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In the production of our music video we have been inspired by
 Andrew Goodwin’s theory as we don’t follow a traditional
 narrative structure. In our music video the singer has both
 roles,       the        narrator       and       the      character.
 A very strong aspect that we have taken from Goodwin’s theory
 is that the artist tries to involve the viewer with the performance
 by        looking          directly       at      the       camera.




Majority of the shots shows the artist looking directly at the camera involving the
viewer with her performance
The structure of our video is reflected on the
length as it builds a climax before the video
ends
I have taken these shots in order
 from our music video; our video
starts with an introduction of the
   artist followed by some lights
 and traffic. This gives an insight
  of the genre as we can tell that
      the setting will be urban

The starting setting is relatively
 dark and it is at night time…
…then it slowly builds up to a brighter
atmosphere that builds up a colour scheme
We also link the start with the end of
the video, as Goodwin’s theory
explains, in our music video we have
repetitive shots before the video fades
away
Goodwin’s theory explains the relationship
   between the song, the genre and the
             illustration through
 amplification, disjuncture and illustration.
 We have mainly focused on Amplification
as we try to add more layers of meaning to
 the lyrics by giving a wider image of our
    song by starting the video in a dark
 atmosphere which is surrounded by city
             and urban aspects
We can also say that we have been inspires by
Vernallis’ theory of music videos as we can also relate
  our video to Disjuncture because there isn’t a major
   connection between the lyrics of the song and the
                           video
  The camera also moves in time with the beat of the
music which is what Vernallis stated, we also use jump
                       cuts regularly
    We have also used an editing technique which is
 obvious. This was a jumpy effect that was used after
 the traffic lights shot as the camera moves away and
  moves from side to side to introduce a new setting
  where the artist is wearing different clothing, this is
     effective as it draws attention to the audience
We have mainly been influenced by the following music videos

         You Da One                   Forgiveness –
         -Rihanna                     Wretch 32 Ft Etta
                                      Bond



    We have used a shot of        We have use da side shot of the
  the artist emphasizing her      artist so show her from the side
              lips                       while she is singing




   We have applied the idea       We have applied some of the
    of using some square        camera movement from this video
  shapes behind the artist in    as we also move along with the
         some shots               artist as she walks and sings

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Question One

  • 1. In the production of our music video we have been inspired by Andrew Goodwin’s theory as we don’t follow a traditional narrative structure. In our music video the singer has both roles, the narrator and the character. A very strong aspect that we have taken from Goodwin’s theory is that the artist tries to involve the viewer with the performance by looking directly at the camera. Majority of the shots shows the artist looking directly at the camera involving the viewer with her performance
  • 2. The structure of our video is reflected on the length as it builds a climax before the video ends
  • 3. I have taken these shots in order from our music video; our video starts with an introduction of the artist followed by some lights and traffic. This gives an insight of the genre as we can tell that the setting will be urban The starting setting is relatively dark and it is at night time…
  • 4. …then it slowly builds up to a brighter atmosphere that builds up a colour scheme
  • 5. We also link the start with the end of the video, as Goodwin’s theory explains, in our music video we have repetitive shots before the video fades away
  • 6. Goodwin’s theory explains the relationship between the song, the genre and the illustration through amplification, disjuncture and illustration. We have mainly focused on Amplification as we try to add more layers of meaning to the lyrics by giving a wider image of our song by starting the video in a dark atmosphere which is surrounded by city and urban aspects
  • 7. We can also say that we have been inspires by Vernallis’ theory of music videos as we can also relate our video to Disjuncture because there isn’t a major connection between the lyrics of the song and the video The camera also moves in time with the beat of the music which is what Vernallis stated, we also use jump cuts regularly We have also used an editing technique which is obvious. This was a jumpy effect that was used after the traffic lights shot as the camera moves away and moves from side to side to introduce a new setting where the artist is wearing different clothing, this is effective as it draws attention to the audience
  • 8. We have mainly been influenced by the following music videos You Da One Forgiveness – -Rihanna Wretch 32 Ft Etta Bond We have used a shot of We have use da side shot of the the artist emphasizing her artist so show her from the side lips while she is singing We have applied the idea We have applied some of the of using some square camera movement from this video shapes behind the artist in as we also move along with the some shots artist as she walks and sings