This document provides an overview and table of contents for the book "Writers at Work: The Paragraph" by Jill Singleton. It introduces the book's purpose of teaching readers how to write effective paragraphs and outlines the book's contents. The book is divided into 9 chapters that cover various paragraph writing topics and walking readers through the writing process. Each chapter also includes exercises and self-checks to help readers practice and improve their paragraph writing skills.
The document discusses techniques for teaching vocabulary in English language learning. It defines vocabulary as a collection of words and explains their importance for communication, comprehension, and expression. Some key considerations for teaching vocabulary are the word's form, meaning, and use. The document recommends several techniques to help students memorize words, including using games, songs, real objects, pictures and videos. Mastering vocabulary requires understanding different aspects of words and practicing retention through engaging methods.
This document discusses several popular superstitions in Vietnam related to good and bad luck. Some of the superstitions mentioned include sweeping your house on the first day of the lunar new year will sweep away good luck and prosperity, burning money if you have bad luck in business can change your luck or karma, and eating a baby duck egg can change your fortune. Breaking a mirror will bring seven years of bad luck and cutting your hair before an exam may cause you to forget everything.
This document discusses the uses of infinitives and gerunds in English. It explains that gerunds can be used as subjects of sentences or after certain verbs and prepositions. Infinitives can also be used as subjects or after certain verbs and adjectives. Some verbs like "begin" and "prefer" can take either an infinitive or gerund without a change in meaning, while verbs like "stop", "remember", and "regret" have different meanings depending on whether they are followed by an infinitive or gerund. The document provides examples to illustrate the different uses of infinitives and gerunds.
Mixed conditionals refer to conditional sentences where the time in the 'if' clause is different than the time in the main clause. There are two common types: mixed third/second conditionals refer to an imagined past condition and its present result, using the structure "if + past perfect" followed by "would + infinitive." Mixed second/third conditionals refer to an unreal present/ongoing condition and its probable past result, using "if + past simple" followed by "would have + past participle." Mixed conditionals are used to discuss different time frames and their conditional relationships.
This document provides guidance on how to politely ask for favors using different phrases depending on the situation. It suggests asking "Could/Would you do me a favor?" to begin, or using "Could you please + verb" or "Could you possibly + verb" when asking for help with specific tasks. "Would you mind + verb + ing" can be used for everyday favors. Sample dialogues demonstrate asking for and granting a favor for cooking dinner.
This document summarizes guidelines for preventing deep vein thrombosis and pulmonary embolism in surgical patients. It discusses the causes of VTE including stasis, intimal injury, and hypercoagulability due to surgery. It also describes methods for assessing patient risk and different prophylaxis options including unfractionated heparin, low molecular weight heparin, and pentasaccharide. The summary provides an overview of dosing and administration for various prophylaxis modalities.
Georgia Common Core Coach, CCGPS Edition, Composition, Level ITriumphLearningNY
Composition exercises support students in constructing more complex, sophisticated writing, as required by the Common Core Georgia Performance Standards.
The first two lessons of Georgia Common Core Coach, CCGPS Edition, Composition provide the foundation for the remaining lessons. With the first lesson walking students through the writing process from start to finish, and the second lesson taking them through the entire research process. The second unit of the book offers lessons on specific writing types that are outlined in the Common Core Georgia Performance Standards.
The document discusses techniques for teaching vocabulary in English language learning. It defines vocabulary as a collection of words and explains their importance for communication, comprehension, and expression. Some key considerations for teaching vocabulary are the word's form, meaning, and use. The document recommends several techniques to help students memorize words, including using games, songs, real objects, pictures and videos. Mastering vocabulary requires understanding different aspects of words and practicing retention through engaging methods.
This document discusses several popular superstitions in Vietnam related to good and bad luck. Some of the superstitions mentioned include sweeping your house on the first day of the lunar new year will sweep away good luck and prosperity, burning money if you have bad luck in business can change your luck or karma, and eating a baby duck egg can change your fortune. Breaking a mirror will bring seven years of bad luck and cutting your hair before an exam may cause you to forget everything.
This document discusses the uses of infinitives and gerunds in English. It explains that gerunds can be used as subjects of sentences or after certain verbs and prepositions. Infinitives can also be used as subjects or after certain verbs and adjectives. Some verbs like "begin" and "prefer" can take either an infinitive or gerund without a change in meaning, while verbs like "stop", "remember", and "regret" have different meanings depending on whether they are followed by an infinitive or gerund. The document provides examples to illustrate the different uses of infinitives and gerunds.
Mixed conditionals refer to conditional sentences where the time in the 'if' clause is different than the time in the main clause. There are two common types: mixed third/second conditionals refer to an imagined past condition and its present result, using the structure "if + past perfect" followed by "would + infinitive." Mixed second/third conditionals refer to an unreal present/ongoing condition and its probable past result, using "if + past simple" followed by "would have + past participle." Mixed conditionals are used to discuss different time frames and their conditional relationships.
This document provides guidance on how to politely ask for favors using different phrases depending on the situation. It suggests asking "Could/Would you do me a favor?" to begin, or using "Could you please + verb" or "Could you possibly + verb" when asking for help with specific tasks. "Would you mind + verb + ing" can be used for everyday favors. Sample dialogues demonstrate asking for and granting a favor for cooking dinner.
This document summarizes guidelines for preventing deep vein thrombosis and pulmonary embolism in surgical patients. It discusses the causes of VTE including stasis, intimal injury, and hypercoagulability due to surgery. It also describes methods for assessing patient risk and different prophylaxis options including unfractionated heparin, low molecular weight heparin, and pentasaccharide. The summary provides an overview of dosing and administration for various prophylaxis modalities.
Georgia Common Core Coach, CCGPS Edition, Composition, Level ITriumphLearningNY
Composition exercises support students in constructing more complex, sophisticated writing, as required by the Common Core Georgia Performance Standards.
The first two lessons of Georgia Common Core Coach, CCGPS Edition, Composition provide the foundation for the remaining lessons. With the first lesson walking students through the writing process from start to finish, and the second lesson taking them through the entire research process. The second unit of the book offers lessons on specific writing types that are outlined in the Common Core Georgia Performance Standards.
This document is a thesis submitted by Gary Hopkins to the University of Cape Town in partial fulfillment of a Bachelor of Sciences degree in Civil Engineering. The thesis investigates the post-buckling behavior of shell structures through highly non-linear analysis. It implements an elasto-plastic constitutive law within the framework of SESKA, a C++ analysis code, to model shell structures using three-dimensional continuum mechanics while avoiding simplifications of shell geometry and behavior. Simple shell structures are analyzed to gain preliminary understanding of post-buckling behavior and determine the feasibility of the methods employed for further analyses. Results will be benchmarked against other verified analyses that used specialized shell elements and visco-plastic material laws.
This document provides an overview and table of contents for a book about preparing for the GRE General Test. It includes information about the authors and editors of the book. The book contains a diagnostic test to evaluate strengths and weaknesses, as well as one-, two-, and four-week study plans. It covers various verbal and math topics tested on the GRE through lessons, examples, and practice questions.
Georgia Common Core Support Coach, CCGPS Edition, Target: Reading Comprehensi...TriumphLearningNY
This document is the table of contents for a reading comprehension workbook that provides lessons and passages on various fiction and nonfiction genres. The workbook is organized into 10 lessons covering genres such as fiction, poetry, drama, historical texts, scientific texts, and more. Each lesson includes introductory information on the genre, two related passages to read and analyze, and additional independent reading. Graphic organizers and worksheets are provided in the tools section to accompany selected passages.
This document describes a study that uses computational fluid dynamics to analyze the efficiency of three small monohull vessel designs: a shallow V-hull, flat bottom hull, and round bottom hull. Theoretical calculations were performed to determine the prismatic coefficient of each hull shape. Computational simulations using ANSYS Fluent were then run to observe pressure distributions and forces on the hulls at different fluid velocities. Results showed that the shallow V-hull experienced the lowest drag forces due to its lower prismatic coefficient. Overall, the study aims to identify the most hydrodynamically efficient hull shape through numerical experiments and theoretical analyses.
25quickformativeassessments 130203063349-phpapp01Sarah Jones
This document is a book that provides 25 quick formative assessment strategies for teachers to use in a differentiated classroom. It includes an introduction explaining what formative assessments are and how to use the strategies in the book. The strategies are organized into four sections: summaries and reflections, lists, charts and graphic organizers, visual representations of information, and collaborative activities. Each strategy includes a description, examples, and tips for implementation. The book aims to help teachers gather real-time data on student understanding to inform instruction and meet the diverse needs of learners.
Archaeology in the Holy Bible List of Artifacts in Biblical Studies of Archae...Sister Lara
This document provides a list of artifacts significant to biblical archaeology studies. It includes artifacts from 2000 BCE to the 1st century CE that have been discovered and analyzed. The artifacts are organized chronologically by century. Several individual artifacts, like the Merneptah Stele and Mesha Stele, are discussed in more detail with descriptions of their historical context and significance. The document also references external lists of artifacts and museums where significant biblical archaeological finds are housed.
This document provides an overview and guide to technical writing for engineers. It discusses what technical writing is, including its key attributes such as being factual, objective, and directed to specific readers. It outlines reasons for writing such as to convey information to others and benefit one's career. The document also covers performing technical studies, developing a writing strategy, choosing appropriate document types, criteria for good technical writing, elements of writing style, and using illustrations to support written content. The intended audience is engineers seeking to improve their technical writing skills and knowledge.
This document provides an overview and copyright information for the book "Engineers' Guide to Technical Writing" by Kenneth G. Budinski. It details the book's dedication to the author's technical writing professor and lists the ASM International staff involved in the project. The book contains 7 chapters that cover topics such as what technical writing is, reasons for writing, performing technical studies, writing strategy, document options, criteria for good technical writing, and writing style. It is intended to provide engineers with guidance on how to effectively communicate technical information and improve their technical writing skills.
Mind Changing Techniques to Keep the ChangeDaniel Garcia
Introducing Mind
Changing Techniques – The Essential
Life Skills That We All Need to Live
Happy and Ef ective Life. Inside this
eBook, you will discover the topics about
how to master yourself and others by
anchoring, the magical authority voice,
can I really be lucky, how to talk so
people listen with their hearts, the
relaxing breath, when you find their
magic words of influence you become
irresistible, how to deal with criticism,
you must become a cybernaut to steer
yourself through life and so much more!
Georgia Common Core Coach, CCGPS Edition, Composition, Level IITriumphLearningNY
Composition exercises support students in constructing more complex, sophisticated writing, as required by the Common Core Georgia Performance Standards.
Get a comprehensive review of both the writing process and research process, in entirety. Easy-to-follow lessons focus on specific writing types that are outlined in the Common Core Georgia Performance Standards. During this program students will be integrating different sources into research papers based on a prompt.
This book provides style and usage guidelines for programmers using Fortran. It is intended for anyone using Fortran, from beginners to experts. The book describes best practices for formatting, naming conventions, documentation, programming principles, input/output handling, and other aspects of the Fortran language. It focuses primarily on Fortran 2003 but also describes features of Fortran 90/95 and 2008.
This PhD thesis examines theoretical and practical aspects of typestate modeling in object-oriented languages. It presents the Hanoi modeling language for representing typestate constraints and describes a dynamic checker for Hanoi models implemented using AspectJ. The thesis also reports on a user study that evaluated whether programmers can effectively reason about typestate models. The study found that programmers were generally able to answer questions about typestate models, suggesting typestate is a comprehensible concept for developers. Overall, the thesis provides insights into making typestate modeling practical and usable in real-world programming.
@author Jane Programmer @cwid 123 45 678 @classtroutmanboris
This document provides the code and comments for a C++ program that tests the construction and functionality of a binary search tree data structure. The main() function contains code to test constructing an empty tree, inserting nodes, checking the size and printing the tree, and clearing the tree. Comments provide descriptions of the program and the parameters and return value for main(). The code tests functions for inserting nodes, getting the size, printing the tree, and clearing it. Assertions confirm the expected behavior.
The document provides information about the Chapman & Hall/CRC Machine Learning & Pattern Recognition Series, including its aims and scope. It publishes reference works, textbooks, and handbooks reflecting the latest advances and applications in machine learning and pattern recognition. The series includes titles in areas such as machine learning, pattern recognition, computational intelligence, robotics, natural language processing, computer vision, and other relevant topics. It has already published titles such as "Machine Learning: An Algorithmic Perspective" and the second edition of the "Handbook of Natural Language Processing."
Stephen Wang is a Chinese journalist who applied to and was accepted by several top journalism master's programs in the US. She had a BA in journalism from Fudan University in China and worked for two years as a business reporter at an English language newspaper in Shanghai. Her work experience helped strengthen her interviewing, writing, and communication skills. In her graduate studies, she hopes to learn more about Western theories and practices of journalism, develop analytical skills, and apply what she learns to help improve journalism in China.
@author Jane Programmer @cwid 123 45 678 @class.docxShiraPrater50
/**
* @author Jane Programmer
* @cwid 123 45 678
* @class COSC 2336, Spring 2019
* @ide Visual Studio Community 2017
* @date April 8, 2019
* @assg Assignment 12
*
* @description Assignment 12 Binary Search Trees
*/
#include <cassert>
#include <iostream>
#include "BinaryTree.hpp"
using namespace std;
/** main
* The main entry point for this program. Execution of this program
* will begin with this main function.
*
* @param argc The command line argument count which is the number of
* command line arguments provided by user when they started
* the program.
* @param argv The command line arguments, an array of character
* arrays.
*
* @returns An int value indicating program exit status. Usually 0
* is returned to indicate normal exit and a non-zero value
* is returned to indicate an error condition.
*/
int main(int argc, char** argv)
{
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree construction ----------------" << endl;
BinaryTree t;
cout << "<constructor> Size of new empty tree: " << t.size() << endl;
cout << t << endl;
assert(t.size() == 0);
cout << endl;
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree insertion -------------------" << endl;
t.insert(10);
cout << "<insert> Inserted into empty tree, size: " << t.size() << endl;
cout << t << endl;
assert(t.size() == 1);
t.insert(3);
t.insert(7);
t.insert(12);
t.insert(15);
t.insert(2);
cout << "<insert> inserted 5 more items, size: " << t.size() << endl;
cout << t << endl;
assert(t.size() == 6);
cout << endl;
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree height -------------------" << endl;
//cout << "<height> Current tree height: " << t.height() << endl;
//assert(t.height() == 3);
// increase height by 2
//t.insert(4);
//t.insert(5);
//cout << "<height> after inserting nodes, height: " << t.height()
// << " size: " << t.size() << endl;
//cout << t << endl;
//assert(t.height() == 5);
//assert(t.size() == 8);
cout << endl;
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree clear -------------------" << endl;
//t.clear();
//cout << "<clear> after clearing tree, height: " << t.height()
// << " size: " << t.size() << endl;
//cout << t << endl;
//assert(t.size() == 0);
//assert(t.height() == 0);
cout << endl;
// return 0 to indicate successful completion
return 0;
}
C y b e r A t t a c k s
“Dr. Amoroso’s fi fth book Cyber Attacks: Protecting National Infrastructure outlines the chal-
lenges of protecting our nation’s infrastructure from cyber attack using security techniques
established to protect much smalle ...
The document is a handwriting workbook for first grade students. It contains instructions for proper handwriting technique based on whether the student is left-handed or right-handed. It then teaches the manuscript alphabet and individual letters such as I, L, T, and F through examples and practice writing. The workbook is divided into units that introduce new handwriting concepts and include exercises, stories, and other practice material.
This document provides the Wetlands Delineation Manual published in 1987 by the U.S. Army Corps of Engineers. The manual establishes technical guidelines and methods for identifying and delineating wetlands subject to regulatory jurisdiction under the Clean Water Act. It requires evidence of hydrophytic vegetation, hydric soils, and wetland hydrology to designate an area as a wetland. The manual also describes characteristics and indicators used to identify these three wetland parameters and provides detailed methods for routine, comprehensive, and atypical wetland determinations.
