Western Influence On Japanese Art

Western Influence On Japanese Art
Japanese art has a rich history stretching back tens of thousands of years. This long history has been divided into many different periods. The Meiji,
Taisho, Showa, and Heisei periods cover the Modern Era–– 1868–present–– of Japanese art. Katsuhika Hokusai, Takahashi Yuichi, and Claude Monet
are all famous artists of modern Japanese art history. Westernization is the term that describes the influence of the West in Japan. Japonisme refers to
the period of time in which European artists looked to the East in order to emulate its style in their art. The West was very important to modern
Japanese art history because if was influential and influenced by Japan. Before the West,China imprinted its style on Japanese art as well as culture. In
fact, China and Japan have been in contact for millennia. Both countries had very similar styles of art up until the 1600s when Japan separated itself
from the outside world ... Show more content on Helpwriting.net ...
During the Meiji and Taisho periods, the Western influence began to take hold of the country. The emperor of Japan at this time wanted to protect his
country from being colonized so he made sure to update technology to western standards. This included making railroads a major method of
transportation, opening art schools funded by the government, and separating polytheistic religions–– Buddhism for example–– from art (Japanese Art).
At these aforementioned art schools, European teachers came to teach students about western art. Oil paintings were a major technique adopted by the
Japanese. Originally, the Japanese abandoned their style completely and made Western style work. However, an American professor at Tokyo Imperial
University–– Ernest Fenollosa–– and a former student at said university–– Okakura Kakuzo–– helped the Japanese find their culture again. The result
of these events was the Japanese kept their eastern style and subjects of art although they used western materials like oil paints
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Representations of Native Americans in Dances with Wolves...
"Film is more than the instrument of a representation; it is also the object of representation. It is not a reflection or a refraction of the 'real'; instead,
it is like a photograph of the mirrored reflection of a painted image." (Kilpatrick) Although films have found a place in society for about a century, the
labels they possess, such as stereotypes which Natives American are recognized for, have their roots from many centuries ago (Kilpatrick). The
Searchers, a movie directed by John Ford and starred by John Wayne, tells the story of a veteran of the American Civil War and how after his return
home he would go after the maligned Indians who killed his family and kidnapped his younger niece. After struggling for five years to recover ... Show
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These harmful images of how the Indian Americans were depicted, were subliminally created by him in many of his previous films where they were
repeatedly stereotyped under the maligned appearance of bloodthirsty savages and hardly ever illustrated by their alter ego the noble savages. These
descriptions and especially the denigrated bloodthirsty savage illustrations of the Indians remain seen as purely animals into the eyes of non–native
populations, which caused racial discrimination against them at that epoch. Therefore, John Ford tried to redeem himself by making the film The
Searchers, where he tried to expose the nefarious causes of resentment and racism that at that time the general population had for the Indians. This
way of apology is likely to be strong supported by the image of the film's hero. The depiction of the hero stresses the despicable habits of the
westerners such as the tendency of the prejudices towards others. As shown by the arrival of the John Wayne character to his brother's house and how
he looked at Martin who is half–blood Indian. Similarly, Dances with Wolves represented an explicit apology to the indigenous people. However,
although it was made by a white person point of view, it emphasizes Indians' points of view. This is implicitly represented as the hero who is a white
soldier from the American Civil War transformed himself into a real Indian of the Lakota Sioux tribe. Although both films symbolize intentions of
apology to the

Graphic Design Essay: The Modern Cowboy
For our third assignment in Communication Design 1, we got a chance to work in groups to come up with a concept theme for the 2016 Signature
Awards. Once a theme was chosen, it was up to us Graphic Design students to execute our own solution for the chosen theme.
The theme chosen between our group was, "The Modern Cowboy." Which is a theme that emphasizes the natural competitive nature of the advertising
industry.
When coming up with a poster for this theme, there were a few areas explored. At first I was inspired by old western typography posters. But after not
getting very far with that, I decided to do some research on old western movie posters.
Since our theme focuses on the competitive nature of advertising, finding a way to illustrate ... Show more content on Helpwriting.net ...
Resembling two people from the adverting industry having an argument about who deserves the signature award. With the body copy that says,
"Listen here, adslinger. Winnipeg's full of wild wild ideas, and there ain't room enough for the both us. The way I see it, that signature award is mine!
You best believe that i'll be slingin' my biggest, baddest ideas, so, I dare ya –sign up! They don't call me the deadliest ad man in the west for nothin'."
Since the original concept was, "The Modern Cowboy," I though it was important to make it as modern as possible while still staying true to the old
west. To achieve this, I decided to style the two characters as if they lived in today's society with a little western twist. As well having them
confronting each other in front of the Winnipeg Art Gallery, located downtown Winnipeg. Which is where the event will be taking place.
When it came to treating the type, I went to old western posters for inspiration. After some research, I decided it was important to use a slab serif font.
But I didn't want it to look too western, or too modern. That's when I came across, bree serif. Which I though was the perfect

Western Art Course Analysis
In this course I learned about Western art from the start of the Renaissance to the mid 19th Century. I was able to see the influence of the religious,
cultural, political, and social landscape that shaped the evolution of art. This includes: Renaissance, Illusionism, Baroque, Rococo, Neoclassicism, and
Realism in relation to painting, sculptures and architecture. We saw art beginning to evolve in Madonna Enthroned, also known as Ognissanti
Madonna, by Giotto Di Bondone c. 1310, as artist began to strive for a more three dimensional look, and still maintained religious subject matter of
Byzantine art in the fourteenth century. Giotto used an early crude version of foreshortening at Virgin Marry's base, and utilized shadows and organic
curves... Show more content on Helpwriting.net ...
Rococo is an early to late French eighteenth–century artistic movement and style often interpreted as feminine. The rococo period was a golden age of
French decorative arts and furniture. Architects, designers, and artisans worked together to create interior designs of magnificence and sophisticated
elegance. The line between function and ornament was blurred. Rococo was soon broadly replaced by the Neoclassic style. Jean–Baptiste Greuze,
Village Bride, 1761, is considered to be the link between the two by some art

Africa's Influence on Western Art Essay
Africa's Influence on Western Art
During the mid 19th century up until the Great War of 1914, European countries began to heavily colonize and come into contact with African nations.
This was called "new imperialism". During this contact, European culture was influenced by Africa. The influence of the African people can be seen in
the European society of the time. In the 19th and 20th centuries, modern artists embraced African art for its lack of pretension or formal qualities. In
the latter part of the 19th century, the "scramble for Africa," consolidated at the Berlin Conference, divided the terrain of the African continent among
the numerous European contenders. Fourteen countries were represented by a plethora of ... Show more content on Helpwriting.net ...
Germans claimed Namibia and Tanzania, and Spain was rationed Equatorial Guinea.
South of the Sahara Desert, there were three distinct types of societies; nomadic tribes in the desert and steppe regions, sedentary farming cultures
located in the savanna and "rain–forest fringe" areas, and the ancient sophisticated kingdoms of Nigeria and the Guinea coast. All three sectors of the
African society had different art traditions. However, all three were similar in certain aspects. These aspects being the similar attention to
craftsmanship, a general use of non–permanent materials, use of geometric abstraction, and religious orientation.
Religion was at most often marked in masks and sculpture. Masks were used in many ritual ceremonies to embody spiritual forces. Geometric and
naturalistic shapes were combined to represent a recognizable human face. As part of the daily ritualistic routine, families would often present offerings
to cult figures, full–body images kept in homes as insurance of protection. The decorative arts, especially in textiles and in the ornamentation of
everyday tools, were a vital art in nearly all African cultures. Wood was one of the most frequently used materials—often embellished by clay,
shells, beads, ivory, metal, feathers, and shredded raffia.
As the contact between Europeans and Africans grew, parts of African culture assimilated into that of the Europeans. Europeans would bring home
treasures found in Africa on

