SlideShare a Scribd company logo
1 of 12
EMILY DICKINSON’S THE
LIGHTNING IS A YELLOW FORK
ANALYSIS
Yolanda Ayu Belia
13020114120003
Abstract
This paper, the writer tries to analyze a
poem, entitled “The Lightning is a Yellow
Fork “ written by Emily Dickinson. The
purpose of this writing is to analyze the poem
intrinsically. This research uses Imagery
(Visual Imagery) and Symbol as a Figurative
Language.
Keywords: Emily Dickinson, Visual Imagery,
Symbol.
1. Introduction
The poem “The Lightning is A Yellow Fork” by Emily
Dickinson uses lightning, a common thing, to question the
existence of God. Dickinson says that lightning is like a fork that
is dropped from the sky inadvertently.
2. Methodology
a. To analyze the symbol in Emily Dickinson, The Lightning is a
Yellow Fork.
b. To analyze the imagery in Emily Dickinson, The Lightning is a
Yellow Fork.
3. Research Object
Research objective are the result sought by the researcher
at the end of the research process, i.e. what the reseacher will be
able to achieve at the end of the research study.
4. Biography and Poetry
In this part contains the biography of Emily Dickinson and the poem.
a. Biography of Emily Dickinson.
Emily Dickinson was born on December 10, 1830, in Amherst,
Massachusetts. She attended Mount Holyoke Female Seminary in South
Hadley, but only for one year. Throughout her life, she seldom left her home
and visitors were few. The people with whom she did come in contact,
however, had an enormous impact on her poetry. She was particularly stirred
by the Reverend Charles Wadsworth, whom she first met on a trip to
Philadelphia. He left for the West Coast shortly after a visit to her home in
1860, and some critics believe his departure gave rise to the heartsick flow of
verse from Dickinson in the years that followed.While it is certain that he was
an important figure in her life, it is not clear that their relationship was
romantic—she called him “my closest earthly friend.” Other possibilities for
the unrequited love that was the subject of many of Dickinson’s poems include
Otis P. Lord, a Massachusetts Supreme Court judge, and Samuel Bowles,
editor of the Springfield Republican
Taken from: https://www.poets.org/poetsorg/poet/emilydickinson&usg.
b. The Poem
The Lightning Is A Yellow Fork
By : Emily Dickinson
The Lightning is a yellow Fork
From Tables in the sky
By inadvertent fingers dropt
The awful Cutlery
Of mansions never quite disclosed
And never quite concealed
The Apparatus of the Dark
To ignorance revealed.
5. Discussion
Discussion of the elements here is focussed on the aspect of
intrinsic elements.
a. Symbol
Symbol is one of intrinsic element that is often in poetry.
There is definitions of symbol according to Laurence Perrine
(1969:83): “A symbol may be roughly defined as something that
means more than what it is.
Stanza 1 Line 1
The Lightning is a yellow Fork
In this stanza has two symbol that will be discussed. The
first one is The Lightning, it is simply referring to the things like
lightning only offer us glimpses of something that may never be
completely revealed. The second is a yellow Fork. It is just a
dinner fork that has a yellow color from the house/ the mansions.
But, Dickinson might be taking that old phrase about a "fork of
lightning" literally. We usually think of lightning as majestic.
Stanza 1 Line 2
From Tables in the sky
This line, sky means that above, above the table
and it is the fork in. Again we look upward and imagine
"Tables in the sky" it might the fork has fallen from
somewhere, right? In this case, the fork has fallen from
the dinning table.
Stanza 1 Line 4
The awful Cutlery
In this line, the cutlery seems to belong to an
enormous, not-quite-visible household somewhere up
there. Awful Cutlery, may also means "awful" in its
original sense of awe- or dread-inspiring. This is the
most amazing and terrifying fork.
Stanza 2 Line 1 and 2
Of mansions never quite disclosed
And never quite concealed
In this stanza, the mansions is a mysterious house
up in the sky, which is neither seen nor unseen. Never
quite disclosed and never quite concealed suggests that
we're always aware that it's there, but we can't see it.
The word "mansions" suggests to us that it's a
mysterious dwelling places.
Stanza 2 Line 3
The Apparatus of the Dark
This line, seems to indicate symbol of the
workings of the sky. We can take this to refer to the
literal "dark," as in the night sky. This half-revealed
"Apparatus," or the shady framework of the mansions.
b. Imagery
The meaning of Imagery according to X.J
Kennedy in Literature : An Introduction to Fiction,
Poetry, and Drama (1979:464) “A word or sequence of
words that refers to any sensory experience.”. This
introductory section is designed to acquaint students
with the various types of images—visual, auditory,
olfactory, gustatory, tactile, kinetic, and kinesthetic—all
of which account for the appeal and validity of poetry.
There are several type of imagery , but this study will
only focus on visual imagery.
Stanza 1 Line 1 and 2
The Lightning is a yellow Fork
From Tables in the sky
Both of his lines are a visual imagery. Here, the readers
can imagine the striking lightning as a yellow fork. Imagine it's a
dark and stormy night. You hear thunder rumbling and then see a
sudden flash as a golden dinner fork falls from the sky and spears
the ground.
Stanza 1 Line 4
The awful Cutlery
This line contains a visual imagery. The readers are able
to imagine how awful the cutlery . We're starting to get a feeling
that this poem isn't just about lightning being huge and fork-like,
but maybe as a symbol of something even bigger and more awe-
inspiring.
Stanza 2 Line 1,2,3,4
Of mansions never quite disclosed
And never quite concealed
The Apparatus of the Dark
To ignore revealed.
All of this stanza, contains a visual imagery . The
"mansions" described in this poem are, in fact, barely described at
all. The second stanza evasively talks around the big houses in
the sky. It hints at them but doesn't dare describe them. The
readers can make a conclusion, they're (The mansions) not for us
to see. We get glimpses of the "Apparatus" of divine power, but
we aren't allowed to know anything more specific about it. The
"mansions" are framed as shady, obscure, and half-seen, and we
remain mostly "ignorant" of their true nature.
6. Conclusion
The Lightning is a yellow Fork is a poem written
by Emily Dickinson. This poem is interesting because the poet
sees a bolt of lightning and reflects on how the bolt is like a
fork. This leads her into an imaginative meditation on this piece
of awe-inspiring cutlery: if the lightning is a fork, it falls from
some mysterious table, dropped accidentally by some mysterious
hand, in some mysterious house. We can't ever see who's doing
the dropping, or where they live, but the glimpse of the falling
"fork," the poem concludes, reveals to us (poor, ignorant humans
that we are) the fact that these greater powers are out there.
7. References
Perrine, Laurence. 1969. Sound And Sense, An
Introduction to Poetry, Third Edition.USA:Harcourt, Brace and
World, Inc.
Kennedy, X.J. 1979. Literature : An Introduction to
Fiction, Poetry, and Drama.USA. Little Brown & Company