The document is Karen Deller's doctoral thesis submitted in partial fulfilment of the requirements for a Doctor of Philosophy degree from the University of Johannesburg. The thesis examines the design and implementation of a Recognition of Prior Learning (RPL) programme for the South African insurance sector. It presents the background and context for RPL and the research. The methodology used a qualitative programme evaluation approach involving interviews and case studies to understand participants' experiences of the RPL process. Key findings from the data analysis are also summarized.
The document is Karen Deller's doctoral thesis submitted in partial fulfilment of the requirements for a Doctor of Philosophy degree from the University of Johannesburg. The thesis examines the design and implementation of a Recognition of Prior Learning (RPL) programme for the South African insurance sector. It presents the background and context for RPL and the research. The methodology used a qualitative programme evaluation approach involving interviews and case studies to understand participants' experiences of the RPL process. Key findings from the data analysis are also summarized.
Este documento presenta las normas APA para la presentación de textos académicos. Explica que las normas APA establecen requisitos específicos para el contenido, estilo, citación y referenciación de fuentes. Luego, detalla aspectos formales como el formato, tipo de letra y márgenes requeridos, y ofrece ejemplos de cómo realizar citas textuales, de parafraseo y referencias bibliográficas de acuerdo con las normas APA.
This document outlines the general structure of a research proposal. It lists 12 sections that should be included in a proposal, such as an introduction, problem statement, objectives, methodology, timeline, and budget. It also provides a sample timeline chart and budget table. Additional resources on research proposal elements are provided at the end.
This document is a thesis submitted by Gary Hopkins to the University of Cape Town in partial fulfillment of a Bachelor of Sciences degree in Civil Engineering. The thesis investigates the post-buckling behavior of shell structures through highly non-linear analysis. It implements an elasto-plastic constitutive law within the framework of SESKA, a C++ analysis code, to model shell structures using three-dimensional continuum mechanics while avoiding simplifications of shell geometry and behavior. Simple shell structures are analyzed to gain preliminary understanding of post-buckling behavior and determine the feasibility of the methods employed for further analyses. Results will be benchmarked against other verified analyses that used specialized shell elements and visco-plastic material laws.
This document provides an overview and table of contents for a book about preparing for the GRE General Test. It includes information about the authors and editors of the book. The book contains a diagnostic test to evaluate strengths and weaknesses, as well as one-, two-, and four-week study plans. It covers various verbal and math topics tested on the GRE through lessons, examples, and practice questions.
Georgia Common Core Support Coach, CCGPS Edition, Target: Reading Comprehensi...TriumphLearningNY
This document is the table of contents for a reading comprehension workbook that provides lessons and passages on various fiction and nonfiction genres. The workbook is organized into 10 lessons covering genres such as fiction, poetry, drama, historical texts, scientific texts, and more. Each lesson includes introductory information on the genre, two related passages to read and analyze, and additional independent reading. Graphic organizers and worksheets are provided in the tools section to accompany selected passages.
This document describes a study that uses computational fluid dynamics to analyze the efficiency of three small monohull vessel designs: a shallow V-hull, flat bottom hull, and round bottom hull. Theoretical calculations were performed to determine the prismatic coefficient of each hull shape. Computational simulations using ANSYS Fluent were then run to observe pressure distributions and forces on the hulls at different fluid velocities. Results showed that the shallow V-hull experienced the lowest drag forces due to its lower prismatic coefficient. Overall, the study aims to identify the most hydrodynamically efficient hull shape through numerical experiments and theoretical analyses.
25quickformativeassessments 130203063349-phpapp01Sarah Jones
This document is a book that provides 25 quick formative assessment strategies for teachers to use in a differentiated classroom. It includes an introduction explaining what formative assessments are and how to use the strategies in the book. The strategies are organized into four sections: summaries and reflections, lists, charts and graphic organizers, visual representations of information, and collaborative activities. Each strategy includes a description, examples, and tips for implementation. The book aims to help teachers gather real-time data on student understanding to inform instruction and meet the diverse needs of learners.
Archaeology in the Holy Bible List of Artifacts in Biblical Studies of Archae...Sister Lara
This document provides a list of artifacts significant to biblical archaeology studies. It includes artifacts from 2000 BCE to the 1st century CE that have been discovered and analyzed. The artifacts are organized chronologically by century. Several individual artifacts, like the Merneptah Stele and Mesha Stele, are discussed in more detail with descriptions of their historical context and significance. The document also references external lists of artifacts and museums where significant biblical archaeological finds are housed.
This document provides an overview and guide to technical writing for engineers. It discusses what technical writing is, including its key attributes such as being factual, objective, and directed to specific readers. It outlines reasons for writing such as to convey information to others and benefit one's career. The document also covers performing technical studies, developing a writing strategy, choosing appropriate document types, criteria for good technical writing, elements of writing style, and using illustrations to support written content. The intended audience is engineers seeking to improve their technical writing skills and knowledge.
This document provides an overview and copyright information for the book "Engineers' Guide to Technical Writing" by Kenneth G. Budinski. It details the book's dedication to the author's technical writing professor and lists the ASM International staff involved in the project. The book contains 7 chapters that cover topics such as what technical writing is, reasons for writing, performing technical studies, writing strategy, document options, criteria for good technical writing, and writing style. It is intended to provide engineers with guidance on how to effectively communicate technical information and improve their technical writing skills.
Mind Changing Techniques to Keep the ChangeDaniel Garcia
Introducing Mind
Changing Techniques – The Essential
Life Skills That We All Need to Live
Happy and Ef ective Life. Inside this
eBook, you will discover the topics about
how to master yourself and others by
anchoring, the magical authority voice,
can I really be lucky, how to talk so
people listen with their hearts, the
relaxing breath, when you find their
magic words of influence you become
irresistible, how to deal with criticism,
you must become a cybernaut to steer
yourself through life and so much more!
Georgia Common Core Coach, CCGPS Edition, Composition, Level IITriumphLearningNY
Composition exercises support students in constructing more complex, sophisticated writing, as required by the Common Core Georgia Performance Standards.
Get a comprehensive review of both the writing process and research process, in entirety. Easy-to-follow lessons focus on specific writing types that are outlined in the Common Core Georgia Performance Standards. During this program students will be integrating different sources into research papers based on a prompt.
This book provides style and usage guidelines for programmers using Fortran. It is intended for anyone using Fortran, from beginners to experts. The book describes best practices for formatting, naming conventions, documentation, programming principles, input/output handling, and other aspects of the Fortran language. It focuses primarily on Fortran 2003 but also describes features of Fortran 90/95 and 2008.
This PhD thesis examines theoretical and practical aspects of typestate modeling in object-oriented languages. It presents the Hanoi modeling language for representing typestate constraints and describes a dynamic checker for Hanoi models implemented using AspectJ. The thesis also reports on a user study that evaluated whether programmers can effectively reason about typestate models. The study found that programmers were generally able to answer questions about typestate models, suggesting typestate is a comprehensible concept for developers. Overall, the thesis provides insights into making typestate modeling practical and usable in real-world programming.
@author Jane Programmer @cwid 123 45 678 @classtroutmanboris
This document provides the code and comments for a C++ program that tests the construction and functionality of a binary search tree data structure. The main() function contains code to test constructing an empty tree, inserting nodes, checking the size and printing the tree, and clearing the tree. Comments provide descriptions of the program and the parameters and return value for main(). The code tests functions for inserting nodes, getting the size, printing the tree, and clearing it. Assertions confirm the expected behavior.
The document provides information about the Chapman & Hall/CRC Machine Learning & Pattern Recognition Series, including its aims and scope. It publishes reference works, textbooks, and handbooks reflecting the latest advances and applications in machine learning and pattern recognition. The series includes titles in areas such as machine learning, pattern recognition, computational intelligence, robotics, natural language processing, computer vision, and other relevant topics. It has already published titles such as "Machine Learning: An Algorithmic Perspective" and the second edition of the "Handbook of Natural Language Processing."
Stephen Wang is a Chinese journalist who applied to and was accepted by several top journalism master's programs in the US. She had a BA in journalism from Fudan University in China and worked for two years as a business reporter at an English language newspaper in Shanghai. Her work experience helped strengthen her interviewing, writing, and communication skills. In her graduate studies, she hopes to learn more about Western theories and practices of journalism, develop analytical skills, and apply what she learns to help improve journalism in China.
@author Jane Programmer @cwid 123 45 678 @class.docxShiraPrater50
/**
* @author Jane Programmer
* @cwid 123 45 678
* @class COSC 2336, Spring 2019
* @ide Visual Studio Community 2017
* @date April 8, 2019
* @assg Assignment 12
*
* @description Assignment 12 Binary Search Trees
*/
#include <cassert>
#include <iostream>
#include "BinaryTree.hpp"
using namespace std;
/** main
* The main entry point for this program. Execution of this program
* will begin with this main function.
*
* @param argc The command line argument count which is the number of
* command line arguments provided by user when they started
* the program.
* @param argv The command line arguments, an array of character
* arrays.
*
* @returns An int value indicating program exit status. Usually 0
* is returned to indicate normal exit and a non-zero value
* is returned to indicate an error condition.
*/
int main(int argc, char** argv)
{
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree construction ----------------" << endl;
BinaryTree t;
cout << "<constructor> Size of new empty tree: " << t.size() << endl;
cout << t << endl;
assert(t.size() == 0);
cout << endl;
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree insertion -------------------" << endl;
t.insert(10);
cout << "<insert> Inserted into empty tree, size: " << t.size() << endl;
cout << t << endl;
assert(t.size() == 1);
t.insert(3);
t.insert(7);
t.insert(12);
t.insert(15);
t.insert(2);
cout << "<insert> inserted 5 more items, size: " << t.size() << endl;
cout << t << endl;
assert(t.size() == 6);
cout << endl;
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree height -------------------" << endl;
//cout << "<height> Current tree height: " << t.height() << endl;
//assert(t.height() == 3);
// increase height by 2
//t.insert(4);
//t.insert(5);
//cout << "<height> after inserting nodes, height: " << t.height()
// << " size: " << t.size() << endl;
//cout << t << endl;
//assert(t.height() == 5);
//assert(t.size() == 8);
cout << endl;
// -----------------------------------------------------------------------
cout << "--------------- testing BinaryTree clear -------------------" << endl;
//t.clear();
//cout << "<clear> after clearing tree, height: " << t.height()
// << " size: " << t.size() << endl;
//cout << t << endl;
//assert(t.size() == 0);
//assert(t.height() == 0);
cout << endl;
// return 0 to indicate successful completion
return 0;
}
C y b e r A t t a c k s
“Dr. Amoroso’s fi fth book Cyber Attacks: Protecting National Infrastructure outlines the chal-
lenges of protecting our nation’s infrastructure from cyber attack using security techniques
established to protect much smalle ...
The document is a handwriting workbook for first grade students. It contains instructions for proper handwriting technique based on whether the student is left-handed or right-handed. It then teaches the manuscript alphabet and individual letters such as I, L, T, and F through examples and practice writing. The workbook is divided into units that introduce new handwriting concepts and include exercises, stories, and other practice material.
This document provides the Wetlands Delineation Manual published in 1987 by the U.S. Army Corps of Engineers. The manual establishes technical guidelines and methods for identifying and delineating wetlands subject to regulatory jurisdiction under the Clean Water Act. It requires evidence of hydrophytic vegetation, hydric soils, and wetland hydrology to designate an area as a wetland. The manual also describes characteristics and indicators used to identify these three wetland parameters and provides detailed methods for routine, comprehensive, and atypical wetland determinations.
The document is Karen Deller's doctoral thesis submitted in partial fulfilment of the requirements for a Doctor of Philosophy degree from the University of Johannesburg. The thesis examines the design and implementation of a Recognition of Prior Learning (RPL) programme for the South African insurance sector. It presents the background and context for RPL and the research. The methodology used a qualitative programme evaluation approach involving interviews and case studies to understand participants' experiences of the RPL process. Key findings from the data analysis are also summarized.
The document is Karen Deller's doctoral thesis submitted in partial fulfilment of the requirements for a Doctor of Philosophy degree from the University of Johannesburg. The thesis examines the design and implementation of a Recognition of Prior Learning (RPL) programme for the South African insurance sector. It presents the background and context for RPL and the research. The methodology used a qualitative programme evaluation approach involving interviews and case studies to understand participants' experiences of the RPL process. Key findings from the data analysis are also summarized.
Este documento presenta las normas APA para la presentación de textos académicos. Explica que las normas APA establecen requisitos específicos para el contenido, estilo, citación y referenciación de fuentes. Luego, detalla aspectos formales como el formato, tipo de letra y márgenes requeridos, y ofrece ejemplos de cómo realizar citas textuales, de parafraseo y referencias bibliográficas de acuerdo con las normas APA.
This document outlines the general structure of a research proposal. It lists 12 sections that should be included in a proposal, such as an introduction, problem statement, objectives, methodology, timeline, and budget. It also provides a sample timeline chart and budget table. Additional resources on research proposal elements are provided at the end.
1) Phileas Fogg is an eccentric yet wealthy British man who lives a very rigid daily routine in London. He makes a bet with his fellow members at the Reform Club that he can circumnavigate the world in 80 days.
2) Accompanied by his new French servant Jean Passepartout, Fogg departs London immediately to embark on his journey.
3) A detective named Fix believes Fogg is the culprit who recently robbed the Bank of England. He follows Fogg to Suez in hopes of arresting him once he receives a warrant in Bombay.
The document discusses observation as a research tool for collecting data. It defines observation and describes its importance in the fields of education and research. There are different types of observations, including participant and non-participant observation. Characteristics of good observations include being systematic, focused on relevant details, and recorded in an organized way. Observational variables and advantages like efficiency and flexibility are outlined, as well as potential disadvantages like reactivity. Students are assigned to observe a university setting, record their observations, and present their findings to the class.
Observational research involves watching people in their natural environments and recording their behaviors without interfering. There are two main types of observational research - direct observation, where subjects know they are being watched, and unobtrusive observation, where subjects are unaware. Direct observation can involve continuously monitoring subjects or recording how they allocate their time, while risks include subjects changing their natural behaviors due to awareness. Unobtrusive observation poses ethical issues around informed consent but can provide insights into behaviors not uncovered through other methods like surveys. Researchers must carefully consider guidelines around objectivity, specificity, and ethics when conducting observational research.
Chapter 2 Identifying a Research ProblemJairo Gomez
This chapter discusses identifying a research problem and question. It explains that a research problem is the topic being studied, whether descriptively or experimentally. Good research questions are specific, clear, refer to the problem, note any interventions, and identify participants. The chapter provides examples of research problems and questions and discusses narrowing a topic and developing questions that clarify the research approach.
This survey from the Education Sciences Faculty at the University of the Amazon aims to identify problematic educational situations observed in the classroom. Students are asked to describe issues they've witnessed regarding their peers' learning, behavior, attitudes, technology use, attention, motivation, performance, family relationships, and relationships with teachers. They are also asked to select the most relevant problem worth investigating and explain their choice.
This document summarizes a pedagogical research class that was held on September 25th, 2013. The teacher surprised students with a creative puzzle activity to reinforce concepts about research paradigms, methods, and methodology from a previous reading. Students were organized into groups and had to find their groupmates using puzzle pieces. They then used the completed puzzle to answer a question and discuss their answers with other groups. The activity helped students strengthen their understanding of the subject material in an engaging way. The teacher concluded by providing guidance for upcoming student presentations.
The document defines ethnographic method as a qualitative research design used to explore cultural phenomena. It aims to represent the knowledge and meanings in the lives of a cultural group through field studies or case reports. As a research method, ethnography is used in anthropology, political and social studies, education and other disciplines to study different cultures. Key ethnographic research methods include observation, interviewing cultural subjects, and collecting and analyzing cultural artifacts.
