Late Eighteenth and Nineteenth Centuries Chapter 20
 
Neoclassicism <ul><li>Neoclassicism refers to the emulation of Greek and Roman art, specifically Roman art because is repr...
Jacques-Louis David.  Oath of the Horatii . 1784. 10'10&quot; × 14'. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Oath of the Horatii <ul><li>The sons pledge to take the swords offered by the father to defend Rome </li></ul><ul><li>This...
Romanticism <ul><li>A wave of emotional expression </li></ul><ul><li>Romanticism comes from the word romances which were m...
Francisco Goya.  The Third of May, 1808 . 1814. 8'9&quot; × 13'4&quot; (2.67 × 4.06 m). Copyright ©2011, ©2009 Pearson Pre...
The Third of may <ul><li>Depicts Napoleon’s army shooting citizens suspected of rioting </li></ul><ul><li>The figure in wh...
Photography <ul><li>Photography opened up a new way of seeing </li></ul><ul><li>Originally, people thought that photograph...
Carleton E. Watkins.  The Three Brothers . 1861. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
 
The Three Brothers <ul><li>Yosemite in 1861 </li></ul><ul><li>After these photos, the government decided to make Yosemite ...
Realism <ul><li>Realism-depicts a ordinary existence without idealism, exoticism, or nostalgia </li></ul><ul><li>Artists a...
Gustave Courbet.  The Stone Breakers . 1849 (destroyed in 1945). 5'5&quot; × 7'10&quot;. Copyright ©2011, ©2009 Pearson Pr...
The Stone Breakers <ul><li>Ordinary men  </li></ul><ul><li>Not idealized </li></ul><ul><li>Not dramatic </li></ul>
Impressionism <ul><li>Portrayed contemporary life </li></ul><ul><li>Often painted outdoors </li></ul><ul><li>Sought to pai...
Claude Monet.  Arrival of the Normandy Train, Gare St. Lazare . 1877. 59.6 × 80.2 cm. Copyright ©2011, ©2009 Pearson Prent...
Claude Monet.  Impression: Sunrise . 1872. 49.5 × 64.8 cm. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Pierre-Auguste Renoir.  Le Moulin de la Galette . 1876. 51-1/2&quot; × 68-7/8&quot;. Copyright ©2011, ©2009 Pearson Prenti...
Edgar Degas.  The Ballet Class . c. 1879–1880. 32-3/8&quot; × 30-1/4&quot;. Copyright ©2011, ©2009 Pearson Prentice Hall I...
Post-Impressionistic Period <ul><li>Artists reacted in various ways to the impressionistic painters </li></ul>
Georges Seurat.  A Sunday on la Grande Jatte . 1884–1886. 81&quot; × 120-3/8&quot;. Copyright ©2011, ©2009 Pearson Prentic...
A Sunday on la Grande Jatte <ul><li>Not as spontaneous as an impressionist </li></ul><ul><li>The composition is more refin...
The Starry Night <ul><li>Very textural brush work </li></ul><ul><ul><li>This creates a rhythmic movement </li></ul></ul><u...
Vincent van Gogh.  The Starry Night . 1889. 29&quot; × 36-1/4&quot;. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
Upcoming SlideShare
Loading in …5
×

Art Appreciation-Chapter20

2,862 views

Published on

Published in: Travel, Art & Photos
0 Comments
5 Likes
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total views
2,862
On SlideShare
0
From Embeds
0
Number of Embeds
52
Actions
Shares
0
Downloads
130
Comments
0
Likes
5
Embeds 0
No embeds

No notes for slide
  • Musée du Louvre, Paris, France. Photograph: Copyright Scala/Art Resource, NY.
  • Museo del Prado, Madrid. Photograph: Arixiu Mas, Barcelona. Derechos reservados. © Museo Nacional Del Prado, Madrid.
  • Courtesy of the Library of Congress.
  • The Bridgeman Art Library International Ltd.
  • Mr. and Mrs. Martin A. Ryerson Collection, 1933.1158, The Art Institute of Chicago. Photograph: © The Art Institute of Chicago.
  • Musée Marmottan–Monet, Paris. The Bridgeman Art Library International Ltd.
  • Musée d’Orsay, Paris. Photograph: Art Resource, NY.
  • Philadelphia Museum of Art. Purchased with the W. P. Wilstach Fund. W1937-2-1.
  • Helen Birch Bartlett Memorial Collection. Photograph: © 2005 The Art Institute of Chicago. All rights reserved.
  • Acquired through the Lillie P. Bliss Bequest. (472. 1941). Digital Image © The Museum of Modern Art/Licensed by Scala-Art Resource, NY.
  • Art Appreciation-Chapter20

