SlideShare a Scribd company logo
1 of 10
Download to read offline
INSPIRATION/CONVENTIONS OF REAL
MEDIA PRODUCTS
Evaluation Question1. The
sources of real media products
that we gained our inspiration
from.
SIA
One of the first media products we took inspiration from was the music videos created for the
female solo artist Sia. Most of her music videos, including for her songs “The Greatest” and
“Chandelier” include a female dancer which is a style both Ceri and I really appreciate and wanted
to use. We feel performance videos that include dancers add a different feel and individuality to
music videos, which is a convention of dance based performance videos that we wanted to mimic.
We chose to dress our dancers in simple black leotards with a delicate lace skirt; this minimalistic
and sleek look for our dancers we also gained inspiration for from Sia’s music videos. Her dancers
are often dressed in simple clothing which is a style we followed as we did not want any of the
costumes to distract from the dance. The dancers themselves performed extremely well during
filming and we believe their dancing looks professional and impressive and we are very happy with
their performance. We feel the dancing matches and conveys the song well to audiences.
Sia’s music
videos to the
left, mine and
Ceri’s to the
right.
FURTHER DANCE PERFORMANCE INSPIRATION
Other artists that have also used dancers/dance routines within their video, creating
a performance video, include P!nk and Ed Sheeran. The female solo artist P!nk use a
dance routine within her video for “Try” and the male solo artist Ed Sheeran within his
video to “Thinking Out Loud”. Both these artists have used duets, however have
employed the use of a stereotypical romantic duet of a man and a woman.
OUR OWN MUSIC VIDEO
While Ceri and I have taken inspiration from these videos we have also
made the dance element more individual by using two female dancers. As
we did not want to portray the song “Take Me Church” as romantic nor was
the song typically romantic, we used two female dancers. Both the dancers
are similar heights and the same age allowing them to look like an
effective, genuine duo which is another reason why we chose to use them
within our video.
DANCE SHOW
Another place we gained inspiration from for the dance aspect
of the music is a dance show that both Ceri and I attended.
Dancers performed to the original song by Hoizer, using a
contemporary dance style. This is a dance style both Ceri and I
really like, as this adds a dramatic flair and a real visual
aspect to our video. From our research into our target audience
we were able to identify the necessity of having a visually
engaging and interesting music video. From the dance routines
in professional music videos and the dance show we saw, both
media products, we decided on a performance video. We also
took inspiration for our lighting from the dance show as we
understood how the stage lighting and use of colour creates a
more interesting music video visually. This follows the theory of
Steve Archer who believes that lighting within a video heightens
the experience for audiences. The flexibility of stage lighting
and the many different aspects and options of lighting that Ceri
and I could use really appealed to us. The location of the stage
also appealed to us as we had good access to the school stage
and we also liked the range of idea’s and options the stage
gave us.
LIGHTING INSPIRATION
Professional music video’s also inspired us for the lighting of our video such
as: Believer by Imagine Dragons, Youth by Troye Sivan and the style of The
1975’s videos, predominately the music video for UGH!. After our research
Ceri and I realised how lighting can really be used to add movement and
interest to a video. By using a projected stained glass window Ceri and I
were able to create a focal point of interest and by basking the stage in
purple we were following conventions of the indie genre. We feel the use of
lighting really helped to match our genre and create interest during the
video.
SHOT INSPIRATION
For inspiration to include
movement while filming the solo
shots we looked at music videos
for solo artists in order to gain
idea’s relevant for our own artist.
Sam Smith’s video for his song
“Too Good At Goodbyes” was
highly influential in creating this
as we followed ideas of slow
panning (2.55-3.07) and
zooming (0.27-0.31) as well as
full circle shots where we
followed the artist. This way of
filming solo artists is a common
feature of music and a
convention we followed and feel
looks effective within our own
music video. Please see further
on within blog post for GIF’s for
this.
AUDIENCE FEEDBACK
We decided to change the setting of our music video; we had originally planned to
try to film in a Church, however after audience feedback raised the difficulties we
may face doing, this such as lighting quality and having enough room for the dancers
we changed our idea to using a stage instead. We also used the dance show for
inspiration for this change. Throughout this process we have continually altered and
adapted our idea’s using the feedback from our target audience. We have valued
our audience feedback highly and have found it very useful in creating our final
product.
STYLING/CLOTHING INSPIRATION
To stick to the indie pop genre, we
decided to use a solo female artist,
who we modelled off artists such as
Lana Del Rey, Gabrielle Aplin and
Birdy (as shown to the right). Clothing
wise we took inspiration from their
mostly simplistic style, dressing our
artist in ripped Mom jeans with a clear
statment black belt (both typical items
of indie fashion) and a black tee-shirt.
AUDIENCE FEEDBACK
We originally also dressed our artist in a
statement cardigan as well, for our draft
music video, however upon receiving
audience feedback on this we decided to
not include the cardigan. We agreed with
our audience that the cardigan did not
match well with the style of the dancers so
decided to re-film our final music video
without the cardigan. After our choice to
no longer include the cardigan we feel
our artist matched our genre well; our
artist also performed well during the
filming and we feel this helps to make our
video to look professional and authentic,
conforming with professional media
products.

