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HOME
story by
Littlefair & Co Production Team
Screenplay by
Littlefair & Co Production Team
Final Draft

1. EXT. A SERIES OF FLATS – DAY 1.
A simple ESTABLISHING SHOT of a series of flats, we pan down
to the road to reveal DAVID, a man in his mid to late
twenties, he is wearing smart but casual clothes, he checks a
piece of paper in his hand and then rings the door bell to the
upper flat, as he’s being let in SAMANTHA a young girl around
ten checks the window to try and see who is at the door.
2. INT. THE LIVING ROOM – DAY 2.
DAVID enters the room with JASON, SAMANTHA’s father. SAM
continues colouring in at the table.
JASON
..and here she is, the light of
my life! (Smiles) Sammie, this is
David – he’s from the local
paper. (Beat) Say hello then!
SAMMIE
(Turns and smiles)
Hello.
(She continues colouring)
JASON
I’m sorry you’ll have to forgive
her, she’s been through quite a
lot in the last couple of years
as you can imagine, had all kinds
of Doctor’s poking and prodding
her.
DAVID
That’s ok.
JASON
Oh where are my manners would you
like a tea or coffee?
DAVID
Er.. No thanks, actually, I’m
pretty pushed for time today, so
maybe just the interview?
JASON
Sure.. Now Sammie, this man’s
going to write a story all about
you and he wants to ask you some
questions – like I said earlier.
Ok?
SAMMIE
(Being sweet)
Ok Dad.
JASON
Well look, I’ll leave you guys
for a few minutes (to SAMMIE)
I’ll be right next door ok
Sammie?
SAMMIE
Ok.
JASON
Ok.
JASON leaves the room and DAVID smiles at SAMMIE.
CUT TO:
3. EXT. THE FRONT DOOR OF THE FLAT – DAY 3.
JASON shows DAVID out.
JASON
Well thanks for coming and I hope
it was all right for you.
DAVID
Yes – thanks. Oh just one more
thing.
JASON
Yes?
DAVID
You say all kinds of Doctor’s have
looked at her?
JASON
That’s right.
DAVID
And she still won’t leave the
room?
JASON
She’s been up there for two years.
Ever since her mum died. Simply
screams the place down if you try
and remove her from the room. She
nearly killed one Doctor that
tried to do it!
DAVID
Ok.. Ok.. Thanks anyway, I’ll be
in touch.
JASON
Ok take care thanks for coming.
DAVID
Oh just one thing –
JASON
Yes?
DAVID
Did anyone think of moving her at
night?
JASON
What?
DAVID
Well at night, in the dark and
when’s she’s asleep, she can’t
tell where she is – if you move
her into your room, you would be
able to see her reaction in the
morning maybe.. Just a thought –
see ya!
From the upper window SAMMIE watches DAVID leave.
DISSOLVE TO:
The same exterior of the flat but late at night.
4. INT. THE LIVING ROOM – NIGHT 4.
The clock in the living room says 02:34 when SAMMIE is picked
up by JASON.
5. INT. JASONs BEDROOM – NIGHT 5.
JASON pops SAMMIE into the bed and smiles at her. He then gets
into bed next to her, turns over and drifts asleep. SAMMIE’s
eyes open wide. JASON turns over and notices SAMMIE has gone.
He sits up, the clock says 02:42.
JASON
Sammie?
(Reaches for the light)
SAMMIE
(as a shadow on the wall)
Turn on that light and I’ll kill
you.
JASON
Oh Sammie, stop mucking around!
He reaches for the light again but recoils back, his arm has
been cut.
JASON
Shit Sammie! STOP MUCKING AROUND!
SAMMIE
Turn that light on again and I’ll
kill you like you killed mum! I
saw you!
JASON
Sammie! Stop this!
JASON reaches over to the light and manages to switch it on.
But SAMMIE has gone.
JASON
SAMMIE!?
He gets out of bed and carefully looks around the corner –
nothing. He walks through the corridor– no sign of SAMMIE.
6. INT. JASONs BATHROOM – NIGHT 6.
JASON enters the bathroom and switches on the light and then
the tap, he cleans his arm. Blood gushes down the sink and
then he stops dries his hand, he looks into the mirror.
Suddenly from behind him the door bangs shut.
JASON
SAMMIE! Sammie you little bitch
open the…
As if by magic, the door is not locked and he pulls it open.
He looks into the living room – no one. He creeps in,
breathing heavily. A tense moment builds as he looks around
the room. He notices a drawing SAMMIE has done. He walks over
to it and picks it up. It is of him murdering her mother. We
see JASON’s silhouette shadowed on the wall of the living
room. Suddenly, SAMMIE’s silhouette appears. She stabs him
three times.
FADE TO BLACK
OVER THE END CREDITS WE HEAR VO:
DAVID
This is David Langdon, interview
conducted 21st June, 2011. I’m here
with Sammie Knight, aged 10. How
are you today Sammie?
SAMMIE
I’m fine.
DAVID
Sammie, why have you not left this
room in over two years?
SAMMIE
Because my Daddy murdered my Mummy
in this room.
DAVID
What? Your mother? That would be..
SAMMIE
Dorothy Knight, yes. Right here –
over there in fact.
DAVID
And you’ve wanted to stay here at
home?
SAMMIE
There’s no place like home.
DAVID
So, if your Daddy killed your Mummy
in this room, why haven’t you ever
told anyone?
SAMMIE
I’m telling you, silly.
DAVID
So, you cannot and will not leave
the room huh?
SAMMIE
No because if I ever do – I will
kill him.
DAVID
Who?
SAMMIE
My Daddy of course.
DAVID
Well Sammie (Laughs) That certainly
would make a much bigger and better
story wouldn’t it!
SAMMIE
Yes – it would.
END
"HOME" Final script