Analysis Of One Big Myth And One True Hero
The Western genre can be a variety of works, including texts and films, which are set in the American Old West during the latter half of the nineteenth
century. This genre primarily focuses on the life of a cowboy with gunfights, a good guy and a bad guy, and the usually ending of riding off into the
sunset. The common misconception that is shown throughout the Western genre is that the male characters are always the hero, whereas the female
characters are impediments and less valuable. This relates to Susan Lee Johnson's quote on how the Western genre always portrays One Big Myth and
One True Hero. She states that "Much is held in abeyance when {the} impulse to find One Big Myth and to indentify its One True Hero is indulged."
Johnson ... Show more content on Helpwriting.net ...
Just like in Johnny Guitar, Reichardt uses the women to tell the story instead of the men. We see that throughout the movie, the camera stays closer
to the women when men talk rather than follow the men. This is showing that women are the main focus and this story is going to be told through
their point of view. Since the movie has women at the center of it, Reichardt shows that some women are fearless and resilient. Emily Tetherow,
one of the main women, stands her ground against Stephan Meek when he threatens to kill the Indian. She also fixes the Indian's shoe not because
she was being nice, but because she wanted him to owe her something. Emily may be brave and strong, but she is definitely not an earth mother.
She was conniving and wasn't afraid to pick up a gun and fight for what she believed in. She would go against part of the group if it meant she
would survive. Meek's Cutoff is also not like a traditional Western in the sense that there are no gunfights, no good guy versus the bad guy, and
ultimately there is no action in the movie. However, Westerns are usually set in desolate landscapes, like the desert or mountains, because they show
the harshness of the wilderness. Meek's Cutoff is set in this type of landscape and it certainly shows how harsh the wilderness can be. Besides that
aspect of a traditional Western, the movie incorporates its own twists. Just like Johnny Guitar and Meek's Cutoff, Winona also goes against what is
considered traditional and revolutionizes the

THE FORGOTTEN HISTORY OF THE WESTERN CINEMA
THE FORGOTTEN HISTORY OF THE WESTERN CINEMA
The western movies are film genre where the scene generally takes place in North America during the American conquest of the West in the last
decades of the nineteenth century. This genre appears since the invention of the cinema in 1985 finding its inspiration from literature and painting arts
of the American Wild West. This genre reached its first success in the mid
–twentieth century during the golden age of Hollywood studios, before it had
being reinvented by European filmmakers in the 1960s.
The term Western has since been attributed to other visual arts such as literature, painting, television, cartoon, and now refers to all artistic production
influenced by the atmosphere and the clichГ©s ... Show more content on Helpwriting.net ...
In the 1880s, the Wild West was the theme of many shows such as the famous Wild West Show by Buffalo Bill. By 1900, the theme is already so
popular that it naturally became a source of inspiration for the pioneers of the film industry. In 1903, hollywood released the first Western movie "The
Great Train Robbery". It is a twenty minutes silent movie written, produced, and directed by Edwin S. Porter. This production was directly inspired by
the true story of the Wild Bunch gang also know as the Doolin–Dalton gang during the 1890s (Clapham). The Western became officially a film genre in
the 1920s.
Very quickly, the western got detached little bit from reality to gain more freedom and imagination. Hollywood now created a mythical
representation of the cowboy. This simple cowherd has become a heroic and virtuous character with impeccable and irreprochable qualities
(Clapham, p.13). The western has also built a legend around iconic figures such as Billy the Kid and Jesse James. It was inspired by events such as
the Gunfight of OK Corral, which was staged in many films. At the end of the movie "The Man Who Shot Liberty Valance", produced by John Ford in
1962, a phrase captures the essence of western: "When the legend sells better than the

Western Desert Art Analysis
This last winter I was lucky enough to have the chance to spend more than a month in New South Wales, Australia. All around the cities in New South
Wales I saw many pieces of art that I found absolutely fascinating. All of these paintings seemed so simple, but the more I learned about them I realized
there was lot of history in these paintings. The Style I became most interested in was the Western Desert Art, how it is evolving, the many emerging
styles of it, and its many collections. This art movement emerged from the Aboriginal settlement of Papunya in the Northern Territory ofAustralia in the
early 1970s. In 1971 the art teacher posted in the village Geoffrey Bardon, encouraged some of his traditional artists to paint a blank wall. This

Comparing Heroes In Forty Guns And Gran Torino
Walt Kowalski and Griff Bonnell are both seen as heroes in their separate films and this is why we can compare the two of them. Even though they
both can be seen as heroes, they are both two totally different characters, however. Just because two characters have some of the same qualities, does
not mean that they are going to be similar throughout the whole movie. In both "Forty Guns" and "Gran Torino," we see the toughness of each
character and their transformation to a compassionate character throughout each movie due to each of their experiences then allowing them to fit in
with the Western Genre of the film.
In Forty Guns we see Griff Bonnell working at the attorney general's office. He is on the lookout for a man that was involved in a mail robbery.
Griff is seen as a tough character because he carried around a gun and shot it well. Although Griff does not seem like the one to start any
commotion, he definitely is one to intervene in it to stop other danger from happening. Throughout all of Forty Guns, we do not see Griff actually
kill anyone and we also come to find out that he has not killed anyone in 10 years. Towards the end of the movie, we see Griff kill Brockie and then
Jessica and Griff ride off together. As they ride off together, we see Griff's character became more of a... Show more content on Helpwriting.net ...
Throughout the film however, we see Walt grow more compassionate towards Tao, even after he tried to steal his car. Walt shows care and respect
towards not only Tao, but also his sister, Sue. Walt would not have even considered going into his neighbor's household but later as his character
grows, he becomes more mature and respects all of Sue's family at the birthday party. At the end of the film, we see how Walt has grown more
compassionate towards Tao especially and how their relationship had grown along with the overall character of