    1. 1. Late Eighteenth and Nineteenth Centuries Chapter 20
    2. 3. Neoclassicism <ul><li>Neoclassicism refers to the emulation of Greek and Roman art, specifically Roman art because is represents a republic government </li></ul><ul><li>It was believed, at this time, that art should serve a social purpose </li></ul>
    3. 4. Jacques-Louis David. Oath of the Horatii . 1784. 10'10&quot; × 14'. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    4. 5. Oath of the Horatii <ul><li>The sons pledge to take the swords offered by the father to defend Rome </li></ul><ul><li>This was an inspirational image for the revolutionaries in France </li></ul><ul><ul><li>It’s meaning is that their cause is noble </li></ul></ul>
    5. 6. Romanticism <ul><li>A wave of emotional expression </li></ul><ul><li>Romanticism comes from the word romances which were medieval tales of adventure written in romantic language </li></ul><ul><li>Romantic artists believed that imagination and emotion are most important </li></ul>
    6. 7. Francisco Goya. The Third of May, 1808 . 1814. 8'9&quot; × 13'4&quot; (2.67 × 4.06 m). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    7. 8. The Third of may <ul><li>Depicts Napoleon’s army shooting citizens suspected of rioting </li></ul><ul><li>The figure in white is the main focus </li></ul><ul><li>Shows the brutality and injustice of the situation </li></ul><ul><li>Like most romantics, Goya was interested in current events rather than distant historical stories </li></ul>
    8. 9. Photography <ul><li>Photography opened up a new way of seeing </li></ul><ul><li>Originally, people thought that photography would replace painting, but instead it opened painters up to new types of expression </li></ul>
    9. 10. Carleton E. Watkins. The Three Brothers . 1861. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    10. 12. The Three Brothers <ul><li>Yosemite in 1861 </li></ul><ul><li>After these photos, the government decided to make Yosemite into a national park </li></ul><ul><li>Taken with a large wet plate camera </li></ul>
    11. 13. Realism <ul><li>Realism-depicts a ordinary existence without idealism, exoticism, or nostalgia </li></ul><ul><li>Artists are departing from depicting gods and history and moving toward painting the regular person </li></ul>
    12. 14. Gustave Courbet. The Stone Breakers . 1849 (destroyed in 1945). 5'5&quot; × 7'10&quot;. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    13. 15. The Stone Breakers <ul><li>Ordinary men </li></ul><ul><li>Not idealized </li></ul><ul><li>Not dramatic </li></ul>
    14. 16. Impressionism <ul><li>Portrayed contemporary life </li></ul><ul><li>Often painted outdoors </li></ul><ul><li>Sought to paint impressions of what the eye actually sees </li></ul><ul><li>Sketchy quality to the paintings </li></ul><ul><li>Strong observation of color </li></ul><ul><li>Used small dabs of colot </li></ul><ul><li>When seen far away, the painting looks relatively realistic </li></ul><ul><li>When seen up close the painting looks very loose and the brush strokes are visible </li></ul>
    15. 17. Claude Monet. Arrival of the Normandy Train, Gare St. Lazare . 1877. 59.6 × 80.2 cm. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    16. 18. Claude Monet. Impression: Sunrise . 1872. 49.5 × 64.8 cm. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    17. 19. Pierre-Auguste Renoir. Le Moulin de la Galette . 1876. 51-1/2&quot; × 68-7/8&quot;. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    18. 20. Edgar Degas. The Ballet Class . c. 1879–1880. 32-3/8&quot; × 30-1/4&quot;. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    19. 21. Post-Impressionistic Period <ul><li>Artists reacted in various ways to the impressionistic painters </li></ul>
    20. 22. Georges Seurat. A Sunday on la Grande Jatte . 1884–1886. 81&quot; × 120-3/8&quot;. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
    21. 23. A Sunday on la Grande Jatte <ul><li>Not as spontaneous as an impressionist </li></ul><ul><li>The composition is more refined and organized </li></ul><ul><li>Pointillism-tiny dots of color used to create a form and color </li></ul>
    22. 24. The Starry Night <ul><li>Very textural brush work </li></ul><ul><ul><li>This creates a rhythmic movement </li></ul></ul><ul><li>Uses colors to depict moods and emotions </li></ul>
    23. 25. Vincent van Gogh. The Starry Night . 1889. 29&quot; × 36-1/4&quot;. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

    ×