1. Visual Storyboard
Here I will be explaining visually the route and actions will take from awaking, to
getting home. When we coming to film, we will be using different actors, correct
propsHere somebe may vary.
and I will shot

2. Mid shot- tunnel scene
In this shot Conor will be awaking in the tunnel, this shot may just to an close-up Ariel
view of his face. This is to establish the character immediately, signalling to the audience
to identity with him.

3. Mid shot- tunnel scene
This mid shot will show how dazed and confused Conor is, and will signal the start
oh his journey home. The focus on just character with a blurry background again
emphasises conor’s importance and conveys to the audience he is in unknown
surroundings.

4. Mid shot- gas hills scene
This shot will change to an over-the-shoulder, giving the audience conor’s perspective, it
will also put on emphasis on the camera that will be wrapped around his neck, hinting to
the audience it will have some significance in the future.

5. Long shot- Gas Hills scene
Again this shot will emphasise the actors loneliness and delirium, as directors we will
try to signify how rural the environment is, conveying to the audience that Conor is
lost and in a unknown environment.

6. Long shot- Gas Hills
This long shot features the actor holding their stomach in pain. The audience will
then question what has happened at how he has got their. Clues that hint further
parts of the plot.

7. Mid shot- gas Hills

8. Long shot- Lane

9. POV shot- lane
The POV shot of the lane will help the audience identity with Conor, accompanied by shaky
camera movement and quick zoom transitions it will create a fast paced, panicked
atmosphere that will echo throughout the film.

10. Mid shot- Lane

11. Mid shot- lane

12. Long shot- lane

13. Mid shot- Door
The actor opening the door will introduce to the audience an important setting
throughout the film.