Zen and the Art of Motorcycle Maintenance -...
Zen and the Art of Motorcycle Maintenance – The Reconciliation of Western and Eastern Philosophy
The differences in Western and Eastern philosophy are marked. Eastern thinking has slowly become "discovered" by the West; meanwhile, the
development of Western thought and philosophy has come under close scrutiny by modern and postmodern philosophers and thinkers as being flawed
at its core. The German philosopher Martin Heidegger came to the conclusion that "Western philosophy is a great error" (Barrett xi). The manner in
which Western thought was founded, the course of its development, and its incursion into every facet of life in the Western world has been and is now
being questioned on all fronts by leading critics and thinkers. ... Show more content on Helpwriting.net ...
Although Pirsig never states it explicitly, this concept is the point of reconciliation between Eastern and Western philosophy, and indeed, its effects
would be seen in every facet of life.
The idea that nature itself can be divided rationally into ordered systems is inherently Western in origin. That implies that a system of concepts exists
to explain the world, the universe. The "structure of concepts" is called a hierarchy, and broken down even further, is a system of divisions, or
distinctions (Pirsig 97). Pirsig asserts that this has been a "basic structure for all Western knowledge" ( 97).
How this Western way of thinking came about could be an entire Philosophy course in itself. A short explanation must be described, however, in
order to make sense of the rest of this paper. According to William Barrett, what we call Western traditions in thinking really stem from two cultural
backgrounds, Hebrew and Greek, both of which are "profoundly dualistic in spirit" (ix). That is, they "divide reality into two parts," setting one
division off against the other (Barrett ix). The Hebrews did it on the basis of morality and religion, separating God from Creation, flesh from spirit,
right from wrong. The Greeks divide along the basis of philosophical and intellectual lines. It was Plato who almost "single–handedly" established
Western philosophy (Barrett ix). Plato "absolutely cleaves reality into the world of the intellect and the world of the senses"

Western Vs. Noir : An Exploration Of Genre In True Grit
Austin Briggs
Degener
WR100
29 October 2017
Western vs. Noir: An Exploration of Genre in True Grit
Even though the novel had already been adapted into a film once, in 2010, the Coen brothers decided to take a swing at their own version of Charles
Portis' classic western, True Grit. Comparatively to the book and even Henry Hathaway's 1969 film adaptation, however, the Coens have crafted the
story into their own. Mattie's bildungsroman is more uncompromising and realistic, the relationships Mattie forms with Cogburn and LeBeouf become
more complex, and the almost separated ending paints a different picture regarding this film's genre. The film no longer follows the traditional recipe
of what a classic western is but instead blends the praxes ... Show more content on Helpwriting.net ...
Not only is Cogburn describing how the whole hunt for Cheney is hopeless, but he also describes Mattie as a harpy. Originating from Greek
mythology, harpies are mythological beasts resembling a bird with a woman's head. These creatures were attributed to stealing food and carrying off
victims when such things would go missing (Room). Cogburn's use of this mythology to describe Mattie explains the femme fatale characteristics of
her carrying off Cogburn onto her dangerous adventure. This description helps explore how Mattie is embodying a femme fatale like character by
seducing Cogburn into this dangerous and hopeless "wild goose chase."
Mattie displays another characteristic of a femme fatale in the sense that she becomes a woman where both males in the story are frequently
fighting for her recognition. Instances such as LeBeouf claiming that while he was "watching [Mattie], [he] gave some thought to stealing a kiss"
(Coen). The femme fatale is not often won over by love or lust of any characters. Mattie, even when presented by these two beaus, stays very
independent. This is reinforced by Portis' novel where Mattie proclaims that she never really worried about marriage. "I never had the time to get
married but it is nobody's business if I am married or not married...A woman with brains and a frank tongue and one sleeve pinned up and an invalid
mother to care for is at

Essay On The Movie Stagecoach
"Stagecoach" Film Review
I find the film "Stagecoach" to be a top level film of its time and a leading Western to this day, which came to set a new standard for Western films.
"Stagecoach" didn't stick to the norm of the time, where Western movies were considered low–grade and appealed to young boys, it exceeded people's
expectations. As Film theorist Andre Bazin wrote of "Stagecoach", "it is the ideal example of the maturity of a style brought to classic perfection."
Many things in "Stagecoach" were upgraded from previous films of its genre, from the level that the story delves into the characters journey in the
stagecoach, to the location that it was filmed at. First of all, the story wasn't simply a good–guy/bad–guy conflict, it was ... Show more content on
Helpwriting.net ...
In the movie you have the three basic camera angles used, which include the low angle or ground level angle, eye level angle, and the high camera
angle. The ground level angle emphasizes the seriousness and drama of the moment. it is taken from below the character and can make a character or
object look threatening. The eye–level angle is simply shot at the same level as a character is more of a normal shot which has little effect on the
viewer. Lastly, theres the high angle camera shot which is shot above the subject and looks down upon them. It can build suspense, prevent the
viewer from seeing details, and most commonly in this film it is used to make a subject look small or weak. Most of the responses viewers have
from the different camera angles depend on the emotional content and action of a given scene. They can be used differently in all films, but the
different camera angles are commonly used for an array of expressive purposes, which include conveying information about a character's view of the
world and accompanying emotions. The camera angle can also complicate emotional responses by playing against our visual responses that we have
with the

How The Edo Period Affected Western Art
Kento Kariya
Art 204
Paper 2
11/30/14
Japanese art in the Edo period and the effects on western art
In this essay I will talk about Japanese art mainly in the Edo period and it's development and what influenced it and how these art pieces affected the
western art.
Before we start talking about the edo period let's look at the period before it, the Azuchi–Momoyama Period. Azuchi–Momoyama period started Oda
Nobunaga captures the capture Kyoto and kicks out the previous rules the Ashikaga shogunate in 1573. Using his power and new technology of the
Arquebus which is early muzzle–loaded firearms that came in from portugal he can very close to complete rule over Japan when he was attack by one
of his own generals, ... Show more content on Helpwriting.net ...
The chonin were more educated the the people from prior periods because of peace and economic stability made parents to focus on education their
children. The increase in education made it so that they can enjoy art better and helped art become more popular.
Ukiyo–e (woodblock painting) became popular in the late 17th century because the increase in demand do to the chonin class and with the
technology to paint they were able to mass produce art pieces. One of the most famous one of these that many people have probably seen before is
"The Great Wave off Kanagawa" by Katsushika Hokusai. This piece is the first of Hokusai's series Thirty–six Views of Mount Fuji and his most well
known and recognized art work in the world. It is a picture of boats going up against a huge wave with Mount Fuji in the

Essay on Heroes in Western Film
Heroes in Western Film
In the genre of western films, the hero plays a key role. Humanity portrays civilization overcoming the hostile country (Miller 66). In many films the
American civil war is over, and people have turned their attention to more constructive pursuits. Battling nature to progress America's future, rather than
each other. In between this wild country, fraught with danger and corruption lies the role of thehero. A hero is an individual with exceptional skills and
through his abilities is able to rid a stricken town of the corrupt elements within. In many cases however, the hero's skills are not enough. His
relationship with the community can define how successful his help can be.
In the films Shane and Dodge City we ... Show more content on Helpwriting.net ...
It is for this reason he is incensed to defend the community from Ryker (Emile Meyer). He has become personally involved with creating a community
that he wishes to continue to see flourish; even if his choice dictates that he has to leave in order to succeed.
Wade Hatton, (Errol Flynn) in Dodge City, is a much more extroverted hero than Shane, and has greater plans to reform the town than merely just
driving out the criminal element. Hatton's entry to the film is also much more grand. He is a "soldier of fortune transplanted to the American
frontier." (Abel 18). This alone creates the illusion of Hatton being a much more romantic hero and having greater plans than merely just wanting to
build a community. He wishes to clean out the wickedness and lawlessness that Dodge City has become. To do this, he introduces sweeping reforms
that not only remove the criminal element, but also set a moral tone for the community. This establishes him as a community leader who is willing to
do whatever is necessary to curb the violence and death that has stricken the town. He even arrests his friend Rusty (Alan Hart) for carrying a gun to
prove that no one is above the law.
People respect Hatton for who he is and what he has done for the community, not necessarily for who he is as a person. This fact sets him apart from
Shane. Hatton's actions are dictated by his own morals and beliefs, (the desire to make the community 'safe for women and children')

