2015 - Embodied Cognition And Cinema
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2015 - Embodied Cognition And Cinema
- 1. Reprint from Embodied Cognition and Cinema - ISBN 978 94 6270 028 4 - © Leuven University Press, 2015
- 2. Embodied Cognition and Cinema EDITED BY MAARTEN COĂGNARTS AND PETER KRAVANJA WITH A FOREWORD BY MARK JOHNSON Leuven University Press Kravanja_FINAL_DEF.indd 3 25/06/15 20:24 Reprint from Embodied Cognition and Cinema - ISBN 978 94 6270 028 4 - © Leuven University Press, 2015
- 3. © 2015 by Leuven University Press / Universitaire Pers Leuven / Presses Universitaires de Louvain. Minderbroedersstraat 4, B-3000 Leuven (Belgium) All rights reserved. Except in those cases expressly determined by law, no part of this publication may be multiplied, saved in an automated dataile or made public in any way whatsoever without the express prior written consent of the publishers. ISBN 978 94 6270 028 4 D/2015/1869/22 NUR: 670 Cover illustration: âThe Go-Betweenâ © 1971, Renewed 1999 Columbia Pictures, a division of Columbia Pictures Industries, Inc. All Rights Reserved. Courtesy of Columbia Pictures © 1970 STUDIOCANAL Films Ltd. Cover design en lay-out: Frederik Danko Kravanja_FINAL_DEF.indd 4 25/06/15 20:24 Reprint from Embodied Cognition and Cinema - ISBN 978 94 6270 028 4 - © Leuven University Press, 2015
- 4. We had the experience but missed the meaning, And approach to the meaning restores the experience In a diferent form, beyond any meaning We can assign to happiness. T.S. Eliot, Four Quartets Kravanja_FINAL_DEF.indd 5 25/06/15 20:24 Reprint from Embodied Cognition and Cinema - ISBN 978 94 6270 028 4 - © Leuven University Press, 2015
- 5. TABLE OF CONTENTS FOREWORD 9 Mark Johnson ACKNOWLEDGEMENTS 15 FILM AS AN EXEMPLAR OF BODILY MEANING-MAKING 17 Maarten Coëgnarts and Peter Kravanja PART I FILM FORM AND EMBODIED COGNITION FILM NARRATIVE AND EMBODIED COGNITION: THE IMPACT OF IMAGE SCHEMAS ON NARRATIVE FORM 43 Miklós Kiss EMBODIED VISUAL MEANING IN FILM 63 Maarten Coëgnarts and Peter Kravanja FILM MUSIC AS EMBODIMENT 81 Juan Chattah PART II CINEMATIC EMPATHY: ON EMBODIED SIMULATION MECHANISMS AND THE VIEWER THE FLOATING WORLD: FILM NARRATIVE AND VIEWER DIAKRISIS 115 Hannah Chapelle Wojciehowski MODES OF ACTION AT THE MOVIES, OR RE-THINKING FILM STYLE FROM THE EMBODIED PERSPECTIVE 139 Michele Guerra ART IN NOISE: AN EMBODIED SIMULATION ACCOUNT OF CINEMATIC SOUND DESIGN 155 Mark S. Ward 6 Kravanja_FINAL_DEF.indd 6 25/06/15 20:24 Reprint from Embodied Cognition and Cinema - ISBN 978 94 6270 028 4 - © Leuven University Press, 2015
- 6. 7 THE CHARACTERâS BODY AND THE VIEWER: CINEMATIC EMPATHY AND EMBODIED SIMULATION IN THE FILM EXPERIENCE 187 Adriano DâAloia PART III FROM EMBODIED MEANING TO ABSTRACT THOUGHT FILMS AND EMBODIED METAPHORS OF EMOTION 203 MarĂa J. Ortiz EMBODIED CINEMATIC SUBJECTIVITY: METAPHORICAL AND METONYMICAL MODES OF CHARACTER PERCEPTION IN FILM 221 Maarten CoĂ«gnarts and Peter Kravanja ON THE EMBODIMENT OF TEMPORAL MEANING IN CINEMA: PERCEIVING TIME THROUGH THE CHARACTERâS EYES 245 Maarten CoĂ«gnarts and Peter Kravanja EMBODIED ETHICS AND CINEMA: MORAL ATTITUDES FACILITATED BY CHARACTER PERCEPTION 271 Maarten CoĂ«gnarts and Peter Kravanja COGNITIVE SEMIOTICS REVISITED: REFRAMING THE FRAME 295 Warren Buckland NOTES 309 BIBLIOGRAPHY 325 FILMOGRAPHY 357 LIST OF CONTRIBUTORS 359 ILLUSTRATION CREDITS 363 INDEX 365 Kravanja_FINAL_DEF.indd 7 25/06/15 20:24 Reprint from Embodied Cognition and Cinema - ISBN 978 94 6270 028 4 - © Leuven University Press, 2015