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Lecturer:- Zerihun Abebe (Msc in conservation of urban and Architectural heritage)
 Reaction, counter reaction, reaction
 Three movements to note:
 Neoclassicism – reaction to baroque and rococo –
trying to bring back the simpler styles and “pure”
ideals of the Classical era (and Renaissance)
 Romanticism – reaction to materialism and focus on
religion and wealth – an attempt to focus on the
individual, nature, and feelings – also to glorify
revolution and social change
 Realism – reaction to social inequality – trying to
show the reality of human life and lower classes
- This was a revival of the styles and spirit of
classic antiquity (Ancient Greece and Rome)
- This movement in art, design and literature
reflected the developments in philosophy and
other areas of the Age of Enlightenment
- Artists and philosophers were reacting against
the EXCESS of the Baroque and especially the
Rococo style
 Artists felt that the Rococo age was just TOO
MUCH and that they should look back to
classical antiquity for the simplicity and
balance they desired
 Also made artworks in which Classical subjects
taught a moral lesson that they felt people
needed to see.
Jacques-Louis
David, Oath of the
Horatii
Interior of Mt. Vernon Estate, owned
By George Washington
US Capitol, Washington
Virginia State Capitol, Built 1788
Wedgwood Vase in the
Style of a Greek Urn, 1815
Portrait of Madame
De Verninac, Jacques-Louis David
 Reaction against excess / consumption of the
Rococo
 Admiration of Ancient Greek and Roman style
 Use of columns, mythical creatures, heroes of
the past
 Idea that the past was a purer, more moral,
more “ideal” time
 The American Revolution – 1776
 The French Revolution – 1789
 Napoleon Crowned emperor of France – 1803
 Haitian Revolution – 1789-1804 (first successful
Slave revolt)
- triumph of individualism and the emotions
- Occurs after the French Revolution
- emphasis on nature as symbolic of emotional life
- The “romantic hero”
- Celebration of rebellion against authority,
individual freedom
- Celebration of personal expression
Jacques-Louis David
Napoleon at St. Bernard’s Pass
1800
oil on canvas
9 ft. 11 1/2 in. x 7 ft. 2 in.
 Often what ties these together is the approach,
rather than the style
 Subject matter has to do with the individual,
with emotions, with real historical events
 We can often recognize dramatic skies as a
common element
Jacques-
Louis
David,
The Death of Marat
1794
Eugene Delacroix, Liberty Leading the People, 1830
Francisco Goya
The Third of May, 1808
1814
oil on canvas
8 ft. 8 in. x 11 ft. 3 in.
Théodore
Géricault
Raft of the Medusa
1818-1819
oil on canvas
Caspar David Friedrich
Wanderer Above the Sea of Fog
1818
oil on canvas
Caspar David Friedrich
Monk by the Sea
1809-10
oil on canvas
Joseph Mallord William Turner
The Slave Ship
1840
oil on canvas
2 ft. 11 11/16 in. x 4 ft. 5/16 in.
neoclassicism_and_romanticism.pptx

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neoclassicism_and_romanticism.pptx

  • 1. Lecturer:- Zerihun Abebe (Msc in conservation of urban and Architectural heritage)
  • 2.  Reaction, counter reaction, reaction  Three movements to note:  Neoclassicism – reaction to baroque and rococo – trying to bring back the simpler styles and “pure” ideals of the Classical era (and Renaissance)  Romanticism – reaction to materialism and focus on religion and wealth – an attempt to focus on the individual, nature, and feelings – also to glorify revolution and social change  Realism – reaction to social inequality – trying to show the reality of human life and lower classes
  • 3. - This was a revival of the styles and spirit of classic antiquity (Ancient Greece and Rome) - This movement in art, design and literature reflected the developments in philosophy and other areas of the Age of Enlightenment - Artists and philosophers were reacting against the EXCESS of the Baroque and especially the Rococo style
  • 4.  Artists felt that the Rococo age was just TOO MUCH and that they should look back to classical antiquity for the simplicity and balance they desired  Also made artworks in which Classical subjects taught a moral lesson that they felt people needed to see.
  • 6. Interior of Mt. Vernon Estate, owned By George Washington US Capitol, Washington Virginia State Capitol, Built 1788
  • 7. Wedgwood Vase in the Style of a Greek Urn, 1815 Portrait of Madame De Verninac, Jacques-Louis David
  • 8.  Reaction against excess / consumption of the Rococo  Admiration of Ancient Greek and Roman style  Use of columns, mythical creatures, heroes of the past  Idea that the past was a purer, more moral, more “ideal” time
  • 9.  The American Revolution – 1776  The French Revolution – 1789  Napoleon Crowned emperor of France – 1803  Haitian Revolution – 1789-1804 (first successful Slave revolt)
  • 10. - triumph of individualism and the emotions - Occurs after the French Revolution - emphasis on nature as symbolic of emotional life - The “romantic hero” - Celebration of rebellion against authority, individual freedom - Celebration of personal expression
  • 11. Jacques-Louis David Napoleon at St. Bernard’s Pass 1800 oil on canvas 9 ft. 11 1/2 in. x 7 ft. 2 in.
  • 12.  Often what ties these together is the approach, rather than the style  Subject matter has to do with the individual, with emotions, with real historical events  We can often recognize dramatic skies as a common element
  • 14. Eugene Delacroix, Liberty Leading the People, 1830
  • 15. Francisco Goya The Third of May, 1808 1814 oil on canvas 8 ft. 8 in. x 11 ft. 3 in.
  • 16. Théodore Géricault Raft of the Medusa 1818-1819 oil on canvas
  • 17. Caspar David Friedrich Wanderer Above the Sea of Fog 1818 oil on canvas
  • 18. Caspar David Friedrich Monk by the Sea 1809-10 oil on canvas
  • 19. Joseph Mallord William Turner The Slave Ship 1840 oil on canvas 2 ft. 11 11/16 in. x 4 ft. 5/16 in.