Western Art Music : A Constant State Of Flux Since Its...
Western art music has been in a constant state of flux since its creation. Evolving due to generations constantly contributing and evolving music in
order to express what they believe music is and express how they feel. This love and dedication towards music has been unparalleled and unwavering
for hundreds of years from sacred medieval music to modern day pop hits. Western Art music began taking the shape that we know today after the fall
of Rome with Medieval music. Almost all music from that time was commissioned by the church (Secular music) and were required to be written down
in order to share with other members of the congregation. All music at this time was monophonic (containing only one melody line) in droning style
which is... Show more content on Helpwriting.net ...
The modern orchestra was born, the harpsichord was invented and all of the instrumental groups received upgrades, including the strings creating
the violin, viola, and cello. This is also when a lot of common modern music terms were coined; such as overture, prelude, aria, chorus, concerto,
and sonata. The essence of music changed at this point in time. Music was finally regarded as something to be treasured, something that should be
enjoyed by everyone, something that should be able to hear everywhere not just at church. Music was played at formal gatherings, garden parties
and for the wealthy it was even played at home during meals. Almost every 'woman of the house' in Europe had some sort of instrument that they
practised as a way to pass time and demonstrate their skills. The style of music in the Baroque era was often considered chaotic, there seemed to be
no structure to the pieces however, they flowed beautifully. The next musical period is the most well known, the classical period. It continued the
aforementioned modernisations of the baroque era however added its own uniform quality to it. The baroque period was known for being wild,
untamed, and chaotic, than came the classical period which practically reversed this. The classical period was very uniform everything was structured,
everything was their for a reason, and everything had to be played in perfect timing. Despite its

How Did Japan Influence The Art Of The Western?
During the 1850s and the 1860s, a style that is known as the "Japonisme" started emerging in Western Europe, mainly in France. And in the mid–1800s,
Japanese people started to trade things with the west again. Thus, as a result of that trading, so many of the Japanese imports were being sent to
Europe. This French term, Japonisme describes that period of time when the art of the Japanese people influenced the western art in the 19th century.
According to our book, I suppose that the art of Japan influenced the art of the West because of the beauty, the simplicity, and the colors. Also, in my
opinion, I think that they have been influenced because of the increased contact between them after the trading started again. The Westerners started

Non-Western Art History Club Analysis
After taking AP Art History and attending a few art history club meetings, I realized there was a demand for a more diverse scope of art. Our focus in
class was incredibly Eurocentric, spending only a month on all of Non–Western art. I brought this concern to my teacher and she agreed. Since it was
out of both of our control to change the curriculum, I created the People Of Color/Non–Western Art History Club in order to expose students to a more
representative world of art. In many ways, art is about inclusion. Therefore a global art history curriculum should not solely focus on the evolution of
European and American art, leaving Non–Western as an afterthought. This club fights against the constant Eurocentric reality taught through schools

The Negative Stereotypes In The Last Of The Mohicans
Hollywood movies have shaped perceptions of North American culture through the storytelling of facts, fiction, history and myths. For a time there was
no other genre that has become more important to Hollywood in a culture–driven industry fueled by formulas. As a film genre nothing was so
adaptable towards American sensibilities as the Western. Set in the nineteenth century where a large section of the United States was still undiscovered;
it is known as the Wild West. The central plot of a westernfilm is the classic goal of maintaining law and order on the frontier in an action, adventure
story. Directors would maintain this melodramatic formula by using archetypal characters that the audience readily recognizes from frequent
appearances. ... Show more content on Helpwriting.net ...
A brief summary is about three trappers, whom are associated with the Mohican tribe, are protecting a British Colonel's daughters in the midst of the
French and Indian War or the Seven's Year War. The movie was one of the few films to depict that Native Americans can be noble, yet it focuses too
much attention on the savageness of Native Americans who cut out hearts and burn people alive. Although not all Native Americans were good; it
upped the violence committed by the negative stereotype to heighten the romance and entertainment. Another point to notice was the perceptive used to
narrate the film. The English and French militaries played an important factor that gives the audience assess to a foreigners' perspective while trying to
possess the new land. Although the name of the film is based on the last chief of the Mohicans, Chingachgook and his son Uncas, the central
perspective of the film is about Hawkeye, an English–born scout, who living as a native and mediator throughout the action. In the hunting scene from
the opening of the film, the viewer's gaze follows Hawkeye's actions as he chases the animal – to running, stripping of his shirt to killing the deer. The
point of view carries a significant approach for a film that strengthens the overall storytelling aspect, and using the mediator who was not a
Mohican, the film loses the real history it could have told to the audience from the eyes of an actual American Indian. The film evocatively set in
Hawkeye's point of view watching the battles as an outsider looking in. It also notices the struggles and forces that were against Hawkeye, while the
survivors of the Mohican tribe play backseat to him. The use of the savage Indian takes on many roles in earlier films before directors tried to
represent Native Americans as similar to equal as

How Does Art Reflect Britain Essay examples
Choose one aspect (art) and show how this reflects the British character and UK society. You can also introduce a brief comparison with your own
country.
For many years Britain have its own unique and old history, for example, art. But in the beginning, British art was not as wide–ranging and popular as
the present. It develops as time goes on, and there was big difference between each period, such as The Ambassadors from 1533, showing the lifestyle of
upper class, Rain, Steam and Speed from 1844, it reflects that industrialists had new production techniques, Just what is it...? from 1956 which
combined both fantasy and realism, and so forth. All those famous or non–famous works have shown the different themes and reflected the ... Show
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The particular brushstrokes used for the rain create a veil over the speeding train as it travels to its destination. The translucency of the greys and whites
of the clouds emphasizes the intensity of the rain, while fading out the distant bridge and the landscape left behind. The artist's blending of rustic colors
adds warmth to the painting. In that time, industrial developed rapidly, Turner use the light colors to demonstrate a full of hope and a brighter future is
coming.
Just what is it...? (1956), was created by Richard Hamilton, who was one of the founders of the British pop movement in 1955. In that time, it was the
heyday of the post–war boom years in the US, when everyone was buying homes, cars and what–will–they–think–of–next machines like toasters and
dishwashers. In 1957, Hamilton wrote what pop art was for him: "Popular (designed for a mass audience); transient (short–term solution); expendable
(easily forgotten); low cost; mass produced; young (aimed at youth); witty; sexy; gimmicky; glamorous; and last but not least, Big Business."
(History of Collage by Eddie Wolfram, p. 159) Pop art embraced everyday art from ads, commercials, the media and culture at large, particularly
advertising. Through clip art and photography he created a realism screen in order to publicize the advertising. He did not share pop art's idolization of
advertisements and comic strips, or the