More Related Content

What's hot

Group Evaluation
Group EvaluationGroup Evaluation
Group Evaluationlydsjones
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2Lizatherton
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2Lizatherton
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2Lizatherton
 
evaluation question 1
evaluation question 1evaluation question 1
evaluation question 1kgivens96
 
Evaluation: Q1
Evaluation: Q1Evaluation: Q1
Evaluation: Q1kgivens96
 
Task 1 Media Evaluation
Task 1 Media Evaluation Task 1 Media Evaluation
Task 1 Media Evaluation LRMusicVid
 
Textual Analysis of Common People
Textual Analysis of Common PeopleTextual Analysis of Common People
Textual Analysis of Common PeopleNic JM
 
Evaluating music video
Evaluating music videoEvaluating music video
Evaluating music videofreddymcgaw
 
Soundscape justification
Soundscape justification Soundscape justification
Soundscape justification AnnaSm1th
 
2. How effective is the combination of your main product and ancillary texts?
2. How effective is the combination of your main product and ancillary texts?2. How effective is the combination of your main product and ancillary texts?
2. How effective is the combination of your main product and ancillary texts?ciaraoakes
 

What's hot (20)

Group Evaluation
Group EvaluationGroup Evaluation
Group Evaluation
 
Music video evaluation
Music video evaluationMusic video evaluation
Music video evaluation
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Brandon evaluation task 2
Brandon evaluation task 2Brandon evaluation task 2
Brandon evaluation task 2
 
evaluation question 1
evaluation question 1evaluation question 1
evaluation question 1
 
Evaluation: Q1
Evaluation: Q1Evaluation: Q1
Evaluation: Q1
 
The weeks plan
The weeks planThe weeks plan
The weeks plan
 
Evaluation Task 1
Evaluation Task 1 Evaluation Task 1
Evaluation Task 1
 
Overview of Question 1
Overview of Question 1Overview of Question 1
Overview of Question 1
 
Music video
Music videoMusic video
Music video
 
Task 1 Media Evaluation
Task 1 Media Evaluation Task 1 Media Evaluation
Task 1 Media Evaluation
 
Textual Analysis of Common People
Textual Analysis of Common PeopleTextual Analysis of Common People
Textual Analysis of Common People
 
Evaluating music video
Evaluating music videoEvaluating music video
Evaluating music video
 
Soundscape justification
Soundscape justification Soundscape justification
Soundscape justification
 
2. How effective is the combination of your main product and ancillary texts?
2. How effective is the combination of your main product and ancillary texts?2. How effective is the combination of your main product and ancillary texts?
2. How effective is the combination of your main product and ancillary texts?
 