More Related Content

What's hot

03 reference and inference
03 reference and inference03 reference and inference
03 reference and inferencegadis pratiwi
 
07 politeness and interaction for students
07 politeness and interaction for students07 politeness and interaction for students
07 politeness and interaction for studentsgadis pratiwi
 
Pragmatics implicature
Pragmatics implicaturePragmatics implicature
Pragmatics implicaturephannguyen161
 
Deixis and distance
Deixis and distanceDeixis and distance
Deixis and distanceBarozh
 
Pragmatic Referece and Inference
Pragmatic Referece and InferencePragmatic Referece and Inference
Pragmatic Referece and InferenceFebri Shandy
 
Unit 3 - Reference and Sense
Unit 3 -  Reference and SenseUnit 3 -  Reference and Sense
Unit 3 - Reference and SenseAshwag Al Hamid
 
The Role of context (Discourse Analysis)
The Role of context (Discourse Analysis)The Role of context (Discourse Analysis)
The Role of context (Discourse Analysis)Faiza Sandhu
 
M2 session 3 slides
M2 session 3 slidesM2 session 3 slides
M2 session 3 slidesAnh Le
 
Unit 4 - Referring Expressions
Unit 4 -  Referring ExpressionsUnit 4 -  Referring Expressions
Unit 4 - Referring ExpressionsAshwag Al Hamid
 
