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1. Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (German: [ˈvɔlfɡɑŋ amaˈdeus ˈmoːtsaʁt], English see fn.[1]), baptismal
name Johannes Chrysostomus Wolfgangus Theophilus Mozart[2] (27 January 1756 – 5 December
1791), was a prolific and influential composer of the Classical era. He composed over 600 works,
many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral
music. He is among the most enduringly popular of classical composers. Mozart showed prodigious
ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he
composed from the age of five and performed before European royalty. At 17 he was engaged as a
court musician in Salzburg, but grew restless and travelled in search of a better ... Show more
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A long concert tour spanning three and a half years followed, taking the family to the courts of
Munich, Mannheim, Paris, London, The Hague, again to Paris, and back home via Zürich,
Donaueschingen, and Munich. During this trip, Mozart met a great number of musicians and
acquainted himself with the works of other composers. A particularly important influence was
Johann Christian Bach, whom Mozart visited in London in 1764 and 1765. The family again went to
Vienna in late 1767 and remained there until December 1768. These trips were often arduous. Travel
conditions were primitive;[10] the family had to wait for invitations and reimbursement from the
nobility.[11] They endured long, near–fatal illnesses far from home: first Leopold (London, summer
1764)[12] then both children (The Hague, autumn 1765).[13] After one year in Salzburg, father and
son set off for Italy, leaving Wolfgang's mother and his sister at home. This travel lasted from
December 1769 to March 1771. As with earlier journeys, Leopold wanted to display his son's
abilities as a performer and a rapidly maturing composer. Wolfgang met G. B. Martini, in Bologna,
and was accepted as a member of the famous Accademia Filarmonica. In Rome, he heard Gregorio
Allegri's Miserere once in performance in the Sistine Chapel. He wrote it out in its entirety from
memory, only returning to correct minor errors–thus
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2. Essay on Compositional Techniques in Mozart's Requiem
Compositional Techniques in Mozart's Requiem
In Roman Catholic tradition, the requiem mass is a ritual celebration of the Last Supper within the
context of a funeral. The requiem mass is distinguished from masses for other occasions by the
presence of a specific text, laid out in the missal of Pope St. Pius V from 1570, and the absence of
the more joyful parts of mass, such as the Gloria, and the Credo (Cave). The missal of Pope St. Pius
V contains the prayers for all masses that would be conducted during the year in the Catholic
Church. This was in accordance with the Council of Trent's (1545–63) wishes that local variations
on the mass would be halted and that a standardization of the mass be enforced (Wolff, 66). The ...
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His composition has never been recovered. Johannes Ockeghem () completed his requiem
composition before 1500. Other requiems from the 16th Century include Brumel, Prioris, Palestrina,
Anrio, and Victoria. Between 1470 and 1600 forty–one requiem mass compositions have been
preserved. The Baroque period brought about new and exciting changes for the musical world.
Requiems from this period include Bournonville (1619) and Brunelli (1619). Claudio Monteverdi,
Giovanni Grillo, and Francesco Usper collaborated to produce the requiem that performed at the
funeral mass of Cosimo II de' Medici in 1621. This requiem was the first to include instrumental
sections. The Baroque composers produced 325 known requiem compositions. The Classical period
composers produced 250 requiems. These include Pasiello (1789), Mozart (1791), Carlo Campioni
(for Empress Maria Theresia), and Giuseppe Bonno, whose requiem is said to use the "longest
setting of the sequence in the 18th Century. (Cave)" The Romantic Period produced the largest
amount of requiems. Included in the 620 requiems published between 1825 and 1910 are Berlioz
(1837), Verdi (1874), Liszt, Sant–Saens, Bruckner, Dvorak, Faure (1887), Henschel (1902). Within
the realms of 20th Century music there were 335+ requiems produced. The three most famous are
the Durufle (1947), Benjamin Britten War Requiem (), and the Andrew Lloyd Webber (1985).
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3. Mozart Requiem Research Paper
Mozart's Requiem is one of his most well–known pieces, both for its beauty and for the fact that it
was his final piece. There are many stories and myths surrounding this piece, its composition, and
its effect of the man. It might also be considered a forgery, since Mozart didn't actually write the
majority of the piece. Wolfgang Amadeus Mozart, (baptized name Johannes Chrysostomus
Wolfgangus Gottlieb Mozart) was born January 27, 1756 in Salzburg, Austria. (Gay) He was the
final child of seven born to Leopold Mozart, a notable composer and violinist, and his wife Anna
Marie and the only male to survive. He had an older sister named Marie Anna (called Nannerl) who
was the only other surviving child. (Gay) He showed an aptitude for music ... Show more content on
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He stayed at this position until 1777 when he resigned and left to try and secure better employment
elsewhere. (Gay) He first went to Mannheim where he made the acquaintance of the Weber family
and promptly fell in love with one of the daughters, Aloysia. (Solomon) His father was concerned
that should Mozart marry, he would lose his influence and hold on Mozart and his finances.