Brandon evaluation task 2
Brandon evaluation task 2Brandon evaluation task 2
Brandon evaluation task 2
 
Question One
Question OneQuestion One
Question One
 
Eq1 media
Eq1 mediaEq1 media
Eq1 media
 

Similar to Evaluation Question 1 Inspiration

Amy charlotte and lyndsay's shadow pitch
Amy charlotte and lyndsay's shadow pitchAmy charlotte and lyndsay's shadow pitch
Amy charlotte and lyndsay's shadow pitchMusicVideoShadow
 
Amy charlotte and lyndsay's shadow
Amy charlotte and lyndsay's shadow Amy charlotte and lyndsay's shadow
Amy charlotte and lyndsay's shadow MusicVideoShadow
 
Media evaluation question1
Media evaluation question1Media evaluation question1
Media evaluation question1laurenabigail5
 
Pitch presentation
Pitch presentationPitch presentation
Pitch presentationalyshaskelts
 
Pitch presentation
Pitch presentationPitch presentation
Pitch presentationalyshaskelts
 
Media evaluation question 2
Media evaluation question 2Media evaluation question 2
Media evaluation question 2MeganHarris2014
 
Evaluation
EvaluationEvaluation
Evaluationjayjay12
 
Evaluation
EvaluationEvaluation
Evaluationjayjay12
 
Jacob Sanderson - Evaluation Question 1
Jacob Sanderson - Evaluation Question 1 Jacob Sanderson - Evaluation Question 1
Jacob Sanderson - Evaluation Question 1 Jacobbbbbbbb
 
Media Evaluation!
Media Evaluation!Media Evaluation!
Media Evaluation!Duresh
 
Evaluation question 1.
Evaluation question 1.Evaluation question 1.
Evaluation question 1.macdavidc10
 
Evaluation part 1
Evaluation part 1Evaluation part 1
Evaluation part 1sophielisi
 
Question 1 Evaluation
Question 1 EvaluationQuestion 1 Evaluation
Question 1 Evaluationcarliecokell
 
Question 4 transcript
Question 4 transcriptQuestion 4 transcript
Question 4 transcriptChloe044
 
In what ways does your media products use, develop or challenge forms and con...
In what ways does your media products use, develop or challenge forms and con...In what ways does your media products use, develop or challenge forms and con...
In what ways does your media products use, develop or challenge forms and con...zombiejuicek
 
In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...
In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...
In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...jademason
 

Similar to Evaluation Question 1 Inspiration (20)

Amy charlotte and lyndsay's shadow pitch
Amy charlotte and lyndsay's shadow pitchAmy charlotte and lyndsay's shadow pitch
Amy charlotte and lyndsay's shadow pitch
 
Amy charlotte and lyndsay's shadow
Amy charlotte and lyndsay's shadow Amy charlotte and lyndsay's shadow
Amy charlotte and lyndsay's shadow
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Media evaluation question1
Media evaluation question1Media evaluation question1
Media evaluation question1
 
Pitch
PitchPitch
Pitch
 
Pitch presentation
Pitch presentationPitch presentation
Pitch presentation
 
Pitch presentation
Pitch presentationPitch presentation
Pitch presentation
 
Media evaluation question 2
Media evaluation question 2Media evaluation question 2
Media evaluation question 2
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Jacob Sanderson - Evaluation Question 1
Jacob Sanderson - Evaluation Question 1 Jacob Sanderson - Evaluation Question 1
Jacob Sanderson - Evaluation Question 1
 
Media Evaluation!
Media Evaluation!Media Evaluation!
Media Evaluation!
 
Evaluation question 1.
Evaluation question 1.Evaluation question 1.
Evaluation question 1.
 
Evaluation part 1
Evaluation part 1Evaluation part 1
Evaluation part 1
 
Question 1 Evaluation
Question 1 EvaluationQuestion 1 Evaluation
Question 1 Evaluation
 
Evaluation task 1 final
Evaluation task 1 finalEvaluation task 1 final
Evaluation task 1 final
 
Question 1
Question 1Question 1
Question 1
 
Question 4 transcript
Question 4 transcriptQuestion 4 transcript
Question 4 transcript
 
In what ways does your media products use, develop or challenge forms and con...
In what ways does your media products use, develop or challenge forms and con...In what ways does your media products use, develop or challenge forms and con...
In what ways does your media products use, develop or challenge forms and con...
 
In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...
In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...
In what ways does your Music Video/Digipak/Magazine Advert use, develop or ch...
 