Week 5 syntactic and semantic role of clause elements (with key)
Week 5   syntactic and semantic role of clause elements (with key)Week 5   syntactic and semantic role of clause elements (with key)
Week 5 syntactic and semantic role of clause elements (with key)Pham Van van Dinh
 
Speech acts and events
Speech acts and eventsSpeech acts and events
Speech acts and eventsYophi Gimbal
 
Pragmatics - George Yule
Pragmatics - George YulePragmatics - George Yule
Pragmatics - George YuleAnthony Salinas
 
William Wordsworth's I Wandered Lonely As A Cloud Analysis
William Wordsworth's I Wandered Lonely As A Cloud AnalysisWilliam Wordsworth's I Wandered Lonely As A Cloud Analysis
William Wordsworth's I Wandered Lonely As A Cloud Analysisfemirchm
 
A Red, Red Rose Analysis
A Red, Red Rose AnalysisA Red, Red Rose Analysis
A Red, Red Rose Analysishanintams
 
Ngữ nghĩa synonymy and lexical variants
Ngữ nghĩa   synonymy and lexical variantsNgữ nghĩa   synonymy and lexical variants
Ngữ nghĩa synonymy and lexical variantsThao Le
 

What's hot (20)

03 reference and inference
03 reference and inference03 reference and inference
03 reference and inference
 
07 politeness and interaction for students
07 politeness and interaction for students07 politeness and interaction for students
07 politeness and interaction for students
 
Pragmatics implicature
Pragmatics implicaturePragmatics implicature
Pragmatics implicature
 
Pragmatic politeness
Pragmatic politenessPragmatic politeness
Pragmatic politeness
 
Deixis and distance
Deixis and distanceDeixis and distance
Deixis and distance
 
Pragmatic Referece and Inference
Pragmatic Referece and InferencePragmatic Referece and Inference
Pragmatic Referece and Inference
 
Modern poetry
Modern poetryModern poetry
Modern poetry
 
Hedges
Hedges Hedges
Hedges
 
Unit 3 - Reference and Sense
Unit 3 -  Reference and SenseUnit 3 -  Reference and Sense
Unit 3 - Reference and Sense
 
The Role of context (Discourse Analysis)
The Role of context (Discourse Analysis)The Role of context (Discourse Analysis)
The Role of context (Discourse Analysis)
 
M2 session 3 slides
M2 session 3 slidesM2 session 3 slides
M2 session 3 slides
 
Unit 4 - Referring Expressions
Unit 4 -  Referring ExpressionsUnit 4 -  Referring Expressions
Unit 4 - Referring Expressions
 
Week 5 syntactic and semantic role of clause elements (with key)
Week 5   syntactic and semantic role of clause elements (with key)Week 5   syntactic and semantic role of clause elements (with key)
Week 5 syntactic and semantic role of clause elements (with key)
 
Speech acts and events
Speech acts and eventsSpeech acts and events
Speech acts and events
 
Pragmatics - George Yule
Pragmatics - George YulePragmatics - George Yule
Pragmatics - George Yule
 
William Wordsworth's I Wandered Lonely As A Cloud Analysis
William Wordsworth's I Wandered Lonely As A Cloud AnalysisWilliam Wordsworth's I Wandered Lonely As A Cloud Analysis
William Wordsworth's I Wandered Lonely As A Cloud Analysis
 
A Red, Red Rose Analysis
A Red, Red Rose AnalysisA Red, Red Rose Analysis
A Red, Red Rose Analysis
 
Reference: Pragmatics
Reference: Pragmatics Reference: Pragmatics
Reference: Pragmatics
 
Ngữ nghĩa synonymy and lexical variants
Ngữ nghĩa   synonymy and lexical variantsNgữ nghĩa   synonymy and lexical variants
Ngữ nghĩa synonymy and lexical variants
 
Presupposition
PresuppositionPresupposition
Presupposition
 

Similar to EMILY DICKINSON’S THE LIGHTNING IS A YELLOW FORK ANALYSIS

Mirror - a poem by Sylvia Plath
Mirror - a poem by Sylvia PlathMirror - a poem by Sylvia Plath
Mirror - a poem by Sylvia PlathMohan Raj Raj
 