(Solomon) He ordered Mozart to Paris to earn money for the family. He travelled to Paris
accompanied by his mother and tried to woo his way into employment at one of the courts there.
(Gay) Unfortunately the stress of travelling was hard on his mother who was not in the best of
health and on July 3, 1778 she died in Paris. (Gay) Not only did Mozart blame himself for her death
but letters between the two would indicate that his father partially blamed him as well. (Gay) In
January of 1779 Mozart returned to Salzburg and again took up employment with the Archbishop,
this time as concertmaster and court organist. Mozart hated this employment. He wanted to be out of
Salzburg feeling that the city was too small and uncivilized to suit his "worldly" tastes and talents.
(Solomon) He took extended absences from his employer which angered the Archbishop. (Gay) He
was eventually fired, in a spectacular way, receiving a literal kick out of the door (and in the rump)
by the Archbishop's steward Count Arco in 1781.Now freed from the constraints placed upon him
by the Archbishop's employment Mozart moved to Vienna.
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4. Mozart's Requiem Analysis Essay
Mozart's Requiem is "one of the most performed and studied pieces of music in history" (Stango,
n.d.). The story behind the start of this piece begins with Count Franz von Walsegg, who
commissioned a requiem mass for his wife Anna (who had passed away). Throughout his work on
this piece, Mozart began to get so emotionally involved with the piece that he believed that he was
writing a death mass for himself. Mozart died December 5, 1791, with only half of the Requiem
finished (through Lacrimosa). Franz Xaver Süssmayr finished the Requiem based on Mozart's
specifications from notes and what he had already written. The completed work is dated 1792 by
Süssmayr and was performed for the first time on January 2, 1793. Mozart's intent for this ... Show
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Deliver them from the lion's mouth. Neither let them fall into darkness nor the black abyss swallow
them up. And let St. Michael, Thy standard–bearer, lead them into the holy light which once Thou
didst promise to Abraham and his seed" ("Full Text Lyrics," n.d.). I was asked to explain why the
Corni di Bassetto is the only instrument not in the key of Bb/g. This is because the Corni di
Bassetto, a basset horn, is in F, a perfect fifth below concert pitch. Everything the Corni di Bassetto
plays sounds a perfect fifth below the written note. Getting down to some smaller details, I have
Neapolitan chords, nonchord tones, voice leading, sequences, elisions, and imitation to discuss. In
measure 12, beat 1, there is a major chord built on the lowered second scale degree of C minor. This
chord is a Db major. Following some research on this chord, I found that it is what's called a
Neapolitan chord, its name coming from its association with the "Neapolitan school" of 18th
century Italian opera composers ("Neapolitan Chord," n.d.). What is unusual about the one found in
measure 12 is that it is not found in its common first inversion form, but rather in second inversion.
This chord's harmonic function is to prepare for the dominant. The fifth of the chord (Ab) usually
resolves down a semitone to G (which is what happens in the bass part on beat 3). Another curious
thing about this
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5. Mozart Research Paper
On the 27th January, 1756 in Salzburg Austria, Wolfgang Amadeus Mozart was born. He was the
son of Leopold and Anna Maria Mozart and had an older sister Maria Anna. Leopold was a
successful composer, violinist and assistant concert master at the Salzburg court. At a young age
Leopold began to teach both his children the piano, their talent was remarkable and soon Mozart
showed signs of exceeding beyond Leopold's teachings. At the age of 4 Mozart could memorise
small pieces and replay them perfectly. At the age of 5 Mozart was already composing and showing
exceptional talent in playing the piano, violin and clarinet. His aural skills were so good that he
could tell his elders if there violins were even a quarter tone out of tune. Leopold realised ... Show
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In 1785 Mozart collaborated Lorenzo Da Ponte, a Venetian composer and poet and wrote the opera
Marriage of Figaro. This opera was so successful that they later went on to write another opera call
Don Giovanni in 1787. These two operas are some of his most important and famous works.
