Superimposed on a painting of three women, one with a baby and one with a fan, are verses in Chinese from a Buddhist sutra. The aesthetic pairing of sacred and secular was a feature of life at the Heian court. The fan could well have been used by a figure in Sei Shōnagon’s Pillow Book.
Did this bow-legged and somehow modern-looking statuette adorn an emperor’s tomb in the period before 300 b.c.e.?
In 1972, Japanese archaeologists found this painting on the interior wall of a megalithic burial chamber at Takamatsuzuka in Nara Prefecture. The most
sophisticated tomb painting found in Japan, it dates to the sixth or seventh century and resembles paintings found in Korean and Chinese tombs.
Paekche was Japan’s ally on the Korean peninsula. Silla, Japan’s enemy, was the state that would eventually unify Korea. (Note: Nara was founded in 710; Heian in 794.)
On the little island of Miyajima not far from Hiroshima is the lovely Itsukushima shrine dedicated to the daughters of the Shintō god of the moon and oceans. Its outer
gate (torii) is constructed of camphor logs to resist the salt water. Originally built in the late sixth century, it was rebuilt in the sixteenth.
A commanding figure at the pre-Nara Yamato court, Prince Shōtoku (shown with his younger brother Prince Eguri and first son Prince Yamashiro) promoted Buddhism and began regular embassies to China. “This world is a lie,” he wrote, reflecting the Buddhist belief in an ultimate reality beyond.
In the Heiji War of 1159–1160, regional samurai bands became involved in Kyoto court politics. This is a scroll painting of the burning of the Sanjō Palace.
Founder of the Kamakura Shogunate. He is depicted here in court robes as a statesman and official, though he was, above all, a warrior-general.
The bakufu at Kamakura and the court at Kyoto were the two centers of power during the Kamakura period, 1185–1333. After 1336 the Ashikaga bakufu was established in Kyoto, absorbing the powers of the court.
Mongols invaded Japan in 1274 and 1281. Battles were fought. The invaders were eventually routed by typhoons known as kamikaze (“divine winds”).
1. Why did the Mongols invade Japan?
2. How did the Japanese respond?
3. What does this picture reveal?
From medieval times, Japanese artisans have made the world’s finest swords. They became a staple export to China. Worn only by samurai, they were also an emblem of class status, distinguishing the warriors from commoners.
The mid-Heian monk Kūya (903–972) preached Pure Land doctrines in Kyoto and throughout Japan. Little Buddhas emerge from his mouth.
This fifth- to sixth-century c.e. painting adorns a wall of a cave in Ajanta, India.
These nuns belong to a Tibetan sect of the Mahayana (Greater Vehicle) Buddhism that swept north to Central Asia and Tibet, and then east to China, Korea, and Japan.
Behind them, prayer flags blow in the wind.