More from Steph2000

My Filter Bubble
My Filter BubbleMy Filter Bubble
My Filter BubbleSteph2000
 
My Filter Bubble
My Filter BubbleMy Filter Bubble
My Filter BubbleSteph2000
 
Magazine Advert And Digipak Evaluation 3
Magazine Advert And Digipak Evaluation 3Magazine Advert And Digipak Evaluation 3
Magazine Advert And Digipak Evaluation 3Steph2000
 
Magazine Advert Evaluation Question 1
Magazine Advert Evaluation Question 1Magazine Advert Evaluation Question 1
Magazine Advert Evaluation Question 1Steph2000
 
Digipak Evaluation Question 1
Digipak Evaluation Question 1Digipak Evaluation Question 1
Digipak Evaluation Question 1Steph2000
 
Stages Of Magazine Advert
Stages Of Magazine AdvertStages Of Magazine Advert
Stages Of Magazine AdvertSteph2000
 
Stages Of Digipak
Stages Of DigipakStages Of Digipak
Stages Of DigipakSteph2000
 
Digipak Planning
Digipak PlanningDigipak Planning
Digipak PlanningSteph2000
 
Magazine Advert Analysis
Magazine Advert AnalysisMagazine Advert Analysis
Magazine Advert AnalysisSteph2000
 
Lighting Plans
Lighting PlansLighting Plans
Lighting PlansSteph2000
 
Digipak Moodboard Front Cover
Digipak Moodboard Front CoverDigipak Moodboard Front Cover
Digipak Moodboard Front CoverSteph2000
 
Digipak CD Mood Board
Digipak CD Mood BoardDigipak CD Mood Board
Digipak CD Mood BoardSteph2000
 
Digipak Analysis
Digipak AnalysisDigipak Analysis
Digipak AnalysisSteph2000
 
Digipak Analysis
Digipak AnalysisDigipak Analysis
Digipak AnalysisSteph2000
 
Narrative Theorists
Narrative TheoristsNarrative Theorists
Narrative TheoristsSteph2000
 
Storyboard Progress
Storyboard ProgressStoryboard Progress
Storyboard ProgressSteph2000
 
Lighting Ideas and Planning
Lighting Ideas and PlanningLighting Ideas and Planning
Lighting Ideas and PlanningSteph2000
 
Representation In Our Music Video
Representation In Our Music VideoRepresentation In Our Music Video
Representation In Our Music VideoSteph2000
 
Risk Assessment Music Video
Risk Assessment Music VideoRisk Assessment Music Video
Risk Assessment Music VideoSteph2000
 
Music Video Pitch
Music Video PitchMusic Video Pitch
Music Video PitchSteph2000
 

More from Steph2000 (20)

My Filter Bubble
My Filter BubbleMy Filter Bubble
My Filter Bubble
 
My Filter Bubble
My Filter BubbleMy Filter Bubble
My Filter Bubble
 
Magazine Advert And Digipak Evaluation 3
Magazine Advert And Digipak Evaluation 3Magazine Advert And Digipak Evaluation 3
Magazine Advert And Digipak Evaluation 3
 
Magazine Advert Evaluation Question 1
Magazine Advert Evaluation Question 1Magazine Advert Evaluation Question 1
Magazine Advert Evaluation Question 1
 
Digipak Evaluation Question 1
Digipak Evaluation Question 1Digipak Evaluation Question 1
Digipak Evaluation Question 1
 
Stages Of Magazine Advert
Stages Of Magazine AdvertStages Of Magazine Advert
Stages Of Magazine Advert
 
Stages Of Digipak
Stages Of DigipakStages Of Digipak
Stages Of Digipak
 
Digipak Planning
Digipak PlanningDigipak Planning
Digipak Planning
 
Magazine Advert Analysis
Magazine Advert AnalysisMagazine Advert Analysis
Magazine Advert Analysis
 
Lighting Plans
Lighting PlansLighting Plans
Lighting Plans
 
Digipak Moodboard Front Cover
Digipak Moodboard Front CoverDigipak Moodboard Front Cover
Digipak Moodboard Front Cover
 
Digipak CD Mood Board
Digipak CD Mood BoardDigipak CD Mood Board
Digipak CD Mood Board
 