3_18K5E12_2020101607174635.pdf
3_18K5E12_2020101607174635.pdf3_18K5E12_2020101607174635.pdf
3_18K5E12_2020101607174635.pdfsubalray62
 
Altarwise_by_Owl_light_by_Dylan_Thomas (2).pdf
Altarwise_by_Owl_light_by_Dylan_Thomas (2).pdfAltarwise_by_Owl_light_by_Dylan_Thomas (2).pdf
Altarwise_by_Owl_light_by_Dylan_Thomas (2).pdfJulian Scutts
 
I-Learning for Literature : Poetry
I-Learning for Literature : PoetryI-Learning for Literature : Poetry
I-Learning for Literature : PoetryIrene Indrasakti
 
EMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptx
EMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptxEMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptx
EMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptxMischelleCTorregosa
 
William Blake "To The Evening Sky"
William Blake "To The Evening Sky"William Blake "To The Evening Sky"
William Blake "To The Evening Sky"Atikah Rahmawati
 
William Blake "To The Evening Sky"
William Blake "To The Evening Sky"William Blake "To The Evening Sky"
William Blake "To The Evening Sky"Atikah Rahmawati
 

Similar to EMILY DICKINSON’S THE LIGHTNING IS A YELLOW FORK ANALYSIS (8)

Mirror - a poem by Sylvia Plath
Mirror - a poem by Sylvia PlathMirror - a poem by Sylvia Plath
Mirror - a poem by Sylvia Plath
 
DaedalusFBBlog
DaedalusFBBlogDaedalusFBBlog
DaedalusFBBlog
 
3_18K5E12_2020101607174635.pdf
3_18K5E12_2020101607174635.pdf3_18K5E12_2020101607174635.pdf
3_18K5E12_2020101607174635.pdf
 
Altarwise_by_Owl_light_by_Dylan_Thomas (2).pdf
Altarwise_by_Owl_light_by_Dylan_Thomas (2).pdfAltarwise_by_Owl_light_by_Dylan_Thomas (2).pdf
Altarwise_by_Owl_light_by_Dylan_Thomas (2).pdf
 
I-Learning for Literature : Poetry
I-Learning for Literature : PoetryI-Learning for Literature : Poetry
I-Learning for Literature : Poetry
 
EMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptx
EMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptxEMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptx
EMILY DICKINSON_I'm Nobody_Who are you_STYLISTIC ANALYSIS.pptx
 
William Blake "To The Evening Sky"
William Blake "To The Evening Sky"William Blake "To The Evening Sky"
William Blake "To The Evening Sky"
 
William Blake "To The Evening Sky"
William Blake "To The Evening Sky"William Blake "To The Evening Sky"
William Blake "To The Evening Sky"
 

Recently uploaded

Scheme-of-Work-Science-Stage-4 cambridge science.docx
Scheme-of-Work-Science-Stage-4 cambridge science.docxScheme-of-Work-Science-Stage-4 cambridge science.docx
Scheme-of-Work-Science-Stage-4 cambridge science.docxyaramohamed343013
 
Transposable elements in prokaryotes.ppt
Transposable elements in prokaryotes.pptTransposable elements in prokaryotes.ppt
Transposable elements in prokaryotes.pptArshadWarsi13
 
Call Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCR
Call Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCRCall Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCR
Call Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCRlizamodels9
 
BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.
BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.
BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.PraveenaKalaiselvan1
 
Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |
Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |
Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |aasikanpl
 
RESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptx
RESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptxRESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptx
RESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptxFarihaAbdulRasheed
 
Is RISC-V ready for HPC workload? Maybe?
Is RISC-V ready for HPC workload? Maybe?Is RISC-V ready for HPC workload? Maybe?
Is RISC-V ready for HPC workload? Maybe?Patrick Diehl
 
Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.
Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.
Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.aasikanpl
 
Solution chemistry, Moral and Normal solutions
Solution chemistry, Moral and Normal solutionsSolution chemistry, Moral and Normal solutions
Solution chemistry, Moral and Normal solutionsHajira Mahmood
 
