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The second shot is Dante is washing blood off
his hands, he starts washing his face.
Close up shot of him washing his hands in the
sink, which eventually panes up to his face.
Scene 1: INT. The film opens in a bathroom
which has an isolated and grim appearance.
Wide shot this introduces the setting to the
audience.
No music, no dialogue, only diegetic sound of
water falling and heavy breathing.
The lighting will be dim which will added to the
grim appearance.
The third shot is, after Dante washes his face, he
just stares at himself in the mirror, still
breathing heavily.
Wide shot to show his facial expression in the
mirror, he looks to be lost in thought.
EXT. Shot changes to Tyler and Amelia, who have
met up to talk about her current situation.
Dialogue: ‘‘My husband worked for Ty and was killed
by a member from Dante's gang…’’
Two people having a conversation which will be shot
over the shoulder and the 180 degree rule will be
applied.
Wide shot to introduces the surrounding and the
characters appearance.
No music, just dialogue between the two characters,
also possible diegetic sound of the wind and etc.
Lighting will be natural lighting of the sun.
Scene 2: INT. A group of men are sitting around a
table, in a dim lit room, where everything is quiet
with only intense music in the background.
Everyone is staring at each other curiously.
The shot is wide shot to introduce the setting
and characters. The camera is panning around in
a circular motion. All the actor’s facial
expressions are shot.
Dante and Tyler are intensely staring at each
other, both having murderous look in their eyes.
Wide shot to Close up shot of the face to
emphasize the anger and frustration Tyler and
Dante are feeling.
Non diegetic intense music.
Dante is spinning a coin around to control his anger.
Close up of the coin spinning, it turns to slow motion
while the coin is spinning which eventually turns back
to its normal speed. Dante slams the coin down and
the intense music stops. The camera slowly starts to
pane up to his face.
Scene 3: EXT. This scene will be in a forest,
Dante and his men go to the forest after they
get a call that they will find something he has
been looking for.
Bird eye view shot of them walking which also
introduces the environment which eventually
turns into a wide shot that follow them as they
walk.
Natural lighting of the sun.
Non-diegetic intense music accompanied with
the diegetic sounds of the forest.
When he arrives and finds a dead body, when
he looks at the body he finds out that it’s one of
his men.
Dialogue:
Dante: ‘‘FUCK! This is the final time, this is it
(stares at the body) collect the body were
leaving.’’
Medium shot of the body to show the main
focus of the shot.
Dante notices a mark that has been left on the
body, which belongs to the rival gang.
Close up of the hand to show the mark.
Scene 4: EXT. Amelia is walking to meet her
husband.
Wide shot this follows her from behind as she
walks.
There is natural lighting from the sun and
diegetic sound of the surrounding.
She gets a message and when she opens it, she
sees that it’s a video of her husband being
murdered.
Close up of the phone and shot goes between
the phone and Amelia’s face to show her facial
reaction.
Amelia drops to the ground and starts
screaming and crying.
Medium shot of Amelia crying. There is non-
diegetic sad music playing in the background.
Scene 3: EXT. Amelia goes to the coffee shop that
Dante goes to on a regular.
No Dialogue.
Natural lighting from the sun.
Wide shot to establish setting.
INT. Amelia walks in and gets coffee then starts
looking around for Dante.
No Dialogue.
Bright lighting.
Medium shot.
Amelia eventually spots Dante and takes this as
an opportunity to bump into him.
Dialogue: Amelia: ‘‘Ow…’’
Close up shot to focus on what just happened
between Jessica and Dante.
5
5
Amelia moves back and looks up to Dante and
starts apologising.
Dialogues:
Amelia: ‘‘Omg! I am so sorry’’
Dante: ‘‘That’s fine, just watch out at where
you’re walking next time…’’
Medium shot.
No music.
Amelia suggests for them to sit somewhere and
get to know each other.
No music.
They sit and to converse with each other.
No dialogue, just music in the background.
Two shot which starts to blur by the end of the
shot.
Scene 6:
2 Months in.
INT. Bedroom, Dante is waiting for Amelia at their
house, his talking to her on his phone.
Dialogue: Dante: ‘‘Where are you Amelia? I’ve been
waiting for you for the past hour. You better hurry up,
where are you now? Amelia if you don’t come now I’m
leaving, hurry up...’’
Wide shot to introduce the environment and the
character.
No music, just dialogue.
Natural lighting.
While talking on the phone, Dante is looking for
his watch.
Wide shot, panes around the room while his
looking.
No music.
While looking, Dante finds a bunch of papers and
sees his pictures on the papers; he starts reading
the papers. Dante is dazed, from what he just
found; he is both shocked and angry.
Close up of the paper and his face to show his
facial expression.
Intense music in the background.
Dante is staring of to the distance and is holding a gun
in his hand.
Wide shot from behind which establishes the
environment and what the character is doing.
Natural lighting.
Diegetic sounds from the environment. No music.
Dante brings the gun to his head and shots, the
screen goes blank.
Close up shot which follows the gun.
Intense music.
Dante is staring of to the distance and is holding a gun
in his hand.
Wide shot from behind which establishes the
environment and what the character is doing.
Natural lighting.
Diegetic sounds from the environment. No music.
Dante brings the gun to his head and shots, the
screen goes blank.
Close up shot which follows the gun.
Intense music.