Rembrandt and The Western Art
Rembrandt uses oil on wood in one of his earliest self–portraits, depicting himself in a fabulous costume that includes a plumed hat, a silk scarf, and an
elegant jacket complete with gold trim. There is a heavy use of shadow, concealing half of his face, with the left half being illuminated by a sole
source of light located out of the frame. His face purposefully lacks an expression, as if to create an open–ended illusion of confusion. Unlike most of
his works, this painting is quite large, having dimensions of 35 by 29 square inches. Although Rembrandt had already begun to attract serious attention,
he had not yet received any portrait commissions by 1629, so this piece may have been created to show off his artistic abilities. This self–portrait
currently resides in the Isabella Gardner Museum after it was purchased in 1896 from a private collector, Lieutenant Colonel Sawyer.8 Shortly after he
painted his self–portrait at age 23, Rembrandt moved to Amsterdam in 1631, where he first began officially working as a professional portraitist. By
that time, he had begun to gain recognition and stardom for his world–class portraits. Rembrandt was living in the house of Hendrick van Uylenburgh,
a Dutch art dealer, who introduced Rembrandt to his cousin, Saskia van Uylenburgh, whom Rembrandt married in 1634. This relationship only further
progressed his career, bringing him in contact with rich patrons awaiting to commission portraits of themselves and their families.9 As

Movie Stagecoach Research Paper
Every since John Ford's 1939 western Stagecoach, the West has been portrayed in art, entertainment, and literature as a desolate arid landscape of
mountains and deserts. The story or movie backdrop was usually set in America's colonial era and often included small frontier towns with saloons, the
local jail, and ranches on the outskirts of town. The main characters were ranchers, handsome gun slinging wayward cowboys donning Stetsons, savage
Indians raging havoc against settlers, and outlaw gangs roaming the prairies holding up banks and railroads. Every story pretty much had a similar plot;
the pursuit of wrongdoers, lawmen and bounty hunters set on catching that elusive bad guy, guns and gunfights, and the humble settlers protecting his
family and land. The heroes that... Show more content on Helpwriting.net ...
In Stagecoach the occupants in a stagecoach, traveling through the desolate valley, eventually find themselves surrounded, threatened, and eventually
attacked for no apparent reason by Indians on horses carrying guns and bows and arrows. A gun fight between the stagecoach passengers and the
Indians ensues and when it is all over, they move on to their destination, less one passenger. These stories of Indians circling the wagons ready to
attack innocent settlers have always played a pivotal role in promoting the image of the savage untamed

Essay about The Western Formula
A seemingly traditional approach towards the Western frontier is the reason for John Cawelti's assessment from The Six
–Gun Mystique. His
description of the Western formula being 'far easier to define than that of the detective story'; may clearly be a paradigm for many authors, but not
particularly for Stephen Crane. The standards Cawelti has set forth for a successful Western is quite minimal by thought, but at the same time relevant.
Crane signifies a different perspective to these standards. Crane's thoughts for the use of the Western formula are just approaches towards the west, from
the introductory setting to the coarse grin one cowboy would make towards another. These do not in fact relate to Cawelti's Western formula. Crane's...
Show more content on Helpwriting.net ...
Stephen Crane shapes 'The Bride Comes to Yellow Sky,'; entirely around the bride and how she will enter a new life in the small town of Yellow
Sky. The only instance of a possible Western formula is as a cowboy by the name of Scratchy Wilson points agun at Jack Potter, the husband and town
marshal. However, when Scratchy realizes that Potter had gotten married, he put down his gun and walked away. 'He moved a pace backward,
and his arm, with the revolver, dropped to his side'; (Crane 311). This contradicts the black and white situation Cawelti would expect. The fight
between good and evil had risen and it must be taken care of through violence, perhaps a draw. This did not happen though, and that is why Crane's
perspective towards a Western is quite far from the formula. Apparently, the moral and ethical code that Crane acknowledges in his stories is his
main concern. 'The story can climax, and desire be sated, only if the moral applause meter reads way of the scale in the hero's favor'; (Tompkins
236). Crane describes Scratchy Wilson as a man when sober cannot hurt a fly, but while intoxicated will hurt anything. The black and white issue turns
gray by giving the villain a heart.
Throughout the entire story, the ideas of violence arise, but the actions upon them do not. This is a very bad path Crane chose if he was looking to
depict a formula western. If this story was to follow the standards

The Searchers Essay
Development and adaptation of the western genre has occurred throughout the twentieth century in relation to the shift in context, this is still relevant.
Stereotypes of a western genre and the context are determined by the time in which the film is being produced. The time in which they were produced
determine how social construction, gender ideas, values and attitudes, the setting and SWAT codes are demonstrated. I have chosen to present this
speech by looking at the film studied in class, and a film of my choice and how the difference in context has changed in the tie of these two films.
Changes and developments in the context can be recognized and analyzed when looking at an example from the 20th century and one from the 21st ...
This is similar to the opening scene of The Searchers because, both scenes are isolated, in both movies the characters are alone or civilization is too
far, they lie in the quite part of things. They both open with a suspenseful mood. Conflict is present in the both of the films, heroes and villains present.
Moving onto gender roles and ideas, these characteristics in genders are needed in any sort of story to suit the values and attitudes of the people of
that time. Gender stereotypes are a major piece to the puzzle of a film. Women are generally seen as less dominant, pushovers, the cares of everyone
and that they have no independence. Whist men are seen as the more dominant, masculine, heroes, brave and courageous. This is across all genres of
movies, the girl is the damsel in distress and the boy ends up saving her at the end of it.
These stereotypes were strongly enforced when in The Searchers the Reverend comes to the family's house to announce that the father is setting off
with him to battle the Indians. The men are looked after, they have their coats taken off them and they are served food and drink, whereas the woman
re running around after them ensure they're satisfied, when the men set off the women collect for them there hat and give them to the men leaving.
This is a perfect example of the typical housewife stereotype in a western film. The women were always the carers and the men were the bread winners,
this scene demonstrates the