Digipak Analysis
Digipak AnalysisDigipak Analysis
Digipak Analysis
 
Digipak Analysis
Digipak AnalysisDigipak Analysis
Digipak Analysis
 
Narrative Theorists
Narrative TheoristsNarrative Theorists
Narrative Theorists
 
Storyboard Progress
Storyboard ProgressStoryboard Progress
Storyboard Progress
 
Lighting Ideas and Planning
Lighting Ideas and PlanningLighting Ideas and Planning
Lighting Ideas and Planning
 
Representation In Our Music Video
Representation In Our Music VideoRepresentation In Our Music Video
Representation In Our Music Video
 
Risk Assessment Music Video
Risk Assessment Music VideoRisk Assessment Music Video
Risk Assessment Music Video
 
Music Video Pitch
Music Video PitchMusic Video Pitch
Music Video Pitch
 

Recently uploaded

RAK Call Girls Service # 971559085003 # Call Girl Service In RAK
RAK Call Girls Service # 971559085003 # Call Girl Service In RAKRAK Call Girls Service # 971559085003 # Call Girl Service In RAK
RAK Call Girls Service # 971559085003 # Call Girl Service In RAKedwardsara83
 
FULL ENJOY - 9953040155 Call Girls in Burari | Delhi
FULL ENJOY - 9953040155 Call Girls in Burari | DelhiFULL ENJOY - 9953040155 Call Girls in Burari | Delhi
FULL ENJOY - 9953040155 Call Girls in Burari | DelhiMalviyaNagarCallGirl
 
Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...
Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...
Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...anilsa9823
 
Jeremy Casson - An Architectural and Historical Journey Around Europe
Jeremy Casson - An Architectural and Historical Journey Around EuropeJeremy Casson - An Architectural and Historical Journey Around Europe
Jeremy Casson - An Architectural and Historical Journey Around EuropeJeremy Casson
 
Turn Lock Take Key Storyboard Daniel Johnson
Turn Lock Take Key Storyboard Daniel JohnsonTurn Lock Take Key Storyboard Daniel Johnson
Turn Lock Take Key Storyboard Daniel Johnsonthephillipta
 
exhuma plot and synopsis from the exhuma movie.pptx
exhuma plot and synopsis from the exhuma movie.pptxexhuma plot and synopsis from the exhuma movie.pptx
exhuma plot and synopsis from the exhuma movie.pptxKurikulumPenilaian
 
Islamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad Escorts
Islamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad EscortsIslamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad Escorts
Islamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad Escortswdefrd
 
FULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiMalviyaNagarCallGirl
 
Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...
Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...
Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...akbard9823
 
MinSheng Gaofeng Estate commercial storyboard
MinSheng Gaofeng Estate commercial storyboardMinSheng Gaofeng Estate commercial storyboard
MinSheng Gaofeng Estate commercial storyboardjessica288382
 
Patrakarpuram ) Cheap Call Girls In Lucknow (Adult Only) 🧈 8923113531 𓀓 Esco...
Patrakarpuram ) Cheap Call Girls In Lucknow  (Adult Only) 🧈 8923113531 𓀓 Esco...Patrakarpuram ) Cheap Call Girls In Lucknow  (Adult Only) 🧈 8923113531 𓀓 Esco...
Patrakarpuram ) Cheap Call Girls In Lucknow (Adult Only) 🧈 8923113531 𓀓 Esco...akbard9823
 
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | DelhiFULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | DelhiMalviyaNagarCallGirl
 
Deconstructing Gendered Language; Feminist World-Making 2024
Deconstructing Gendered Language; Feminist World-Making 2024Deconstructing Gendered Language; Feminist World-Making 2024
Deconstructing Gendered Language; Feminist World-Making 2024samlnance
 
Young⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort Service
Young⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort ServiceYoung⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort Service
Young⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort Servicesonnydelhi1992
 
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in DowntownDowntown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtowndajasot375
 
(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad Escorts
(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad Escorts(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad Escorts
(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad EscortsCall girls in Ahmedabad High profile
 
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiFULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiMalviyaNagarCallGirl
 
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...akbard9823
 

Recently uploaded (20)