This document discusses naturalistic observation as a research method. Naturalistic observation involves observing behaviors as they occur in natural settings without intervention. It allows researchers to study behaviors that cannot be studied in a lab. Advantages include observing subjects in a natural context, but disadvantages include subjects behaving differently when observed and different interpretations by different observers. Data collection methods for naturalistic observation include tallying behaviors, taking narrative notes, and recording audio/video. Naturalistic observation is useful for generating hypotheses, though bias must be controlled for. Researchers sample behaviors to ensure data represents overall behavior through techniques like time and situation sampling. Grounded theory and case studies are also discussed.
Causal Comparative or (ex-post fact) ResearchJairo Gomez
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
This document discusses correlational studies, which examine relationships between two or more variables without determining cause and effect. Correlational studies can be used to explore predictive relationships or examine how factors relate. The document provides an example of a correlational study that looked for relationships between student grades and their classification as a "morning person" or "evening person". The study found a modest correlation between morningness and grades in early morning classes but not later classes. However, the study did not determine whether being a morning person causes better early grades.
Experimental and quasi experimental methodsJairo Gomez
The experimental method involves systematic observation, measurement, formulation and testing of hypotheses through experimentation. It consists of four stages: observation to collect data, developing hypotheses from the observations, explaining the hypotheses mathematically, and experiments to confirm or refute the hypotheses. The quasi-experimental method is similar but lacks random assignment to conditions and a control group for comparison. It is used in education research when manipulating variables is not possible. Examples include evaluating driver education programs, crime prevention programs, and investigating factors that influence student subject preferences.
This document discusses and compares qualitative and quantitative research methods. It defines qualitative research as objective description of phenomena qualities, while quantitative research collects and analyzes quantitative data. Quantitative methods are based on positivism and determine causal relationships through collected data. Types of quantitative methods include experimental, quasi-experimental, and non-experimental. Qualitative methods are inductive and add experiences, attitudes, and beliefs through description of situations, events, people, interactions, and behaviors. The key differences between qualitative and quantitative methods are that qualitative is subjective and process-oriented while quantitative is objective and result-oriented.
The document discusses the rise of transformative paradigm methods between 1980-1990 based on sociological and psychological theories. It focuses on social justice and marginalized groups. The transformative paradigm uses diverse qualitative and mixed methods to describe contextual and historical factors, especially as they relate to oppression. Example methods mentioned include action research.
Last Wednesday evening, Professor Silvia Lucia Molina Higuera held the second class of Pedagogical Research I with twelve students. The class began with instructions about reflecting on the movie "Sherlock Holmes" and discussing the Pedagogical Portfolio. The movie was then projected but could not be finished due to time constraints. Students were assigned homework to write a one page, single spaced reflective text in either English or Spanish relating the movie to the Pedagogical Research I course, depending on whether their name began with letters A-M or N-Z, respectively.
Cuantitative,Qualitative and mixed ResearchJairo Gomez
This document discusses the three major research paradigms in educational research: quantitative research, qualitative research, and mixed research. Quantitative research uses the confirmatory scientific method and collects numerical data to test hypotheses. Qualitative research uses the exploratory scientific method and collects non-numerical data to explore phenomena and generate hypotheses. Mixed research combines quantitative and qualitative methods to provide complex explanations. The document compares key characteristics of each paradigm, such as their views of human behavior, research objectives, and types of data collected.
This document provides an overview of sociolinguistics and discusses key concepts from seminal researchers in the field. It summarizes Basil Bernstein's theory of restricted and elaborated codes, explaining how working-class children may be disadvantaged by their habitual use of restricted code. It also summarizes Shirley Brice Heath's research comparing literacy practices and bedtime stories in three American communities, finding that middle-class children were better prepared for school due to experiences that mirrored classroom activities. The document concludes that the work of Bernstein and Heath suggests social class is fundamentally important in education, as schooling privileges certain literacy practices and types of knowledge associated with middle-class communities.
The document outlines tasks for a workshop on pedagogical research methods. Students are instructed to read about research paradigms, methods, and methodologies and answer 11 questions. They are asked to define key terms, list research tools, evaluate the suggested research process, and determine if specific approaches are paradigms, methodologies, or methods. The workshop is for an English language teaching program at the University of the Amazonia on September 17th, 2013.
Research Dilemmas Paradigms, Methods and MethodologyJairo Gomez
The document discusses issues faced by early career researchers, including confusion created by textbooks and articles that present research methodology as either qualitative or quantitative. It argues that discussions should include mixed methods and address the perceived dichotomy. The document then defines and discusses various research paradigms, including positivist/postpositivist, interpretivist/constructivist, transformative, and pragmatic. It explores how paradigms relate to methodology and methods, noting that certain paradigms are commonly associated with either qualitative or quantitative approaches.
Elevate Your Nonprofit's Online Presence_ A Guide to Effective SEO Strategies...TechSoup
Whether you're new to SEO or looking to refine your existing strategies, this webinar will provide you with actionable insights and practical tips to elevate your nonprofit's online presence.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
3. a |j :í i8F;*¡T
I Table of Contents
I n t r o d u c t io n ..............................................................................................xiii
A c k n o w lé d g e m e n ts ................ ................... xvíi
B e g in a t th e B e g i n n i n g ...................... 1
Chapter 1 A M o m in g P e rso n o r a jSfight P e r s o n ? ...................... 5
Chapter 2 A P e rso n Im p o rta n t to Y o u ........................ 19
Chapter 3 T h e W e e k e n d J..........................í f
Chapter 4 A S ca ry o r F u n n y E x p e r ie n c e ............................................, , ü
Chapter 5 H o lid a y s . , , .................... ..............63
Chapter 6 T e llin g S t o r i e s J . .............................. 77
Chapter 7 A F av o rite P la ce ...................................... ... ,%7
Chapter8 T h e Id e a l S p o a s e . *..............- •* - - ■>■>'*.>■ ■
Chapter 9 W h a t's Y o u r O p in ió n ? j ................................................. „ , . i f l
Q u ic k C h e c k .........................‘ ...................................................... st Ü
4. Chapter Contents
Begin at the Beginning
Q j THINKING ABOUT WRIT1NG .............................................................................................................. 2
A Reasons.for w riting....................................................... 2
B Thoughts about writing . '.................................................................................................................. 2
0 THE WRITING PROCESS............................................................................................... 3
A Steps for writing..................................................... The writing process*.................. 3.
B Using the writing process.................................................................................................................. 3
GETT1NG STARTED ................................................. . . . 6
A Picturethis
B Get ideas
CHAPTER1 A M orning Person o r a'N ight Person?
i
I
I
I—
I
I
I
6
....................................................Brainstorm ing.................................................... .7
H PREPARING THE FIRST DRAFT ......................................................................................................... 8
A Organize your.sdeas . . . . ................................. Organizing ideas.......................................... 8
B Plan your writing .................................................. The main id e a ........................................ • 8
C Write the first d r a ft..................................... ... The first d r a f i.................................... 10
DJI REVIS1NG YOUR W R fflN G .....................................’ fie v is in g ......................................................... 10
A Analyze a paragraph......................................................................... . . 10
B Revise your w ritin g ............................Revhing with a p a rtn e r.....................................11
; íl -n
C Write the secoíid draft ............................. . . . . .. . . . ..............................................• *
| 3 EDIT1NG YOUR ^ÍRITING ........................................................... ........................................ 12
* j • j n
A Focus on seníence gram m ar...............................£tiiiin g ...........................................................; l¿
Simple seniences
B Edit your writing........................ . • ....................................
C Write the final jir a ft........................................................................................................................ . 16
FOLLOWING Ü F ....................................................................................................................................1'
A Share your wrinng. . . . ! .............................................................................................................. ‘ /
B Check your progresí 11
rTne Items inthis coiumn referte the titiss of the
information box.ss that appearthrougñouíthe ccok.
vi W riters at "Work: The Paragraph
5. CHAPTER2 A Person Im portant to You
| J GETTING STARTED ................................................................................... .;« !
A Picturethis ........................... 20
B Get ideas ..............................................Brainstorming .................................................21
E | PREPARING THE FIRST DRAFT ..................................... ^ . W
A Organize your ideas..............................................Organizing by catego ry......................... 25
B Pfan your writing ........................................ Topic sentence and supporting sentences . . 26
C Write the first d r a ft...................... . '................. 29
H 2 REVISING YOUR WRITIÑG 7 ! . . . / ‘I’ . . ............ '• '■ $
A Anaiyze a paragraph......................................! ................................................. .................................29
B Revise your writing . . . ........................................................■. . 29
C Write the second draft i' í , :2 M M . . ■• ■. . . 30
m EDITING YOUR WRiTiNG ...............¡ ........................... .............................................. . 30
A Focus on sentence gram mar......................J . . Fragm ents........................................................... 30
¡ Correcting a fragment
’í Run-on sentences
B Edit your writing . .
C Write the final draft
Q F0LL0WING U P .............................................. 36
A Share your writing........................................... ¡.j..................................................... 36
v B Check your progress.....................................f.i. . .............................. 36
k
CHAPTER3 The W eekend |l
■ H-Q ETTm G ^m RTED . t-.: .............................................. •
A Picíure this ...........................................![...................................... 38
I
B Get ideas ....................................................... . An idea w e b ................. ..........................i 39
= . j _ y
0 PREPAñING THE FIRST DRAFT .....................¡.................................................. .................- .i-S *
A Organize your ideas............................................ Organizing by iimeo r d e r............................. 40
i!
B Pian your writing .......................................... ¡. . Transitions.....................................................40
C Write the first d raft.......................... 42
Table of Contents VII
6. QQj REVISING YOUR W RITING......................................................................................... 42
A Analyze a paragraph .................................................. 42
B Revise your w riting ..................... 43
C Write the second draft .............................. 43
2 3 EDITING YOUR W RITING......................................................................................................................44
A Focus on sentence gram mar................................. Compound sentences.................................44
Coordinating conjunctions
B Edit your writing...................................................................................................................................48
C Write the final d ra ft.............................. 48
0 FOLLOW1NG UPj . . 49
A Share your writing........................................... ............................................................................... . 49
B Check your progress ................................. N.........* ................................................4^
CHAPTER4 A ¡Scary or Funny Experience
GETT1NG STARTED
A Picturethis
B Get ideas
52
.................. .52
Talking to get ideas . . . -53
Q PgEPARING TH|E FIRST D R A F T ...................................................................................................... ■53
A Organize your ideas.......................’ ......................................................................................... 53
B Plan your wíiting ................................. DetaHs . ..........................................................
.
54
C Write the first d ra ft............................................. .......................................• ........................... . 55
|T | REVISING YOUR WRITING................. .................. ^ ; ■56
A Analyze a pajragraph .................................................V ................................... ..................56
B-fievise-yGüP-wfít-iflg- . . 56
C Write the sesond draft ................................................ A ..........................................................57
EDITING YOUR iWRITING.......................................................J .................... *
A Focus on sentence grammar. ........................ . Compound sentences . . . . . 57
Run-on sentences
Correcting a run-on sentence
B Edit your wriong.................................................... 61
C Write the fina draft . . ..................................................................................................................
FOLLOW1NG U P ............................................ 62
A Share your writing...........................................; . . . . . . . . . 62
’kack your progrese
TÍil Writers at Work: The Paragraph
7. CHAPTER 5 H o lid a y s
D GETTING STARTED . . . . .......................................................... , 6 4
A Picturethis .................................................................................. 64
B Get ideas ............................................................................ 64
| 3 PREPARING THE FIRST DRAFT .......................................................... ......................... 65
A Organize your ideas.................................... 65
B Plan your writing ................................................. Theconclusión.................................................66
C Write the first d r a ft............................................................................................ .68
REVISING YOUR WRITING.......................... 68
A Analyze a paragraph. J-........................................................................................ 68
B Revise your w ritin g ...................................................................■........................................................69
C Write the second draft ............................................................................. 69
E | EDITING YOUR WRITING.................................................... 69
A Focus on sentence gram m ar i . . . . Complex sentences........................... 69
Subordinating conjunctions
i Punctuating complex sentences
B Edit your writing ..............................J.................................................................................... . 75
C Write the final d ra ft............................... -...........................75
E l ’ fOLLOWING U P ......................................... i 76
A Share your writing................................... J ................................................................................. . • 76
B Check your progress............................. i ............................ v. 76
•
CHAPTER 6 T e llin g S to rie s
l-ffiFRNG-STAfiT-ED
A Picturethis . ... ...................................N............................. . 78
bet ideas .......................................................[ i 79
* ■’ 'J ‘ ■
PREPARING THE FIRST DRAFT
A Organize your ideas...............
B Plan your writing . ...............
C Write the first draft ............
. 80
. 80
. 80
. 80
REVISING YOUR W RITING.................................................................................................. 81
A ñnaíyze a paragraph ..........................................................................................................................81
B Revise your w ritin g ........................ . 8 1
O Write the second draft .................. 82
Table of Coníenís
8. 3 EDITING YOUR WRITING . . ........................................................................................................ 82
A Focus on sentence gram m ar...................................Dependent clause fragm ents........................82
Correcting a fragment
B Edit your writing.............................................................................. 84
C Write the final d ra ft.......................... 85
3 FOL1QWING U P ..........................................................................................................................86
A Share your writing........................................................................... 86
B Check your progress............................................................................................................. 86
CHAPTER7 A Favorite Place
H GETT1NG STARTED........................................... 88
A Picturé this .............................. ^ 88
B Get ideas; .....................................................................................
0 PREPARlNG(jÍHE FIRSTDRAFT ..................................................................................
A Organize your ideas.................................................Describing a place.........................................89
B Plan youriwriting .....................................................................................................
C Write the jírst d ra ft..................... 90-
H REVISING YOUR W RITING.........................................................................................
A Analyze a.paragraph ................. - .........................- . . . . 91
B Revise yóur w riting........................................................................................................ • - • ■91
C Write the second draft ....................... . . . .................................................... 92
á %
EDITING YÓ.UR W RITING........................................... 92
A Focus on|sentence gram m ar................................. Ftepositionsof place .........................92
_B y^ypwriting - — :--------— .... 95
C Write tfieliinaí d ra ft.................................................................................................. 96
■ ■
E l FOLLOWING Ü F ............................................................. J .........................................................96
A Share yot r wntinq ........... : .................... 96
B Cneck your progress
HAPTER3 The Ideal Spouse
GETT1NG STARTED......................................................................
A Picturethis ................................................................................
B Get Ideas ............... Frsewriiíng
Writers at Work: The Paragraph
9. O PREPARING THE FIRST D R A F T ........................................................................................................ 100
A Organize your ideas . ...................... Organizingbyim portance.......................100
B Plan your writing ................................................... Transitions................................................... 101
C Write the first d ra ft...........................................................................................................................103
D ] REVISING YOUR W RITING....................................... 103
A Analyze a paragraph..................................... 103
B Revise your w ritin g ...........................................................................................................................104
C Write the second draft ................................. 104
E l EDITING YOUR W RITING..................................................................... 105
A Focus on sentence gram m ar i . . . . . Sentence varieiy. . . ............................ 105
B Edit your writing.................................. .*...................................................................................... 108
C Write the final d ra ft..............................•.............. ............... v ........................108
H FOLLOWINGUP .................. . '.................................................................................. 109
A Share your writing .......................I .......................................................................................... 109
B Check your progress........................./ I ..........................................................................................109
CHAPTER9 W hat's Your O pinión?
vGETTING STARTED............................./I......................................................................................112
A Picturethis ......................................... ; .......................................................................................... 112
B Get ideas ..........................■.............J ' ....................................... 113
1 •
PREPARING THE FIRST DRAFT ....................................................... I .......................... 114
A Organize your ideas............................í¡¡..............Quilines . . . . . . . . . . ...................... 114
B Plan your writing ............................j ’| ......................................................................V . . . . 118
-C - Write4he--áfs^daft - , . : . . . . : ...................... ^ - - ^ — 1-1^
REVISING YOUR WRITING
A Analyze a paragraph . . .