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"HOME" Final script

  • 1. HOME story by Littlefair & Co Production Team Screenplay by Littlefair & Co Production Team Final Draft

  • 2. 1. EXT. A SERIES OF FLATS – DAY 1. A simple ESTABLISHING SHOT of a series of flats, we pan down to the road to reveal DAVID, a man in his mid to late twenties, he is wearing smart but casual clothes, he checks a piece of paper in his hand and then rings the door bell to the upper flat, as he’s being let in SAMANTHA a young girl around ten checks the window to try and see who is at the door. 2. INT. THE LIVING ROOM – DAY 2. DAVID enters the room with JASON, SAMANTHA’s father. SAM continues colouring in at the table. JASON ..and here she is, the light of my life! (Smiles) Sammie, this is David – he’s from the local paper. (Beat) Say hello then! SAMMIE (Turns and smiles) Hello. (She continues colouring) JASON I’m sorry you’ll have to forgive her, she’s been through quite a lot in the last couple of years as you can imagine, had all kinds of Doctor’s poking and prodding her. DAVID That’s ok. JASON Oh where are my manners would you like a tea or coffee? DAVID Er.. No thanks, actually, I’m pretty pushed for time today, so maybe just the interview? JASON Sure.. Now Sammie, this man’s going to write a story all about you and he wants to ask you some questions – like I said earlier. Ok? SAMMIE (Being sweet) Ok Dad.
  • 3. JASON Well look, I’ll leave you guys for a few minutes (to SAMMIE) I’ll be right next door ok Sammie? SAMMIE Ok. JASON Ok. JASON leaves the room and DAVID smiles at SAMMIE. CUT TO: 3. EXT. THE FRONT DOOR OF THE FLAT – DAY 3. JASON shows DAVID out. JASON Well thanks for coming and I hope it was all right for you. DAVID Yes – thanks. Oh just one more thing. JASON Yes? DAVID You say all kinds of Doctor’s have looked at her? JASON That’s right. DAVID And she still won’t leave the room? JASON She’s been up there for two years. Ever since her mum died. Simply screams the place down if you try and remove her from the room. She nearly killed one Doctor that tried to do it! DAVID Ok.. Ok.. Thanks anyway, I’ll be in touch.
  • 4. JASON Ok take care thanks for coming. DAVID Oh just one thing – JASON Yes? DAVID Did anyone think of moving her at night? JASON What? DAVID Well at night, in the dark and when’s she’s asleep, she can’t tell where she is – if you move her into your room, you would be able to see her reaction in the morning maybe.. Just a thought – see ya! From the upper window SAMMIE watches DAVID leave. DISSOLVE TO: The same exterior of the flat but late at night. 4. INT. THE LIVING ROOM – NIGHT 4. The clock in the living room says 02:34 when SAMMIE is picked up by JASON. 5. INT. JASONs BEDROOM – NIGHT 5. JASON pops SAMMIE into the bed and smiles at her. He then gets into bed next to her, turns over and drifts asleep. SAMMIE’s eyes open wide. JASON turns over and notices SAMMIE has gone. He sits up, the clock says 02:42. JASON Sammie? (Reaches for the light) SAMMIE (as a shadow on the wall) Turn on that light and I’ll kill you. JASON Oh Sammie, stop mucking around! He reaches for the light again but recoils back, his arm has been cut.
  • 5. JASON Shit Sammie! STOP MUCKING AROUND! SAMMIE Turn that light on again and I’ll kill you like you killed mum! I saw you! JASON Sammie! Stop this! JASON reaches over to the light and manages to switch it on. But SAMMIE has gone. JASON SAMMIE!? He gets out of bed and carefully looks around the corner – nothing. He walks through the corridor– no sign of SAMMIE. 6. INT. JASONs BATHROOM – NIGHT 6. JASON enters the bathroom and switches on the light and then the tap, he cleans his arm. Blood gushes down the sink and then he stops dries his hand, he looks into the mirror. Suddenly from behind him the door bangs shut. JASON SAMMIE! Sammie you little bitch open the… As if by magic, the door is not locked and he pulls it open. He looks into the living room – no one. He creeps in, breathing heavily. A tense moment builds as he looks around the room. He notices a drawing SAMMIE has done. He walks over to it and picks it up. It is of him murdering her mother. We see JASON’s silhouette shadowed on the wall of the living room. Suddenly, SAMMIE’s silhouette appears. She stabs him three times. FADE TO BLACK OVER THE END CREDITS WE HEAR VO: DAVID This is David Langdon, interview conducted 21st June, 2011. I’m here with Sammie Knight, aged 10. How are you today Sammie? SAMMIE I’m fine.
  • 6. DAVID Sammie, why have you not left this room in over two years? SAMMIE Because my Daddy murdered my Mummy in this room. DAVID What? Your mother? That would be.. SAMMIE Dorothy Knight, yes. Right here – over there in fact. DAVID And you’ve wanted to stay here at home? SAMMIE There’s no place like home. DAVID So, if your Daddy killed your Mummy in this room, why haven’t you ever told anyone? SAMMIE I’m telling you, silly. DAVID So, you cannot and will not leave the room huh? SAMMIE No because if I ever do – I will kill him. DAVID Who? SAMMIE My Daddy of course. DAVID Well Sammie (Laughs) That certainly would make a much bigger and better story wouldn’t it! SAMMIE Yes – it would. END