Art Appreciation-Chapter8

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  • Courtesy of the Library of Congress.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • British Film Institute.
  • The Museum of Modern Art/Film Stills Archive.
  • © Walt Disney Studios/Photofest.
  • Everette Collection.
  • Anger Management Enterprises.
  • Picture Desk, Inc./Kobal Collection.
  • Courtesy of the artist.
  • Courtesy of the artist.
  • Art Appreciation-Chapter8

    1. 1. Moving Images Chapter 8
    2. 3. The First Moving Image <ul><li>Leland Stanford made a bet that all 4 of a horse’s hooves come off the ground as it runs </li></ul><ul><li>Muybridge set up a line of cameras on a horse track </li></ul><ul><li>Each camera was triggered by a string as the horse ran by </li></ul><ul><li>Muybridge later found a way to quickly project the images to create a movie </li></ul><ul><li>There are also experiments by Edison in moving images </li></ul>
    3. 4. Eadweard Muybridge. The Horse in Motion . 1878. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    4. 5. Film and Visual Expression <ul><li>All films create 3 types of motion </li></ul><ul><ul><li>Movement of the objects in the shot </li></ul></ul><ul><ul><li>Movement of the camera </li></ul></ul><ul><ul><li>Movement created by the sequence of shots </li></ul></ul><ul><li>Time and sequence are important parts of filmmaking </li></ul>
    5. 6. Creating a New Language of Vision <ul><li>Film began as though they were theatrical performances </li></ul><ul><ul><li>Sound was not added until 30 years after film began to be made </li></ul></ul><ul><li>D.W. Griffith started to move the camera and edit the film </li></ul><ul><ul><li>Griffith created the phenomena of parallel editing-showing what’s happening in two places at one time. </li></ul></ul><ul><ul><li>Griffith’s camera operator accidentally closed the shutter too slow once, creating the fade to black </li></ul></ul><ul><ul><li>Griffith was also the first to include both close up and long shots </li></ul></ul>
    6. 7. D. W. Griffith. Intolerance ( The Modern Story ). 1916. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    7. 8. Creating a New Language of Vision <ul><li>Eisenstecein </li></ul><ul><ul><li>The first to produce epic films of high quality </li></ul></ul><ul><ul><li>Created the use of montage-stitching together many short brief shots to create new relationships, build emotion, and show passage of time </li></ul></ul>
    8. 9. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 1. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    9. 10. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 2. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    10. 11. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 3. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    11. 12. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 4. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    12. 13. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 5. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    13. 14. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 6. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    14. 15. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 7. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    15. 16. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 8. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    16. 17. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 9. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    17. 18. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 10. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    18. 19. Salvador Dalí and Luis Buñuel. An Andalusian Dog . 1929. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    19. 20. Creating a New Language in Vision <ul><li>By the 1930’s, Hollywood was the Mecca for film </li></ul><ul><li>The motion picture production code censored the content of films </li></ul><ul><ul><li>It remained in effect until 1968 </li></ul></ul>
    20. 21. Citizen Kane <ul><li>Considered by many as the best movie ever made </li></ul><ul><li>Used a wide array of cinematic devices: </li></ul><ul><ul><li>Dramatic lighting </li></ul></ul><ul><ul><li>Distorted lenses </li></ul></ul><ul><ul><li>Dialog that extends past a scene </li></ul></ul><ul><ul><li>Innovative camera angles </li></ul></ul><ul><ul><li>Clever editing </li></ul></ul>
    21. 22. Orson Welles. Citizen Kane . 1941. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    22. 23. Fantasia <ul><li>A feature length animation accompanied by classical music </li></ul><ul><li>Each frame was painted individually </li></ul><ul><ul><li>There are 24 frames per second </li></ul></ul><ul><ul><li>It’s a 2 hour film </li></ul></ul><ul><li>The paintings are then photographed to create the movie </li></ul>
    23. 24. Walt Disney. Fantasia . 1940. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    24. 25. La Dolce Vita <ul><li>By Federico Fellini </li></ul><ul><li>The Protagonist is the main character </li></ul><ul><ul><li>Marcello is the protagonist and he explores the lifestyles of the rich and famous </li></ul></ul><ul><li>A secondary character is a photographer nicknamed Paparazzo after the pop of the camera flash </li></ul><ul><ul><li>The word paparazzi stems from this </li></ul></ul>
    25. 26. Federico Fellini. La Dolce Vita . 1961. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    26. 27. Scorpio Rising <ul><li>By: Kenneth Anger </li></ul><ul><li>A documentary about a Brooklyn motorcycle gang </li></ul><ul><li>He was one of the first to use a soundtrack of modern pop music </li></ul>
    27. 28. Kenneth Anger. Scorpio Rising . 1964. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    28. 29. Avatar <ul><li>Special effects are becoming very important in movie making and have proven to be lucrative to the movie studios </li></ul><ul><li>Avatar uses the recent developments in motion capture where an actor’s movements are scanned and digitized and then can be used in animation </li></ul>
    29. 30. James Cameron. Avatar . Film still. 2009. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    30. 31. Television <ul><li>Literally means vision from afar </li></ul><ul><li>Television is the transmission of still or moving images with sound via a cable or wireless broadcast </li></ul>
    31. 32. Video Art <ul><li>Video made the process of filmmaking extremely portable and accessible </li></ul>
    32. 33. Digital Art Forms <ul><li>Computers are the new up and coming art medium </li></ul><ul><li>Art made with computers ranges from film, video, finished artworks, brainstorming, storyboarding… </li></ul><ul><li>Camilla Benolirao took a fashion photo and slowly manipulated it until it finished with a image of destruction </li></ul>
    33. 34. Camilla Benolirao Griggers. Alienations of the Mother Tongue . 1996. 5 minutes. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    34. 35. Natalie Bookchin. Still from Location Secured . 2007. 12 minutes.Cao Fei. RMB City . 2007–2009. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

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