B Revise your writing . . .
C Write the second draft .
EDITING YOUR W RITING.......................... ¡................................................... 120
!
A Focus on sentence gram m ar.I ................................................................... 1 2 0
B Edit vcur writing.................................................................................................. 121
C Write the finaJ d ra ft................................................. .................................... 121
Table of Contents
10. 0 FOLLOWING U P ..........................
A Share your writing . . . . . . .
B Check your progress . . . . .
Q uick Check
H EDITING SYMBOLS . .............
0 COMMON WRITING PROBLEMS
A Verb probiem ( V ) ...................
B Subjecí-verb agreement (S-V).
C Sentence fragment (Frag) . . .
D Run-on,sentence (RO) . . . .
E Word fqrm (WF) .
F Wrong yvord (WW)
G Spellinc (SP)
H Puncíuation (P) .
l CapitaJi; :ation (C) '
lis Writers at Work: Tke Paragraph
11. 1
Introduction
THE WRITERS AT WORK SERIES
The Writers at Work series takes high beginning to high intermediate-level
writing students through a process approach to writing. The series is intended
primarily for adults whose first language is not English, but it may also
prove effective for younger writers or for native speakers of English who are
developing their competence as independent writers in English.
Writers at Work: The Paragraph prepares high beginning to low inYermediate
students to write well-organized !and accurate paragraphs. Writers at Work: The
Short Composition prepares low iiitermediate to intermediate-level students
to write well-constructed and acqurate short compositions. Finally, Writers
at Work: The Essay prepares intermedíate to high intermedíate students to
write fully-developed essays withjan introduction, body paragraphs, and a
concjusion. Upon completion ofl the last book in the series, students will be
ready for more advanced-level aqademic writing courses.
The approach
Competence in writing comes from knowing how to write as much as írom
knowing what to write. That is why the Writers at Work books are organized
•around the process o f writing. They teach students about the ^riting process
and then guide them to use it as^they write. We believe that on<te students
understand how to use the writing process in writing paragraphs7short
compositions, and essays, they will gain the confidence they ñeed to advance
to more complex writing tasks. ' i-
In teadiing writing to lower leveljstudents, there is always the risk of sacrifidng
creativity in order to achieve acciíracy, or vice versa. The Writers at Work books
guide students through the writing process in such a way that their final pieces
o f writing are not onlv expressive and rich in contení, but also dear and
accurate
Chapier sirueiure
Each chapter is aivided ínto the fdllowing five parís:
I Gettlng Started I
Students are stimulaíed to íhink about the topic of the chapter. They
generate.ideas that they can use later in their writing.
II Preparing the First Draft
Students organize. plan, and write their first draft.
xiii
12. ABOUT WRITERS AT WORK: THE PARAGRAPH
Chapter struciure
Each chapter is divided into the following fíve parts:
I Getting Started
Students are stimulated to think about the topic of the chapter. They
generate ideas that they can use later in their writing.
!! Preparing the First Draft
Students organize, plan, and write their first draft.
Jil Revising Your Writing
In this section, students analyze sample paragraphs and compositions,
leam about key elements of writing, and apply those principies in revisions
o f their first drafts.
IV Editirjg Your Writing
Students are introduced to selected aspects of grammar. They edit their
writing for accurate grammar and write their final drafts.
i
V Following Up >
Students share their writing with each other. Finally, they fill out a
self-kssessment form, which allows them to track their progress as writers J¡
thr^jughout the course.
Key íeatures
• The )Dpok begins with an introductory sectión, "Begin at the Beginning,"
which introduces students to the ^vriting process, including its recursive
nature. V
í
» The 'nine chapters of the book are thematic, each one dealing with a topic
of personal interest. All of the activitiesVnd exercises in a chapter relate to
üie t¿emerin~this Way, studifiiLs u ii discoyer vocabulario use in thek=oggmg -----------------4t-
•writing on the theme.
» Sámale paragraphs are presented for students to analyze, revise, and edit in
preparation for working on their own writing. A major goal of the test is to
heip students, bit by bit, to become inore profident at revising and editing
theiríown writing. •
* Systematic and cumuiative instmction in paragraph constroction and in
building sentences is presented in a logical and manageable way.
* Student interacüoQ is importaní in Writers at Work: The Paragraph.
Throughout üie book, students are carefiilly guided to heip each other write
more clearly and think more critically about writing.
13. • "Sharing Your Writing" activities at the end of each chapter engage students
in sharing their final drafts.
• "Quick Check," an editing and grammar reference at the end of the book,
introduces students to useful editing symbols and covers the most common
basic writing errors. It can be used by students when editing their writing or
by teachers as extra heip for an individual student.
No writing text can encompass the great variety of activities in a writing dass.
In addition to the carefully sequenced writing assignments in the text, it is
essential that students do a good deal of unstructured writing in order to
increase their fluency and comfort in writing in English. Activities such as
joumals, dialogue joumals, and informal letter-writing and e-mailing are vital
to the growth of the students' writing ability. It is highly-recommended that the
teacher indude such activities in the dass.
A FINAL NOTE
V
Introduction
14. I would like to express my appredation to the many people who have made
this second edition a reality. I would first like to thank all of my students at the
English Language Center of Towson University for their generosity in sharing
their writing and insights. I am very grateful, too, to the teachers and siaff o f ‘
the ELC for their continued heip and support over the years. Special thanks
go tq Mary Jo;Lindeman, teacher at the ELC, fór all the time and thought she
unstintingly gave to this revisión.
Many thanks to the following students for gradously allowing me to use -
their writing in this book: Sami Al-Weháibi, Osama Bulbul, Maria Coronado,
Jéeyeon Jang, Hyung Kyu Kang, Hee Seung Lee, Shan Yih Liu, Aymeric
Menargues, Myung Hwan Moon, Jin Seok Park, Jeongin Pu, Diana Rangel, Jung
Youii Sim, In-Hyuk Song, Nuraputra Sudrajat, Yoji Yamada, and Shu-Hui Yang.
At Cambridge University Press, I would especially like to thank Bemard Seal,
commissioning editor, whose visión and persistence tumed an idea into reality.
Than'ks also go to the project editor, Helen Lee; and to the copyeditor, Linda
JLiDegtri for all their heip and hard work. Many thanks also to Ann Strauch,
series co-author, who has been such a pleasure to work with.
Jenriifer Bixby, freelance development editor, deserves special thanks'for her
kindness and thoughtfulness, which made our work together both pleasant
and -productive.
Appijeáation is also due to Don Willkms, the .compositor, and to the designers
at Adyenture House for their care and nard work.
I amf^rateful to tñe iollowing reviewers fór their thoüghtful critiasms and •-
helpfúl suggestions: Randee Falk; Joe McVeigh; Catherine Salín, Columbus
Academy; and Larry Sims, University of California at Irvine, Extensión.Torai:
Mosi
support'ana for keeping me írom "working on the book 24/7/' as Rob said.
of all, thank vou to my husband Phil and my son Rob for your unfailing
15. Begin at the
Beginning
[ ou are a wnfer. Ybu are a wnfer jft yeur own 5 1|
I .* fangpage, and soort^cíw#ie*a'i?sft!BF»i'á^|tsf> <
I Jrityotif nghvé tenouagei voif’arerprcbábfya goocfwrrec
^ d litw tirr^ P éryoH-roa 'SrorFc1r - '■
|>; W esjiwfry ajiñew Vau wrife? Dtfyotf ever thrnfcabouE
f Ptow!c|lTfakaYébTw^ífig betSér? . ■ j '
16. THINKING ABOUT WRITING
Writers at Work: The Paragraph
ReaSons for writing
1 Th'ipk about writing in your native language. When do you write? Do you take
notes, e-mail your friends, or make a list for the grocery store? Write your answers
in tlhe chart in your native language, not in English.
th your dass, talk about your answers. Together, make a list of when people in
tir dass write and whv thev write.
Thoiigíiís abouí writing
Answer these questions on a sepaiate piece of paper. Then talk about your answers
with a partner or with your dass..
1 Is writing easy or hard for you? Do you love it or hate it? Why?
2 Do you ónly write when you have to, pr do you sometimes wriíe for ílin?
3 What will heip you become a better writer?
17. revise organize]
(check ideas) ideas aiíd
plan writing
Step:.
write
C8SS
edit^check get ideas
grammar)
Answer these questions on a piece of paper. Then talk about your answers with a
partner or with your dass.
1 Do you use any of these s;:eps when you write something for a dass? Which steps
do you use?
2 Good writers do not use tie writing process for eveiy tánd of writing. For example,
if you write a phone message, you do not revise and edit. What other kinds of
writing do not need the writing process? Give several examples.
A Steps for writing
Look at these pictures. They show the steps that good writers use when they write a
paragraph or short composition, but they are not in the correct order. Number the
pictures to show the correct order. 1
18. ''"'"w q í’f a m in u té is
T h is is h o w I r e a lly
s > ( ¿ r i f e . y
Good writers move forward and backward between ihe steps. For example, when you
are writing your paragraph, you may think of a better way to organize your ideas.
Thats good! That is how experienced writers really write. With this book, you will
improve your writing by using the writing process.
Writers at Work: The Paragraph
19. Chapter H
i |
A Morning
Person or a
Night Person?
■ ¡L
ü
D B i ^ á í n a narninghop; r e ' jhigpí bettes í EJo v
PP^uífik&tó^vvak&tfpíeáyfc Ifte^oVi,ngMr"sTay
up-fafeáfnfgsB^iífe^b a m0mrff)deT|oB orWtífgfl :
•^erstm^7¡'VV'' -- 1 ■>'- T .................:
iri if e - c b á p íe i; you >M torito a p aragrap n jfe a fe th e tim e
Opicíay tíia i v il» ik a % e b e s í You vmlf telí why you &Ke the ■
g r ^ fe if|||íáncf w haí y a u d o n ihe m orniag or||
■SrnSfit
20. GETTING STARTED
A Picture this
a b o u t e a c h p h o t o g r a p h w ith H s jflp $ § ? ¡c > ;r» in a s m a l l g r o u p .
w m
mF W
' 'm ísm
■
i »
V—
SÉ S . r S
1 What ís happening in the
photograph?
photograph feel?
3 Do you like to c 11íe activity in
the photograph’
night or in the rcoming?
Writers at Work: The Paragraph
21. BRAINSTORMING
piié wiy'to 'gei jde.is-foi svlHin¿is to biaiiistórm.
H ra irisíom m g 'nicihs to tliínk abóiíla topic and
wrifc; dówn as niany icli-as as pqssü»!e-in .. list.
VVhea yóu l>ra>i)stoiin,'w!.ite werd.s orplinísesV-Yo
.don'i rtéed (ó w¡ite-senU'íices'Sonic ideas vviil'.bé
gcióo otes, and otbers.wii! ni)¡ Beusef.d..Ojuí.'lisV.
a!l o í ihe nicas that yoü l an ihink oí. Laioi;ybii ■
raiidioose the ideas.thal vóü want to.usr The.,
nippp.rtaní iitini! viteM p itfeaín ágrm i^ b wrñc:;
idoWn§§§riiariy ¡deas ;¡s pósSiblc.' •
Follow these steps to get ideas for your paragraph. .
ipifedasswramstptan a b ü t the .♦■taftis rrwmmg and m#& On'ÉJe boífti or on a
large sheet of paper, write all of the ideas in á dass list. Write down words and
phrases abóut why ypu like it, what you do, and how you feel about the moming and
the night.
2 Now dedde if you will write about the moming or the night. Cirde Moming or
Night in the box below.
3 Lqok at th%fdáH¡ listl
__ use in ydur paragrapl'
4 Add any more words that are important for your paragraph. Be sure that you havé
words to tdl why yoü like the moming or the night, what you do then, and how you
of ii^Síífe, the b|| b|if»8 «opy#e wcastó ítist'you want to
M om ing / N ig h t
B Get ideas
Chapter 1: A Moming Person or a Night Person?
-
1111MTT111ITIIIII1111I!1"II1I1I1II1
22. U PREPARING THE FIRST DRAFT
A Organize your ideas
ORGANIZING IDEAS
Aftex-you brainsiprm /^u^íí; Ea^-jiíany^idéásoiLyourpaper. But you .are not
yoü: need write
rábout &st, seGond/ anci tlurd? V^én yóü thinlc about'and deade th^ethings,
ypu áre organizing yot^ idéas/ ]:j<¿j.
Circle your topic, Moming person or Night person. Then use the chart to heip you
¡ organize your ideas. Write yoür words from the box ón page 1 into the difíerent
i categories. You can add more ideas.
Morning person / Night person
^ W £ * I * f S
V
V,
■-------- :---
V
Plan your writing
THEMAIN IDEA
In English/ each paragraph shouid be about only one main idea. The mam idea
is what the paragraph is about All of the sentences in the paragraph shouid
be about the main ideaL'Jfaseñférice is"abóüí- themain idea,; it is' a relevant
sentence: Relevant means related to or about the main idea. If a sentence is not
about the main idea, the sentence. is.inelevani;(not relevant).. You shouid always.
take íiielevant sentences. but of your paragraph. •
Writers at Work: The Paragraph
23. Practice
Look at each group of words and phrases about a main idea. Put an X next to the
irrelevant word or phrase. The first one is done for you.
1 moming 3 evening
a breakfast
X_. bgo dancing
c read the paper
d newday
4 night
a dinner
b watch the news
c pretty sunrise
d wash dishes
a sunshine
b dahomework
c relax
d cali family and fiiends
Practice
In each group of sentímees below, one of the sentences is irrelevant Put an X next to
the irrelevant sentence.
a It is quiet and peaceful early in the moming.
b I like the fresh feeling in the air.
—------- c I go jogging then because there are few cars on the roads.
d Some péople are tired and cranky in ti^e moming.
2 ---------- a My cat íbves the night, of course.
i I
b He goes huntins for mice then.
c Dead m íe make me sick.
d He also nghts with other cats at night
I J
a My sistencan't keep her eyes open aírer ten at night.
b í think tne best time of the day is after midnight
c I love to stay up and watch oíd movies on TV.
d It is also a good time to read and listen to music.
a I like to have a snack and read the newspaper.
b My brother gets home at 4:30.
c Late anemoon is my favorité'time of day.
d I Usually relax for an hour.
c
Chapter 1: A Moming Person or a Night Person?
24. Your turn /*z^
Follow these steps to check for any irrelevant ideas in your chart on page 8.
1 Are all of your ideas relevant to your main idea? If an idea is irrelevant (not
relevant)/ cross it out (if?ekvant-4dea).
2 Look at all your relevant ideas. Do you want to use them all? Cross out any ideas
that you don't want to use.
3 Do you have any new ideas? Add any new ideas to your chart.
4 Now look at your chart and.think about writing a paragraph with your ideas.
Decide what idea you want .to write about first, second, third, and so on. Number
your ideas. . - .
C Write the first draft
Aftér yoú plan yourwritíng^yóu are readyáo write your"paragraphTor íhe
b e tte r ./ .:/ ;.';>•ÉSg ¡j^gárasiÉgi;
aS^
Write the first draft of your paragraph. Be sure to write about why you like the moming
or the night, what you do then, and how you feel then. Use your chart to heip you. ..
SfSps
¡si®
KEMSMG
A fte r’y a u 'w rite y o u r p a rá g fa p & ^ y ó tr m lfn e e d ^ to "re v is e in Revise-m eans;rc r d ife c k 1
y o u r id e a s- R e fo ré y o u -w ro te y o u r íir s t d r a ít y o ilp la n n e d y a u r w ritin g . D id .y o u -
fó llo w y o u r-p ía n ? ' O r d id y o u ch a n g e v o u r p ía n w h rle yo u . w ro te ? A s k y o u rs e lf, -
"O íd I say w h a t I w a m é d rró say^'PRevise does rrá t m e a n c h e ck yora? g ra m n ra n Y o u
- w ill h ave ü m e ;io :d g ,th a í a ite ry o u - revise.; ^ .- .