December 1787 Emperor Joseph II appointed Wolfgang as his chamber composer. This was a part
time position with low pay but it was welcome to Mozart who was still struggling financially. At the
end of the 1780's Mozart was performing less and his income had significantly diminished. By 1788
Mozart moved his family from central Vienna to the suburb of Alsergrund as a way of reducing the
living cost however this did not seem to be the case. Wolfgang began to borrow money off friends
but always managed to repay them after a concert. Mozart travelled to German cities hoping to
revive his success and solve his financial problem but this didn't work. Throughout the years 1988
and 1789 Mozart sank into a period of depression because of his financial losses. However in 1790
and 1791 Mozart gained traction again and was extremely successful. Because of this his wealth
also increased and he was able to pay off his debt. In 1791 Emanuel Schikandeder and theatre
manager and actor approached Mozart about righting a fantasy opera, The Magic Flute. This was a
huge success but unfortunately for Mozart he had fallen ill and collapsed from exhaustion after the
premier and his illness
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6. Johannes Chrysostomus Wolfgangus Mozart : The Genius Of...
The Genius of Mozart
"O, Mozart! Immortal Mozart!"– wrote Schubert in his diary (qtd. in Booth 93). He roused my
admiration when I was young; he caused me to despair when I reached maturity; he is now the
comfort of my old age– said Gioachino Rossini (qtd. in Archer). Mozart is sweet sunshine– said
Dvorak during a lecture he gave at the Prague Conservatory (qtd. in Jacobson 164). These are just a
few artists who admired this musical genius. Mozart's music transcends the boundaries of time.
Over 226 years after his death, the music he composed is played by operas and cultural centers all
over the world. He is considered to be a musical genius and fully deserves the honor. He has earned
the title with his dedication from the early age, his compositional masterpieces, and he continues to
inspire and influence musicians today.
Johannes Chrysostomus Wolfgangus Theophilus Mozart was an Austrian composer who is widely
known for his prowess at writing western music. He was born in 1756 in Salzburg Austria. Having
been born in a family of good standing, Mozart leveraged on the socioeconomic might of his parents
to make a statement that still makes him relevant to music today. His father Leopold was the writer
of the famed violin playing manual, which was published in 1756 when Mozart was born. Mozart
and his sister Maria Anna (Nannerl) were the only ones able to survive beyond childhood in a
family of seven siblings ("Wolfgang Amadeus Mozart Biography "). From a very young age,
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7. Comparing And Differences Of Wolfgang Amadeus Mozart And...
Wolfgang Amadeus Mozart and Giuseppe Verdi both wrote exquisite Requiems. Since Mozart lived
in the Classical era, and Verdi lived in the Romantic era, their compositions were written almost one
hundred years apart. Though there are similarities in their pieces they differ in many ways.
In Salzburg, Austria, Wolfgang Amadeus Mozart was born on January 27, 1756. Wolfgang was the
only son of Leopold and Maria Pertl Mozart to survive. Wolfgang began learning about music when
he was three years old, watching his sister Nannerl play the keyboard. He was a musical prodigy,
composing his first piece at 5, and beginning "tours" with his father at 6 years old. When Wolfgang
turned 13, his father took him to Italy to show off this young boy's talents. Before Mozart turned 21,
he was appointed to be assistant concertmaster. It was at this time that he wrote his first opera.
Mozart left on another tour in 1777, and then returned to Salzburg to be a court organist. He soon
decided he was not so fond of this position, and resigned to become a freelance musician in Vienna.
When he moved to Vienna, he married Constanze Weber, against his father's wishes. Wolfgang lived
in luxury during the beginning of his life in Vienna, he was producing popular operas. Soon, though,
he began to lack money, and took loans that would leave him in debt for the rest of his life. In the
final years of Mozart's life, he was most productive, writing his most famous symphonies, The
Magic Flute, and of course,
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8. Orchestra Performance Review
Mozart and Part Orchestra Festival Review
The Walt Disney Concert Hall in Los Angeles, recently hosted Gustavo Dudamel and the
Philharmonic choir for a four day orchestra event, running from 19th –22nd may 2016, to showcase
Mozart's "Requiem" and Avro part's "Miserere." The event was a unique experience that gave me
the chance to sample the work of two of the best known music composers. Both Mozart and Part are
renowned for transparency and sonic beauty in their music which unfolds effortlessly and naturally
and I knew this was going to be a great experience for the audience and performers alike.
WOLFGANG AMADEUS MOZART: REQUIEM
The first piece for the day was Mozart's Requiem composed in 1791. Requiem's scoring is for
Orchestra, chorus ... Show more content on Helpwriting.net ...
In fact overtones could be heard in some place when the sopranos sang the highest. Nonetheless, as
the outburst in the Dies irae ensued, Dudamel, who was now conducting by his bare hands was able
to control the pace, giving the performance harmony. The choruses were particularly harmonious in
the Dies Irae. After the fierce outburst in the Dies Irae the tone was shifted regularly with few
changes in rhythm, these changes disappeared almost as gradually as they were added allowing the
audience to ponder each Latin word sung by
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