Temporomandibular joint Muscles of Mastication
Temporomandibular joint Muscles of MasticationTemporomandibular joint Muscles of Mastication
Temporomandibular joint Muscles of Masticationvidulajaib
 
Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
Evidences of Evolution General Biology 2
Evidences of Evolution General Biology 2Evidences of Evolution General Biology 2
Evidences of Evolution General Biology 2John Carlo Rollon
 
Module 4: Mendelian Genetics and Punnett Square
Module 4:  Mendelian Genetics and Punnett SquareModule 4:  Mendelian Genetics and Punnett Square
Module 4: Mendelian Genetics and Punnett SquareIsiahStephanRadaza
 
Spermiogenesis or Spermateleosis or metamorphosis of spermatid
Spermiogenesis or Spermateleosis or metamorphosis of spermatidSpermiogenesis or Spermateleosis or metamorphosis of spermatid
Spermiogenesis or Spermateleosis or metamorphosis of spermatidSarthak Sekhar Mondal
 
Recombinant DNA technology( Transgenic plant and animal)
Recombinant DNA technology( Transgenic plant and animal)Recombinant DNA technology( Transgenic plant and animal)
Recombinant DNA technology( Transgenic plant and animal)DHURKADEVIBASKAR
 
Heredity: Inheritance and Variation of Traits
Heredity: Inheritance and Variation of TraitsHeredity: Inheritance and Variation of Traits
Heredity: Inheritance and Variation of TraitsCharlene Llagas
 
Cytokinin, mechanism and its application.pptx
Cytokinin, mechanism and its application.pptxCytokinin, mechanism and its application.pptx
Cytokinin, mechanism and its application.pptxVarshiniMK
 
Dashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tanta
Dashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tantaDashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tanta
Dashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tantaPraksha3
 
LIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptx
LIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptxLIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptx
LIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptxmalonesandreagweneth
 

Recently uploaded (20)

Scheme-of-Work-Science-Stage-4 cambridge science.docx
Scheme-of-Work-Science-Stage-4 cambridge science.docxScheme-of-Work-Science-Stage-4 cambridge science.docx
Scheme-of-Work-Science-Stage-4 cambridge science.docx
 
Transposable elements in prokaryotes.ppt
Transposable elements in prokaryotes.pptTransposable elements in prokaryotes.ppt
Transposable elements in prokaryotes.ppt
 
Call Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCR
Call Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCRCall Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCR
Call Girls In Nihal Vihar Delhi ❤️8860477959 Looking Escorts In 24/7 Delhi NCR
 
BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.
BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.
BIOETHICS IN RECOMBINANT DNA TECHNOLOGY.
 
Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |
Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |
Call Us ≽ 9953322196 ≼ Call Girls In Mukherjee Nagar(Delhi) |
 
RESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptx
RESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptxRESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptx
RESPIRATORY ADAPTATIONS TO HYPOXIA IN HUMNAS.pptx
 
Is RISC-V ready for HPC workload? Maybe?
Is RISC-V ready for HPC workload? Maybe?Is RISC-V ready for HPC workload? Maybe?
Is RISC-V ready for HPC workload? Maybe?
 
Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.
Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.
Call Girls in Mayapuri Delhi 💯Call Us 🔝9953322196🔝 💯Escort.
 
Solution chemistry, Moral and Normal solutions
Solution chemistry, Moral and Normal solutionsSolution chemistry, Moral and Normal solutions
Solution chemistry, Moral and Normal solutions
 
Temporomandibular joint Muscles of Mastication
Temporomandibular joint Muscles of MasticationTemporomandibular joint Muscles of Mastication
Temporomandibular joint Muscles of Mastication
 
Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Munirka Delhi 💯Call Us 🔝8264348440🔝
 
Evidences of Evolution General Biology 2
Evidences of Evolution General Biology 2Evidences of Evolution General Biology 2
Evidences of Evolution General Biology 2
 
Module 4: Mendelian Genetics and Punnett Square
Module 4:  Mendelian Genetics and Punnett SquareModule 4:  Mendelian Genetics and Punnett Square
Module 4: Mendelian Genetics and Punnett Square
 