RAK Call Girls Service # 971559085003 # Call Girl Service In RAK
RAK Call Girls Service # 971559085003 # Call Girl Service In RAKRAK Call Girls Service # 971559085003 # Call Girl Service In RAK
RAK Call Girls Service # 971559085003 # Call Girl Service In RAK
 
FULL ENJOY - 9953040155 Call Girls in Burari | Delhi
FULL ENJOY - 9953040155 Call Girls in Burari | DelhiFULL ENJOY - 9953040155 Call Girls in Burari | Delhi
FULL ENJOY - 9953040155 Call Girls in Burari | Delhi
 
Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...
Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...
Lucknow 💋 Cheap Call Girls In Lucknow Finest Escorts Service 8923113531 Avail...
 
Jeremy Casson - An Architectural and Historical Journey Around Europe
Jeremy Casson - An Architectural and Historical Journey Around EuropeJeremy Casson - An Architectural and Historical Journey Around Europe
Jeremy Casson - An Architectural and Historical Journey Around Europe
 
Turn Lock Take Key Storyboard Daniel Johnson
Turn Lock Take Key Storyboard Daniel JohnsonTurn Lock Take Key Storyboard Daniel Johnson
Turn Lock Take Key Storyboard Daniel Johnson
 
exhuma plot and synopsis from the exhuma movie.pptx
exhuma plot and synopsis from the exhuma movie.pptxexhuma plot and synopsis from the exhuma movie.pptx
exhuma plot and synopsis from the exhuma movie.pptx
 
Islamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad Escorts
Islamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad EscortsIslamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad Escorts
Islamabad Call Girls # 03091665556 # Call Girls in Islamabad | Islamabad Escorts
 
FULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Old Rajendra Nagar | Delhi
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
 
Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...
Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...
Aminabad @ Book Call Girls in Lucknow - 450+ Call Girl Cash Payment 🍵 8923113...
 
MinSheng Gaofeng Estate commercial storyboard
MinSheng Gaofeng Estate commercial storyboardMinSheng Gaofeng Estate commercial storyboard
MinSheng Gaofeng Estate commercial storyboard
 
Patrakarpuram ) Cheap Call Girls In Lucknow (Adult Only) 🧈 8923113531 𓀓 Esco...
Patrakarpuram ) Cheap Call Girls In Lucknow  (Adult Only) 🧈 8923113531 𓀓 Esco...Patrakarpuram ) Cheap Call Girls In Lucknow  (Adult Only) 🧈 8923113531 𓀓 Esco...
Patrakarpuram ) Cheap Call Girls In Lucknow (Adult Only) 🧈 8923113531 𓀓 Esco...
 
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | DelhiFULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
 
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Laxmi Nagar | Delhi
 
Deconstructing Gendered Language; Feminist World-Making 2024
Deconstructing Gendered Language; Feminist World-Making 2024Deconstructing Gendered Language; Feminist World-Making 2024
Deconstructing Gendered Language; Feminist World-Making 2024
 
Young⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort Service
Young⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort ServiceYoung⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort Service
Young⚡Call Girls in Lajpat Nagar Delhi >༒9667401043 Escort Service
 
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in DowntownDowntown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
 
(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad Escorts
(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad Escorts(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad Escorts
(NEHA) Call Girls Ahmedabad Booking Open 8617697112 Ahmedabad Escorts
 
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiFULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
 