Reflection Of Western Art
This week, we studied and talked about Paleolithic Art, Greek Art, Roman Art, Byzantine Art, and Islamic Art in our history class by reading Janson's
History of Art. Even though I have no background or contexts of knowledge of these western art, I still learned a lot from western art. According to
the reading material and video, I have a probably understanding about these distinct, different and interesting western art. To be honest, I learn and
know little about these western art when I was in high school, however, there are something different because we learn it in Chinese textbook.
Therefore, it might lead some misunderstanding in Chinese textbook. But, lucky, I choose the class of European history of art, with an interesting and
responsible professor, I learned a lot about the real, precise, and detailed western art from Janson's History... Show more content on Helpwriting.net ...
Obviously, Paleolithic art, Byzantine art and Islamic art are not common in our life, and people even do not know what it is and do not have any
background of these three western art. It is exaggerated that people even do not know how to read these word because of these uncommon words.
Not only that, Paleolithic art, Byzantine art and Islamic art are too far away for me, especially for an Asian student. On the contrary, if you ask
someone do you know anything about Greece or Roman, I believe people will nod their head and talk about anything what they know as soon as
possible. Apparently, Greek art and Roman art play more important role in people's life and the knowledge of Greece and Roman art are more close
to our life. As for me, I am interesting in Greece and Roman because I know a little about them from books, movies, stories or even computer games
about myth. So, I would like to talk about the difference between two arts ––––– Greek art and Roman art. I will compare and contrast Greek and
Roman art from.......... Greek and Roman gods and

The Contradictory Treatment Of Violence
Mintian Zhou
Jacob Burg
University Writing Seminar: The Western: Cowpunchers, Gunslingers, and Beyond
Unforgiven: The Contradictory Treatment of Violence
Violence has always been a crucial factor in many genres of cinemas and film productions. The Western genre and the film in the genre is a fascinating
approach to analyze the treatment of violence. Violence in the Western genre has changed multiple times into completely different but interesting view
points over the course of history. The traditional western treatment of violence is related to the myth of purgative violence, or the idea of "regeneration
through violence" suggested by Richard Slotkin. In the traditional Western treatment of violence, violence is considered honored and purified because
the conduction of violence eliminates and eradicates the otherness in the society and restore stability as a direct result of violence. Moving to 1960s,
the trend of Western genre shifted from classical western to the theme of revisionist western. Revisionist western, unlike classical western, strongly
criticizes violence. Revisionist western focuses on the lawlessness of the American west, depicts the randomness and irrationality of violence, and
destroys the romanticism of violence by replacing it with a more realistic and authentic approach to the real execution and consequence of violence in
the west.
Unforgiven directed by Clint Eastwood is a popular American Western movie filmed in 1992. However, the film meets huge

A Western Hero in Shane Essay
A Western Hero in Shane
The western genre plays an important part in the mythologising of American history. The way the western genre and particularly the western hero are
put across in such films as Shane, are most likely not how real life in the 1880s was. In Shane the hero arrived on horseback, he was confident,
handsome and managed to charm the female character, Marion, almost immediately.
Typically, throughout the film the mysterious gunslinger was wearing a cowboy hat and a holster around his waist. His clean–cut, masculine looks
give an initial impression that Shane was to be the protagonist of the story. In reality, 1880s men were likely to be sexist or cruel, however this is not...
The next shot is from long distance showing him riding across the plain. The distance of which the shot is taken suggests his isolation and also gives
the impression that he has been travelling for a long time, and equally, has a long way yet to go.
Also a distant shot, we see the figure riding along side the lake facing the family's house. In the foreground is a Deer whose antlers frame the figure
perfectly. The shot looks almost picturesque as Joey watches Shane through the Deer's antlers.
Shane arrives at the family's log cabin, still on horseback; he talks with the family. The shot is a close up of Shane, however the difference in levels
appears to give Shane authority over them, which is how he is perceived throughout the film. He smiles at Joey and compliments him on his
attentiveness, "You were watching me down the trail quite a spell, weren't ya?...Y'knowГўв‚¬В¦I like a man who watches things going on around,
means he'll make his mark someday." This is the moment we first recognise that Shane has an able way with children and from here he builds a good
friendship with Joey.
Similar to the last, the next is a low angle shot looking up at Shane, giving him the higher status in this scene. This time attention is drawn to the clouds
behind, which makes him appear almost

Essay History of Western Art Comparison 1
A Progression of Idealistic Perfection in Sculpture: Khafre Enthroned to Kritios Boy Early Egyptian art from the Old Kingdom, ca. 2575–2134 BCE,
demonstrates uniform structure. Egyptian artists and sculptors adhered to a system of strict rules known as canon to create this consistency. The
Egyptian canon suggested perfection to be a rigid, ageless idealization of reality. Roughly 1,500 years later, a progressive canon emerged in Greek art
reflecting new ideals of perfection. Greek art beginning in the Early Classical Period, ca. 480– 450 BCE, digressed from the acceptance of formula
(influenced by Egyptian canon) to reflect greater naturalism, an adherence to close observation of reality. Greek perfection was achieved through
rational... Show more content on Helpwriting.net ...
The marble sculpture of Kritios Boy from Greece, ca. 480 BCE marks an influential point of stylistic evolution. In contrast to Khafre Enthroned, The
Kritios Boy was created for a public audience. The Kritios Boy's standing pose represents a freedom in his figure that divorces the solidity of the
stiffly seated Khafre. Rather than emanating timelessness, this naturalistic sculpture seems to capture a specific moment in time. Mirroring a normal
human stance of balance and weight shift onto one leg, his stature is contrapposto. Furthermore, the Kritios Boy's physical composition maintains a
smooth contour to his natural musculature. His head is slightly turned with hair that seems to fall effortlessly in place. He is completely naked,
wearing only a relaxed expression on his face. With no indication of identity, the Kritios Boy exemplifies naturalism in Greek drive to order to
analyze form into constituent parts and represent the specific in light of the generic. The figure sculptures of Khafre Enthroned and Kritios Boy
exhibit a start and end point in an evolution of artistic technique. Although a single male figure is the subject of both works, canon clearly develops
from Khafre Enthroned to Kritios Boy. Both works express a desire for perfection with the use of contrasting ideals. Egyptian artists prized
completeness and timeless to achieve a god–like representation. Later, artistic form advances as Greeks sought naturalism and

The Meaning Of Modernism And Post-Impressionism In Western...
The modernism period was a time for art to search for a new form of expression. It was a movement in western art which had develops in the middle
of the 19th century and tried to capture the pictures and sensibilities of the age. Modernism art expand way beyond simply dealing with the present and
involves the critical examination from the artist masterpieces. Modernism advance a era of testing in the arts from the mid 19th to the mid–20th century,
coming after World War I. in the era where it was characterized by industrialization, being advanced in science which lead to society changes.
Postmodernism started in the late 20th century. It's characterized as a "general suspicion of reason" The Post–Impressionism, in Western art, movement
in France that symbolize both an addition of Impressionism and a negative response of the styles inherent restrictions. The meaning of
Post–Impressionism was started by the English art critics. A lot of painters had started as Impressionists meaning all of them had deserted the style, on
the other hand, to shape their own personal art. Impressionism was found, in a strict sense, on the the nature of the effects of color and light. The
Post–Impressionists discarded this limited aim in favor of more motivated expression, declare their debt, yet, to the pure, brilliant colors of
Impressionism, there is now freedom from the traditional subject of matter, and the techniques of wondering the meaning of forms with short
brushstrokes of busted