Spermiogenesis or Spermateleosis or metamorphosis of spermatid
Spermiogenesis or Spermateleosis or metamorphosis of spermatidSpermiogenesis or Spermateleosis or metamorphosis of spermatid
Spermiogenesis or Spermateleosis or metamorphosis of spermatid
 
Recombinant DNA technology( Transgenic plant and animal)
Recombinant DNA technology( Transgenic plant and animal)Recombinant DNA technology( Transgenic plant and animal)
Recombinant DNA technology( Transgenic plant and animal)
 
Heredity: Inheritance and Variation of Traits
Heredity: Inheritance and Variation of TraitsHeredity: Inheritance and Variation of Traits
Heredity: Inheritance and Variation of Traits
 
Volatile Oils Pharmacognosy And Phytochemistry -I
Volatile Oils Pharmacognosy And Phytochemistry -IVolatile Oils Pharmacognosy And Phytochemistry -I
Volatile Oils Pharmacognosy And Phytochemistry -I
 
Cytokinin, mechanism and its application.pptx
Cytokinin, mechanism and its application.pptxCytokinin, mechanism and its application.pptx
Cytokinin, mechanism and its application.pptx
 
Dashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tanta
Dashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tantaDashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tanta
Dashanga agada a formulation of Agada tantra dealt in 3 Rd year bams agada tanta
 
LIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptx
LIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptxLIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptx
LIGHT-PHENOMENA-BY-CABUALDIONALDOPANOGANCADIENTE-CONDEZA (1).pptx
 

