RODAN NEED TO KNOW, famous sculpture interested in portraying human body in interesting poses
19 d sculpt arch pics
Sculpturein the Later 19 Century th• issues of realism and expression related to sculpture in the later 19th century.• selection of contemporary subject matter by sculptors.• Identify representative sculptors and works of the later 19th century.
Sculpture: Realist and Expressive• Examine issues of realism, expression and subject matter in sculpture of the later 19th century.
Figure 29-47 JEAN-BAPTISTE CARPEAUX, Ugolino and His Children, 1865–1867. Marble, 6’ 5” high. Metropolitan Museum of Art, New York (Josephine Bay Paul andC. Michael Paul Foundation, Inc. andthe Charles Ulrich and Josephine Bay Foundation, Inc., gifts, 1967).
Figure 29-48 AUGUSTUS SAINT-GAUDENS, Adams Memorial, Rock CreekCemetery, Washington, 1891. Bronze, 5’ 10” high.
Figure 29-50 AUGUSTE RODIN, Burghers of Calais, 1884–1889, cast ca. 1953– 1959. Bronze, 6’ 10 1/2” high, 7’ 11” long, 6’ 6” deep. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington
The Arts & Crafts Movement• ideas of Ruskin and Morris in shaping the Arts and Crafts Movement.• interest in aesthetic functional objects in the Arts and Crafts Movement.• preference for high-quality artisanship and honest labor.
Figure 29-51 WILLIAM MORRIS, Green Dining Room, 1867. Victoria & Albert Museum, London.
Architecturein the Later 19 Century th• new technology and changing needs of urban society and their effects on architecture.• new materials use in architecture and the forms made possible as a result.• how architects were able to think differently about space as a result of new technology and materials.• the remarkable work and theories of Louis Sullivan.
Figure 29-59 LOUIS SULLIVAN, Guaranty(Prudential) Building, Buffalo, 1894–1896.
Figure 29-60 LOUIS SULLIVAN, Carson, Pirie, Scott Building, Chicago, 1899– 1904.
Figure 29-61 RICHARD MORRIS HUNT, The Breakers, Newport, Rhode Island, 1892.
Discussion Questions In what ways did the Modernist art of the later 19th century break from the past? How did Modernist artists call attention to the ‘facts’ of art making? Why did the public find the subjects, forms, and techniques of the Impressionists shocking? What would you consider the most important breakthrough in architecture?