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
 

Evaluation Question 1 Inspiration

  • 1. INSPIRATION/CONVENTIONS OF REAL MEDIA PRODUCTS Evaluation Question1. The sources of real media products that we gained our inspiration from.
  • 2. SIA One of the first media products we took inspiration from was the music videos created for the female solo artist Sia. Most of her music videos, including for her songs “The Greatest” and “Chandelier” include a female dancer which is a style both Ceri and I really appreciate and wanted to use. We feel performance videos that include dancers add a different feel and individuality to music videos, which is a convention of dance based performance videos that we wanted to mimic. We chose to dress our dancers in simple black leotards with a delicate lace skirt; this minimalistic and sleek look for our dancers we also gained inspiration for from Sia’s music videos. Her dancers are often dressed in simple clothing which is a style we followed as we did not want any of the costumes to distract from the dance. The dancers themselves performed extremely well during filming and we believe their dancing looks professional and impressive and we are very happy with their performance. We feel the dancing matches and conveys the song well to audiences. Sia’s music videos to the left, mine and Ceri’s to the right.
  • 3. FURTHER DANCE PERFORMANCE INSPIRATION Other artists that have also used dancers/dance routines within their video, creating a performance video, include P!nk and Ed Sheeran. The female solo artist P!nk use a dance routine within her video for “Try” and the male solo artist Ed Sheeran within his video to “Thinking Out Loud”. Both these artists have used duets, however have employed the use of a stereotypical romantic duet of a man and a woman.
  • 4. OUR OWN MUSIC VIDEO While Ceri and I have taken inspiration from these videos we have also made the dance element more individual by using two female dancers. As we did not want to portray the song “Take Me Church” as romantic nor was the song typically romantic, we used two female dancers. Both the dancers are similar heights and the same age allowing them to look like an effective, genuine duo which is another reason why we chose to use them within our video.
  • 5. DANCE SHOW Another place we gained inspiration from for the dance aspect of the music is a dance show that both Ceri and I attended. Dancers performed to the original song by Hoizer, using a contemporary dance style. This is a dance style both Ceri and I really like, as this adds a dramatic flair and a real visual aspect to our video. From our research into our target audience we were able to identify the necessity of having a visually engaging and interesting music video. From the dance routines in professional music videos and the dance show we saw, both media products, we decided on a performance video. We also took inspiration for our lighting from the dance show as we understood how the stage lighting and use of colour creates a more interesting music video visually. This follows the theory of Steve Archer who believes that lighting within a video heightens the experience for audiences. The flexibility of stage lighting and the many different aspects and options of lighting that Ceri and I could use really appealed to us. The location of the stage also appealed to us as we had good access to the school stage and we also liked the range of idea’s and options the stage gave us.
  • 6. LIGHTING INSPIRATION Professional music video’s also inspired us for the lighting of our video such as: Believer by Imagine Dragons, Youth by Troye Sivan and the style of The 1975’s videos, predominately the music video for UGH!. After our research Ceri and I realised how lighting can really be used to add movement and interest to a video. By using a projected stained glass window Ceri and I were able to create a focal point of interest and by basking the stage in purple we were following conventions of the indie genre. We feel the use of lighting really helped to match our genre and create interest during the video.
  • 7. SHOT INSPIRATION For inspiration to include movement while filming the solo shots we looked at music videos for solo artists in order to gain idea’s relevant for our own artist. Sam Smith’s video for his song “Too Good At Goodbyes” was highly influential in creating this as we followed ideas of slow panning (2.55-3.07) and zooming (0.27-0.31) as well as full circle shots where we followed the artist. This way of filming solo artists is a common feature of music and a convention we followed and feel looks effective within our own music video. Please see further on within blog post for GIF’s for this.
  • 8. AUDIENCE FEEDBACK We decided to change the setting of our music video; we had originally planned to try to film in a Church, however after audience feedback raised the difficulties we may face doing, this such as lighting quality and having enough room for the dancers we changed our idea to using a stage instead. We also used the dance show for inspiration for this change. Throughout this process we have continually altered and adapted our idea’s using the feedback from our target audience. We have valued our audience feedback highly and have found it very useful in creating our final product.
  • 9. STYLING/CLOTHING INSPIRATION To stick to the indie pop genre, we decided to use a solo female artist, who we modelled off artists such as Lana Del Rey, Gabrielle Aplin and Birdy (as shown to the right). Clothing wise we took inspiration from their mostly simplistic style, dressing our artist in ripped Mom jeans with a clear statment black belt (both typical items of indie fashion) and a black tee-shirt.
  • 10. AUDIENCE FEEDBACK We originally also dressed our artist in a statement cardigan as well, for our draft music video, however upon receiving audience feedback on this we decided to not include the cardigan. We agreed with our audience that the cardigan did not match well with the style of the dancers so decided to re-film our final music video without the cardigan. After our choice to no longer include the cardigan we feel our artist matched our genre well; our artist also performed well during the filming and we feel this helps to make our video to look professional and authentic, conforming with professional media products.