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Atmosphere Productions
Decoy
Screenplay
Scene 1:
INT. OLIVER’ LIVING ROOM – NIGHT
Very spacious, clean and empty living room.
ANTONIO KAZACAR menacingly lifting his head up after finishing his
prayer. Low-key lighting in the living room. Antonio will be muttering
his prayer for a more deep and meaningful effect. The camera will
slowly pan up, looking at Antonio’s face and he will look directly at
the camera.
There is no dialogue in this scene, just Antonio muttering his prayer
into his hands.
Scene 2:
EXT. ROOF OF SCHOOL – DAY/MORNING
SHEPARD cautiously but rapidly comes out onto the roof and uses
quick mental analysis to identify the perfect observation point, on a
cluttered but open roof. He rushes into a prone position, while
assembling his weapon. In quick succession, he opens the gun bag,
takes out the rifle, sets up the bipod and roughly places the rifle on
the ground with the butt of the rifle pushing firmly into his shoulder.
Takes a deep breathe, calms his heart rate and looks through the rifle
scope.
Nearby general CITY sounds such as (CAR HORNS, ENGINES, TALKING
etc.) Are muffled in the background for diegetic sounds to add more
to the scene.
Scene 3:
EXT. ON THE STREET – DAY
FISHER leaning up the wall, acting normal, is speaking to Shepard
through his earpiece. Around the area, there are sounds in the
background (CARS & PEOPLE CHATTING)
ANTONIO KAZACAR comes round the corner, heading towards the
alley. Fisher follows him down the alley. Antonio realises and tries to
make a dash for it; Fisher catches him and grabs him up the fence.
ANTONIO: (laughing) It’s too late
FISHER: (shouting) What!?
Then screaming is heard in the background. Fisher runs to find the
course of the screaming.
SHEPARD: (shouts) Where is it!?
There is no response from Fisher. Shepard finds the other terrorist
on his scope. Then the screen blacks out, with a bomb sound, a
gunshot and screams. Then it goes to 4 months earlier, and it is a
scene with Antonio, just about to go to school, like he is living the
normal life.

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Screenplay 2a1z9va

  • 1. Atmosphere Productions Decoy Screenplay Scene 1: INT. OLIVER’ LIVING ROOM – NIGHT Very spacious, clean and empty living room. ANTONIO KAZACAR menacingly lifting his head up after finishing his prayer. Low-key lighting in the living room. Antonio will be muttering his prayer for a more deep and meaningful effect. The camera will slowly pan up, looking at Antonio’s face and he will look directly at the camera. There is no dialogue in this scene, just Antonio muttering his prayer into his hands. Scene 2: EXT. ROOF OF SCHOOL – DAY/MORNING SHEPARD cautiously but rapidly comes out onto the roof and uses quick mental analysis to identify the perfect observation point, on a cluttered but open roof. He rushes into a prone position, while assembling his weapon. In quick succession, he opens the gun bag, takes out the rifle, sets up the bipod and roughly places the rifle on the ground with the butt of the rifle pushing firmly into his shoulder. Takes a deep breathe, calms his heart rate and looks through the rifle scope. Nearby general CITY sounds such as (CAR HORNS, ENGINES, TALKING etc.) Are muffled in the background for diegetic sounds to add more to the scene.
  • 2. Scene 3: EXT. ON THE STREET – DAY FISHER leaning up the wall, acting normal, is speaking to Shepard through his earpiece. Around the area, there are sounds in the background (CARS & PEOPLE CHATTING) ANTONIO KAZACAR comes round the corner, heading towards the alley. Fisher follows him down the alley. Antonio realises and tries to make a dash for it; Fisher catches him and grabs him up the fence. ANTONIO: (laughing) It’s too late FISHER: (shouting) What!? Then screaming is heard in the background. Fisher runs to find the course of the screaming. SHEPARD: (shouts) Where is it!? There is no response from Fisher. Shepard finds the other terrorist on his scope. Then the screen blacks out, with a bomb sound, a gunshot and screams. Then it goes to 4 months earlier, and it is a scene with Antonio, just about to go to school, like he is living the normal life.