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1. We start the music video with stock
footage of grass being sped up and
being reversed so the grass goes
back into the soil.
Further through, the shot
changes to a crane shot giving
the viewer a high perspective of
the band members. This is
unconventional but works.
The shot then slowly moves
into the environment in which
the music video is based in and
zooms into a mid shot of the
drummer.
At the end of the music video, it is the opposite to the
beginning so we end with the grass growing up in
really fast speed. This lasts about 5 seconds and does
a good job in relating back to narrative and the point
of the music video.
The shot then changes to
another crane shot but this time
giving the viewer a areal view of
the DJ. This is conventional and
used all across music videos. As
it gives a good perspective to
what the DJ sees.
The music video has
a lack of locations
but does a good job
in executing this and
a wide range of shot
types/movements
have been used
throughout and very
effectively. The
tempo of the music
video is kept at a fast
speed and this
increases intensity
which is very
conventional in this
genre.