Japonisme And Western Art
The term Japonisme, refers to the influence of Japanese art on Western art ("Japonisme"). During the second half of the nineteenth century, there was
an outbreak of admiration for all things Japanese; being that the hidden works of Japan had finally been unveiled to the Western population. In 1859,
Japan opened its doors to the concept of overseas trade in turn allowing for Oriental art and household goods to come flooding into Europe. Japanese
prints became an immediate hit amongst Western artists; being that they were significantly different from the works of art in which were prevalent
within the West. The bright, exotic colors were immensely captivating and the Japanese notion of space opened the eyes of many artists.Vincent Van
Gogh did not bat much of an eye towards the concept of Japonisme at first. It was not until his move to Paris in early 1886 that he became fully
submerged/engaged within the idea Japanese art. It was in Paris where his eyes became open to artworks that were not specifically Western, Van
Gogh had begun to see that the Oriental works "were equal to the great masterpieces of Western art history" ("Inspiration from Japan"). Prior to this
point, his views towards Oriental art mirrored that of his brother as they believed that "Japanese art is something like the primitives" ("Inspiration
from Japan"). The notion of viewing Japanese works of art as primitive could have been what sparked the interest of many artists of this time alongside
Van Gogh and

How Did Art Influence Western Civilization
As previously mentioned in the Theme 1 under trade and commerce, the interactive map in Module 3 of the Aegean civilization shows how the
Bronze Age brought about an exchanging of arts via trading routes to the rest of the world. These arts were in the form of luxury goods such as
painted pottery and jewelry from the Greeks of Mycenaean, which traveled, to the Hittite Empires and Egypt. This trade advanced art forms that helped
to influence and shape local cultures throughout western civilization. Fast forward and by the time of the Italian Renaissance, art is booming and
influencing thoughts and cultures all over the western world. During the Renaissance, a rebirth of creativity occurred and the idea of humanism was
born. Chapter 12 mentions

Stagecoach Essay
Stagecoach An Interpretation of 'Stagecoach'
In 1939 John Ford masterminded a classical western film by the name of Stagecoach. This film has the integrity of a fine work of art. Being that it
could be considered a work of art, the impression left on a viewing audience could differ relying on the audience's demographics. However, it is
conceivable to all audiences that Ford delivers a cast of characters that are built on stereotypes and perceptions conjured from 'B' westerns that
preceded this film's time. Each character is introduced to the audience in a stereotypical genre, as the film progresses, these stereotypes are broken
down and the characters become more humanized. This is apparent with a handful of characters being ... Show more content on Helpwriting.net ...
Her only claim to such an elite profile is her husband, who belongs to the US Calvary. Her iconography is that of upper class women, nothing more
really. She longs for her husband, she too is arrogant to some degree, and she is despised of things subordinate to her nature. She is revolted Dallas who
is portrayed as a prostitute. She could not even bear to share a meal at the same table with someone of Dallas's social standing. It is only after the
birth of her child that she breaks away from her stereotype. She realizes the aid and care that she received from Dallas with her newborn and soon
after begins to socially accept Dallas. This is not the last one will see of a character breaking their stereotypical role.
This brings us to the characters that compose the middle class. These characters are: Curly, Hatfield, Doc Boone and Peacock. The roles of these
characters are not built and manifested throughout the film. For instance, Curly is introduced as the sheriff out to imprison the Ringo kid. This is
in line with the 'B' men of the justice of the peace. His major concern is to see that the laws of the land are upheld. He deviates from this role at the
very end of this film by letting the Ringo kid go. Clearly this is an action that is not in line with his law keeping duty. Hatfield, a southern gambler, is
really a unique character. Most 'B' western icons depicted as gamblers are usually shown as hard and

Genre Theory and John Ford's Stagecoach Essay
Genre Theory and John Ford's Stagecoach
The analytic theory posited by Robert Warshow in his essay "The Westerner", itemizes the elements necessary for a film to belong to the genre of the
"western". Most contentiously, he mandates that the narrative focus upon the individual hero's plight to assert his identity, and diminishes the
importance of secondary characters and issues, or any tendency toward "social drama." (431) He states that it is subtle variations that make successive
instances of a genre film interesting, yet limits this variety to "minor variations in the characteristics of the actors who play the hero's role." (430)
It is my belief that while exhibiting many of the traits itemized by Warshow, John Ford's... Show more content on Helpwriting.net ...
Other elements expected by the "western" viewer include the importance of the vast landscape in relation to the men upon it; the figures of the morally
ambiguous marshall, the cultured Eastern lady, the understanding yet fallen prostitute and the "bad guy"; and the conflict between nature and
civilization, usually represented by Apaches and white settlers respectively. Lastly, the most general and material characteristic of a "western" is its
setting on the American western frontier in the late 1900's. Each of these motives is evident in Ford's Stagecoach ; however, there are several
conventions of the "western" which the director intentionally manipulates, which exceed altering the traits of the actor who plays the lead role.
The first convention varied by Ford is the hero's expected relationships with two different types of women. The generic first lady is the refined Eastern
"schoolmarm" character. She represents the paradigm of civilized virtue, and as such fails to understand the cowboy's need for revenge, to do "what he
has to do." (457) In contrast, we usually encounter the highly–sexualized saloon girl or prostitute, whose shares with the hero marginalization by the
fledgling "civilization" of the frontier. This second woman understands the cowboy's code in a way that the cultured woman cannot. In the conventional
"western", the hero often ends up with the "lady", but his choice is excused by the "convenient" accidental death of the saloon girl, usually due

Good versus Evil in the Movie Unforgiven Directed by Clint...
The 1992 film Unforgiven, directed by and starring Clint Eastwood, has a central theme that is one of good versus evil in which good overcomes evil
by bringing justice to those who are evil. Munny has changed from the vicious murderer he was in the past and now wishes to bring justice to evil men
who harmed the innocent prostitute Delilah and his friend Ned. The film is not quite the traditional Western film by any means as Eastwood's character
Will Munny has not always been a moral man. Nevertheless, Will Munny through the use of violence sets out to balance out the battle ofgood and evil
by seeing that evil men get what is coming to them, even though Munny is no saint himself. Munny knows that death is what he deserves for all of the
... Show more content on Helpwriting.net ...
They feel that the man deserves much worse than a whipping, he deserves the biggest punishment that exists, death. The women do not care who does
the killing. They do not care if it is an honest or noble man or a vicious killer with a terrible and violent past. The idea that extreme violence is the
answer to injustice is what makes Unforgiven still fit into the western genre of film. In the film, good eventually wins out by any means necessary,
including the use of violence. Will Munny thinks he will not go back to his acting like his younger self, the vicious and violent killer, if he
attempts to bring justice. Munny even attempts to act humanely after killing a man who harmed Delilah by telling making sure the dying man gets
a final drink of water. However, he is quickly proven wrong when his friend Ned is murdered. Munny and Ned see themselves as just doing the
right thing by trying to bring justice but when Munny is beaten and Ned is murdered, it is clear that violence is the only answer for Little Bill and
his men. Munny turns back to his gun slinging days and kills all the men on Little Bill's side without remorse. It could be argued that Munny changes
from good to evil in an instant in order to stop more evil, but maybe Munny has always been a bad guy no matter how hard he tries to hide it. Either
way, Little Bill as well as his men "gets what is coming to them" as justice is served through violence. Justice through violence

