), p. 6
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  • 28. IKEA, campaign for Milan Design Fair, 2012