Read a student's first draít on the next page. It has not been révised or edited vet. It
may have mistakes in organization and grammar. Answer the following questions.
Then talk about your answers with your dass. ■ ¡j
1 What do you like about this paragraph?
2 Is the paragraph about one main idea?;
3 Are all of the sentences relevant to the main idea? Áre there any irrelevant sentencesí
Writers at Work: The ParagTOph
25. “■*-M ÍA*<ví*i
^jVüoIO
Night
N íght-ís th e b e st tim e fo r m e. in th e e y é n in g /J c a li m y .frje n d s ; VVe g o to^
a c lu b . A n d h a ve a ;g o o d tim e . My : Hé ,
s tá y s H om e a n d s íu d ié k á ló n g tim e . W e
¡¡|gp ~i - v v - ; i ' .%:
d n n k c ó ffe e a n d ;s m d ké . M y; b ro th e r thinks- I shg u íd -n ó t s m o k e . H e sáys f w ill
W E o W r r . h o m e . A t h o m ‘e r £
p fs ilé n c e . I .jo o k p u t th e
w in d o w . H o w be aU tifút ¡ s i t ó rrió o n l S o m é m e n fiá yé w á lk e d o n lt. I lo o k á t
th e m o ó n . T h in k a b ó Ü t'rn y 'fu tu ré . T h e c lo c k says m íd n ig h f. E vé rythin g sile nt,
B Revise your writing
RBñSING WfTM^PAR
| ^S®en v o ili^ se youiy
^fíine, do notcfieá^ am m arl 1?
vExchaiige the first draft of your paiagraph with a partner. Read your partners
paragraph, and answer these questions about it.
1 What do you like iabout your partner s paragraph? Put a star next to any ideas or
sentences that you like. v
2 Read the paragraph again. Do all of the sentencies relate to the main idea? Does the
paragraph have any irrelevant sentences? If you tnmk a sentence is irrelevant, put
parentheses ( ) aróund it.
Your turn''Z-, [¡ V
Get your paragraph back from your partner. Reread your own paragraph, and answer
these questions. , ^
1 Did your partner nnd any irrelevant sentences? Do you agree that the sentences are
irrelevant? If you agree, cross out the irrelevant sentences.
2 Are there any other irrelevant sentences that your partner did not find?
3 Check vour chart on page 8. Did you write about everything that you wanted to
write about? Do you want tó add anything more to your paragraph?
C Write the second draft ^
Rewrite your paragraph and make any changes-that vou need. Write a title at the top
of your paragraph.
Chapter 1: A Moming Person or a Night Person? 11
26. B S IéBit ín o y o u r ;wfsiting
A Focus on sentence grammar
EDITING
parigfapb^yoiL^e-reááyió;edi¿it: ^¿rmeáns
ta f^se^o^'ideas first
If you reviseBrsCyoiriwiH.not waste.vourtime
;ed|tihgi^eleváníTsenteiícésv
i
i r
H
Practice
Som e o f the sentences íroiñ the paragraph "Night" on page 11 do not have.correct
sentence grammar. They make the paragraph difficult to read. Read these sentences
from the paragraph. Write C for correct or I fox incorrect next to each sentence. You
will check your answers later, in Practice 6 on page 14.
1 Night is the best tim e for me.
2 In the evening.
3 I cali my friends. .
4 We go to a club.
5 And have a good time.
6 Everything silent, serene, and perfect.
¡j¡| S ig lisfci^ e ry seaten cem sst haveaJsuhject and a Verbl.A senténcé with a
. R ................... I , . m „ , * ........................
A abou t A'sim ple sentence Can háve -
m o r e th ^ o i^ su b jecL . - ,■" k ’V £?»!■ ...i ■. -: : Tr0^
s >~ | ^ | -y g g p § £ %
; :Jad ^ -halss.the: morninG.. '¿ ¿ .
'Sr- y^' • - '■ •- ' ' •í/'v. ;' ■■■. ■; i
: .She neveraeís ü(j or speaks0 anyone befara nine o*ctócfc.v
-'••■'.s'/.-v. "s "5.: '
Everjfmoming, ñer mptherand faíner wake,up afsix o'clóesc
t . ~ "
, Thiey canl undersiand'Jácki& ' *'
¡ ¡'
i i
12 Writers ai Work: The Paragraph
27. Practice
Which of these words can be subjects and which words can be verbs? Write the words
in the correct columñ in the chart.
like
snore
roommate
thinks
Practice
Underiine the subjects and -drcle-rj/g-rbs■i-n these-sentcncc3. Wiite-5-fbr-subj-ect
for verb. The first sentence is done for you.
1 Dave(Iikes)aftern¡oons the best.
2 He gets up earlyjin the moming for his classes.
3 His eyes often dose in his 8 a .m . dass.
|
4 At 12:30, he meéts his íriends and eats lunch with them.
5 Dave and his íriends play soccer in the aítemoon.
6 Soccer is their favorite sport.
7 After soccer, eveiyone has something to diink and talks about the game.
8 Then, Dave goes home for dinner.
Chapter I: A Moming Person or a Night Person?
28. Practice 0
Look back at Practice 3 on page 12. Dóés every sentence have a subject and a.verb?
Check your answers with your dass.
Practice
Put these words in the right order to make simple sentences. Sometimes there are
several right answers. You only need to write one right answer. Remember to begin
each sentence with a capital letter and to put a period at the end o f each sentence
The first sentence is done for you.
1 at / get up7 7:30 / I
I get up a t 7:30.____________________ • •- - _______
2 .moming /I /in /.the /go / dasses /to
3 order / at /pizza / my /roommate / noon / I / and
4 I /bed /in / on / study / aftemoón /the / my /usually
5 in /the / m y /visit /me / evening / íriends
6 we / and / listen /talk /to / niusic
7 leave / at / my /friendsll:30
________________________ V _
8 light /tum / out / I / at /midmght / my
Practice Q
The paragraph at the top of the next page has no punctuation or capital letters to
show sentences. Dedde where the sentences begin and end. Put a capital letter at thí
beginning of each sentence and a period at the end. All of the sentences are simple
sentences. The first sentence has been done for you.
/
i i!f
i •
Writers at Work: The Paragraph
29. Daylight Savin g Tim e
/
/n the United States, we have daylight saving time for half of the year. in
A
late spring, we put our docks forward one hour then we have an extra hour
of daylight every day farmers are happy for an extra hour to work in the fields
chiidren have more time to play outside their parents are happy about that
adults have time to play sports afber work everyone likes the extra daylight in
the summer
Read the following paragraph. Notice that the writer took out all the irrelevant
sentences from the first draft of this paragraph ón page 11. With your class, decide
which sentences! are correct and which are not. Then write a corrected versión of the
paragraph.
"window; Hovwbeautífitl ís~thémoonf f lóolcaf fhe'mooa,'ThÍnk aboütmv tuture. i
HPfaetiee
Look at this paragraph about the moming. Decide which sentences are correct and
which are not. Tnen write a corrected versión of the paragraph.
in the Morning
¿■ilove the eáriy m o m í n g f - 1 T h e sun-s rays
marhínG sun. íiastiaílywsíkMníhé eariy;-m0i ^ ^ i ^ p e a e e f ü L ".
Mv day síarts
,stü.dy. Also listen to ifrusíc beeaus'e l'feél frappyíjfl íhe múrning. Tíme.pásses
very fast I ihink the morning is more produciive than the night.
Chapter 1: A Moming Person or a Night Person? 15
30. B Edit your writing
Use the Editing Checklist below to edit your second draft. Follow these steps.
1 Underiine all of the subjects in your sentences.(gírde)all of the verbs.
2 Read your paragraph several times. Using the Editing Checklist, look for only one
kind of mistake each time you read your paragraph. For example, the first time you
read your paragraph, ask yourself, "Does every sentence have a subject and a verb?"
The next time you read it, look for a different kind o f mistake.
3 Use Quick Check on pages 123-140 to heip you fix your mistakes.
^febí^ at g ¡ -
3-Write the final^ fa fH
v
VVriíe your final draft, induding youx changes and corrections. Use correct format.
y
Writers at Work: The Paraorapho Jttr ,i
31. FOLLOWING UP
A Share your writing
Follow these steps to share your writing.
1 Put eveiyone's papers on desks or tables in the dassroom.
2 Move around the room and read your dassmates' paragraphs.
3 Do you have more moming people or night people in your dass?
B Check your progress
•After you get your paragraph back from your teacher, complete the Progress Check
below.
Date:
Paragraph titlfe:_______ :____ ;_____
Things I did ^rell in this paragraph:
Things I need (towork on in my next paragraph:
v
Chapter 1: A ¡Moming Person or a Night Person? 17
33. Q GETT1NG STARTED
A Piciure this
fmswer the ^liesti<||fiíafcotiMi|h}pb^t<pg|áph with IrgB- s or in a smali^ótip ¿
Writers at Work: The ParagTaph
34. B Get ideas
To prepare for writing, study these words for describing personality.
Describing personality
Write four words that describe your persoiíality and four words that describe a family
member's personality.
My personality ^ 7 —1-------------------------- s personality
Chapter 2: APerson Important to You 21
35. To prepare for writing, -study these words for describing people.
Describing appearance
Age
young middle-agea oíd
Shape
neavy slim thin
Height
average height V short
io n ? snort waw
22 Writers at Work: Trie Paragraph
«
36. Eyes dark brown light brown blue green
Men
Appearance
unattractive/ugly
Fealures
beard moustache
Yourturn ^
Write four words that describe your appearance and four words that describe a
partner's appearance. When you finish, compare íists with your partner. How are they
the same or different?-■-
My appearance My partner's appearance
attractive/handsome
37. BRAINSTORMING
ideasfor writing. When'you brainstorin,; tryto
•list as good idea:pr á bad idea. Write
down all ofyóurjdefasí^ . :5> j* - táfe.'oí
f lpr;examp}¿|Sra¿v5any^^ get ideas :
for her páfá^^h^she'W^e^Üiisrlist ó f ideá3g!'
’V ' - v A d a t ó - -
-gdésto school every^cfay:
i'had his íeacher before,f¡|
■ídves^sphóol- •
íctíeerfukiv
.sweet-
í miss tiímí: "
yóunger brotber •
10 yeafs^óld;;:;
a iiítie heavy-
short for bVage" •¿
íhe yoúnaest ■ --;-^&rown eyes.
2 broíhers. 1 s is te r if | í wrote to him yesterday:---1
smartj:
-foliows myteénage broíher around
driyes hini crázy ..
-iaughsalot:.
Icuríy dark'browh.hair ’
;píays:soccer afterschool.--
Your turn ^
Follow the¡>esteps to brainstorm ideas about á person important to you.
1 Make a list of four or five people who are important to you.
2 Circle thie ñame of the person you want to write about.
3 Brainstorm as many words or phrases as you can about that person. Use the
vocabulary on pages 21-23 to heip you describe the person.
24 Writers at Work: The Paragraph
38. PREPARING THE FIRST DRAFT
A Organize your ideas
!^pi|a^^Í^t® eg||p^S^^^^i|p® ||D ÉsinSp||^te^^géM ^T^orgánize:>^:
sfcyeur ídéal-hy c^égQ^^m tóg'js^^&.^You knó^wfiic&-ideás to grouptogether_‘
|“2S2sb, t&e^eader can"á^erstá^^yo^F'vmüng betfe^H W ;Iim Sar ideas’are
Answer these questions with a partner.
1 What three categories did Sara use to organize her information?
V
V
2 Sara did not use ^1 of the words from her brainstorming list. Which words are not
-— in her-categOíy4ist íVWhywere they leít out?— ;— ----------------:------ = = —
3 She also aaded some new ideas. What are they?
Your turn ^
Organize your brainstorming ideas into categories on your paper. Take out any
irrelevant ideas. Then add more ideas if you want.
Chapter 2: A Person Important to You 25
40. | ~L
Practice 0 w jsíon ssbuoieca
Each group of sentences has one topic sentence and three supporting sentences. Write
a T next to the topic sentence and S next to the supporting sentences.
1 ------- a Amy always understands me.
b Amy is special to me.
c I think Amy is bea-utiful.
d I love the wild wayAmy dances.
2 ------------ a To me, my father is a great man.
b My father is an excellent lawyer.
c My father loves his family.
d |vlyfather always has time for me.
3 ______ a Chris likes to have a good time.
b Chris is short and has wavy, brown hair.
c Chris is one of my favorite people.
d Every day, Chris runs several miles.
Practice 0
Read the paragraph below. Then, read the sentences that.follow the paragraph. Check
(«/) all the sentences that are good topic sentences for this paragraph.
My Grandm other
—----------------------- She was born 77 years ago in
England. W heto she was a baby, her fam ily moved to the U nited States. A fter
canhigh-schücrfr she Worked in a bakery until she married my grandfainer. She
still make delicrous^ cakes! M y grandfather died five years ago, so she lives w ith
us now. M y grandm other is not patient, but she never gets angry with me. She
always listens to me and helps me with my problems.
1 My grandmother is tal! and thin.
2 I think my grandmother is a wonderful person.
3 An important person in my life is my grandmother.
4 My grandmother had five chiiaren.
5 Let me tell you about Grandma.
6 Mv grandmother can make me laugh when í am sad.
Chapier 2: A Person Important to You 27
41. Practice
Read the student paragraph below. Then, read the sentences that follow the paragraph.
Check (/) all the sentences that are good topic sentences for this paragraph.
Capito
.. He's a m edium -size Labrador
retriever w ith short, ye llo w h a ir and a long tail. In the house, he is always w ith
me. W h e n he comes to me, he hits everything w ith his tail. H e also likes to
come w ith me fo r a w alk or a drive. C a p ito loves water. H e ¡oves to swim , play
in the rain, and even play w ith the w ater in his bowl. H e is a good student. He
likes to learn, and he knows a lo t o f com m ands. Also, C a p ito is very gentle. H e
runs 'after cats, b u t he doesn't-touch'them .
1 Capito is my dog and my friend.
2 Capito's face is big and square.
3 íMy dog is seven years oíd.
4 Capito is my lovable dog.
5 Capito is my wonderful pet.
Practice
Write á topic sentence for this paragraph.
Ü ________ __ _______
A TeacheV to R em em ber
H e was
a tail th m m an w ith red narr, and he w o th ic k glasses. T nT he ciassroom,
he wás always m oving. H e never sat still. W h e n he was teaching, he always
walked around, swung his arm s. or iapped his fe e t M r. Jenkins p u t his energy
in to teaching us lite ra tu re and dram a a t m y high schooí. H e was an excellent
teacr*er. H e ta u g n t us to íove literature. A lso, he helped the students preseni
tw o s|chocS plays every year. M r je n kin s cared a lo t a b o u t his students, too. H e
always had tim e to ta lk to students a b o u t th e ir próbíem s. I hope th a t I can be
like hirrs when ! am a teacher.
Writers at Work: Tke Pa.Ta9ra.-0h
42. G Write the first draft ^
Get comfortable, relax, and think about your important person. Use your list o f
categories to write a paragraph about that person. Remember, you will revise and edit
your paragraph later, so don't worry about making mistakes.
E J REVISING YOUR WR1T1NG~ ; ^
A Analyze a paragraph
Excnange the first draft of vour paragraph with a partner. Read your partner s paper,
and answer these questions about it.
1 What do you like about your partner's paper? Put a star next to any ideas or
sentences that you like.
2 Is there anvthing that you do not understand? Put a question mark (?) in the ;
margin next to any sentence that vou do. not understand.