Analysis Of Arth 202 : Survey Of The History Of Western...
ARTH 202: Survey of the History of Western Art II
Professor Schmunk
Field trip to the Greenville County Museum of Art
N.C. Wyeth's Anthony Adverse originally served as the endpaper for the Hervey Allen novel of the same name, originally published in 1933. The
novel is described by the Encyclopedia Britannica as being "a long, rambling work set in Europe, Africa, and the Americas during the Napoleonic era."
Throughout the story, Anthony has many adventures, including slave trading in Africa, working as a businessman and plantation owner in New
Orleans, and being imprisoned and subsequently dying in Mexico. The endpaper by N.C. Wyeth depicts the slave trade portion of Anthony Adverse.
The function of the piece was decorative, as it was the ... Show more content on Helpwriting.net ...
A character of note is the friar standing beside the character presumed to be Anthony. There is much contrast in the facial expressions of the two
characters. While Anthony looks at the slaves with disdain and unconcern, the friar seems to feel apathy for these people who are being driven out of
their homes. The composition of the piece, unsurprisingly, places the most important figures closest to the viewer. Anthony is the clear focal point, as
he is made larger than all other figures, leaving little doubt about his importance in the ensuing novel. The colors, as previously mentioned, are
generally light and subdued. The poses of Anthony and the friar in the foreground are static, as they are watching the action unfold behind them. In
contrast, the slave masters and slaves are seen in motion. Linear perspective is evident in the orthogonal lines made by the fence of the holding pin.
This is the only instance of orthogonal in the piece, so it is unclear where the exact vanishing point is located. The gradual decreasing in size of the
figures also adds to the linear perspective and depth of the painting. The piece similar to A Sunday Afternoon on the Island of La Grande Jatte by
Georges Seurat in its composition, as two characters are seen in the foreground with many characters in the background. This is the extent of
similarities between the two paintings, as the subject content of Anthony Adverse is much heavier than the

'The Old Guitarists In Laurie Adams' A History Of Western Art
In Laurie Adams "A History of Western Art" there are pieces of art that have lots of meaning and representations one in particular being Pablo
Picasso's drawing titled "The Old Guitarist" (468). The image chosen shows a man sitting on the ground, wearing tattered clothes and playing a
guitar. Looking closely, the man's frame appears long and bony, paired with tattered clothes. His face looks sad and glum while his body seems to be
leaning in, listening intently to his guitar as his hands go over the strings. The major point for choosing this image is for the fact that the artist,
Picasso, chose to represent the image using only shades of blue. Idioms are words or phrases that are taken for its literal term when instead it means
something completely

Michelangelo's Influence On The Development Of Western Art
Michelangelo was an Italian Renaissance painter, sculptor, architect, poet, and engineer. His most well–known technique was fresco. He had a major
influence on the development of western art. He also influenced many artists in the Renaissance. He was born in Caprese, Italy in the year of 1475.
He considered Florence to be his home at heart. During the Renaissance Era, Florence was a center of art. Michelangelo saw that as an opportunity to
develop his true talents. At 13, Michelangelo was an apprentice to painter Domenico Ghirlandaio, particularly known for his murals. Although
Michelangelo expressed his genius in many media, he would always consider himself a sculptor first. Michelangelo has always been known as one of
the most famous Renaissance artists because of his awe–inspiring paintings, Sistine Chapel Ceiling, The Last Judgment, and The Torment of Saint
Anthony, and artistic panache.
The Torment of Saint Anthony is the earliest known painting by Michelangelo. This painting shows Saint Anthony being accosted by demons in
midair. Michelangelo finished this painting at the age of twelve or thirteen in. This painting shows a jumpstart of his many talents. The mediums used
in this artwork include tempera and oils on wood panel. The color scheme is very cool. "The green and red of the demons contrasts the background,
making the black robe stand out more. The lines in the painting, which are vertical, puts an effect that the demons appear more realistic, making you

Genre Films' Predictability and Formulaicity Essay
Genre Films' Predictability and Formulaicity
This essay shall discuss whether 'Genre films are predictable and formulaic', looking at the Western genre, and using the example films of, 'The
Searchers' and 'Unforgiven'. Genre is a fundamental means by which we communicate especially in storytelling. If looking at genre in terms of Thomas
Shatz, he puts forward the theory of similarity and overlap. He adopts a thematic and ideological approach, which identifies only two genres; the genre
of order and the genre of integration. In this case the Western would be categorised into the genre of order. This essay shall also look at how genre
films change over time, due to changes in society, as characters ... Show more content on Helpwriting.net ...
Within each of the films, the revenge narratives are both set around the female, as in 'The searchers', Ethan and Martin aim to save the young girl
Debbie, and in 'Unforgiven', Will, Ned and the Schofield Kid aim to get revenge for the female prostitutes, this therefore shows how genre could be
seen to predictable and formulaic as these two western films show how they both follow similar structures and narratives.
The theorists Propp and Todorov have focused on the similarity in narrative across different genres. They suggest that genres that are different from
one another in terms of visual, verbal and musical signifiers operate according to the same narrative structures. Propp puts forward the story functions
of hero, villain and donor etc, and Todorov puts forward the equilibrium narrative theory. These two theorists therefore show, how genre could be
seen to be predictable and formulaic, as both of their theories can be applies to 'The Searchers' and 'Unforgiven', and they also believe they can be
applied to many other genres and films.
The characters within 'The Searchers' fit into Propps story function as it is shown that, Ethan is the main hero within the film, Martin is the main helper
throughout the film and Debbie is seen as the princess who needs to be saved. The same story function can

Prehistoric Western Art Influences
Prehistoric Western Art Influences
Ryan Hernandez
Lamar Community College
Abstract
Art has many styles, shapes, forms, and meanings. The way people perceive art is very different from one another. Even though some art pieces are
very similar, prehistoric art focused on the human species and the human form. The artists had minimal influence which had an effect on their creative
process. Early prehistoric art was based on humanity. The Venus of Willendorf focused on the value of human form. The artist wanted to represent
how life was at the time. The Lascaux cave paintings share the same meaning. Whoever the artist was wanted to capture what was important to humans
at the time. Animals were a very big part of their diet and their life which is why they focused on that in their paintings. Art has many styles, shapes,
forms, and meanings. The way people perceive art is very different from one another. Even though some art pieces are very similar, prehistoric art
focused on the human species and the human form. The artists had minimal influence which had an effect on their creative process. ... Show more
content on Helpwriting.net ...
Petroglyphs are a style of art that uses cupules, rock carvings and engravings to portray their art. Pictographs are pictorial imagery, idiomorphs,
ideograms, or symbols in a category that includes cave painting and drawings. Prehistoric sculptures would sculpt such things as the statuettes known
as Venus Figurines. They also used various forms of zoomorphic and therianthropic ivory carving and relief sculptures. Megalithic art works associated
more with the arrangements of stones. All four types of art have influenced art today in some kind of

Western Influence On Japanese Art

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