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Enzyme, Pharmaceutical Aids, Miscellaneous Last Part of Chapter no 5th.pdf
 

Trailer storyboard.

  • 1. The second shot is Dante is washing blood off his hands, he starts washing his face. Close up shot of him washing his hands in the sink, which eventually panes up to his face. Scene 1: INT. The film opens in a bathroom which has an isolated and grim appearance. Wide shot this introduces the setting to the audience. No music, no dialogue, only diegetic sound of water falling and heavy breathing. The lighting will be dim which will added to the grim appearance. The third shot is, after Dante washes his face, he just stares at himself in the mirror, still breathing heavily. Wide shot to show his facial expression in the mirror, he looks to be lost in thought.
  • 2. EXT. Shot changes to Tyler and Amelia, who have met up to talk about her current situation. Dialogue: ‘‘My husband worked for Ty and was killed by a member from Dante's gang…’’ Two people having a conversation which will be shot over the shoulder and the 180 degree rule will be applied. Wide shot to introduces the surrounding and the characters appearance. No music, just dialogue between the two characters, also possible diegetic sound of the wind and etc. Lighting will be natural lighting of the sun.
  • 3. Scene 2: INT. A group of men are sitting around a table, in a dim lit room, where everything is quiet with only intense music in the background. Everyone is staring at each other curiously. The shot is wide shot to introduce the setting and characters. The camera is panning around in a circular motion. All the actor’s facial expressions are shot. Dante and Tyler are intensely staring at each other, both having murderous look in their eyes. Wide shot to Close up shot of the face to emphasize the anger and frustration Tyler and Dante are feeling. Non diegetic intense music. Dante is spinning a coin around to control his anger. Close up of the coin spinning, it turns to slow motion while the coin is spinning which eventually turns back to its normal speed. Dante slams the coin down and the intense music stops. The camera slowly starts to pane up to his face.
  • 4. Scene 3: EXT. This scene will be in a forest, Dante and his men go to the forest after they get a call that they will find something he has been looking for. Bird eye view shot of them walking which also introduces the environment which eventually turns into a wide shot that follow them as they walk. Natural lighting of the sun. Non-diegetic intense music accompanied with the diegetic sounds of the forest. When he arrives and finds a dead body, when he looks at the body he finds out that it’s one of his men. Dialogue: Dante: ‘‘FUCK! This is the final time, this is it (stares at the body) collect the body were leaving.’’ Medium shot of the body to show the main focus of the shot. Dante notices a mark that has been left on the body, which belongs to the rival gang. Close up of the hand to show the mark.
  • 5. Scene 4: EXT. Amelia is walking to meet her husband. Wide shot this follows her from behind as she walks. There is natural lighting from the sun and diegetic sound of the surrounding. She gets a message and when she opens it, she sees that it’s a video of her husband being murdered. Close up of the phone and shot goes between the phone and Amelia’s face to show her facial reaction. Amelia drops to the ground and starts screaming and crying. Medium shot of Amelia crying. There is non- diegetic sad music playing in the background.
  • 6. Scene 3: EXT. Amelia goes to the coffee shop that Dante goes to on a regular. No Dialogue. Natural lighting from the sun. Wide shot to establish setting. INT. Amelia walks in and gets coffee then starts looking around for Dante. No Dialogue. Bright lighting. Medium shot. Amelia eventually spots Dante and takes this as an opportunity to bump into him. Dialogue: Amelia: ‘‘Ow…’’ Close up shot to focus on what just happened between Jessica and Dante. 5
  • 7. 5 Amelia moves back and looks up to Dante and starts apologising. Dialogues: Amelia: ‘‘Omg! I am so sorry’’ Dante: ‘‘That’s fine, just watch out at where you’re walking next time…’’ Medium shot. No music. Amelia suggests for them to sit somewhere and get to know each other. No music. They sit and to converse with each other. No dialogue, just music in the background. Two shot which starts to blur by the end of the shot.
  • 8. Scene 6: 2 Months in. INT. Bedroom, Dante is waiting for Amelia at their house, his talking to her on his phone. Dialogue: Dante: ‘‘Where are you Amelia? I’ve been waiting for you for the past hour. You better hurry up, where are you now? Amelia if you don’t come now I’m leaving, hurry up...’’ Wide shot to introduce the environment and the character. No music, just dialogue. Natural lighting. While talking on the phone, Dante is looking for his watch. Wide shot, panes around the room while his looking. No music. While looking, Dante finds a bunch of papers and sees his pictures on the papers; he starts reading the papers. Dante is dazed, from what he just found; he is both shocked and angry. Close up of the paper and his face to show his facial expression. Intense music in the background.
  • 9. Dante is staring of to the distance and is holding a gun in his hand. Wide shot from behind which establishes the environment and what the character is doing. Natural lighting. Diegetic sounds from the environment. No music. Dante brings the gun to his head and shots, the screen goes blank. Close up shot which follows the gun. Intense music.
  • 10. Dante is staring of to the distance and is holding a gun in his hand. Wide shot from behind which establishes the environment and what the character is doing. Natural lighting. Diegetic sounds from the environment. No music. Dante brings the gun to his head and shots, the screen goes blank. Close up shot which follows the gun. Intense music.