EMILY DICKINSON’S THE LIGHTNING IS A YELLOW FORK ANALYSIS

  • 1. EMILY DICKINSON’S THE LIGHTNING IS A YELLOW FORK ANALYSIS Yolanda Ayu Belia 13020114120003
  • 2. Abstract This paper, the writer tries to analyze a poem, entitled “The Lightning is a Yellow Fork “ written by Emily Dickinson. The purpose of this writing is to analyze the poem intrinsically. This research uses Imagery (Visual Imagery) and Symbol as a Figurative Language. Keywords: Emily Dickinson, Visual Imagery, Symbol.
  • 3. 1. Introduction The poem “The Lightning is A Yellow Fork” by Emily Dickinson uses lightning, a common thing, to question the existence of God. Dickinson says that lightning is like a fork that is dropped from the sky inadvertently. 2. Methodology a. To analyze the symbol in Emily Dickinson, The Lightning is a Yellow Fork. b. To analyze the imagery in Emily Dickinson, The Lightning is a Yellow Fork. 3. Research Object Research objective are the result sought by the researcher at the end of the research process, i.e. what the reseacher will be able to achieve at the end of the research study.
  • 4. 4. Biography and Poetry In this part contains the biography of Emily Dickinson and the poem. a. Biography of Emily Dickinson. Emily Dickinson was born on December 10, 1830, in Amherst, Massachusetts. She attended Mount Holyoke Female Seminary in South Hadley, but only for one year. Throughout her life, she seldom left her home and visitors were few. The people with whom she did come in contact, however, had an enormous impact on her poetry. She was particularly stirred by the Reverend Charles Wadsworth, whom she first met on a trip to Philadelphia. He left for the West Coast shortly after a visit to her home in 1860, and some critics believe his departure gave rise to the heartsick flow of verse from Dickinson in the years that followed.While it is certain that he was an important figure in her life, it is not clear that their relationship was romantic—she called him “my closest earthly friend.” Other possibilities for the unrequited love that was the subject of many of Dickinson’s poems include Otis P. Lord, a Massachusetts Supreme Court judge, and Samuel Bowles, editor of the Springfield Republican Taken from: https://www.poets.org/poetsorg/poet/emilydickinson&usg.
  • 5. b. The Poem The Lightning Is A Yellow Fork By : Emily Dickinson The Lightning is a yellow Fork From Tables in the sky By inadvertent fingers dropt The awful Cutlery Of mansions never quite disclosed And never quite concealed The Apparatus of the Dark To ignorance revealed.
  • 6. 5. Discussion Discussion of the elements here is focussed on the aspect of intrinsic elements. a. Symbol Symbol is one of intrinsic element that is often in poetry. There is definitions of symbol according to Laurence Perrine (1969:83): “A symbol may be roughly defined as something that means more than what it is. Stanza 1 Line 1 The Lightning is a yellow Fork In this stanza has two symbol that will be discussed. The first one is The Lightning, it is simply referring to the things like lightning only offer us glimpses of something that may never be completely revealed. The second is a yellow Fork. It is just a dinner fork that has a yellow color from the house/ the mansions. But, Dickinson might be taking that old phrase about a "fork of lightning" literally. We usually think of lightning as majestic.
  • 7. Stanza 1 Line 2 From Tables in the sky This line, sky means that above, above the table and it is the fork in. Again we look upward and imagine "Tables in the sky" it might the fork has fallen from somewhere, right? In this case, the fork has fallen from the dinning table. Stanza 1 Line 4 The awful Cutlery In this line, the cutlery seems to belong to an enormous, not-quite-visible household somewhere up there. Awful Cutlery, may also means "awful" in its original sense of awe- or dread-inspiring. This is the most amazing and terrifying fork.
  • 8. Stanza 2 Line 1 and 2 Of mansions never quite disclosed And never quite concealed In this stanza, the mansions is a mysterious house up in the sky, which is neither seen nor unseen. Never quite disclosed and never quite concealed suggests that we're always aware that it's there, but we can't see it. The word "mansions" suggests to us that it's a mysterious dwelling places. Stanza 2 Line 3 The Apparatus of the Dark This line, seems to indicate symbol of the workings of the sky. We can take this to refer to the literal "dark," as in the night sky. This half-revealed "Apparatus," or the shady framework of the mansions.
  • 9. b. Imagery The meaning of Imagery according to X.J Kennedy in Literature : An Introduction to Fiction, Poetry, and Drama (1979:464) “A word or sequence of words that refers to any sensory experience.”. This introductory section is designed to acquaint students with the various types of images—visual, auditory, olfactory, gustatory, tactile, kinetic, and kinesthetic—all of which account for the appeal and validity of poetry. There are several type of imagery , but this study will only focus on visual imagery.
  • 10. Stanza 1 Line 1 and 2 The Lightning is a yellow Fork From Tables in the sky Both of his lines are a visual imagery. Here, the readers can imagine the striking lightning as a yellow fork. Imagine it's a dark and stormy night. You hear thunder rumbling and then see a sudden flash as a golden dinner fork falls from the sky and spears the ground. Stanza 1 Line 4 The awful Cutlery This line contains a visual imagery. The readers are able to imagine how awful the cutlery . We're starting to get a feeling that this poem isn't just about lightning being huge and fork-like, but maybe as a symbol of something even bigger and more awe- inspiring.
  • 11. Stanza 2 Line 1,2,3,4 Of mansions never quite disclosed And never quite concealed The Apparatus of the Dark To ignore revealed. All of this stanza, contains a visual imagery . The "mansions" described in this poem are, in fact, barely described at all. The second stanza evasively talks around the big houses in the sky. It hints at them but doesn't dare describe them. The readers can make a conclusion, they're (The mansions) not for us to see. We get glimpses of the "Apparatus" of divine power, but we aren't allowed to know anything more specific about it. The "mansions" are framed as shady, obscure, and half-seen, and we remain mostly "ignorant" of their true nature.
  • 12. 6. Conclusion The Lightning is a yellow Fork is a poem written by Emily Dickinson. This poem is interesting because the poet sees a bolt of lightning and reflects on how the bolt is like a fork. This leads her into an imaginative meditation on this piece of awe-inspiring cutlery: if the lightning is a fork, it falls from some mysterious table, dropped accidentally by some mysterious hand, in some mysterious house. We can't ever see who's doing the dropping, or where they live, but the glimpse of the falling "fork," the poem concludes, reveals to us (poor, ignorant humans that we are) the fact that these greater powers are out there. 7. References Perrine, Laurence. 1969. Sound And Sense, An Introduction to Poetry, Third Edition.USA:Harcourt, Brace and World, Inc. Kennedy, X.J. 1979. Literature : An Introduction to Fiction, Poetry, and Drama.USA. Little Brown & Company