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WOLFGANG AMADEUS MOZART
Gogo Siafliaki
Christina Sakellari
Anna Souna
Wolfgang Amadeus
Mozart
Life
 Wolfgang Amadeus Mozart English (27January 1756 – 5 December 1791),
baptised as Johannes Chrysostom’s Wolfgang'sTheophilus Mozart, was a
prolific and influential composer of the Classical era.
 Mozart showed prodigious ability from his earliest childhood. Already
competent on keyboard and violin, he composed from the age of five and
performed before European royalty. At seventeen, he was engaged as a
court musician in Salzburg, but grew restless and travelled in search of a
better position, always composing abundantly. While visitingVienna in 1781,
he was dismissed from his Salzburg position. He chose to stay in the capital,
where he achieved fame but little financial security. During his final years in
Vienna, he composed many of his best-known symphonies, concertos, and
operas, and portions of the Requiem, which was largely unfinished at the
time of his death.The circumstances of his early death have been much
mythologized. He was survived by his wife Constance and two sons.
 He composed over 600 works, many acknowledged as pinnacles
of symphonic, concert ante, chamber, operatic, and choral music. He is
among the most enduringly popular of classical composers, and his
influence on subsequentWestern art music is profound.
Early life
 Mozart's new career inVienna began well. He performed often as a pianist,
notably in a competition before the Emperor with Muzio Clement on 24
December 1781,[ and he soon "had established himself as the finest keyboard
player inVienna. He also prospered as a composer, and in 1782 completed the
opera Die Entführung aus dem Serail ("TheAbduction from the Seraglio"), which
premiered on 16 July 1782 and achieved a huge success.The work was soon
being performed "throughoutGerman-speaking Europe, and fully established
Mozart's reputation as a composer.
 1782 portrait of Constanze Mozart by her brother-in-law Joseph Lange
 Near the height of his quarrels with Colloredo, Mozart moved in with theWeber
family, who had moved toVienna from Mannheim.The father, Fridolin, had died,
and theWebers were now taking in lodgers to make ends meet. Aloysia, who had
earlier rejected Mozart's suit, was now married to the actor and artistJoseph
Lange. Mozart's interest shifted to the thirdWeber daughter, Constanze.The
courtship did not go entirely smoothly; surviving correspondence indicates that
Mozart and Constanze briefly separated in April 1782. Mozart faced a very
difficult task in getting his father's permission for the marriage.The couple were
finally married on 4 August 1782 in St. Stephen's Cathedral, the day before his
father's consent arrived in the mail.
Final illness and death
 Mozart fell ill while in Prague for the 6 September 1791 premiere of his
opera La clemenza diTito, written in that same year on commission for the
Emperor's coronation festivities.. He continued his professional functions for
some time, and conducted the premiere of The Magic Flute on 30
September. His health deteriorated on 20 November, at which point he
became bedridden, suffering from swelling, pain, and vomiting.
 Mozart was nursed in his final illness by his wife and her youngest sister, and
was attended by the family doctor,Thomas Franz Closset. He was mentally
occupied with the task of finishing his Requiem, but the evidence that he
actually dictated passages to his student Franz Xave Süssmayr is minimal.
 Mozart died in his home on 5 December 1791 (aged 35) at 1:00 am.The New
Grove describes his funeral:
 Mozart was interred in a common grave, in accordance with contemporary
Viennese custom, at the St. Marx Cemetery outside the city on 7 December.
If, as later reports say, no mourners attended, that too is consistent with
Viennese burial customs at the time; later Jahn (1856) wrote
that Salieri,Süssmayr, van Swieten and two other musicians were present.
The tale of a storm and snow is false; the day was calm and mild.
 The expression "common grave" refers to neither a communal grave nor a
pauper's grave, but to an individual grave for a member of the common
people (i.e., not the aristocracy). Common graves were subject to
excavation after ten years; the graves of aristocrats were not.
The first partiture in his life
In his early twenties.
The end
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WOLFGANG AMADEUS MOZART: A PRODIGIOUS COMPOSER

  • 1. WOLFGANG AMADEUS MOZART Gogo Siafliaki Christina Sakellari Anna Souna Wolfgang Amadeus Mozart
  • 2. Life  Wolfgang Amadeus Mozart English (27January 1756 – 5 December 1791), baptised as Johannes Chrysostom’s Wolfgang'sTheophilus Mozart, was a prolific and influential composer of the Classical era.  Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At seventeen, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visitingVienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.The circumstances of his early death have been much mythologized. He was survived by his wife Constance and two sons.  He composed over 600 works, many acknowledged as pinnacles of symphonic, concert ante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequentWestern art music is profound.
  • 3. Early life  Mozart's new career inVienna began well. He performed often as a pianist, notably in a competition before the Emperor with Muzio Clement on 24 December 1781,[ and he soon "had established himself as the finest keyboard player inVienna. He also prospered as a composer, and in 1782 completed the opera Die Entführung aus dem Serail ("TheAbduction from the Seraglio"), which premiered on 16 July 1782 and achieved a huge success.The work was soon being performed "throughoutGerman-speaking Europe, and fully established Mozart's reputation as a composer.  1782 portrait of Constanze Mozart by her brother-in-law Joseph Lange  Near the height of his quarrels with Colloredo, Mozart moved in with theWeber family, who had moved toVienna from Mannheim.The father, Fridolin, had died, and theWebers were now taking in lodgers to make ends meet. Aloysia, who had earlier rejected Mozart's suit, was now married to the actor and artistJoseph Lange. Mozart's interest shifted to the thirdWeber daughter, Constanze.The courtship did not go entirely smoothly; surviving correspondence indicates that Mozart and Constanze briefly separated in April 1782. Mozart faced a very difficult task in getting his father's permission for the marriage.The couple were finally married on 4 August 1782 in St. Stephen's Cathedral, the day before his father's consent arrived in the mail.
  • 4. Final illness and death  Mozart fell ill while in Prague for the 6 September 1791 premiere of his opera La clemenza diTito, written in that same year on commission for the Emperor's coronation festivities.. He continued his professional functions for some time, and conducted the premiere of The Magic Flute on 30 September. His health deteriorated on 20 November, at which point he became bedridden, suffering from swelling, pain, and vomiting.  Mozart was nursed in his final illness by his wife and her youngest sister, and was attended by the family doctor,Thomas Franz Closset. He was mentally occupied with the task of finishing his Requiem, but the evidence that he actually dictated passages to his student Franz Xave Süssmayr is minimal.  Mozart died in his home on 5 December 1791 (aged 35) at 1:00 am.The New Grove describes his funeral:  Mozart was interred in a common grave, in accordance with contemporary Viennese custom, at the St. Marx Cemetery outside the city on 7 December. If, as later reports say, no mourners attended, that too is consistent with Viennese burial customs at the time; later Jahn (1856) wrote that Salieri,Süssmayr, van Swieten and two other musicians were present. The tale of a storm and snow is false; the day was calm and mild.  The expression "common grave" refers to neither a communal grave nor a pauper's grave, but to an individual grave for a member of the common people (i.e., not the aristocracy). Common graves were subject to excavation after ten years; the graves of aristocrats were not.
  • 5.
  • 6. The first partiture in his life In his early twenties.