MySFrfend
fake cá re o f the"patfentsf bl±,sfTé;doésr1rt llké the dóct0Fsv%hésáys- they d o a V
.ene. Eürt,H e e ^ falfáridj ver¿Wg^Sfoe^tó curiy;
“tó^&rów nrhailr'¿feioofcs^l Oyl7ín íHefPopeyé^TO Oyf is
iPépeya-s gtrlfríend' 'Soróétaes;'w ftép'm y niendsand 'twéreLsedous:, sñé tofd
pke& to uSi4-ioya fí^ aB d . Twant to¡ seerher agaínsoaru -■ - " ■**
Revise your writing
Read a student's first draft below. Then answer these questions. Talk about your
answers with your dass.
1 What do you like about this paragraph?
2 Is the parágraph about one main idea? •
3 Is there a good topic sentence?
4 Are all of the supporting sentences relevant to the main idea?
5 Are the supporting sentences grouped in categories?
Chapter 2: A Person Important to You 29
43. 3 Is there a topic sentence about the main idea? If there is a topic sentence, underline
it and write TS above it. If there is no topic sentence, write "no topic sentence" at
the top of the page.
4 Do all of the supporting sentences give information about the topic sentence? Are
there any irrelevant sentences? Put parentheses ( ) around any irrelevant sentences.
5 On the bottom o f your partner's paper, write one question about the paragraph.
Ask about something you want to know about the.important person.
Your turn ^
Get your paragraph back from your partner. Reread your paragraph. Then, follow
these steps to revise it.
1 If there are any question marks on your paper, write those sentences more clearly.
Ask your teacher or your partner for heip if you need it.
2 Answer your partner's question about your important person. Add that information
to yóur paper if you want to. - * i
3 Thínk about the questions in Analyze a paragraph on page 29. Do you need to make
any ¡other changes to your own paper?
4 Loók at your Progress Check on page 17 of Chapter 1. Use it to heip you revise your
paragraph.
C Write the second draft g r
Rewrii your paragraph, and make any changes that you need. Write a title at the top
of your paragraph.
EDITING YOUR WRITING'
A Focús on sentence grammah
In Bi^ís-hr évéfy senteáce'm usthavéboth a-suhjéd anda:verb."í f a sentence does
n ot¿ave both asubject’arid averb, iti& called a fragñent Fragment means "broken
piece/' A sentence fragment í&only a piece o fa sentence, not a complete"sentence.'
.Thede are three problems a fragment can have.
•“ Ño subject
’ ¡Aisd leves to íoÍ!ow my teenage brotñer around.
• No verb
. He shortfor fe age and s iiííie beavy.
• No subject orverb
And big,.brown.eyes;.
38 Writers at Work: The Paragraph
44. Practice 0
Read each sentence fragment and identify the problem. Write NS for no subject, NV
for no verb, or NSV for no subject or verb.
_ 1 My wonderfulold grandmother.
2 Every moming of her long life.
3 Fixes breakfast for her family.
4 A dgarette always in her mouth.
5 Often worry about her.
6 An important person in my family.
Practice
Writé F next to the fragments and 5 next to the complete sentences.
1 My niece is a special person in my life.
2 Only nine months oíd.
3 Her silky, black hair.
4 Likes to play at three in the moming!
5 My niece is very cute.
6 I love her.
j§|ft§| ate severáíway^.to correcta fragmenta. j j ||j||8 l ® 8 j¡ ¡
Fra^méi^;,IAjso foyestpfqlfo^pyJeerTagefroteer"íroiincf.' |¡|§| j j j - t|¡S¡|
áiS^gySSlui' iuuuwtf(jLtccfiay<r-üiaiaicf_^uuwu..;-;'
-Fiagniepi::.He..sííd^fóR.fii&^-ató^'fiitie tféavy:*'’i’ -
; Sentence: y HeigsftoKtforh&aoe aMaHítílefteavy: 1
• Add a;.subfectan¿ a verK: .r' •;
•./••Fragment:'. My.wóñdé^'!itt¡&broífiejr
Sentence: Heis'roywontferáillítílábrother -
• Add the fragment to anotHer sentence:
Fragmdk: “Andbígbrówrreyesv./__■í ; ; V
Sentence:: Helias dai1<;'cúfíyfiáíFand Diobrownéyés.
Chapter 2: A Person Importani to Yon 31
45. Practice £•
Read the following pairs. of sentences. In each pair, one sentence is a fragment. Correct
the fragment either by adding something to it.or by joining it to the other sentence.
There are several possible ways to fix each fragment. Write only one.
1 An important person in my life is not a person. He a cat
He ¡s a cat. ' '' . ,; ________
2 One night he carne to my door. And cried for food.
3 After that first night. Tramp has stayed with me.
4 Tramp is a large, gray cat. With one toril ear.
5 ¡He sleeps a lot during the day. And hunts at night
6 /¡He tries to catch mice. Too fast for him.
My cat and some of the neighborhood cats. They fight sometimes.
In the evenings. Tramp watches TV with me.
9 'Likes to sleep on my bed. Atvnight.
i!í 1
10 [Day or night, he a good friend tóme. He keeps me company.
— —
RÚN-ON SENTENCES y f j j j
A^ommon wriiing mistake ís a ran-on sentence. A ran-on sentence happens
" wíierx two -simple sentences are ran togeíhefwíthout cbrrecfpunétaation to
sepaiate thenu ’ ■ — :
; ' • ; . ■ •
.Run-on sentences:; Aqarrris aswest boy.he reaiíyioves. anímais.
Adamiss swseí boy he reailyicves.anímais.
To- correa, a ran-on sentence, malee It Into two. simple sentences. Put a period =
arthe end of the first/subjéa and verb gróup, Sta^t the second sentence.with a
capital ietter.
Coirect sentences: Adamis a sweei bov.-He reaílv íoves snimais.
32 Writers at Work: The Paragrapn
46. Practice 0
Write RO next to the run-on sentences and CS next to correct sentences.
1 I want to own a company some day I hope to be a good boss.
__ 2 I remember my first boss, he was terrible.
3 He never listened to us. He only shouted.
_ 4 He helped some workers a lot other workers got no heip from him.
...... 5 He also stole from the company and blamed the workers for it.
Practice íí« l
Correct these run-on sentences.
1 A persop. important to me is my twin sister her náme is Jody.
• |
i2 Jody and I are the same height, we both have blonde hair and green eyes. i
3 We enjoy the same things for example, we both love hot dogs and chess.
V
i
4 Jody understands me better than anyone, she knows me veiy well.
Y
•• ' fi
«I
5 We live in áüferent dties we usually visit each other on weekends. I ....; i
................ «
6 I can't live witnout my twin, once a day we cali each other and talk on the
telephone.
Chapter 2: A Person Important to You 33
47. Practice
In this paragraph, some of the sentences are run-ons. To correct the run-on sentences,
add periods and capital letters. Take out commas if you need to.
Mac
- ! -- - VV ........... /- ___ m
1M a c is a special guy.ye have been friends for a long’ tíme. 2N o w we are at
college together. 3M ac is tail and very thin, m y m other calis him Stringbean.
4He has a tough life. 5He takes elasses during the day and drives a taxi every
night. 6His father drinks too much and sometímes fights-w ith his m other M a c
tries to heip her. 7He also likes to have a good time. 8O ri his n ight ofl; he
goes out w ith his girlfriend, sometimes he drives to the beach a t three in the
m orning! 9He is amazing, N
Pijactice
Read Sara's paragraph about Adam. Underline all of the subjects and verbs. Then, find
an|d correct the fragments and run-on sentences.
Adam
1Adam is a deíightfu! boy. 2M y wonderful younger brother. 3He is ten years
•tld and the youngest in our family. 4He has dark, curly hair. 5A nd big, brown
jáyes. 6He often smiíes. TVnenj^ou can see his big, wide smile. 8He short.for his
iage and a little heavy. 9Adam goes to school every day he often plays soccer
>|/ith his friends after school. 10TheV aren't very good, but they have a lot o f
■jjcm. 11Also leves ■lc rrb lfo w ^ ^ ^ e rra ^ ^ b ro th -e i^ m u n d 7 -12H ^^rives-m y-bfü-thei^
Jrazy! 13Adam is a sweet boy,, he réalfy ¡oves animals. 14Sometimes, he tries to
ikke care o f hurí wild animals. 15A Isq/ very sm art 16He loves school, and he gets 1
good.grades. 17 íove him because he is funny. and cheerful, too. 18He taiks and 1
Ijaughs a lo t he makes everyone laugh w ith him. 19Now, i in this country, and I 1
rpiss him very much. ' | p
Wxiters ai Worjg Tae Paragraph
48. B Edit your writing
Use the Editing Checklist below to edit your second draft. Follow these steps.
1 Underline all of the subjects in your sentences. Circle all of the verbs.
2 Using the checklist look for only one kind of mistake each time you read your
paragraph. For example, the first time you read your paragraph, ask yourself, "Does
every sentence have a subject and a verb?" The next time you read it, look for a
differeiit kind of mistake.
3 Use Quick Check on pages 123-140 to heip you fix your mistakes.
4 Look at your Progress Check on page 17 o f Chapter 1. Use it to heip you edit your
paragraph.
¡~y 1 Does^ewiy sexitenCefiave'a: subject ancLverb^
í'* W§é$&&£a
^(áaaáair^É
W-í':i.?.-;
Write vour nnal erar
Chapter 2: A Person Important to You 35
49. □ FOLLOWING UP
A Share your writing
Exchange papers with a partner. Read and talk about your papers. Compare your
important people. How are they the same or different? Ask any questions that you
have áboütyoufpaitnérs important person. — -- -—
B Check your progress
After you get your paper back from your teacher, complete the Progress Check below.
‘Date:
jParagraph title:_______ f__________
jThings I did well in this paragraph:
Things I need to work on in my next paragraph:
! Look at your Progress Check oirpage 17 of Chapter 1. How did you improve your **
Hiwritmg in this paragraph?
38 Writers at Work: The Paragraph
50. 1
■"Ü?••■É¡g§fsí'°:i?j ^ p p y p M »
„ JL onStínriá^Woht'Our weefcend Iwesacefcísaally *j
^ ,^ ~ W # i^ á£s^ w arfe:^ WeefeSñd'job^ 'ár’stücife TH§^
fee^eri^7^alra&fe>Gfean íh¿ tousergcKsnoppfngíar
j gato pames-1' w , v ^ ií ‘ w?> - * ‘V
!n íhtsxfiápter yotrwtíFwfLaapiragfágli aboofyouF
Chapter
The Weekend¡BBí'Í ■I■
51. GETtING STARTED
A Picture this
' Answer the questions about each photograph with your dass or in a small group.
1 Where is this actívity happening?
2 What is happening in the photograph?
3 Dó you doJagroti^Iiké'this ^Eínthe weekend?
Writers at Work: The PáTagraph
52. B Get ideas
classes
hate it! 2 loud aíarw docks
Your íurn ^
C-hoose one weekend day, either Saturday or Sunday, and make your own p
idea web for it on piece of paper. Follow the steps in the box above. Look a
photographs on the opposite page for ideas.
see
school
4homework í,
r
too much!
friends
ersonai
Chapter 3: The Weekend 3 9
Look at this example of an idea web for the topic Weekday. Draw more lin^s and add
your own ideas to the web. Then talk about this web with your class.
53. PREPARING THE FIRST DRAFT . . y: V:. o y ■
A Organize your ideas
Follow these steps to organize your ideas for your paragraph.
1 Look at your idea web, and árele the ideas you want to use. You can use all of them
ifyou want.
2 Look at the ideas that you have drcled. Many of them are probably about things
that you do during that day. What do you do first? Put a number 1 next to it. What
do you do second? Put a number 2 next to it. Continué to number all of the other
cirded ideas.
ORGANIZING BY TIME ORDER « -
Thefe areffl'anyways't'o-grganize yourwnting- When you organfeeyqprrdeas by
telíing'what happened first,-"second, third'and so on, you are orgaiTÍzüigiby time í
order In this-chapter,-yoiLwiü w nttabout a (iayt so you wiD use tíme order-to
organize your paragraph | * ~
Plan your writing
Read these two drafts of a paragraph about Saturday. With your dass, talk about
which one is easier to understand and why.
Draft A
H
Saturday
Saturdayistheworstda^.andthebestdayofthewéekforme..Iusuáliy
wakáuplate. First, itakea^hower;andthon.. [.sornétimés.washmycar. After
-that,Ieat.lunch.4-don'f-eatbréakfastOR-Saturday-feesause1.§eiap-late,-Aftec~area
ieatlunch, ígpto'myuncle’s:Storev/here.1work.:Thatfethestartofaterrible .
.tíme-, Itisyérydiffíeulí.to.selMhírigs’becáusefcanrTottindersfandEnglish.Iarrr
espéciállyaíraidofthe.téfepñóne. f
fnthestore.íféel likeí-arriwalkinginaFieftAfter.waF.k*1gobáckhomé. Ieat
dirrnerandthenstayinmycbom.tbsiucyorread, Atabout.ten;o'ctóck, ícali,
mygirifriendinmycauntry. itisthehappresttimeoftfiéweek. IfIcouldnot
caliher, Iwoutdgobacktomycountry:Afterfcalimygirifriend, Igotobed
andsléep.
Writers sí Work: The Paragraph
54. Draft B
Saturday
' of the week for me. í usually;
wáke üp wash my car. f eat lunch. I ; ;
:d ó ñ 't eat breákfasí¡op; Saturday béeaüsé 1’g e t up laté: I go to m y uhcfé’s storej
is very difiicult to sell things
becáüse I eañnot bndérstánd English.-1 am éspeciáíly afraid of the téíephpne. f
afvvays make mistákes^^Vhilé I arn wprRing in the store, I feei like f am walking
fny^room to study or
T^adyL.ealí rnyygjr{frtécicí in.my country. it i^ the happfest time of the .week. If I
£pü£d-;nÓi: eall tóy.j% outd g a b aé k'ía m yfe^ n try . i. go to- bed and-siéép^
TRANSITIONS
When you write your paragraph, you need 1o use words to tellthe readerwhat
you. do- first. secondr4and¿ó;3on- Most.wnr.ei-s; use,words -called transilions to telí
the"ordér that soniethfng happénéd,in, Tfansitipn meánsl"¿hanget=ándjweluse' •:
ttansitipns;.ta^how,a-timechañge;fntR^j^rágfapfí
Theseword'srand pircases ar^transitipns'C §|
J¡¡ i iiílfefOGming^'|
r^jB tte afterjioaa|
tfrén: % _ j
afteríhati;;C
íátér' | atiW Q’ciock <
finally §| / ;.atpdhigti^ y
^^otÍGe,üiaMhe-®Rs-ÍTk)n--i-]Sí:ia}]y-coíT3es--airt]ie-begmRÍ^g ofa-^enTence^and-ií
fo llo w e d by a com rna. ' -. ' . f Jf£ : " - /: "í . ; ' . 5 i |
Affert&a^ir’s'atlUhcfe^
-. :;--tran^oort'^ •• v
I Alten o'cioc^j caii-my girifrientíírr my:-cotmífy.g■
transflor!
Chapter 3: The Weekend
55. Practice Q
Write the transitions in the paragraph below. Some sentences have several possible
answers. Write only one. Be sure to use commas where you need them.
The B est Day of the W eek
Sunday is m y favorite day o f the w e e k -------------------------_ -------------------- I sleep
a long tim e________________ I get up and eat a huge breakfast í
read the newspaper while 1 e a t ______________ ------------------------I do some chores.
M y. apartm ent is small, so it is easy to elearv.-l take- m y dirty clothes to a
Ia u n d ro m a t ______ I cali a friend, and we go shopping or
to the gym.________________________ ' we pick up i: pizza and go back to my
.place to eat i t a _____ we rent á video or watch a movie
(6)
on TV. M y friend goes hom e early because we both have classes on M onday.
listen to music and finish m y hom ework in the
in
quiet n ig h t
(7)
C Write the first draft
V
Get comfortable, relax, and write the first draft of your paragraph. Use your idea web
to tell what you do either on Saturday or on Sunday.
