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WOMEN IN RENAISSANCE
Leonardo Da Vinci: “La bella Ferronière”
Role of women in society
• Liike in Middle Ages,
were denied all
political rights and
considered legally
subject to their
husbands.
• Women of all classes
were expected to
perform, first and
foremost, the duties
of housewife.
Social differences
• Peasant women:
– Worked in the field alongside their husbands
– Ran the home
Pieter Brueghel: “Visiting the peasants”
Social differences
• Middle class:
– Wives of shop owners and merchants
– Often helped run their husbands' businesses
– Attended the home
Van Reymerswale: “The moneychanger and his wife”
Social differences
• High class:
– Attended by servants
– Engaged in activities like: sewing, cooking, and entertaining.
– Were allowed to read and play instruments. But, always under
their husbands’ supervision.
Bacchiacca: “Woman Reading” Bartolomeo Veneto: “Woman playing a lute”
Social differences
• Women who did not marry were not permitted
to live independently.
• Instead, they lived in the households of their
male relatives or, more often, joined a convent.
Examples of texts about women
• “Es menester que la buena mujer lea, pero solo ciertos
libros: La Biblia, Cicerón o Séneca, no debe de
adentrarse en otro tipo de Literatura que la lleve fuera del
buen camino” (Fray Luis de León: “La perfecta casada”)
• “Se desaconseja a la mujer leer libros de caballería,
siguiendo los cánones establecidos por Santo Tomás que
determinaba su conducta y modo de vestir según el
estado civil, no es de extrañar por tanto el
establecimiento de rejas en puertas y ventanas para
preservar la virtud de la mujer” (Luis Vives)
Women in art
• It continues the binomial “Virgin Mary – Eve”
that is, the virtue in the face of sin
Michelangelo: “Pietá”
Boticelli: “The birth of Venus”
Alberto Durero: “Adam and Eve”
Exemptions of relevant women in
Renaissance
• Isabella I of Castile
• Queen of Castile 1474 – 1504 and Queen
consort of Aragon
Antonio Moro: “Queen Mary I of England”
Elizabeth I of
England.
1559 - 1603
Bartolomeo Veneto: “Lucrezia
Borgia”
• Lucrezia Borgia
• Daughter of the Pope
Alexandre VI
• Married and divorced three
times with important
noblemen.
• She influenced political and
social life, and was a noted
patron of arts
Tiziano: “Isabelle D’Este”
• Isabelle D’Este
• Married with the Duke of Mantua
• She mastered Greek and Latin
and memorized the works of the
ancient scholars.
• After her husband, was captured
in battle, she ruled Mantua
herself.
• Influenced the economic
development of the region,
encouraging the development of
the textile and clothing industry.
• Isabella collected many paintings,
sculptures, manuscripts, and
musical instruments.
• Encouraged Mantuans to support
the arts.
Leonardo Da Vinci: “Portrait of Isabella D’Este”

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Women in renaissance

  • 1. WOMEN IN RENAISSANCE Leonardo Da Vinci: “La bella Ferronière”
  • 2. Role of women in society • Liike in Middle Ages, were denied all political rights and considered legally subject to their husbands. • Women of all classes were expected to perform, first and foremost, the duties of housewife.
  • 3. Social differences • Peasant women: – Worked in the field alongside their husbands – Ran the home Pieter Brueghel: “Visiting the peasants”
  • 4. Social differences • Middle class: – Wives of shop owners and merchants – Often helped run their husbands' businesses – Attended the home Van Reymerswale: “The moneychanger and his wife”
  • 5. Social differences • High class: – Attended by servants – Engaged in activities like: sewing, cooking, and entertaining. – Were allowed to read and play instruments. But, always under their husbands’ supervision. Bacchiacca: “Woman Reading” Bartolomeo Veneto: “Woman playing a lute”
  • 6. Social differences • Women who did not marry were not permitted to live independently. • Instead, they lived in the households of their male relatives or, more often, joined a convent.
  • 7. Examples of texts about women • “Es menester que la buena mujer lea, pero solo ciertos libros: La Biblia, Cicerón o Séneca, no debe de adentrarse en otro tipo de Literatura que la lleve fuera del buen camino” (Fray Luis de León: “La perfecta casada”) • “Se desaconseja a la mujer leer libros de caballería, siguiendo los cánones establecidos por Santo Tomás que determinaba su conducta y modo de vestir según el estado civil, no es de extrañar por tanto el establecimiento de rejas en puertas y ventanas para preservar la virtud de la mujer” (Luis Vives)
  • 8. Women in art • It continues the binomial “Virgin Mary – Eve” that is, the virtue in the face of sin Michelangelo: “Pietá” Boticelli: “The birth of Venus”
  • 10. Exemptions of relevant women in Renaissance • Isabella I of Castile • Queen of Castile 1474 – 1504 and Queen consort of Aragon
  • 11. Antonio Moro: “Queen Mary I of England”
  • 13. Bartolomeo Veneto: “Lucrezia Borgia” • Lucrezia Borgia • Daughter of the Pope Alexandre VI • Married and divorced three times with important noblemen. • She influenced political and social life, and was a noted patron of arts
  • 14. Tiziano: “Isabelle D’Este” • Isabelle D’Este • Married with the Duke of Mantua • She mastered Greek and Latin and memorized the works of the ancient scholars. • After her husband, was captured in battle, she ruled Mantua herself. • Influenced the economic development of the region, encouraging the development of the textile and clothing industry. • Isabella collected many paintings, sculptures, manuscripts, and musical instruments. • Encouraged Mantuans to support the arts.
  • 15. Leonardo Da Vinci: “Portrait of Isabella D’Este”