1 v
&955283~
E J ¡ i l i i p l O U R W R I T I N G
É | | ¡| g g m
1 . X -
A Analyze a paragraph
Read a student's first draft ontfip next page. It has not been revised or edited yet.
Then, answer these questions. Talk about your answers with your class.
1 What do you like about this paragraph?
2 Is íhe paragraph about one main idea?
3 Is there a good topic sentence?
4 Are all of the supporting sentences relevant to the main idea?
5 Are the supporting sentences organized in time order? ’
6 Did the writer use enough transitions?
m
J
-
Writers at Work: m e Paragraph
56. My Sunday / m l
Tñis [^abbut myJSuhday. j .
^o’cípck;'“TjSen;^ S ai|g ín cn ^
university, We
go'tq;a grócéry storeto buyfop'd.and :to the malí:tó'bu^ílotfiés^•My roommate
: buysa fó to f clpthéá and:CDs-'éyery week. I dórt-t knów why, he dpés;that. He *
hprrievy'ork and
.'WrkeTin.-^^^^^rnaÉíf^&^'-evíen ;BÜ¿}first;.:i^aLvyays:.talle;o^Í#^p&£etP my ..:.
| about
the-futiire in my doVmcroom. Finally; organize my backpack befare I go to
bed. I always- go' to, sjeep earíy^ori'Sunday nrghfl t 7 1
B Revise your writing
Exchange first drafts with a partner. Read your partner's paragraph, and.
questions about it.
1 Which transitions did your partner use show the time order in the paragraph? Write
v them here.
answer these
^2 Does your partner's paragraph need any more transitions? Put parentheses ( f
around any sentence that needs a transition.
r
Youriurn / U --
Get your paragraph back from your partner. Reread your paragraph, and answer these
questions.
1 Do you need to add any transitións?
2 Ask yourself the questions in Analyze a paragraph on the opposite page. Do you
need to make any changes?
3 Look at your Progress Check on page 36 of Chapter 2. Use it to heip yo|u revise your
paragraph.
C Write the second draft A
Rewrite your paragraph, and make any changes that you need. Write a title at the top
of your pacer.
Chapter 3: The Weekend 43
57. EDITING YOUR WRITING
A Focus on sentence grammar
Read a student's paragraph about her favorite weekend day, Saturday. Can you think
of a way to make the sentences better? Discuss your ideas with your class.
Saturday
Saturday is my favorite; day; I;don’t.go
First, I caí! my mother. VVé.talk about.my week. Next, I vacuúft4he:apartment. •
My sister coqks us breakfast. í can cppk. My:sistér is á better cipqk than I. After
breakfast,. í go shopping.. I usualíy buysqm e clpthes^ln the áfternbón, ¿í meet
my boyfriend. We beacphear the
brrdg’eVand fambüs hístorradistrrcfs. f dón’t knowmy. way áround the city. He
guidés me.. í;like w áíkin^'W e vyáík we
eat dínnér at a restauran! He fakes me homé; Sometímes w e watch a video.
Other times we watch an oíd movié on TV. Therr, he;goé^hpm e, | gét-ready for
bed and íalk'to my sister about the day I am usually very: tired. I go to -sieep
quickíy. Tfteh* my night df dreárns: begins. %
COMPOUND SENTENCES
A;símrple
Simple sehtencesarefine^büt
your paragifaphmighWsouñd.boringifal^o^yoiir'sentencesaresimple'sentences-:
Tó solve this problem,ou can join. two simple sentencés together to make a .
cornpourtd sentejice. .
f donl cíot<yscfíool -f I oetm íate irtíñe morninc.
'simple sentence- ' +- . simptó sentence
! donl gofo scíioo!t sd!¡así óp tete irrite morning.
• compeund sentenc^/ r
Practice 0
Write S next to the simple sentences. Write C next to the compound sentences.
1 My family likes to spend Sundays together.
2 I go out "with my íüends on Saturdays, but I stay home on Sundays.
3 My mother cooks a big meal, or we go out to eat at a restauran!
^ ~ 4 Sometimes, my cpusiná cóme to visit us and eat with ús‘
5 I love our Sundays together, and I will always remember them.
Writers at Work: The Paragraph
58. COORDINATINGCONJUNCTiONS
_Twó simple sentences can join together to forai a compound sentence. When.
two sentences áre joined in this;way,the'two sentences‘aré calted ^ítdifferent |,
náme They are called independent ¿lauses,-and the word thatjoin? tliteiiscalled a
" coordinating cónjunction.
A compound sentence is made of twó independent clauses joined by a -
coordinating cónjunctión. '
[ cfon’t go to scftooí, so 1get ilp iaf^fn the mormng. - ||¡§
independentclause i -f„' - independentelause | ¿ ' |I|É Í - | | ' §¡ 4 ®P
A conjuncíion Ls a ’wórd that jqins ideas. A coordinating conjunctidri joins -' - . - /
íSeas/that áre the same/or equal. The coordinating'conjuñctions that we usé"
most often are andy butr sá, and or^Notice that there is a cOmma before the
coordinating conjunction. ¡ | p | fe ^¡gf| (*- |
|| And:shów&ádded infonnaüonli;^.|g-7-1¡ J S S S
V r - : Rob ántf-Sará go-'to-the,ferary, and they stady forttires hours:
',,' independentclause- V ■CC ¿jndegend^clau§e 1_
| Biit shows'sOmethmg 'diíférént.o^á eontrastV |'y¡~ ,
||¡4 Lgo'td-wor}cQtúSatQfeay^büt L-don’t work:otfSándayJ Q » 11
U¡¡ | „índepenáeptrcfaüs%^r_C¿ ir independentelause&ÉgjjjJ1|j¡ 1§
•"So showítfrexesuTCofsometMng'¡¡i¡¡ B i l l
MWúM
mam
. «®SÉ®®8
K M* Or shows two difíerentchoíces |Jj| jg|i^g| |¡| gp
)fittíe afternoan-, rdearnti^roO T^opte^aM ok.-«| É I ¡ ¡ I f f t ¡ j ¡ ¡ É 8
Poetice 0
Thesé sentences are about SuEHay activities. Match
with its ending, Wñte the letter in the blank.
1 Tony,works late on Saturday night
the beginning of e^:h sentence
2 Samia takes her children to the park,
3 Shu Fen relaxes in her room all day,
4 Yoji and his girifriend go to a movie,
5 In the moming, Lisa makes coífee,
6 On a good day- Mana takes a walk,-
7 Ji Yeon goes to ditirch -.with her familv,
8 After lunch, Akmed wc-iks on his car
a and she drinks ijt
balcony.
b and they eat out
o but on a rainy di
TV.'
on the
after church.
y, she watches
d so he sleeps late on Sunday.
8 or he plays tennis with a ftiend
f but she studies at night
Q so her children love Sunday.
h or they rent a video.
Chapter 3: The Weekend
59. Practice 2 3
Join each pair of simple sentences to make one compound sentence. Use a
I H H H J H n i i 3 & 1 A i 1» ; tP p p j u y p sentence coirectly.
1 I like tó síáy,¿pri|j|Éf r^ v¿i I ,V,y likes to go to bed
' eárlfeg
2 Ken washes cars on Saturdáj|<»q<WHLks on Sunday, too.
3 Carol loves art. She goes to the museum every Saturday.
4 Saturday night^Bferent a video.
5 We deán ou|^^p|Ín^|pA j|ay- It's meém again on Sunday.
Practice 0
Finish these compounti sentences with your own words.
1 I like to sleep late, buX._______ ■ 1
_______________________
2 We don't have school on t3^ weekend, so ~
3 I énjoy Sunday dinner with my family; ' ■ ■
4 Olí Isiturday aftemoon, I cali mj&est íriend, "JIL_.
5 I nasa timé to reías during week, éá.
60. Practice
This paragraph has no puncíuation. Add periods and commas to make simple and
compound sentences. Add capital letters as needed. The first one has béen done
for you.
My Saturdays
O n Saturdays, I live an interesting life. I live by the ocean and I work there
for a very oíd woman in the past she Joved to stand on the beach and watch
the sunrise but now.she is too oíd to leave her housé my job is to také pictures
of the sunrise for her every Saturday morning first I leave my house in the dark
and I walk to the beach with my camera then I take lots of pictures of the
sunrise I am often sleepy but I love to be near the ocean in the, morning next
I go home and eat a big breakfast after that I print out the pictures from my
Computer in the aftemoon I take the pictures to the oíd woman. and we talk
about the ocean she pays me so I have money to go out with my boyfriend at
night we go tó a baseball game or we have fun at an amusement park later we
walk by the ocean in the mooníight my Saturday begins and ends by the ocean
Practice Wm ■ ¡-
Look at the following paragraph about Saturday again. With a partner, join some of
the simple sentences to make compound sentences. Then, rewrite the paragraph on a
separate piece of paper.
I S a t ü r d á y y
Y Satórcfay is ray favorite dáy:;:.f dóríf- go tcrschoaL 1get up: íatél n the. morning.
First- f calí m y m other W e talk about m y week- N ext i vacuum íhe apsrím ent
Wly sistércaoks. üs:.breakfasf: rcan cook. ¡My sisteris.a .betfer ¿oafetFían l Aiíer
breakfast; I go shoppíhg. I usuafíy büy som e cíothés.' In the aftemoon, I meet
my boyfriend. W e go to interesííngpjaces such asíh e city, the oBach.near the
bridgé. and famous historie dsstricfs. I cJon't know my way.aróund the. city. He
guides me. í like walking. W ew alk together and talk to each other. Later, we
éaí.dinner at a Festaurant. Hé takes m e fióme. Sometimes.we watch a.vTdeo..
•Other times w e watch an oíd mov[e on T V Then,. he goes home, I; get ready for
bed and talk jo my sister about the; day }.ám usuáily very tired. [ go to .sleep
quickly. Then, my night ofdreám s begins.
Chapter 3: The Weekend 41
61. Your turn
Now look at your own paragraph about the weekend. Did you write any compound
sentences? Can you join any simple sentences to make compound sentences?
S Edit your writing
Use the Editing Checklist below to edit your paragraph. Follow these steps.
1 Underline all of the subjects in your sentences. Circle all of the verbs.
2 Using the checklist, look for only one kind of mistake each time you read your
paragraph. For example, the first time you read your paragraph, ask yourself, "Does
each sentence have a subject and a verb?7' The next time you read it, look for á
different kind of mistake.
3 Use Quick Check on pages 123-140 to heip you fix your mistakes.
4 Look at your Progress Check on page 36 of Chapter 2. Use it to heip you edit your
paragraph.
EDITING CfíECKLÍST(7[
Look at each sentence.
; O 1 Does every sentence have a subject and a verb?
D 3 Are there ány njn-on sentéñcés?
Lookateachverb.
4 Do ^ll óf the verbs agree wthE théir subjects? -
O : S Are aít oflibé yerbs th!ecorrect tensé and fórm?
, Look at the punctuatkm and capitaljzátion.
;; Q 6 Doés eách sentence begin.with a capital letterj
, □ 7 Does each: sentencie end with thé correct punctuation?
-Q - & ís there'a comnia after each transitionT .
[ J .9-' fs there a comnia in.eacfycompound senténce?
■Q -1&;Did yoü <¿pitaüze,SámráaY áz Sundayl -,
; Look at;tíre words-
O 11 Is each Word spelled coirectlv?
Write the finai draft J r .
Write your final draft, induding Vour changes and corrections: Use correa formal
Writers at Work: The Paragraph
62. I H IM .O W IM G UP
A Share your writing
B Follow these steps to share your writing in small groups.
1 Get into a small group. Read each paragraph in your group. On the back of the
paper, write a sentence about the paragraph. Write about something you liked in
the paragraph, or write about something that was interesting to you. Write only
good things, and do not write about grammar. Sign your ñame.
2 When you get your paper back, read the comments on the back.
• B
I '
3 Ask each other any questions that you have.
• •' •í
Check your progress
After you get your paragraph back from your teacher* complete the Progress Check
below.
1
«
1
■
p
F)atp*
Paragraph title:
Things I did well in this paragraph: 1
1
1
••• i
t
1
Things I need to work on in my next paragraph:
i
n
■
I
y Look at your Progress Check on page 36 of Chapter 2. How did y
writing in this paragraph?
}u improve your |
.....9 [
4 ■
3 Chapter 3: The Weekend
63. Q offl&ftiTÍes whéfi fríeñd&’afTcf fam fy are at a party
j^J^ttírrgstbuncftheSfiñsrtabre, of^justrefax’thg *
tbgefft^v tefKstbrres “kémémberwherr, begins
som ecH ter^ntí^B F ^f ttí-'erftfs' up teaghfrfg' ^h T e ve r- *
forget .. . y” anathef oerson sayá, 3 fd evé'ycne sHvers
with fear. Al¡ of us have sienes íro n our own ¡¡ves. Some;
s iB rie s y ^ e fe ip ^ ^
í 7*/! m e e« 5 £r a « m y af a scary ,
sfcpyffB r {HMjjBwfife
64. Q gETTING STARTED
A Picture this
Answer the questions about each photograph with your dass or in a small group.
2 Writers at Work: The Paragraph
65. B Get ideas
TALKING TOGETIDEAS
Talking WithLothers isá good wayJo get idéasfóryour writing. W héhyoutelía
stoiy; you try’to make it interesüng-fór the líst'ehefs. When you téll añ'interésting
. story, you can get many good id^s; for wrmng that stoiy,^ .
Follow these steps to get ideas by telling your story.
1 Get in a small group with several other people.
2 Tell a true story from your own life. The story can be either a scary story or a fiinny
story. It could be a memory from your childhood, about your family about your
íriends, or about your time in sch.ool. It could be a ghost story that you have heard
or a frightening experience from your own life.
3 As members ofyour group tell their stories, be sure to ask a lot of questions to heip ¡
them think of ideas to include later in their own writing.
Q PREPARING THE FIRST DRÁf T " ^ -
A Organize your ideas
To organize your ideas, make sure your story answers these six questions: Who, What,
JAfhen, Where, Why, and How. Follow these steps to organize your ideas.
1 Find a partner whose story you have not heard.
2 Imagine that you are a newspaper repórter. Your assignment is to get information i|
about your partner's scary or funny experience. Ask your partner the questions in . i !
the box below and write down the answers ón a piece of paper.
3 When you finish your interview, give your notes to.your partner.
4 Read what your partner wrote. Is everything accurate? Do you need to add
anything?
| interview questions ‘| l
! 1 Wásíhis a scary ^¿perience or a funny expérience?- r
2 Who was.there?
i 3 When- did it happen?
í* 4 Where did it:happen?
5 What happenea? Gtve a sumrnáry. :
6 Whv díd it happen? ...
7 How did yoü ana thé others féeí^;•
Chapter 4: A Scary or Funny Experience 53
66. B Plan your writing
Practice
Read this student's paragraph. It is an interesting story, but it leaves the reader with
many questions. After you read the paragraph, write some questions that you have
about it on a separate piece of paper.
Draft A
Á Sóáry and Funny Experience
I remember a time that was;funny for me but scary for my sister. My sister
was in her bédroom trying to sléep. I decided to make some strange noises
and- pretend to be a spirit or ghost. She. couldn’t sleep, so she cálled my
mother: When my.mother carne, I stopped. My mother said, “í don’t hear
;ánything excefDt the'wind outsrdev’■and; she went,dównsfairs. T starféd again.
My sister talked to herself and to the rióises. After that, she. called my mother
again. My mother shouted a i the spirits,.toó, and then she went downstairs
á g a i n . Later/rcduídn:‘t keep quieí ánymóre, so I iaughed. Then; my sister
understóod that í had m ade the noises’
Practice
Read Draft B of the paragraph. Answer the questions that follow with a partner.
Draft B
A Scary and Funny Experience j
I remember a time that was funny for me but scary. for m¿ sister. It was about
seyen years ago, on a very dark night without a moon and-with a fot of wind.
My young'er síster was th hér bédroom trying to sléep. I debrded to go to the
attio oVerhe^roóm and m ake :some strange noisés:; i pretended, tb be .a spfrit:
or ghost;' Im a d a scary"Sounds-, bangecKorvthe fíoor;: and':hqwled; like5a dog-.
My sister- couldn’í;sleep, and. 1could .hear. her movi'ríg-.kround in hér room.
Finally, she cáiied my mdthér. W hen my mother carné, T stopped. My mother
iisíehed. Then. she said, “í don’t hear anything; excépt the,wind outsiae,” and
she. réturrred;downstairs to Watch TV. After afew.m inutes, i started again. My
sister was very nervous. Sfie taíked to herself,..and she .toídihe ghost or animal
or m aybe spirits-to go away. lt was Very. funny;' so ¡t was very difficuit for me .
not toíaugh. After that, she called my mother again, This time, my mother
carne with a long stick. She shouted at the spirits so thai my: sister wouldn:t
wórry: But my mother didn’í believe in the spirits and soon returned ío the TV
4 Writers at Work: The Paragraph
67. Afteraboutanhourandáha|f,Icouldn’tkeepquietanymore. Itwastoofunny.
Istartedtolaugh,andthenmysisterunderstoodthatIhadmade.thenoises.
Shewasveryangry. She.shoutedatmetocomedowri.íromtheatíic.Whenl
did, shesáid, “ican'tsleepnówbecauseofyou.Yoühavetostayupallnight
withme.”Thenextmorning, mymotherfoundustogetherWeweresittingon
thefloorbacktoback, andweweresieeping:
1 W ere the questions you w rote in Practice 1 answered in D raft B?
2 W hich paragraph did you en joy reading m ore, Draft A or B? Why?
DETAILS
,.Tntéresting;$tpries,tavé m any dgtails-Detaiís M espedfiG'pieces.of. inform ation::
; .(haf hdp ús tw undeistánd. a general-idea1bétter. When.we w rilek story, details
. heip the reádérs.see ¡He stoiy in their niincis.. : : - . "
•D etails tell us differrnt, kinds o f inform ation. ; .
• : R k i s :: inform ation .about w ho,'w liaj, when, wh'ere, why,arul how.
■::: ít was about sevciryears ago, ona very tíark nigft wrthcut a moon ariti with a fot of wind:
• Scñsés: infqnnaiion about what you séehear, smelí; t6uch,.;?ud tásté
| p •.Vlysístérx-oüidntsiéep, ar4l.codlcrSear rsr mqvíég arcur4in^ñer.naor%//r,
• Emotions: informalion about how the wriíer and thé people in ¡he story feci ■
• My sister was very nervous. . .
E»*i
PraGlice 0
Look at D raft B onhe opposite page. U nderline details that were added to give a
d earer picture o f the^story. W hat Mnds o f inform ation do the details give ns?
Your turn ^
Follow; these steps to add details and plan your story.
1 Look again at the interview inform ation your partner w rote in O rganize your ideas
on page 53. Can you add m ore details o f fact, sense, o r em otion? Add m ore details
to m ake your story dearer and m ore interesting.
2 Reread the Inform ation on your interview page. T hink about the best way to use the
inform ation to tell your story. You can num ber your ideas to heip you put them in
tim e order.
Write the firsí draft ^
Write a paragraph tellihg yóur funny or scary story. Lí3é your notes from the interview
to heip you w rite
Chapter 4: A Scary or Funny Experience 55
68. E l REVISING YOUR WRITING
A Analyze a paragraph
Read a students first draft below, and answer the questions. Then, talk about your
answers with your dass.
1 What do you like about this paragraph?
2 Is the paragraph about one main idea?
3 Is there a good topic sentence?
4 Are all of the supporting sentences relevant to the main idea?
5 Are the supporting sentences in good time order?
6 Underline any transitions. Did the writer use enough transitions?
7 Did the writer give three different kinds of details: facts, senses, and emotions?
A S c a ry Story
V l: remember about ten yeai;s ago. when t stayed witfysome friends in my
■cbüniry;:W e were next to-an qfd, empty house.,We were talking about ghostsv,
I wilí gfve yoih
300 dollárs.”I thought aboüt ítJHe gaye me 3ÚÓ doll$rsKand Fwent into the
.hoúse..After:[;went insíde.the hóus^.E was yery scared be cause ! had heard.
^áboutrth%hóuse. í:^ £ tó o k tn g tó h e fefr a tó :
G°d!
J’m. safei’" Ididn’t liké that.adyéniure, but l_needed themojiey.
Revise your writing
To heip each other, you will read each other's scary and funny¡experiences. Enjoy the
íjhowrV’'ów'. Work in smallstoñes, and think about other details that you would like tcr]
groups, and follow these steps.
1 Collect al1the papers from your group, and exchange them
2 Each person in your group will read all of the papers. For e¡ ch paper, do the
following:
» Put a star next to one word, sentence, or detail that yot like.
• Ifyou do not understand a sentence, put a question m<rk (?) next to it.
9 At the bottom of the paper, write one question about tiíe story. Ask for more
details about something in the paragraph.
with another group.
Writers at Work: The Paragraph
69. Your turn
When you get your paragraph back, reread it. Then, answer these questions.
1 Are there any question marks on it? If so, rewrite those sentences more ciearly.
2 Answer the questions on the bottom of your paper. Can you add details to make
your story better?
3 Look back at your interview notes. Did you include eveiything that you wanted to
include in your story?
4 Ask yourself the questions in Analyze a paragraph on the opposite page. Do you
need to make any changes?
5 Look at your Progress Check on page 49 of Chapter 3. Use it to heip you revise your
paragraph.
C Write the second draft
Rewrite your p'aragraph, and make any changes that you need. Write a title at the top ¡
of your paper. •
E ] EDlHNG YQUR WRtTiNG~~ "
A Focus on sentence grammar
A compound sentence is made up of twp simple sentences. In a compound £ | i
^sentence; the simpleseníences. surecalled independen^dauses¿;ThereTáre usuallyI - *
i ¡ only'twchindependent clauses in one compound sénténce. The cfauses;áre jomed- j
'hya coardinating conjunction Qmd^or, hut, so}. A-comma is placed^after the,first
índependéniNcIause.. ' V. , - ~ -I-;,-, - bi . -. '•*%
He gave me 3 w doilars, and ¡ warcf into the house. ¡ r ' ;
' Á : independent-clátise «! CG índependenfcfeuse r ___________„ _________________________________________- , ri
»
Practice Q j
Do thése sentences fit the description of a compound sentence? With your dass, talk
about why or why not
1 People have always talked about ghosts, and many books have been written about !
them, but people caimot agree on their existence.
2 Some people believe in ghosts others laugh at íhe idea, other people just aren't
sure.
3 One student saw a ghost, and he'ü never forget the experience he belieyes in them
now.
Chapter 4: A Scary or Funny Experience 57
70. y
RUN-ON SENTENCES
A common writing mistake is the compound run-on
sentence does not usually have more
is probably a compound run-on sentence. There are
can resuJt in compound run-on sentences !
/ i t
• More than two
People have always taikecf about ghosts, and many books have been written about them,
but people cárinot ágree on thefr existence. -
• More than two independent clauses not joinedby-coordinating conjunctic
Some peopíe believe in ghosts others laugh at the idea, other péopie just aren’t süíe.
-on sentences : V r -
One student saw a
Read this student's story. Decide which sentences are run-ons. Write RO aboye the
run-on sentences. Then, talk about your answers with your ¿lass.
A Visií
1O ne n ig h t in m y country, I couldn't sleep. 2I was alone in m y bédroom,
and my brother and sister were sleeping in th e ir rooms. ÍO utside, the weather
was not good. 4lt was raining hard my room was dark, and it was about three
óclock in the m orning. 5I prayed to-G od, and I wished for sleep. 6Suddenly, í
saw a young wom an w ith long black hair in fro n t o f me,
com ing from her, so I could see her clearly. 7She gave m]e
was floating above the fioor. 8! was scareó a t the sight, llco u ld n 't do anything,
then, she started to laugh. 9! turned the lig h t on w ith a ig efFort, but she
disapt?eared in fro n t o f me I went to the livinq room and
. I
m orning. 10Even to d a y , I can't forget th a t experience, and
bother me zaain.
and soft light was
a smile, but she
sat there until
hope she will nevar
58 Writers at Work: T ke Paragraph
71. CORRECTING A RUN-ON SENTENCE
A-mn:on sentence is :^ o pr more independent clauses incoiré^y/jomeci
|together. To coírert a.m n-pn sentence^ sepárate it into twOfpr nipregood
1 Firid all in the
■/'raJHJii;
2 Decide where
3. Add:,óf take put coprdihanrig conjunctipns where you-need to. -
|4 Change the :
way to corfect'á run-on sentence. You can decide ;
which:'way you Like besfc'
Run-on sentence 1;^ : - : ;
People have always-talked: about.ghosíst and many- bóoks have been-writíerr;about them,
but peopíe-cannotagrée: onfheír existence.;.
' ’G órfeáión I :
, People have.always talkéd;about ghosts, and":many books have been^ritíea.aboútthem. ;.:
; Bút péopíé éannot agree órrtfieir existence^
Corréction 2 ; r ' ‘ | , -
| beeri written"áboirt them, but
people cannot agree on their.existence, -
Run-crn sentence 2: ^ 1 '
"'^m & p e o p té ;believe:iihrghostáóthers}aughattheideá^other:people;iustarentsure:v;
;.CoTjécúón 1:. ...
f Some people beííeve in gfiosts, but o te s laugh at-theJde¿ Otherpeople justaren^1sure.
' CÓTrecíibn 2 : ' 1 1§ /;V. ..'v
; ' Somé people belíeve in 'ghosts. Others laugh'af the idea: Other people.jüst aren’t sure...
R u n -o n señténce 3::
Oñé' Stüdent saw a ghost; anti He’li never forget thé experience he beiíevés in the'm now.
Corréction 1: y .':
•One student saw^a ghost and’herll neveríorgét the experience. He befieves in them now.
Corréction 2 r . J -
.One student saw a ghostr so. he believes in them now. He’!! never foroetthe experience. ¡
Practice l ?¡
On a separate piece o f paper, rewrite the paragraph "A vísit" in Practice 5 on the
opposite page. Correct the run-on sentences. . .
Chapter 4: A Scary or Funny Experience 59
72. Practice Q
This student's paragraph has both simple and compound sentences, but there are
many run-on sentences in it. Correct the run-on sentences by adding periods and
capital letters. Yoü will need to add or remove some commas. You might choose to
add some coordinating conjunctions.
A Funny Story
1A funny thing happened to my family three years agó. 2One evening, my •
parents, my brother, and I went to see a movie. 3A fter that, we went to eat
dinner at a restaurant, we took a long time there, so we carne back home about
tweive o'clock. 4I opened the front door, I was very surjprised. 5Somebody had
scattered everything in my house. 6Books and records ¡were on the floor, and the
sofá was torn up. 7A t th a t time, I heard a strange nofse from my room, and I
was sure th a t there was somebody in my room, and I wanted to be a hero, so
I told my family, "Piease, watch o u t i will check my r$om." 8I walked s!ow!y and
quietly to my room and opened my door carefully. 9S;iiddenly, something jumped
out the window it was. a wild cat. 10W e realized. that
everything in our house. 111 had forgotten to cióse the
iaughed together.
:he cat had scattered
window. 12Then, we al
-ii
This student's paragraph has both simple and compounáIsentences, but there are
many run-on sentences in it. Coirect the run-on sentericés by adding periods and
capital letters. You will need to add or remove.some comunas, and you might choose
to add some caordinating conjunctions: ■ —=====
The student wrote about a terrible experience thathappenedin Texas. In 1987, a gifí named
Jessica fell doum a w ell H er rescuers had to drill a hole next to the wéll to reach her. The
student imagined that she vuas Jessica and wrote the story frcTji Jessica's point ofview.
Je ssica ’s Terrible Experiefice
4W hen I was onlv 18 months oíd, something terrible: liappened to me. 2O ne
day, I was playmg ouiside with some other children, ! :eii into a weíí, a a&ep
well. sA t first, I didn't know what happened, i asked myself, "W h y is it so dark?
W h e re is my mo'rnmy?".4A íler a few minutes, I heard my mom cali me, "Jessica,
jessica, where are yoü?” 5Her voice sounded very. wprned then, ! knew i was m
the well. 3! began to feeí-pain because my bcdy had hit c-n the rocky sides o f .
Writers at Work: The Paragraph
73. the well. 7I cried and called my mom, then ! fell asleep.
8A fter a long time, I woke up, I was still ¡n the well, I started to hear a loud
noise. 9I d id n t know w hat it was, but I thought maybe it was Superman. 40He
was coming to save my life. 11l.remembered in the cartoons, Superman always
saves people's lives. 12W hen I thought about that, I wasn't scared anymoré.
13l even felt a little happy because I would see Superman. 14finally, I saw him,
but he forgot to wear his Superman clothes he forgot to wear his red cape.
15However, I believe he was my Superman. 16He took me up to see my mommy
and daddy and they were both crying, and I cried, too. 17l was rescued
Edit your writing
Use the Editing Checklist to edit your paragraph. Follow these steps.
1 Underline all of the subjects in your sentences. Circle all of the verbs.
2 Using the checklist, look for only one kind of mistake at a time.
3 Use Quick Check on pages 123-140 to heip you fix your mistakes.
4 Lóok at your Progress Check on page 49 of Chapter 3. Use it to heip you edit you
paragraph.
EDITING CHECKLIST £
Loóle át;each sentence
XQ - ' 1 Does every sentence have a subject and a verb?
Í O ' , 2 A iém ere any run-on sentences-?
:-T l 3 'Are tr^re any fragniénts?
.;&ó& ateacirveib,'
O -: 4 I)o all ofíthe yerbs. a^éewíth-theirsubjéáá?'^':'
í~T 5- Are alí o f the verbs tHe con ca tense and forai?
Lóok ai ■
U 6' Does each sentence begin with a capital. létter?'
□ ; 7 Does each sentence end with the correct punctuation?
L_l . 8 ís there a comma after each transition?.
U 9 ís there a comma in each compound sentence?
Look at the words. ^
U 10 Ts each wórd.spéllédxoiTectly?.
Chapter 4: A Scary or Funny Experience 6 1
74. Write your final draft, induding your changes and corrections. Use correct format.
I FOLLOWING UP____
A Share your writing
Check your progress
After you get your paragraph back from your teacher,
below.
the Progress Check
Paragraph title:
Things I did well in this paragraph:
Look at your Progress Check on page 49 of Chapter 3.
writing in this paragraph?
How did you improve your
Follow these steps to read your dassmates stories in small groups.
1 Get in a small group. Collect all of the paragraphs from your group, -and exchange
them for the paragraphs of another group. >j
2 Each person.in the group will read all of the papers. Then, the group will dedde
which story is the most enjoyable to read.
3 The teacher will. read each group's favorite stóry. The gjroup will explain why théy
chose that story.
Things I need to work on in my next paragraph:
Writers at Work: The Paragraph
76. ' 1 1 gjl^ÍN G STARTED
A Picture this
Answer the questions about each photograph with your class or in a small group.
Gei ideas
What is your favorite holiday? On a blank piece of paper write the ñame of íhe
holiday in the middle of the page. Draw a árele around it and make an idea web, as
you did in .Chapter 3 ón page 39. Include in your web what you do on that holiday
and also íhe sighís, soúnds, smeils, and tastes.
Writers átWoifc The Paragraph
1
2
3
What is íhe ñame of the holiday?
What is happening in the photograph?
Do you celebrate the same holiday or a similar one?